When This Cruel War Is Over: A Novel of the Civil War

When This Cruel War Is Over: A Novel of the Civil War

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by Thomas Fleming

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They called themselves Sons of Liberty--a revolutionary conspiracy that intended to form a new confederacy in the American heartland--and put an end to the American Civil War. Backed by the South, the Sons launch guerilla attacks against Union troops. The year is 1864, the place Indiana and Kentucky. A time of ruthless censorship, conscription, and a seemingly


They called themselves Sons of Liberty--a revolutionary conspiracy that intended to form a new confederacy in the American heartland--and put an end to the American Civil War. Backed by the South, the Sons launch guerilla attacks against Union troops. The year is 1864, the place Indiana and Kentucky. A time of ruthless censorship, conscription, and a seemingly endless war that has left a half a million Americans dead. Union Major Paul Stapleton falls in love with Janet Todd, courier and evangelist for the Sons of Liberty. Another admirer, Colonel Adam Jameson, readies his Confederate cavalry division to support the Sons' revolt. The battle for the future of America is about to begin.

Editorial Reviews

W.E.B. Griffin
When This Cruel War is Over is one of those revelatory novels that will amaze even omnivorous Civil War buffs and fascinate everyone else.
Publishers Weekly - Publisher's Weekly
Fleming's latest historical, set in Indiana and Kentucky during the final months of the Civil War, is jagged around the edges yet moving and memorable. Based on the true story of a partisan militia intent on uniting Kentucky, Indiana and other Midwestern states against the Union, the novel begins when Union officer Maj. Paul Stapleton falls in love with Southern belle Janet Todd. She and her father, Gabriel Todd, are involved in a clandestine organization called the Sons of Liberty, whose disillusionment with the war has led them to armed resistance and traitorous acts against the Union. Stapleton, himself disenchanted with the killing, is torn between his love for Janet and his patriotism. Col. Henry Gentry, a Union veteran who lost an arm at Shiloh, recruits Stapleton to spy on the Sons of Liberty, but as Stapleton gets more involved with the association, his loyalties become unclear. After a slow start as the large cast is introduced, and some awkward transitions to melodramatic flashbacks, the characters and their dilemmas come to life. Appearances by such historical figures as John Wilkes Booth and Mary Surratt and reprints of actual letters between President Lincoln and Colonel Gentry foster suspense. The stories of the real people the characters are based on were collected in the 19th century and protected from publication until after their subjects' deaths. Their history has been carefully reconstructed by Fleming (The Duel; Remember the Morning), whose tendency toward sensationalistic prose can be forgiven in the moving evocation of the Civil War's emotional tragedy. (Mar.) Forecast: Targeted marketing by Forge, including ads in Civil War Book Review, author appearances at SEBA and GLBA, and an excerpt in the mass market edition of Fleming's Hours of Gladness, should only enhance sales of this new title by an ever-popular author. Copyright 2000 Cahners Business Information.
Kirkus Reviews
Civil War novel by the immensely prolific Fleming (Hours of Gladness, 1999, etc.). Much goes on in the summer of 1864: two states hope to form the Northwest Confederacy in the heartland area of Indiana/Kentucky when anger at the North gives birth to the Sons of Liberty, who may bring the war to a bloody stop. The group's courier and evangelist is Janet Todd, who writes letters urging her fiancé Adam Jameson to bring the Sons of Liberty into the Confederacy to help bear down on the federal government. Meanwhile, shortly before he's killed, Paul Stapleton writes his brother Jonathan a cryptic letter from Nashville. Fifteen years after war's end, Jonathan hires Clay Pendleton to investigate Paul's death. Pendleton's notes remain sealed until all those mentioned in them have died. Therefore, just in the past year they were handed over to Fleming. Intriguing, replete with séances, and with love arising between Janet and Paul.

