Wheelhouse

Wheelhouse

by Brad Paisley
     
 

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If Brad Paisley signaled a tentative stylistic retreat via the title of 2011's This Is Country Music, the name of its 2013 sequel, Wheelhouse, is a fake-out. By no means is he returning to familiar territory here; he's stepping far outside his "Southern Comfort Zone," as Paisley puts it on the record's first single.See more details below

Overview

If Brad Paisley signaled a tentative stylistic retreat via the title of 2011's This Is Country Music, the name of its 2013 sequel, Wheelhouse, is a fake-out. By no means is he returning to familiar territory here; he's stepping far outside his "Southern Comfort Zone," as Paisley puts it on the record's first single. There, he admits how he misses his Tennessee home but he's seen the ways he's grown and never would have seen the world without leaving what he already knew, a kind of self-evident truth that passes for a major revelation in the polarized world of 2013, where residents of both red and blue states are very happy within the confines of their county. Paisley has taken it upon himself to narrow the gap between city and country and, in that sense, Wheelhouse in general and "Southern Comfort Zone" in particular are cousins of sorts to his multi-cultural paean "American Saturday Night," only blown up to an international scale. Throughout the album, Paisley finds something to celebrate in every little corner of the world, or at the very least, the countries where his career has taken him. He titles an instrumental in Chinese, he writes a very English character sketch in "Harvey Bodine" (shades of the Kinks, or even Blur's "Ernold Same"), the Mona Lisa moves him to write a love song, and he rhapsodizes about "Karate," which a battered woman uses to exact revenge on her abuser. "Karate" is one of those tricky juggling acts Paisley pulls off with grace; another is "Those Crazy Christians," where he admires faith while harboring doubts of his own, never taking potshots at those who believe -- but there are times on Wheelhouse where Paisley simply has too many balls in the air and they're destined to fall. They come crashing down on "Accidental Racist," a well-intentioned attempt to get good ol' boys to reconsider the perspective of African-Americans undone by on-the-nose lyrics by Paisley and guest rapper LL Cool J, whose presence is simultaneously admirable and heavy-handed. Other odd grace notes abound, ranging from the too-dense spoken sample collage and "Dixie" interpolation on "Southern Comfort Zone," to the choice to bring both Mat Kearney and Charlie Daniels in as rappers, leaving teen heartthrob Hunter Hayes to play guitar and Eric Idle to sing. Paisley houses all these quirks underneath a looming cloud of arena rock atmospherics borrowed from U2, then accentuates everything with shouted harmonies laid on way too thickly, an expansive, ambitious production that remains admirable even with when it's unsuccessful. Usually, Wheelhouse suffers when the cross-cultural ambition is too great -- the wickedly funny "Oustanding in Our Field" samples Roger Miller and features a sly Dierks Bentley cameo, two moves so natural they wind up illustrating the labor that lies elsewhere -- but when Paisley does pull it all together, as he does on "Karate" or the joyous "Beat This Summer" (as effervescent a song as he's ever cut), the results are so good they wind up proving his point that more country singers should step outside their wheelhouse.

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Product Details

Release Date:
04/09/2013
Label:
Arista
UPC:
0887254553922
catalogNumber:
545539
Rank:
3218

Tracks

  1. Bon Voyage  - Brad Paisley
  2. Southern Comfort Zone  - Brad Paisley
  3. Beat This Summer  - Brad Paisley
  4. Outstanding in Our Field  - Dierks Bentley
  5. Pressing on a Bruise  - Mat Kearney
  6. I Can't Change the World  - Brad Paisley
  7. [Untranslated]  - Brad Paisley
  8. Karate  - Brad Paisley
  9. Death of a Married Man  - Brad Paisley
  10. Harvey Bodine  - Brad Paisley
  11. Tin Can On a String  - Brad Paisley
  12. Death of a Single Man  - Brad Paisley
  13. The Mona Lisa  - Brad Paisley
  14. Accidental Racist  - Brad Paisley
  15. Runaway Train  - Brad Paisley
  16. Those Crazy Christians  - Brad Paisley
  17. Officially Alive  - Brad Paisley

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Album Credits

Performance Credits

Brad Paisley   Primary Artist,Acoustic Guitar,Banjo,Mandolin,Electric Guitar,Background Vocals
Sheryl Crow   Background Vocals
Hunter Hayes   Guitar,Electric Guitar
Carl Jackson   Background Vocals
Gordon Mote   Piano
Kendall Marcy   Organ,Banjo,Percussion,Piano,Keyboards,Background Vocals
Luke Wooten   Bass
Randle Currie   Dobro,Pedal Steel Guitar
Dennis Worley   Choir Director
Justin Williamson   Fiddle,Mandolin,Cello,Viola
Ben Sesar   Drums
Gary Hooker   Acoustic Guitar,Electric Guitar,6-string bass
Chris Stapleton   Choir, Chorus
Cliff Duren   Choir Director
Brentwood Baptist Worship Choir   Choir, Chorus
Kenny Lewis   Bass,Background Vocals

Technical Credits

Roger Miller   Composer
Neal Cappellino   Engineer,Additional Production
Walter Donaldson   Composer
LL Cool J   Composer
Dave Rouze   Guitar Techician
Kendall Marcy   Programming
Mellissa Schleicher   grooming
Kelley Lovelace   Composer,Engineer
Brad Paisley   Composer,Programming,Producer
Luke Wooten   Additional Production
Randle Currie   Composer
Justin Williamson   Composer
Marcus Johnson   Engineer
Mat Kearney   Composer
Lee Thomas Miller   Composer
Ashley Gorley   Composer
Luke Laird   Composer,Programming
Samuel M. Lewis   Composer
Chris Meece   Engineer
Chris Dubois   Composer,Engineer,Executive Producer
Lee Miller   Engineer
Ben Enos   Cover Photo
Mike Dean   Composer
Steve Rusch   Engineer
Mike Dean   Composer,Programming,Producer
Marten Aston   Producer,Engineer
Joe Young   Composer

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