| Angelika Kirchschlager | Primary Artist, Mezzo-Soprano (Vocal) |
| John Williams [guitar] | Guitar |
| Johnathan Rees | Violin |
| Cathy Thompson | Violin |
| David Daniels [cello] | Cello |
| Yuri Bashmet | Viola |
| London Metropolitan Ensemble | Ensemble |
| John "Buddy" Williams | Guitar |
| David Jack Daniels | Cello |
| Roger Vignoles | Piano |
| Jonathan Rees | Violin |
| Helmut Deutsch | Piano |
| Andrew Brown | Viola |
| Gillian Tingey | Harp |
| Johannes Brahms | Composer |
| Joseph Canteloube | Composer |
| Aaron Copland | Composer |
| Gian Carlo Menotti | Text |
| Wolfgang Amadeus Mozart | Composer |
| Stephen Sondheim | Composer, Text |
| Miguel Kertsman | Composer, Text Translation, Text |
| Richard Rodgers | Composer |
| Oscar Hammerstein II | Text |
| Paul Zinman | Producer |
| Allen Weinberg | Art Direction |
| Grace Row | Producer |
| Jackson Braider | Liner Notes |
| Angelika Kirchschlager | Liner Notes |
| Friedrich Rückert | Text |
| Richard Haney-Jardine | Text Translation |
| Jeremy Caulton | Executive Producer |
| Laura Kszan | Editorial Production |
| Christian Adolf Overbeck | Text |
| Aissa Lynx | Text |
| Thomas W. Van Ess | Text Translation |
| Emanuel Geibel | Text |
| Johann Gabriel Seidl | Text |
| Matthew Gregory Lewis | Text |
| Idefonso Pereda Valdes | Text |
| Grace Kristopher Row | Producer |
Editorial Reviews
Barnes & Noble - Andrew Farach-Colton
These are some of the songs mezzo-soprano Angelika Kirchschlager sings to her young son, Felix, although she admits he never actually falls asleep when she sings them to him. Singing a program of lullabies runs the risk of putting an audience of adults to sleep. Thanks to Kirchschlager's clever choice of repertory, this recital is totally captivating. She dips into Broadway as well as the classics, singing "Not While I'm Around" from Stephen Sondheim's "Sweeney Todd" and "Edelwiss" from Richard Rodgers's "Sound of Music" in addition to famous cradle songs by Brahms and Schubert, among others. The variety of accompaniments also keeps the ear engaged. Half of ...