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Tom Doherty Associates
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Stapleton Novels , #4
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When this Cruel War is Over

By Thomas Fleming

Tom Doherty Associates

Copyright © 2001 Thomas Fleming
All rights reserved.
ISBN: 978-1-4299-7391-5


IN HER BLUE-WALLED BEDROOM on the second floor of Hopemont, her family's redbrick mansion on the Ohio River, Janet Todd sat at a gleaming seventeenth-century marquetry desk writing a letter. Through the French doors that led to the upper porch overlooking the tree-lined front lawn flowed a current of thick warm air. For a month the temperature had hovered around 100 degrees. But Janet seemed immune to the disarray this sort of heat induced in most people. There was not a trace of a wrinkle in her white muslin dress, nor in the overskirt of white lace. Her glossy black hair retained its luxurious wave.

Janet fingered the blue-and-white bow sprinkled with red stars — a variation on the Confederate flag — that she was wearing in her hair. This was not a letter she was eager to write. She took a deep, slow breath and dated it: July 4, 1864. For several minutes she sat there mournfully pondering the numbers. Once the Fourth had been a day that everyone in America celebrated with pride.

Dearest Adam, she began.

She pondered these words and tore the paper into shreds. Seizing another piece of paper from one of the many cubicles on the back of the desk, she dated it and began again:

Dear Adam,

The money and the guns have been guaranteed by our friends in Richmond. It is imperative that you or General Morgan bring your division into the battle beside us. I hope he will be well enough to accompany you. But his presence is not a necessity. In fact, it might be better if he remained behind. His last visit to these parts did not win him many friends.

The Sons of Liberty are not the bravest fellows in the world. They have avoided military service in either army for three years. But they are very angry men and they will rise and fight if there are trained soldiers on hand to support them.

Orders to undertake this mission will arrive from Richmond. I am merely trying to reinforce them. I've been told General Morgan has a dislike of obeying orders from anyone. But this one comes from the very highest authority, I assure you.

If we take and hold Keyport and the rest of Hunter County, it will release a wave of fury that will oust the tyrants in Indianapolis. With Indiana in our hands, Kentucky and other states will swiftly follow us.

I have hopes of persuading a certain Union major — a West Pointer, no less, with a name that reverberates in the East — to join us. He has been wounded twice and is thoroughly sick of the way the war is being fought by the Union Army's butchers. His late father was a U.S. senator from New Jersey, a Democrat and warm friend of the South.

Janet paused, her pen hovering above the page, while more words rushed through her mind.

What would you say if I resorted to the ultimate persuasion? Will you despise me? I know what your answer will be. My response is: so be it. This war has destroyed so many things. Why shouldn't it destroy love itself?

Janet was tempted to write it, tempted to end once and for all the charade that she was waiting for outsize Adam Jameson to return from the war and marry her. Three years ago, he had used the war to extract a promise from her that she would never have given him under ordinary circumstances. But she had to pretend to be Adam's faithful sweetheart for a few more months. She finished the letter with words that were almost as meaningful to her:

However great the risk, you must come. Nothing matters now but victory. Only victory will rescue our dead from a fate worse than death itself — to have died in vain.

With deep affection,


She sealed the letter and called, "Lucy!"

"Yes, Mistress?" Lucy said, stepping through the French windows from the porch.

Lucy wore a calico dress that she had cinched at the waist with one of Janet's cast-off leather belts. On her ears she wore a set of cheap jade earrings Janet had given her last Christmas. Janet found these attempts at style mildly amusing. It never occurred to her that by some standards Lucy was attractive. The light-devouring blackness of Lucy's skin barred the idea from her mind.

"Take this letter to the Confederate Post Office. Tell them it should go express to Saltville, Virginia. Hurry. We've got to leave for Keyport the minute you come back."

"I'll run all de way, Mistress," Lucy said.

Instead of dashing out the door, Lucy hesitated, bit her thumb, and said, "'Fore we go, Miz Janet, could you look into my mammy's cabin? She's awful low this mornin'. She sure could use a visit and maybe some of dat medicine de doctor lef' with you."

