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| Etta James | Track Performer |
| Stan Free | Conductor |
| Jackie Ross | Track Performer |
| Geraldine Hunt | Track Performer |
| Mitty Collier | Track Performer |
| Jean DuShon | Track Performer |
| Fontella Bass | Track Performer |
| Barbara Carr | Track Performer |
| Garry Sherman | Conductor |
| Jan Bradley | Track Performer |
| Honey & the Bees | Track Performer |
| Andrea Davis | Track Performer |
| The Lovettes | Track Performer |
| Carol Vega | Track Performer |
| Andre Williams | Producer |
| Stan Free | Arranger |
| Oliver Sain | Producer |
| Bert Berns | Producer |
| Leonard Caston | Producer |
| Bert Keyes | Arranger |
| Floyd Miller | Arranger |
| Garry Sherman | Arranger |
| Gerald Sims | Producer |
| Abner Spector | Producer |
| Charles Stepney | Arranger |
| Kae Williams Jr. | Producer |
| Raynard Miner | Producer |
| Cliff Parman | Arranger |
| Phil Wright | Arranger |
Editorial Reviews
All Music Guide - Richie Unterberger
Starting in the 1990s, a cluster of CD reissues have served to remind us that Chess was not just a blues label, in fact recording a great deal of worthwhile and often successful soul in the 1960s. Where the Girls Are, Vol. 3 is not the best of these, but it puts an interesting spin on the concept by focusing exclusively on women pop-soul-girl-group singers who recorded for Chess during the decade. There are a few name artists here -- Etta James, Sugar Pie de Santo, Tammy Montgomery soon to be renamed Tammi Terrell, and to a lesser degree Jackie Ross, Mitty Collier, Jan Bradley, and a teenaged Minnie Riperton as part of the Gems and under the pseudonym Andrea Davis --...