Where the Bodies Are Buried

Overview


Where the Bodies Are Buried is the latest work from Scottish crime writer Christopher Brookmyre, best known for his comic crime novels. His latest book is just as richly Scottish as his earlier work, but it is his grittiest and most realistic novel yet.

When small-time heroin dealer Jai McDiarmid turns up dead one fine Glasgow morning, no one is that surprised - he'd been sleeping with a drug trafficker's girlfriend and had made himself a lot of enemies - so many, in fact, that...

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Where the Bodies Are Buried

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Overview


Where the Bodies Are Buried is the latest work from Scottish crime writer Christopher Brookmyre, best known for his comic crime novels. His latest book is just as richly Scottish as his earlier work, but it is his grittiest and most realistic novel yet.

When small-time heroin dealer Jai McDiarmid turns up dead one fine Glasgow morning, no one is that surprised - he'd been sleeping with a drug trafficker's girlfriend and had made himself a lot of enemies - so many, in fact, that Detective Superintendent Catherine McLeod doesn't know where to start when she is assigned to the case. Meanwhile, out-of-work actress Jasmine Sharp is doing her best to be a private investigator, but her PI mentor Uncle Jim, who was meant to be showing her the ropes, has just disappeared in mysterious circumstances. She begins looking at the open cases that Jim was investigating - which sends her into trouble, fast. And when she soon finds out that Jim's disappearance has something to do with Jai's death, she teams up with Catherine - and together they stumble upon an old open case which throws everything into question. In Glasgow, nothing is quite what it seems.

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Editorial Reviews

From the Publisher

“Glasgow’s mean streets come alive, and author Brookmyre puts his readers in the shoes of the people who walk them. Surely Where the Bodies are Buried is one of the best novels of the year.”—John Lutz, New York Times bestselling and Edgar award-winning author

"Sharp, crafty, hard-edged and full of heart—Where the Bodies Are Buried is a gripping read."—Meg Gardiner, Edgar Award-winning author of China Lake and Ransom River

“[An] offbeat tale of ruthless mobsters in Glasgow. . . . A brainy, barbed noir, this book takes its time setting the scene and establishing its characters. Most of its violence occurs off the page. But with its contrasting characters (it’s easy to envision a series built around the endearing Jasmine), local color and language and skillfully orchestrated sense of bad things to come, the novel maintains a solid grip on the reader. Brookmyre isn’t as well-known in the States as fellow Scottish mystery writers Ian Rankin, Val McDermid and Denise Mina, but this first-rate effort may change that.”—Kirkus Reviews (starred review)

“[A] smartly written mainstream detective story . . . Brookymre deftly twists one case around the other.”—Marilyn Stasio, New York Times Book Review

“[Brookmyre] is a Scottish writer popular in the United Kingdom but not so much in the United States—an unfortunate reality that this funny, tragic and satisfying novel should help to alter. . . . Brookmyre's style is slangy and assured but never aloof.”—Chicago Tribune

“Tough Scottish humor . . . leavened with Elmore Leonard-like flourishes.. . . finely controlled yet exuberant mayhem.”—The Christian Science Monitor

“Brookmre is off in a new direction in this straight-ahead crime thriller . . . [For] fans of Lynda La Plante’s “Prime Suspect” series and HBO’s The Wire.”—Library Journal

“Brookmyre introduces Det. Insp. Catherine McLeod and PI Jasmine Sharp in her solid first entry in a new Glasgow crime series. . . . Corruption, betrayal, and gallows humor fuel the noir plot, while family problems lend emotional depth.”—Publishers Weekly

“Brookmyre, well known in Great Britain for mixing black comedy into his thrillers, has veered toward a semiconventional procedural here, but he spikes his tale with internal police intrigues, bent coppers, and assorted ne’er-do-wells. . . . Well sketched, and almost every character is supplied some cynical, funny dialogue. . . . It’s Brookmyre’s sense of the city and its no-nuance criminals that makes this one a winner.”—Booklist

