The Wheelmanby Duane Swierczynski
Meet Lennon, a mute Irish getaway driver who has fallen in with the wrong heist team on the wrong day at the wrong bank. Betrayed, his money stolen and his battered carcass left for dead, Lennon is on a one-way mission to find out who is responsibleand to get back his loot. But the robbery has sent a violent ripple effect through the streets of Philadelphia. And now a dirty cop, the Russian and Italian mobs, the mayor's hired gun, and a keyboard player in a college rock band maneuver for position as this adrenaline-fueled novel twists and turns its way toward its explosive conclusion.
One thing's for sure: This cast of characters wakes up in a much different world by novel's endif they wake up at all.
“If you are partial to past-paced thrillers that present this world as an unforgiving, blood-soaked wasteland, you should love Duane Swierczynski's first novel. Swierczynski's novel, like those of [Elmore] Leonard, offers an undertow of humor beneath the churning sea of man's inhumanity.” The Washington Post
“Swierczynski has an uncommon gift for the banal lunacy of criminal dialogue, a delightfully devious eye for character and a surprisingly well-developed narrative for a beginner.” The Chicago Tribune
“[A] promising debut… the gripping tale of a heist gone wrong.” Robert Wade, San Diego Union-Tribune
“A great heist story in the rich tradition of Richard Stark's Parker novels and Stanley Kubrick's The Killing… keeps readers holding their breath to see what's going to happen next. It is clearly the work of a maturing writer who is possessed of a keen style and abundant talent.” Philadelphia Inquirer
“Adrenaline-charged… fast-moving and funny, The Wheelman is Mr. Toad's Wild Ride in an R-rated amusement park.” Booklist
“I cancelled a night out and stayed up all night reading. That's how much I loved this book… at every turn, I was blindsided. Hilarious and bloody violent.” Ken Bruen, author of the Shamus Award-winning The Guards
“Dark stuff… hilariously funny at the same time. Swierczynski has come up with his own twisted and thoroughly enjoyable genre. Bring on some more, sir.” Rocky Mountain News
“Astonishing! Duane Swierczynski has written one of the great all-time heist novels and this guy's just getting started.” Jason Starr, Barry Award-winning author of Twisted City
“Oh, what style!” Kirkus
“The plot twists of Richard Stark novel but the style of Ken Bruen's non-series work. Very noir and highly recommended.” Black Orchid Bookshop
“Duane Swierczynski is one of the best new things to happen to crime fiction in a long time.” Victor Gischler, Edgar-nominated author of Suicide Squeeze
- St. Martin's Press
- Publication date:
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- First Edition
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- 5.72(w) x 8.54(h) x 0.94(d)
Read an Excerpt
By Duane Swierczynski
St. Martin's PressCopyright © 2005 Duane Swierczynski
All rights reserved.
I didn't reform, I lost my nerve. I still think it's sensible to want money and if you want money it has to be sensible to go where they have it and make them give you some.
— AL NUSSBAUM
LENNON WATCHED PEOPLE MAKING THEIR WAY UP AND down Seventeenth Street as the brisk March air whipped around the buildings. Had he been a smoker, Lennon would have savored the last few puffs before pressing the window button and flipping out the butt. Just one cigarette — something for the geeks in khaki pants and navy blue windbreakers to pick up with tweezers, drop into a thick Ziploc bag, tag, log, then store in their evidence cases.
Maybe someone would get around to analyzing the brand, try to pluck some DNA from the butt.
Part of Lennon would live forever, somewhere, tucked away in the case files of the Federal Bureau of Investigation.
But Lennon didn't smoke. He fiddled with the car radio a bit and watched strangers make their way to various duties and diversions. He used to wonder what motivated them — what made them get up every morning, brush their teeth, shower, eat breakfast, kiss a loved one and possibly a child good-bye. That wasn't for him, and that's probably why Lennon enjoyed these last moments before a big job. It put everything into perspective. You could either be outside, burning shoe leather, reporting to a cubicle, thinking about a report, whatever. Or you could be inside a car, waiting for your accomplices.
Then the alarm went off, and everything went to hell.
