When My Brother Was an Aztec

Overview

"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a ...

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When My Brother Was an Aztec

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Overview

"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams.

I watched a lion eat a man like a piece of fruit, peel tendons from fascia
like pith from rind, then lick the sweet meat from its hard core of bones.
The man had earned this feast and his own deliciousness by ringing a stick
against the lion's cage, calling out Here, Kitty Kitty, Meow!

With one swipe of a paw much like a catcher's mitt with fangs, the lion
pulled the man into the cage, rattling his skeleton against the metal bars.

The lion didn't want to do it—
He didn't want to eat the man like a piece of fruit and he told the crowd
this: I only wanted some goddamn sleep . . .

Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

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Editorial Reviews

The New York Times Book Review - Eric McHenry
Diaz grew up on the Fort Mojave Indian Reservation, where she now works with the last four fluent speakers of Mojave to save their fading language. On the evidence collected in this ambitious, uneven, beautiful book, her skill with metaphor owes much to her being a good listener.
Publishers Weekly
In her debut, Diaz portrays experiences rooted in Native American life with personal and mythic power. The poems are narrative and surreal—bodies are wracked by addiction and diabetes, but sometimes “a gunnysack full of tigers wrestles in our chests.” In the book’s first section, stories of reservation life are layered with history and culture. A basketball prodigy ends up selling tortillas from her car; government-issued food leaves those who eat it hungry. We learn how a “tongue will wrestle its mouth to death and lose—/ language is a cemetery.” The third section presents a mix of tactile love poems focused on the female body—“the door of your hip opening/to a room of light”—and others about global politics. Most striking, however, are the poems of the middle section, which figure and refigure a meth-addicted brother whose “shadow flutters from his shoulders, a magician’s cape” as he becomes a character in a series of myths. (June)
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Product Details

  • ISBN-13: 9781556593833
  • Publisher: Copper Canyon Press
  • Publication date: 5/8/2012
  • Pages: 124
  • Sales rank: 286,467
  • Product dimensions: 5.80 (w) x 8.80 (h) x 0.50 (d)

Meet the Author


Natalie Diaz: Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. Having played professional basketball for four years in western Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University in 2007. She has received the Nimrod/Hardman Pablo Neruda Prize and her work has appeared in numerous journals and magazines, including Prairie Schooner, Nimrod International, and North American Review. She lives in Surprise, Arizona.
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