What's That Pig Outdoors?: A Memoir of Deafness

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In this engaging memoir, Henry Kisor recounts the story of his life as a deaf person in a hearing culture.

Henry Kisor, a veteran journalist, twice nominated for the Pulitzer Prize, lost his hearing at age three. He recounts the story of his life as a deaf person in a hearing culture in this engaging memoir, which offers a fascinating perspective on both worlds. "A first-rate memoir, notable for its candor, charm, and sensitivity."--The Boston Globe. "Henry Kisor's ...

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What's That Pig Outdoors?: A Memoir of Deafness

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In this engaging memoir, Henry Kisor recounts the story of his life as a deaf person in a hearing culture.

Henry Kisor, a veteran journalist, twice nominated for the Pulitzer Prize, lost his hearing at age three. He recounts the story of his life as a deaf person in a hearing culture in this engaging memoir, which offers a fascinating perspective on both worlds. "A first-rate memoir, notable for its candor, charm, and sensitivity."--The Boston Globe. "Henry Kisor's book may well become an American classic..."--The New York Times Book Review.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Genial and moving, sharp and witty, Kisor's memoir defies pigeonholing of the deaf by hearing and deaf persons alike. The book editor of the Chicago Sun-Times , who lost all aural ability at the age of three after suffering meningitis, Kisor characterizes himself as ``a minority within a minority,'' an oralist without knowledge of sign language who relies on spoken language and lip-reading to live and work amid the hearing. Trained by his mother in the then-maverick reading-based Mirrielees system and educated in hearing classrooms, he indicts the paternalistic deaf educators of his youth who fostered an ``oral-or-nothing'' means of communication for the deaf, although he also finds alarming the ``new orthodoxy'' of today's separatist signing deaf culture. With unflinching candor and telling details, Kisor cites the ways in which being deaf among the hearing shaped his personal and professional experiences: his humiliating impotence when his wife, undergoing an induced delivery of a stillborn baby, confronts insensitive medical personnel; a bout with alcoholism; his flexible interviewing skills, which are tested, for example, when he must negotiate a dialogue with writer Edward Hoagland, a chronic stutterer. (May)
From the Publisher
"A liberating document—and a heck of a good read."—Booklist

"May well become an American classic."—New York Times

"Genial and moving, sharp and witty."—Publishers Weekly

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Product Details

  • ISBN-13: 9780140148992
  • Publisher: Penguin Group (USA) Incorporated
  • Publication date: 6/28/1991
  • Pages: 288
  • Product dimensions: 5.44 (w) x 7.74 (h) x 0.44 (d)

Meet the Author

Henry Kisor is a retired book review editor and literary columnist for the Chicago Sun-Times. He is the author of Zephyr: Tracking a Dream Across America and Flight of the Gin Fizz: Midlife at 4,500 Feet, as well as three mystery novels, Season's Revenge, A Venture into Murder, and Cache of Corpses.

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First Chapter

what's that pig outdoors?



Copyright © 2010 Henry Kisor
All right reserved.

ISBN: 978-0-252-07739-5

Chapter One

Only connect! ... Live in fragments no longer. Only connect, and the beast and the monk, robbed of the isolation that is life to either, will die. —E. M. FORSTER, Howards End

When we newspapermen turn the last page of our lives, we are praised at the wake and forsaken after the grave. Our achievements, after all, are as transitory as the events we chronicle. What will we have produced that will last? In my case, perhaps this book about my deafness.

One of the reasons I have written it is to help fill a void. The body of literature about the deaf by the deaf is rather small. A good deal more has been produced by educators of the deaf, parents of the deaf, and offspring of the deaf. Much of it is valuable but tinged by second-handedness. Other than modest and often artless testimonials, chiefly published by small specialty presses and marketed within the deaf community, little has been written by the deaf themselves. Historically, their handicap has kept most—especially those born deaf—from achieving the command of English necessary for literary accomplishment. Happily, all this is beginning to change.

Another impetus for this book comes from an extraordinary series of events that occurred in March 1988 in Washington, D.C. It began with the proclamation that "deaf people are not ready to function in a hearing world." What a stupid thing for the chairwoman of the board of a university for the deaf to say! When the news arrived at the Chicago Sun-Times, where I am an editor and critic, I was astonished. But soon my surprise gave way to gratification, some amusement, and not a little dismay.

I have long been accustomed to the paternalism of all too many hearing educators toward the deaf. Until then it had seemed a subtle and silent paternalism, not an overt one. But when Jane Spilman brought it to the surface, she set in motion a tidal wave that is still lapping on the shores of deafness around the world.

She made the remark in attempting to justify the appointment of Elisabeth Ann Zinser as the new president of Gallaudet University, the nation's only liberal arts institution for the deaf. Spilman and her board of directors had chosen Zinser, the only one of the three finalists for the position who was not deaf, despite months of urging from both deaf and hearing people that the new president share the students' deafness. By all accounts, Zinser, who was then vice president of academic affairs at the University of North Carolina at Greensboro, was a competent and even brilliant administrator. But she had no experience with the deaf and, like Spilman, could not speak sign language, the most common method of communication at Gallaudet.