"I'll go see her while you're gone," Janet said.

"Oh, thank you, Miz Janet. I'm off and runnin'."

This time Lucy darted out the bedroom door and down the stairs. In seconds she was racing across Hopemont's green lawn, ignoring the fierce July sun. Janet watched her with an unstable mixture of approval and concern. The Confederate Post Office was in a cave on the riverbank, two long hot miles away. She did not want Lucy to collapse from heat prostration.

Lucy and Janet had been born on the same day. That coincidence had prompted Colonel Gabriel Todd to make Lucy his daughter's body servant. Janet and Lucy had been raised together, sleeping in the same bedroom, eating at the same table while they were children. Colonel Todd believed this was the best way to create devotion between mistress and servant. As he saw it, Lucy was almost as fortunate as Janet in this conjunction of their stars. She was destined to be a house servant, to eat decent food and sleep in a warm room for the rest of her life. She would never be sold, because her mistress could not imagine life without her.

"Janeykins!" The ragged voice reverberated in the hall. "Janeykins!" The choice of Janet's baby name was a bad sign. Her mother only used it when she was distraught.

In her bedroom, decorated with the ornate mirrors and sensuous gilded furniture she had bought in France on her honeymoon, Letitia Breckinridge Todd sat in dimness and shadow, the drapes drawn. "You're going to Keyport?"

"Yes. I feel — I feel a need to enjoy myself, Momma."

"I want more laudanum."

"Momma, I told you — you must break your dependence on that drug. Dr. Kennedy has warned you —"

"My hip — my hip is a mass of pain."

Four years ago, Letty Todd had been pretty enough and lively enough to play the belle on their annual visits to the races at Lexington, even though she had sons and a daughter of marrying age. Letty had been a fiery participant in the family's political debates, ready and eager to endorse secession, especially when her first cousin, John Cabell Breckinridge, the former vice president of the United States, became a Confederate general. Letty had played no small part in persuading most of the Todds and the Breckinridges to side with the South. Gleefully pitting herself against the influence of Mary Todd Lincoln, she had emerged a clear winner.

Now Letty Todd sat here in semidarkness, drugging herself into hypochondria. Besides laudanum, her only consolation was expensive visits from her spiritualist, Mrs. Virginia Havens, who claimed the power to help her communicate with her beloved dead.

"I'll speak to Dr. Yancey when I get to Keyport. But if he says no, you'll just have to endure it, Momma."

"You're as cruel as your father."

"It's for your own good, Momma. Now excuse me. I have to go see Lillibet. She's too sick to leave her cabin. As you may have noticed from the meager breakfast you got."

"She hasn't been the same since your father sold Maybelle. I sensed that was a mistake at the time. Remember how she reacted when he tried to sell Luther and Tom? They're different, the house servants. More like us."

"Should I give her the medicine Dr. Kennedy prescribed? It doesn't seem to help."

"Try some brandy. More than once I've found that a veritable elixir."

Janet descended the majestic spiral staircase that was Hopemont's claim to architectural fame. The house had been designed by the greatest architect of his era, John Latrobe. In the main floor rooms hung splendid crystal chandeliers, the equal of the ones Latrobe had created for the White House in Washington, D.C. On the outer walls climbed ivy cut from Shakespeare's garden in Stratford-upon-Avon. The shutters were reeded so delicately, they seemed almost an illusion. Touring English and French writers often mentioned Hopemont's Georgian majesty in their travel books.

In the dim dining room, Janet poured two or three ounces of brandy into a glass and mixed it with water. On the walls hung portraits of her grandparents and her Virginia-born great- grandparents, the first comers to Kentucky. All of them gazed at her with the complacent pride of people accustomed to prevailing in life and in love, in peace and in war. Would this be the first generation of Todds to admit defeat? Never, Janet vowed.

