When Marian Sang: The True Recital of Marian Anderson

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Overview

A harmonious introduction to one of our country's most important singers--as envisioned by two of our industry's most important voices. Wide trade & institutional appeal.

Marian Anderson is best known for her historic concert at the Lincoln Memorial in 1939, which drew an integrated crowd of 75,000 people in pre-Civil Rights America. While this momentous event showcased the uniqueness of her voice, the strength of her character, & the struggles of the times in which she lived, it is only part of her story. Like the operatic arias Marian would come to sing, Ryan's text is as moving as a libretto, & Selznick's pictures as exquisitely detailed ...

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Overview

A harmonious introduction to one of our country's most important singers--as envisioned by two of our industry's most important voices. Wide trade & institutional appeal.

Marian Anderson is best known for her historic concert at the Lincoln Memorial in 1939, which drew an integrated crowd of 75,000 people in pre-Civil Rights America. While this momentous event showcased the uniqueness of her voice, the strength of her character, & the struggles of the times in which she lived, it is only part of her story. Like the operatic arias Marian would come to sing, Ryan's text is as moving as a libretto, & Selznick's pictures as exquisitely detailed & elaborately designed as a stage set. What emerges most profoundly from their shared vision is a role model of courage.

An Honor Book for the 2003 Robert F. Sibert Informational Book Award

Editorial Reviews

Children's Literature
A moving portrait of Marian Anderson, this book is a beautiful marriage of text and illustrations. We follow Marian from her childhood, singing in church, through her rejection from a music school that refused to take "colored" to her glowing success despite the challenges of racism and prejudice. The text invites us into her life, and we ache with Marian every time she faces a struggle. Lyrics from songs Marian recorded are interspersed throughout¾they are perfectly placed so they advance the story, justifying the title page description of the text as a "libretto." For example, as she sails to Europe to escape the restrictions of America and to learn foreign languages to expand her repertoire, the words "sometimes I feel like a motherless child... a long ways from home" are printed over a luminous seascape. The evocative illustrations are done entirely in shades of brown, akin to sepia-tone photographs. The author and illustrator previously collaborated on the award winning Amelia and Eleanor Go For a Ride, and according to their notes in the back, a connection between Eleanor Roosevelt and Marian Anderson helped inspire this book. May such inspiration continue to arise. Judy Rowen
School Library Journal
In extensive endnotes, Ryan and Selznick mention the many Eleanor Roosevelt stories they heard after publishing Amelia and Eleanor Go for a Ride (Scholastic, 1999). One fortuitous tale, concerning the First Lady and Marian Anderson, led to this companion book. Instead of the silver tones of the earlier title, this one employs acrylics in gold, copper, and a range of browns. As the book opens, the theater curtains part to reveal a girl singing in a window, framed in light. The title page is a concert program. The foreshadowing, tightly controlled recapitulation of themes, and stylized scenes (frequently incorporating stages) combine to suggest a performance. Linguistically and aesthetically, the book is a marvel of unified design. A trip to the Metropolitan Opera inspires young Anderson to strive for the dream she obtains by the end of the book. Early on, her master teacher enthuses that she "will be able to go anywhere and sing for anybody." The irony is played out as she tours Europe, but is stopped short in DC's Constitution Hall. Enter the Roosevelts, and what follows is history. When Marian sings, her eyes are always closed, her face a study of faith deeply felt. Hymns and spirituals punctuate the narrative, carefully chosen to tie into plot. Share this feast for the eyes and the soul with a wide audience.-Wendy Lukehart, Washington DC Public Library Copyright 2002 Cahners Business Information.
More Reviews (1) Fewer Reviews
Kirkus Reviews
Ryan and Selznick (Amelia and Eleanor Go for a Ride, 1999, etc.) reunite for another magical collaboration, this time presenting Marian Anderson to a young audience. Using the visual metaphor of an operatic presentation, the production opens on the Metropolitan Opera stage just before performance, followed by a spread in which the audience watches as the curtain rises and a street scene reveals a tiny figure singing in a brightly-lit window. The shape of the volume lends itself to the broad sweep of the stage and even the title page reads like the show's program. Anderson's story is perhaps not well known to younger children, but Ryan does a good job of making it accessible. In simply stated prose she acquaints young readers, who may be disbelieving, with a time of social injustice when a person of color could not pursue a professional career in concert music and it was an act of personal courage to sing before racially mixed audiences. Verses of Anderson's most famous songs are included as they have meaningful application for events. The account includes the most notable episode in her life when, denied access to Washington's Constitution Hall because of her race, Marian sang on the steps of the Lincoln Memorial before a crowd of thousands-black and white. Selznick's carefully researched, sepia-toned, acrylic illustrations dramatize Anderson's strong, handsome face on most pages. That face is faithfully and powerfully rendered, eyes closed when singing, with an intense, almost sublime engagement in her music. The work culminates with another history-making moment when she realizes her dream and becomes the first African-American to perform at the Metropolitan Opera. Selznick depicts herin this spread standing triumphantly in the spotlight, a vivid spot of color in an otherwise monochromatic treatment. A lengthy "encore" includes personal details and history from both author and illustrator; an "ovation" cites resources. Perfectly paced and perfectly pitched, this never loses sight of the fact that Marian Anderson was both a world-class musician and a powerful symbol to her people. A bravura performance. (notable dates, discography)

Product Details

  • ISBN-13: 9780439577816
  • Publisher: Scholastic, Inc.
  • Age range: 6 - 10 Years

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