When Champagne Became French: Wine and the Making of a National Identity

When Champagne Became French: Wine and the Making of a National Identity

by Kolleen M. Guy
ISBN-10:
080188747X
ISBN-13:
9780801887475
Pub. Date:
09/01/2007
Publisher:
Johns Hopkins University Press
ISBN-10:
080188747X
ISBN-13:
9780801887475
Pub. Date:
09/01/2007
Publisher:
Johns Hopkins University Press
When Champagne Became French: Wine and the Making of a National Identity

When Champagne Became French: Wine and the Making of a National Identity

by Kolleen M. Guy
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Overview

Winner of the 2002 Manuscript Award from Phi Alpha ThetaWinner of the Gourmand World Cookbook Awards for English Wine, Best Wine History Book, and Best Book on French WineWinner of the Clicquot Wine Book of the Year Competition

Winner of the Outstanding Manuscript Award from Phi Alpha Theta, this work explains how nationhood emerges by viewing countries as cultural artifacts, a product of "invented traditions." In the case of France, scholars sharply disagree, not only over the nature of French national identity but also over the extent to which diverse and sometimes hostile provincial communities became integrated into the nation. In When Champagne Became French: Wine and the Making of a National Identity, Kolleen M. Guy offers a new perspective on this debate by looking at one of the central elements in French national culture--luxury wine--and the rural communities that profited from its production.

Focusing on the development of the champagne industry between 1820 and 1920, Guy explores the role of private interests in the creation of national culture and in the nation-building process. Drawing on concepts from social and cultural history, she shows how champagne helped fuel the revolution in consumption as social groups searched for new ways to develop cohesion and to establish status. By the end of the nineteenth century, Guy concludes, the champagne-producing provinces in the department of Marne had developed a rhetoric of French identity that promoted its own marketing success as national. This ability to mask local interests as national concerns convinced government officials of the need, at both national and international levels, to protect champagne as a French patrimony.


Product Details

ISBN-13: 9780801887475
Publisher: Johns Hopkins University Press
Publication date: 09/01/2007
Series: The Johns Hopkins University Studies in Historical and Political Science , #121
Edition description: 20
Pages: 280
Sales rank: 442,788
Product dimensions: 5.50(w) x 9.00(h) x 0.73(d)
Age Range: 18 Years

About the Author

Kolleen M. Guy is an associate professor of history at the University of Texas at San Antonio.

Table of Contents

Acknowledgments
Chapter 1. Introduction
Chapter 2. Consuming the Nation: Champagne Marketing and Bourgeois Rituals, 1789–1914
Chapter 3. Industry meets Terroir: Champagne Producers in the Marne
Chapter 4. Resistance and Identity: Cultivation Methods and the Wine Community, 1789–1890
Chapter 5. Boundaries: The Limits of the "True" Champagne, 1900–1910
Chapter 6. Revolution and Stalemate: The Revolt of 1911
Chapter 7. Conclusion: Champagne and Modern France
Appendix
Notes
Bibliographic Essay
Index

What People are Saying About This

W. Scott Haine

The first modern scholarly study of the production, consumption, and representation of champagne. Guy's prose is both inviting and accessible, deftly integrating theories from sociology, anthropology, philosophy, economics, and cultural history in a coherent, persuasive, and analytical narrative. When Champagne Became French is both scholarly and readable.

From the Publisher

The first modern scholarly study of the production, consumption, and representation of champagne. Guy's prose is both inviting and accessible, deftly integrating theories from sociology, anthropology, philosophy, economics, and cultural history in a coherent, persuasive, and analytical narrative. When Champagne Became French is both scholarly and readable.
—W. Scott Haine, Holy Names College, California

Reading Group Guide

The first modern scholarly study of the production, consumption, and representation of champagne. Guy's prose is both inviting and accessible, deftly integrating theories from sociology, anthropology, philosophy, economics, and cultural history in a coherent, persuasive, and analytical narrative. When Champagne Became French is both scholarly and readable.

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