Outside, the heat was so ferocious, it was like walking into a gigantic furnace. There was not a scintilla of wind. The drought that began on the first of June continued to torment men, women, animals and plants. Janet put up her blue parasol and trudged the quarter of a mile down the dusty road to the slave quarters.

The twenty-five cabins formed a little town, with a main street along which several children scampered after a squawking rooster. Each house had a garden beside it, where the owners raised vegetables they sold either to the kitchen at Hopemont or at the market in nearby Owensboro. A half-dozen calico-clad women were hard at work in these plots, hoeing, hacking away weeds, watering lettuce and other green produce. At the end of the street, Hopemont's parched corn and wheat fields stretched for a mile to a fringe of woods. The long furrows were empty. Colonel Todd gave his slaves a day off on the Fourth of July. Most of the men were visiting friends or wives on nearby plantations, arranging parties that would begin at sundown. No one loved a party more than black folk, Janet mused.

Janet turned into Lillibet's cabin. Hopemont's cook lay on her narrow bed, her gray hair streeling down both sides of her mournful face. The single room, with the planked wooden floor, was as scrupulously neat as her kitchen at Hopemont. Lillibet was forty-five, but she looked like an old woman. Janet felt a twinge of guilt as she gazed down at her.

"Oh, Miz Janet, I was prayin' you'd come," Lillibet said.

"Lucy told me you were feeling poorly."

"What a pretty dress. Is that new?"

"I bought it last Christmas in Cincinnati. This is the first chance I've had to wear it. No one gives parties anymore."

"It's real pretty," Lillibet said.

"What's wrong?" Janet asked.

"It's my legs, Miz Janet. I just ain't got no strength in my legs."

"The longer you stay in bed, the worse that will get. I brought you some good French brandy. Sip it slowly over the next hour or two and then see if you feel better. Try to stand up and walk a bit. Will you promise me?"

"I'll try, Miz Janet."

"It's the Fourth of July, you know. My father was hoping you'd cook him some of your special beaten biscuits and fried chicken."

"Maybe I can, Miz Janet."

"Drink the brandy now and you'll feel better. I'm sure of it."

Janet leaned over and kissed Lillibet's sweaty cheek. She inhaled the odor of blackness. They were different from white people. But they were similar, too. Their hearts could be damaged or broken. They had hopes and fears — above all the fear of being sold, to begin life again among strangers. Who wouldn't dread such a fate? It was not a frequent fear among Hopemont's slaves, thank God. But when it happened, it often left scars. By now everyone had noticed Lillibet's spells occurred mostly on days that reminded her of her lost daughter. Maybelle had been born on the Fourth of July.

Suddenly Janet was a thousand miles away from this hot cabin, sitting on the broad veranda of the United States Hotel in Saratoga Springs, New York. The year was 1857. It was a sunny August day, but the air was deliciously cool. As they had done in many previous years, the Todds had traveled north to escape Kentucky's brutal summer heat.

Janet was eighteen years old, wearing a sea green walking dress created by a new Paris designer named Worth. Her mother, equally well gowned, sat beside her, waiting for Gabriel Todd and his sons to take them to the races. On Janet's right sat a pert young blond woman in another Worth gown of burnt orange. The dresses created a sort of bond between them. In a Massachusetts accent, the stranger introduced herself as Isabelle Eustis.

Isabelle seemed agreeably surprised to discover Worth's gowns were being sold in Louisville. Janet's mother laughed and joined the conversation, eager to tell the young lady that the latest fashions had been a hallmark of genteel life in Kentucky in her own girlhood.

On Isabelle Eustis's right sat a small, severe older woman who listened to their remarks with pursed lips and a cold stare. She leaned toward them and asked, "Excuse me. Do you own slaves?"

"Why ... yes," Janet said

The woman stood up. "Isabelle!" she said. "Come with me immediately."

Dismay coursed across Isabelle's oval face. "Momma!" she pleaded.

"Come with me! We don't converse with slave owners. No respectable person would tolerate them in her home."