To the students and most of the faculty, the appointment—never mind Spilman's incredible remark—was incendiary. It was as if a white had been chosen president of a college for blacks because they were too incompetent to produce one themselves. But, as with blacks, there are successful deaf scientists, lawyers, journalists, professors (at hearing colleges as well), deans, dentists, and doctors. Why not a college president? Especially at their own university?

The ensuing events were like a replay of the campus demonstrations of the 1960s. The Gallaudet students, galvanized into uniting against the ignorance, thoughtlessness, and paternalism that for so long had been their lot, took to the streets. They waved placards, blocked traffic, and chanted slogans in sign language. The nation's news media, weary of a long and dull presidential primary campaign, descended on the campus. Jesse Jackson, that canny campaigner and old civil rights worker, was photographed clasping hands in victory with student marchers.

At first I was appalled. After all, I considered myself the unlikeliest person to sympathize with campus upheaval of any kind. I am middle-aged and vividly remember the abortive college sit-ins and takeovers of the 1960s and 1970s. Today I'm paying thousands of dollars a year in tuition for my own collegian. I had expected I would have little accord with anything that disrupted the expensive process of higher learning.

But within a day or two I began marching with the Gallaudet students in spirit if not in person. After all, right was on their—our—side. So, it turned out, was might. The students' storming of their Bastille was no noisy and ineffectual campus rebellion, but a true revolution in which an oppressed but bright and well-organized group succeeded in seizing its rightful share of power.

To my considerable delight, the board of directors, under enormous pressure, caved in to all the student and faculty demands: that there be no reprisals against protesters, that Spilman resign, and that a majority of the board be constituted of the hearing-impaired. (Only four of its members were deaf, and all had voted against Zinser's appointment.) They also gave the presidency to one of the deaf finalists they had passed over: Irving King Jordan, Jr., the popular dean of the Gallaudet college of arts and sciences. The board immediately elected a deaf chairman, Philip Bravin, a New York business executive, and began restructuring itself to give hearing-impaired members a majority.

And so the good guys won. The victory seems to have been a heaven-sent opportunity, too. It may unite the hearing-impaired of America in facing a larger task: to prove to an indifferent (and sometimes hostile) hearing world that we are capable of taking our rightful places in society. Everywhere.

It won't be an easy job. Because the rhetoric during the Gallaudet demonstrations sounded so much like that of two decades ago, some journalists and commentators misunderstood what had happened. One ultraconservative syndicated columnist, for example, likened the uprising to separatist Black Power tactics of the 1960s. Superficially that's true. If deaf people sometimes appear self-segregated, working and socializing chiefly among themselves, most (like American blacks) have had little choice in a world that has tended to ignore and even reject them. But the deaf have not echoed the militaristic rhetoric and implicit violence of the Black Panthers, nor have they rejected the values of the hearing world, as the black militants loudly repudiated those of white America. The deaf have hardly been perceived as a threat to the stability of the hearing world. Apart from their brief flurry of revolutionary grandiloquence at Gallaudet, they have quietly asked only that their community be accepted as a proud, legitimate member of the plurality of cultures that makes up the United States.

Other journalists displayed abysmal ignorance in their eyewitness descriptions of the demonstrations. I was highly amused when reporters used the terms "silent" and "soundless" when writing of the marches. For the deaf tend to be noisy people, both vocally and in their actions. Even if most speak in sign, many use speech as well.

And I was chagrined when it became apparent that journalists covering the Gallaudet story tended to write as if all deaf people were members of the self-contained "deaf culture," relying exclusively on sign language. Homogenizing the deaf in this way is like assuming all black Americans to be Democrats.

We are not all the same. Though I have been totally deaf for forty-six of my forty-nine years, I am a member of a minority within a minority: I am what is called an "oralist." That is, I depend wholly on spoken language and lipreading, however imperfect they might be, to help me live and work in a hearing world. I do not know sign language at all.

For centuries there has been a gulf between the few speaking deaf and the many signing deaf, and not simply because we cannot, for the most part, communicate with one another. For a long time, especially in recent years, we—and our teachers—have quarreled over whether deaf children should be taught speech or sign.

Deafness frequently begins in the womb, the advocates of sign often point out. The normal fetus hears its mother's crooning, and during the first two years after birth the child constantly soaks up sound. Missing all this, deaf-born children almost never catch up, the argument continues. If they learn to speak at all, it's usually in an almost intelligible pidgin. Only sign language, its advocates declare, can give deaf infants an easily learned, natural, and efficient way to communicate. It's undeniable that sign can be rich, dramatic, and powerful. The National Theater of the Deaf and such compelling plays and movies as Children of a Lesser God are proof that those who master sign can be as poetic as the Irish. But sign, counter the oralists, is not the best way to communicate with a hearing world that employs a wholly different language. Without speech, a deaf person will always be an outsider.

It is often contended that those like me—the deaf who master English and speak intelligibly—tend to have lost their hearing after having learned language. And their ability to lipread varies widely.


Excerpted from what's that pig outdoors? by HENRY KISOR Copyright © 2010 by Henry Kisor. Excerpted by permission of UNIVERSITY OF ILLINOIS PRESS. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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  • Anonymous

    Posted July 29, 2013


    This is my uncle who rote this book my uncle is henrry kisor

    Ruby E. Haupt

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    Posted November 21, 2012

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