Bang Bang Bang
HOLDEN WAS RIGHT UP BLING'S ASS. NO NO NO YOU IDIOT. Hang back. Hang two steps back. But it was too late. The big glass door behind Holden swung shut before Bling had a chance to push open the door in front of him. The hidden ACU — the gunpowder-sniffing gizmo — kicked in. Or maybe someone inside tripped it. Didn't matter. Both Bling and Holden were sealed inside the bank vestibule. Even from twenty yards away you could read the expression on Bling's face as his pistol hand smacked against glass: Motherfuck. Trapped, like two gerbils in a Habitrail.
Lennon slid the gearshift into drive, checked the rearview and side mirrors, then punched the car forward and to the left, blocking traffic on Seventeenth Street. He turned around. The strong late March sunshine blazed off the bank's white stone so fiercely it hurt the eyes. Lennon still had a choice. He could leave them behind. Holden deserved it. Bling was another story. And this whole job was another story still.
Lennon pressed two fingers to his neck, feeling for his carotid artery. He counted quickly.
Everything was normal. His pulse hadn't jumped much.
Hooking an arm around the seat, Lennon looked back at Bling. He was watching Lennon very carefully. Lennon gave him the universal "move to the left" sign with his hand. Bling grabbed a hunk of Holden's windbreaker and yanked him out of the way.
Cars honked and Lennon hammered the gas pedal. He would have given them the finger, but there wasn't time.
In the rearview, the bank came rushing forward like the view from a cockpit in a plane barreling into the ground. Lennon made tiny adjustments, keeping his gloved hands light on the wheel. A nudge to the left, a tap to the right. He had to hit the glass just right.
He had done enough reading to know that ACUs — access-control-units — were designed to be bulletproof from the inside. That way, the bank nabs a crew of stupid Holden-like bad guys, they can't go whipping out their Sig Sauers and blasting their way out. Banks don't like customers getting popped. They do everything in their power to avoid it. In fact, when they first started making ACUs, they forgot to make them bulletproof, and banks got shot to hell when freaked-out heisters panicked. Some models of ACUs even have these little escape holes, so the heisters can go on their merry way without plugging any of the customers.
Not this model, though. This apparently was the Scratch-Your-Nuts-Until-the-Feds-Arrive model. Bulletproof inside and, most likely, out.
But car-proof? Speeding car-proof? Speeding, stolen-Acura-proof?
At the last minute, Lennon saw that he was going to smack into a metal support column. He cut it hard, then felt the glass panes shatter.
He shifted up and tapped forward. Bling grabbed Holden's windbreaker again and pulled him through the gap.
Lennon reached down and popped the back trunk, then checked his watch. 9:13 A.M. They were still on track. As long as they could make the next couple of blocks, this might work out after all. The Acura rocked on its suspension as Bling climbed in shotgun and again as Holden hit the backseat.
Lennon stomped on the gas. The car rocketed forward, tires screaming on pavement, and Lennon didn't see her until the last minute.
The woman, pushing a blue baby stroller.
CENTER CITY PHILADELPHIA BANKS ARE NOT HIT BY takeover teams very often, and with good reason: there are very few ways out.
You get a lot of lone-wolf crackheads doing business, but not many pros. Billy Penn designed Philadelphia to be a tightly locked grid of streets named after trees stretching from the Delaware River to the Schuylkill River. Colonial homes gave way to brownstone mansions which gave way to tightly packed office towers which gave way to a glut of office space. The streets are narrow and often blocked, especially where they lead to interstates. If you are smack-dab in the center of Center City — which Lennon's team was — Interstates 95 and 76 are barely five minutes away. But it can take fifty minutes to reach them, if traffic is shitty enough.
Bling gave Lennon the background. Bling was a Philly boy; Lennon was not. Lennon owned a place deep in the Pocono Mountains just an hour and a half away, and he had people he knew in Philadelphia, but he would never work there. The closest he'd work was New York, and even that was a bit too close.
However, the bankroll was running thin, and Lennon and Katie were finished rolling off a nice long wasted winter, with no work for either of them. It was a nice winter: mostly cooking and reading and drinking. When Bling called Katie in late February, it was the right time to go back to work.
The setup sounded nice, too. Bling needed a wheelman for a three-man takeover. A Wachovia Bank, three blocks from city hall, was set to receive a fat shipment of cash on March 29, straight from the federal government. It was part of the mayor's "Operation Fresh Start," a scheme where he was planning to dump over $650,000 on the shittiest ten-block area in the shittiest part of town, just to level it flat and hope that a national developer would want to build a Barnes & Noble or Bed, Bath & Beyond in the middle of the drug-addled badlands. Most of the money was going to pay one hundred or so holdouts who wanted to stay in their crumbling row houses. Bling told Katie that the mayor was going to hand out between $40,000 and $80,000 to each holdout — in cash — in exchange for surrendering the property.
