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| The View | Primary Artist |
| Jim Anderson | Organ, Talking |
| Owen Morris | Guitar, Piano, Cello, Keyboards, Recorder, Synthesizer Strings |
| Oliver Kraus | Strings, Performing Ensemble |
| Pete Reilly | Guitar, Percussion, Vocals |
| Drew McConnell | Standup Bass |
| Paolo Nutini | Vocals |
| Kyle Falconer | Organ, Acoustic Guitar, Guitar, Harmonica, Piano, Drums, Keyboards, Vocals, Synthesizer Strings |
| Steve Morrison | Percussion, Drums, Vocals |
| Gavin Fitzjohn | Trumpet |
| Katie Gwyther | Vocals |
| Darren Rennie | Background Vocals |
| Jim Anderson | Engineer, Introduction |
| Owen Morris | Producer |
| Oliver Kraus | String Arrangements, Orchestral Arrangements |
| Kyle Falconer | Producer |
| John C.F. Davis | Mastering |
| Hannah Olivia Wallace | Illustrations |
Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
The View counteract any charges that they're too prim or polite -- better still, too normal -- by getting weirdly ambitious on Which Bitch?, the 2009 sequel to their Mercury-prize nominated 2007 debut, Hats Off to the Buskers. The record skips into view with a sprightly piano-and-harmonica ditty called "Typical Time 2," and its deliberate, self-conscious quirkiness is a better indication of where the heart of their sophomore effort lies than "5Rebbeccas," the blast of Libertines-styled punk romanticism that follows. The View still follow the path carved out by Pete Doherty and Carl Barat, along with the brothers Gallagher, but where their hero worship was a bit ...