“Where the Bodies Are Buried is mainstream Glasgow noir, and it proves [Brookmyre] to be just as excellent at the gritty, serious end of the genre as he was dispensing manic humor.”—The Times (London)

“A strident blast of the trumpet to wake up crime fiction readers everywhere.”—Val McDermid

“Premier-league crime writing.”—Mark Billingham

“[Brookmyre’s] writing is as sharply observed and mordantly funny as ever. . . . There are plenty of back-doubles and plot twists in this fast-paced read.”—The Guardian

“Brookmyre is one of those fascinating individuals who sees and knows exactly what nicely toned written text looks like, jovially chooses to ignore it, and lowers the bar to a level of utterly brutal and fantastic indecency that is an absolute pleasure to read.”—Edinburgh STV

“A pacy, witty thriller that marks a new chapter for [Brookmyre].”—The Scotsman

Publishers Weekly
Brookmyre (A Snowball in Hell) introduces Det. Insp. Catherine McLeod and PI Jasmine Sharp in her solid first entry in a new Glasgow crime series. In alternating chapters, perceptive Catherine looks into the murder of a drug dealer, who was a henchman of a local mobster, while inexperienced Jasmine searches for her PI uncle/boss, who went missing while working a case involving a family that disappeared decades before. Jasmine’s only lead is Glen Fallan, a professional assassin who’s rumored to have been dead for 20 years. Catherine’s police investigation and Jasmine’s hunt realistically intersect as each learns they are up against “the biggest gang in Glasgow,” and that trust, even in the police force, is a rare commodity. Corruption, betrayal, and gallows humor fuel the noir plot, while family problems lend emotional depth, in particular, Jasmine’s grief over her mother’s death and Catherine’s concern that she doesn’t spend enough time with her two sons and husband. Agent: Caroline Dawnay, United Agents. (July)
Library Journal
Having established his reputation with comic thrillers (beginning with Quite Ugly One Morning) and detouring briefly into the science fiction cul-de-sac of Pandaemonium, Brookmyre is off in a new direction in this straight-ahead crime thriller clearly designed as the start of a new series. When the battered body of a Glaswegian drug dealer turns up in an alley, DS Catherine McLeod, trying to make her mark in the almost exclusively lads' world of the Glasgow police, investigates. Meanwhile, across town Jasmine Sharp, a 20-year-old "daft wee lassie," has signed on to help her private investigator cousin. When he disappears, she gamely ploughs ahead, arriving finally under the wing of a shadowy figure with the unlikely name of Tron Ingrams. Only very gradually do the McLeod and Sharp stories intertwine as proof that all the crooked and mean streets of Glasgow converge in the biggest gang of all. VERDICT While longtime fans might just want to headbutt some sense into Brookmyre for renouncing his comic edge, fans of Lynda La Plante's "Prime Suspect" series and HBO's The Wire should more than make up the difference. [See Prepub Alert, 1/8/12.]—Bob Lunn, Kansas City, MO
Kirkus Reviews
Two women investigators--a veteran police detective with a distant husband and two young boys and a struggling actress working for her uncle, an ex-cop, as a private detective--cross paths in this offbeat tale of ruthless mobsters in Glasgow. A Scottish crime novelist known for his satirical gore fests (One Fine Day in the Middle of the Night, 1999, etc.), Brookmyre here begins a new, straighter-faced procedural cop series. After a drug dealer is killed, Detective Catherine McLeod must penetrate not only the net of secrecy surrounding criminal lowlifes in "Glesca," but also the questionable motives of her superiors. Meanwhile, Jasmine Sharp, a slip-up waiting to happen, must get her act together after her uncle goes missing. He was working on a cold case involving the disappearance of a couple and had told their now-adult daughter he had news for her. Following clues to a women's shelter, Jasmine gets paired off with a handyman who goes by the unlikely name Tron Ingrams. After an attempt is made on her life, or his, he reveals he's really a bent cop's son, Glen Fallan, a name in one of her uncle's files. As more people are killed, maimed or disappear, Catherine's story becomes joined with Jasmine's and her former boss' pronouncement becomes apparent: "This is Glesca. We don't do subtle, we don't do nuanced, we don't do conspiracy...We do tit-for-tat, score-settling, feuds, jealousy, petty revenge. We do straightforward. We do obvious. We do cannaemisswhodunit." A brainy, barbed noir, this book takes its time setting the scene and establishing its characters. Most of its violence occurs off the page. But with its contrasting protagonists (it's easy to envision a series built around the endearing Jasmine), local color and language and skillfully orchestrated sense of bad things to come, the novel maintains a solid grip on the reader. Brookmyre isn't as well-known in the States as fellow Scottish mystery writers Ian Rankin, Val McDermid and Denise Mina, but this first-rate effort may change that.
The Barnes & Noble Review
The title of a Christopher Brookmyre novel often tells you a lot. All Fun and Games Until Somebody Loses an Eye, for example, or A Big Boy Did It and Ran Away seems to promise anarchic violence, quirky characters, and ironic humor. Tough Scottish humor, as it happens, leavened with Elmore Leonard-like flourishes. Where the Bodies Are Buried sounds straightforward by comparison, and thankfully it is. Brookmyre is at his best when he writes plainly instead of straining for noir effect.