Why cash? Mayor comes from that area, Bling said. Folks there don't trust nothing but cash. They want to get paid. Plus, somebody in the mayor's office thought it would be a good visual for the TV crews: the mayor, launching "Operation Fresh Start" by handing out thick stacks of green to the neediest people in the city. Never mind that gangbangers would probably pounce on the recipients the moment the cameras were turned off. That wasn't the city's problem.
Plus, Bling planned to take the money first.
Bling had a city council snitch who told him about the cash. Bling then told Katie how he planned to pull the thing off, and it sounded like a good idea. So Lennon decided to go back to work.
LENNON WAS A VERY GOOD WHEELMAN. STARTING OUT, he was lucky, but then experience and real skill kicked in, and eventually, he earned a reputation.
The moment Lennon saw the woman and her baby stroller, he knew the Acura was going to hit them.
Impact was two seconds away. Lennon was faced with a choice: aim for the stroller, or aim for the woman. The woman had at least a slim chance of possessing catlike reflexes and leaping the hell out of the way. Based on an ultraquick glance, she seemed agile enough. Maybe she'd been a state champion gymnast as a teenager.
Braking and wrestling with the wheel was out of the question. The risk of fishtailing was too great, and Lennon worried that he would broadside both the lady and the stroller. Steering clear out of the way was impossible. Immediately to the right of the woman and stroller was one of those huge cement planter squares full of mulch and shrubs. The planter would total the Acura, and the team would have to escape on foot — if any of them were conscious enough to do so. And the car was pointed too far right to be suddenly wrenched to the left. No, the choice was still this: woman or stroller.
Holden. He had just returned to his originally scheduled programming.
Lennon's hands floated to the right, and his foot tapped the brakes to ease the impact.
The Acura smacked into the woman cleanly, powerfully, directly below her left hip. The impact folded her in half, then sent her tumbling up the windshield and over the hood. Lennon looked in his side-view mirror, and saw — miraculously — the baby stroller, trembling slightly, but still upright on the sidewalk. She had let go, just in time.
Lennon blessed her, even as she skidded off the side of the roof and fell into the street. It was one less thing to explain to Katie.
Passersby screamed, but that wasn't Lennon's concern. Yes, he hoped the woman was still breathing. He hoped her hospital time would be minimal, and that, eventually, she'd forget all about what had happened to her. But he couldn't get caught up in that now. He still had work to do.
The heist had been all on Bling. The getaway was all on him.
The Kennedy Assignation
FOR A GOOD TWO WEEKS, LENNON HAD STUDIED THE street maps of Philadelphia that Bling mailed him, looking for elements that other heisters had overlooked. For the first couple of days, he kept coming back to JFK Boulevard, just one block from the target bank. JFK didn't exist thirty years ago; a huge set of train tracks — nicknamed the "Chinese Wall" — used to cover the same ground, originating from a huge terminal a few blocks to the east. The city shitcanned the trains, then built a row of office complexes and apartment buildings in its wake. They named the street after the recently assassinated U.S. president. JFK. Lennon kept coming back to it. It felt right. It felt like the gang's ticket out of the city, out to I-76 and by extension, freedom.
The more Lennon studied, the more he fell in love with JFK. It was a fat street, unlike almost any other in Center City Philadelphia. He took a Martz bus down to study it in person one unseasonably warm day — a Tuesday. His suspicions were confirmed. Even though JFK ran from city hall right to Thirtieth Street Station — arguably the busiest strip of the city — it was wide enough to handle all manner of traffic. Cabbies were able to weave in and out of traffic from Fifteenth Street clear through to Thirtieth. JFK was it: the fat artery that would let the blood spurt away from the heart and straight to I-76.
The only problem: Bling's target bank sat at the corner of Seventeenth and Market. Lennon discovered that Seventeenth Street ran south, away from JFK. And Market ran east, away from I-76.
He studied the maps, drank imported beer, watched DVD movies with Katie. He knew the answer would come.
