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The Washington PostIn her first novel…this queen of 1980s teenage angst…puts betrayal center stage. And she does it in a way that's as visceral as a girl's disgust when everyone forgets her 16th birthday…A large part of what makes this novel-in-stories so enjoyable is its structure, the way the connections between characters unfold from piece to piece. Each story could stand on its own, but they fit together to reveal links among these family members, neighbors and friends in Los Angeles…Ringwald weaves an emotional narrative that avoids getting bogged down in melodrama. With an economy of language, she keeps the story moving, taking readers inside characters' heads without leaving them there too long. Ringwald's storytelling succeeds as much on the page as her acting has done on screen.