Here he first describes his city, in summer. "It didn't seem like Glasgow," he writes, "...the clouds had rolled in on top of a sunny day like a lid on a pan, holding in the warmth, keeping hot blood on a simmer." He then introduces the city's leading gangsters as they stand around a beaten drug dealer who is about to be shot in the head. There is Big Fall, Wee Sacks, and the Gallowhaugh Godfather, who looks "older even than his scarred and lived-in face would indicate; a face you would never get sick of kicking."

Gangland politics may have prompted this killing, while police politics are a separate matter -- or are they? When Detective Superintendent Catherine McLeod begins to investigate the squalid assassination, her search soon leads into the shadows where filthy deals are made between cops and villains. This is a shock, but not a revelation, to a woman who has seen it all. Observing a new colleague as they drive to the murder scene, McLeod notes, "The girl was keen, give her that, but the guy would still be dead when they got there." Brookmyre's laconic humor freshens a potentially stale character -- the female police officer who is also a wounded child, an exhausted mother, and an insecure lover -- and also jolts the narrative out of its predictable ruts. When McLeod is called to a fire-gutted building owned by a crime boss, for example, she muses that "Frankie wouldn't be losing any sleep over it. What with being dead and all."

The intrigue has, by this stage, thickened nicely as Brookmyre skillfully develops two parallel plots that must eventually overlap, although we cannot see how. While McLeod wades deeper into gangster and police skullduggery, a neophyte private investigator tries to find out why her boss has suddenly disappeared. Young Jasmine Sharp is an aspiring actress and an innocent, bereft without her recently dead mother and now adrift without her employer (who is also her uncle Jim). "She didn't have a life yet," she realizes. "There was no saddle for her to get back into."

All Jasmine can do is follow the leads that Jim was following. One reaches back twenty-seven years to the unexplained disappearance of a young couple and their baby. Another, more chillingly, brings Jasmine into the life -- and under the protection -- of Tron Ingrams, a soulful man with a bloody past. "I need to put a name to my sins," he tells Jasmine, "and I need to wear that name." Which is a portentous way of saying that he is not Tron Ingrams. His true identity cinches together strands from the past and present, some of which should have been left dangling. A tidy outcome is an unconvincing conclusion to the finely controlled yet exuberant mayhem that Brookmyre has kicked up.

Anna Mundow, a longtime contributor to The Irish Times and The Boston Globe, has written for The Guardian, The Washington Post, and The New York Times, among other publications.
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Product Details

  • ISBN-13: 9780802121240
  • Publisher: Grove/Atlantic, Inc.
  • Publication date: 4/16/2013
  • Pages: 304
  • Sales rank: 476,871
  • Product dimensions: 5.40 (w) x 8.10 (h) x 1.00 (d)

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