The morning of the job, Bling and Lennon put on window-cleaners' uniforms, then carried their signs and ladders and wooden horses and ropes out of a rented van with the word JENKINTOWN WINDOW MASTERS, INC. painted on the side. (Bling said that all of the decent window-washing companies were based in Jenkintown, a suburb just north of the city.) They set up their gear along the west side of Seventeenth Street, between Market and JFK, arranging the wooden horses in a straight line almost to the end of the curb so that pedestrians would have to walk around them to get anywhere. Chances were, nobody would bother looking up for scaffolding. Besides, it would only have to work for about twenty minutes.
When they had blocked off enough of the sidewalk, Bling and Lennon climbed back into the van, then Bling changed into his second set of clothes — baggy jeans, Vans, oversized basketball jersey. Holden, driving the van, was already dressed for the job. He was wearing an Allen Iverson jersey. Big bright colors, huge fat numbers and names. You want to give them something to look at. That way, they'll keep looking for it later, long after you've changed into something else. Lennon stayed in his window-cleaner uniform. It didn't really matter what he was wearing, not until later.
Bling pulled out his cloned cell phone, dialed in the bomb threat to the U.S. Mint — clear across town — and Lennon drove them to where he'd stashed the Acura.
LENNON WRESTLED THE WHEEL TO THE LEFT AND APPLIED pressure to the brake pedal. The Acura spun forty-five degrees, give or take a degree, so that it faced the wrong way on Seventeenth Street.
"Jesus fuck yo!" yelled Holden in the back.
"Hey," said Bling. "Brother knows what he's doin'."
Brother knew exactly what he was doing. He just didn't know howhe was going to do it. The trick was shooting across Market Street in one piece. Lennon knew he had a fifty-fifty shot at a green light, which would make everything easy. A red light would be tricky.
Predictably, the light was red.
Lennon rationalized it. Only sixty feet across. Just sixty measly feet of Frogger. Lennon looked at Bling and nodded, then turned back and pushed down on the accelerator. The Acura jumped forward and raced through the first thirty feet. An SUV tried to cut him off from the last thirty, but Lennon swerved to the left, then cut back to the right and sailed through a parking meter and the traffic pole, directly onto the sidewalk, smashing through the first wooden horse they'd set up. He crashed the Acura through the rest of the window-washing gear — which had been loosened to ensure easy breakage — clear through to JFK Boulevard. Better the gear than innocent people. One hit-and-run victim was enough for one morning.
"Now that's how you do it," Bling said.
Lennon shot him a glance, then spun left onto JFK and raced forward all the way up to Twentieth Street, weaving in and out of cabs and Mercedes and Chevy Cavaliers. He pressed two fingers to his neck, feeling for the carotid artery. This was his favorite way to gauge stress. He was doing okay, all things considered.
Another rearview check: no flashers. Five blocks away from the bank and nothing. The first five blocks were always the hardest. Lennon took a hard right onto Twentieth Street, going north, then a quick left down a tiny side street that ran parallel to JFK.
Now here's where Philadelphia geography gets interesting. Even after ripping out the Chinese Wall, some bits of the old city remained. Tiny streets and alleys that used to run through the industrial blocks sat right next to the new thoroughfares. One of those alleys was the key to the getaway plan.
The alley Lennon took was wide enough for a car, and led downhill. Right next to it, JFK continued at a level elevation and then turned into a small bridge that ran over the Schuylkill River and directly to the front doors of Thirtieth Street Station. This side alley dipped down to river level. Nobody ever drove on this tiny street.
No sirens yet. Anywhere. A good sign.
The Acura sailed down the side street, crossed Twenty-first Street, then continued to Twenty-second. Lennon made a quick right, then a quick left, and pulled into the parking lot. By this time, Bling and Holden had stripped out of their jerseys and windbreakers and shiny pants and tucked them, along with their guns, into an oversized plastic shopping bag. All Lennon had to do was slip off the window-cleaning uniform, which he handed back to Bling, who tucked it away.
The lot was a park-it-yourself deal. They pulled into a spot, gathered up everything out of the car, then walked over to the second car: a 1998 Honda Prelude. They tucked the plastic bag with their clothes in the trunk next to the canvas bag with the $650,000, tossed the keys in, and slammed the lid shut. Then they calmly walked back to Twenty-second Street to the third car — a Subaru Forester — which was parked on the street. There were still fifteen minutes left on the meter.