Isabelle rose and followed her mother down the veranda. Janet felt shame — and anger — throb in her body and mind. She heard her mother say, "Don't mention this to your father. He'll go home directly."

Those painful words, the violent emotions, were as raw now as they had been on that long-ago August day. Perhaps even more intense, standing in the center of this slave cabin, thinking of how many hundreds of hours her mother and she had spent caring for these people when they were ill, calming their fears, soothing their animosities toward one another, sharing their griefs and hopes. Own slaves. The words had left an invisible brand on Janet Todd's soul, a wound that still festered.

Back on Hopemont's wide front porch, Janet realized Lucy was too sensible to run two miles to the Confederate Post Office in this heat. The minute she reached the main road, she had undoubtedly slowed to a walk that meant the trip would take at least a half hour. Janet strolled around the house into the garden.

Gray-haired, broad-shouldered Colonel Gabriel Todd, wearing a rumpled white suit and string tie, was stepping into the octagonal gazebo. Janet instantly knew her father was returning from a visit to the family graveyard, a quarter of a mile from the house in the opposite direction from the slave quarters. There, in the shade of a huge cottonwood tree, he had bowed his head before two tombstones — memorials to her brothers, John Randolph Todd and Andrew Lee Todd. At the bottom of each stone was the Latin motto: Dulce et decorumest pro patria mori.

Horace, noblest of the Roman poets, had written that line on his farm north of Rome, while his slaves cultivated his grape arbors and his wheat. It is sweet and honorable to die for one's country. Horace had been Gabriel Todd's model. He had absorbed his ripe wisdom and his mellow rhythms in his years at Transylvania University in Lexington. He saw himself on Hopemont's broad veranda writing hexameters in praise of those doughty ancestors who had settled Kentucky along with the Boones and the Callaways and the Bullitts. There would be odes to the beauty of the Ohio, to the nobility of the ancient oaks that surrounded Hopemont like hieratic sentinels, yes, even elegies on the brave red men who had resisted the white invasion with musket and hatchet. He had seen himself as a man who would respond with ready courage if his country called him — and his sons would imitate his example.

Gabriel Todd's poetry was an excellent imitation of Horace, good enough to appear in more than one Kentucky and Indiana newspaper. When his country called him to defend her rights in the war against Mexico in 1846, he marched at the head of a regiment and came home with an honorable wound. The Mexican War had been the high point of Gabriel Todd's life, the reason his fellow citizens had sent him to the state legislature as a senator. What could be more nobly Roman? Like Cincinnatus, George Washington's hero, the soldier returned peaceably to his farm and then devoted his accumulated wisdom to his country as a lawmaker.


Excerpted from When this Cruel War is Over by Thomas Fleming. Copyright © 2001 Thomas Fleming. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Thomas Fleming is a distinguished historian and the author of numerous critically acclaimed and bestselling novels. He lives in New York City.

Thomas Fleming is the author of more than 40 books of fiction and history. He was born in Jersey City, N.J., the son of a powerful local politician, who gave him a lifelong interest in politics and history. He is the only writer in the seventy year history of the Book of the Month Club to win main selections in both fiction and nonfiction. His 1981 novel, The Officers' Wives, won international acclaim, selling more than 2,000,000 copies. Liberty! The American Revolution was listed as one of the eight best books of 1997 by the History Book Club. Fleming has made the Revolution his special field.

Three of his books have won best-book-of-the-year citations from the American Revolution Round Table of New York. He has also demonstrated a sweeping grasp of the entire course of American history in West Point: The Men and Times of the U.S. Military Academy, The New Dealers' War and other books. Fleming is a senior scholar on the board of the National Center for the American Revolution. He is also a fellow of the Society of American Historians. He often appears as a commentator on PBS, the History Channel and A&E. He lives in New York.

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When This Cruel War Is Over: A Novel of the Civil War 3 out of 5 based on 0 ratings. 1 reviews.
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