Lennon took the keys from his inner suit jacket pocket and pressed the orange button. The security system disengaged with a loud thew-WEEP WEEP. He pressed the blue button, and the locks popped. They climbed in, just three business guys carpooling to a meeting in the city.
Excerpted from The Wheelman by Duane Swierczynski. Copyright © 2005 Duane Swierczynski. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Meet the Author
Duane Swierczynski is editor-in-chief of the Philadelphia City Paper. A receipt for This Here's a Stick-Up, Duane's nonfiction book on American bank robbery, was found in the getaway car of a San Francisco bandit who'd hit at least thirty California banks. Duane lives in Philadelphia.
Most Helpful Customer Reviews
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Welcome LEONARD & TARINTINO'S BASTARD CHILD with open arms. FAST PACED. UNIQUE NOIR.
I had the privilege of reading Duane Swierczynski's THIS HERE'S A STICK-UP, his non-fiction tome of bank robbery facts and figures, a few years back when it first came out. In THE WHEELMAN, Mr. Swierczynski takes fact, mixes it up with a whole lot of fiction, and comes up with a thrilling crime debut that's well worth the read!
We first meet Lennon, a wheelman or get-away driver, waiting outside a Wachovia bank in Philadelphia as his two associates, Bling and Holden, get caught on their way out of the bank with the $650,000 take. Somehow, Lennon, a mute Irishman who knows nothing more about robbery than how to get away, manages to retrieve his buddies and hightail it out of the city. Unfortunately, someone--in the form of a black SUV--manages to stop Lennon and the get-away car in its tracks.
Cue to Lennon, supposedly dead, in the process of being dumped into a pipe at a Philadelphia Children's Museum construction site. Thankfully, Lennon's not as dead as he looks, and he manages to outsmart his two body-dumpers. Not so fortunate for them when they realize what a pissed-off Irish mute can do for revenge.
Suddenly, getting out of Philadephia isn't as easy a trick as it was supposed to be. Bling and Holden appear to be dead at the bottom of said pipe, the $650,000 is missing, there's a few retired ex-cops on his butt, and both the Russian Mafiya and some old-time Philadephia mobsters are after him--and everyone wants a piece of the bank take.
As things go from bad to worse, with blown-up buildings, lots of gunfire, knife torture, and some really cool close calls, THE WHEELMAN leads us on a chase to find the money from the bank heist and get the heck out of dodge.
Besides being an action-packed, edge-of-your-seat crime thriller, THE WHEELMAN is just pure fun. With interesting facts thrown in--I hadn't realized that it was DilLINger, not DillinGER--and some laugh-out-loud moments--trademark "Scratch-Your-Balls-Until-The-Feds-Arrive"--this is one book you really don't want to miss.
this book was incredible. its a definite page turner, and always keeps u guessing. with many twist, turns,and a crazy cast of characters, the wheelman is greatly wriiten, with an ending that leaves u wanting more.
In Philadelphia mute Irish immigrant Lennon is the getaway driver while Bling and Holden rob the Wachovia Bank. The heist is successful stealing the city¿s cash slated for ¿Operation Fresh Start¿, but as they speed away, Lennon hits a pedestrian, but keeps on going. However, a fortified van comes out of an ally smashing into the getaway vehicle. Not long afterward Fury, son of a Russian Mafiya leader and college student Andy toss two bags of garbage down a pipe that leads to the Delaware River. The third bag comes to life as Lennon refuses to die. Instead he turns the tables on the two men, killing them. Lennon knows that only one other person knew his route besides himself, his girlfriend Katie. He plans to pay her visit, but for now must heal from his injures while eluding the Russian mob and the cops who know he probably killed Fury and robbed the bank. However, time is not on his side as an apparent ex-cop catches up to him with plans for the loot and Lennon knows for him too. --- This terrific urban noir stars an antihero who readers are going to appreciate as he battles to stay alive against overwhelming odds. The story line is action-packed from the moment Lennon takes off in the getaway car and never slows down until the final twist. Interestingly are the ¿allies¿ chasing after Lennon as the Mayor¿s office, the Russian and Italian mobs, and others want the loot, him dead, or both. Fans of gripping one sitting thrillers will want to ride along with Duane Swierezynski¿s wild trip through the Camden-Philadelphia meanest streets. --- Harriet Klausner