White Apples and the Taste of Stone: Selected Poems 1946-2006

Overview


Throughout his writing life Donald Hall has garnered numerous accolades and honors, culminating in 2006 with his appointment as poet laureate of the United States. White Apples and the Taste of Stone collects more than two hundred poems from across sixty years of Hall’s celebrated career, and includes poems recently published in The New Yorker, the American Poetry Review, and the New York Times. It is Hall’s first selected volume in fifteen years, and the first to include poems from his seminal bestseller ...
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White Apples and the Taste of Stone: Selected Poems 1946-2006

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Overview


Throughout his writing life Donald Hall has garnered numerous accolades and honors, culminating in 2006 with his appointment as poet laureate of the United States. White Apples and the Taste of Stone collects more than two hundred poems from across sixty years of Hall’s celebrated career, and includes poems recently published in The New Yorker, the American Poetry Review, and the New York Times. It is Hall’s first selected volume in fifteen years, and the first to include poems from his seminal bestseller Without. Those who have come to love Donald Hall's poetry will welcome this vital and important addition to his body of work. For the uninitiated it is a spectacular introduction to this critically acclaimed and admired poet.
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Editorial Reviews

Billy Collins
White Apples and the Taste of Stone offers the most generous array of this poet's work to date, plus a bonus of almost 20 new poems. If you are interested enough in contemporary poetry to have read this review to the end, then the collected poems of Donald Hall should have a place on your night table and, later, on a shelf within easy reach.
— The Washington Post
Publishers Weekly
Hall's 60 years of much-honored work have made him an elder statesman among American poets and a much-honored exponent of the clear, plain style: this career retrospective (the first since 1990) finds room for all his strengths. Given to formal short work in the '50s, to lengthy verse essays and verse memoirs later on, Hall shows consistent topics and moods: adult life among New Hampshire's farms and mountains, childhood in the Connecticut suburbs, equanimity and nostalgia, satire and self-satire, middle age and old age, regret and reserve. Most original in his long poems from the '80s and '90s, Hall achieved popular success in recent years, in Without (1998) and The Painted Bed (2002), collecting elegies and laments for his late wife, the poet Jane Kenyon, whose life he chronicled in the prose memoir The Best Day the Worst Day (2005). In a month overcrowded with poetry releases, Hall's long-eminent reputation, and the persistent interest in Kenyon, should combine to help this book stand out. (Apr.) Copyright 2006 Reed Business Information.
Library Journal
Don't miss the chance to pick up this representative work from our newest poet laureate, complete with a CD of Hall reading his own work. Copyright 2006 Reed Business Information.
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Product Details

  • ISBN-13: 9780618919994
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 12/3/2007
  • Edition description: Reprint
  • Pages: 448
  • Sales rank: 527,915
  • Product dimensions: 6.00 (w) x 9.00 (h) x 1.75 (d)

Meet the Author

Donald Hall, who served as poet laureate of the United States from 2006 to 2007, is a member of the American Academy of Arts and Letters and a recipient of the National Medal of the Arts.

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Read an Excerpt

LOVE IS LIKE SOUNDS

Late snow fell this early morning of spring.
At dawn I rose from bed, restless, and looked
Out of my window, to wonder if there the snow
Fell outside your bedroom, and you watching.
I played my game of solitaire. The cards
Came out the same the third time through the deck.
The game was stuck. I threw the cards together,
And watched the snow that could not do but fall.
Love is like sounds, whose last reverberations
Hang on the leaves of strange trees, on mountains
As distant as the curving of the earth,
Where the snow hangs still in the middle of the air.


EXILE

Each of us waking to the window's light
Has found the curtains changed, our pictures gone;
Our furniture has vanished in the night
And left us to an unfamiliar dawn;
Even the contours of the room are strange
And everything is change.
Waking, our minds construct of memory
What figure stretched beside us, or what voice
Shouted to pull us from our luxury —
And all the mornings leaning to our choice.

To put away — both child and murderer —
The toys we played with just a month ago,
That wisdom come, and make our progress sure,
Began our exile with our lust to grow.
(Remembering a train I tore apart
Because it knew my heart.)
We move to move, and this perversity
Betrays us into loving only loss.
We seek betrayal. When we cross the sea,
It is the distance from our past we cross.

Not only from the intellectual child
Time has removed us, but unyieldingly
Cuts down the groves in which our Indians fi led
And where the black of pines was mystery.
(I walked thestreets of where I lived and grew,
And all the streets were new.)
The room of love is always rearranged.
Someone has torn the corner of a chair
So that the past we call upon has changed,
The scene deprived by an intruding tear.

Exiled by death from people we have known,
We are reduced again by years, and try
To call them back and clothe the barren bone,
Not to admit that people ever die.
(A boy who talked and read and grew with me
Fell from a maple tree.)
But we are still alone, who love the dead,
And always miss their action's character,
Caught in the cage of living, visited
By no faint ghosts, by no gray men that were.

In years, and in the numbering of space,
Moving away from what we grew to know,
We stray like paper blown from place to place,
Impelled by every element to go.
(I think of haying on an August day,
Forking the stacks of hay.)
We can remember trees and attitudes
That foreign landscapes do not imitate;
They grow distinct within the interludes
Of memory beneath a stranger state.

The favorite toy was banished, and our act
Was banishment of the self; then growing, we
Betrayed the girls we loved, for our love lacked
Self-knowledge of its real perversity.
(I loved her, but I told her I did not,
And grew, and then forgot.)
It was mechanical, and in our age,
That cruelty should be our way of speech;
Our movement is a single pilgrimage,
Never returning; action does not teach.

In isolation from our present love
We make her up, consulting memory,
Imagining to watch her image move
On daily avenues across a sea.
(All day I saw her daydreamed figure stand
Out of the reach of hand.)
Each door and window is a spectral frame
In which her shape is for the moment found;
Each lucky scrap of paper bears her name,
And half-heard phrases imitate its sound.
Imagining, by exile kept from fact,
We build of distance mental rock and tree,
And make of memory creative act,
Persons and worlds no waking eye can see.
(From lacking her, I built her new again,
And loved the image then.)
The manufactured country is so green
The eyes of sleep are blinded by its shine;
We spend our lust in that imagined scene
But never wake to cross its borderline.

No man can knock his human fist upon
The door built by his mind, or hear the voice
He meditated come again if gone;
We live outside the country of our choice.
(I wanted X. When X moved in with me,
I could not wait to flee.)
Our humanness betrays us to the cage
Within whose limits each is free to walk,
But where no one can hear our prayers or rage
And none of us can break the walls to talk.
Exiled by years, by death no dream conceals,
By worlds that must remain unvisited,
And by the wounds that growing never heals,
We are as solitary as the dead,
Wanting to king it in that perfect land
We make and understand.
And in this world whose pattern is unmade,
Phases of splintered light and shapeless sand,
We shatter through our motions and evade
Whatever hand might reach and touch our hand.

Newdigate Prize, Oxford, 1953



WE'VE COME TO EXPECT

We've come to expect earthquakes, fires, hurricanes,
and tidal waves from our whitecoated brothers
whose laboratories shed radiation
on land and landscape,

disabling cities. Foresighted citizens
outfit granite arks in Idaho's brown hills,
stocked against flood, famine, pestilence, war, and
hunger of neighbors,

with bulgur, freeze-dried Stroganoff, and Uzis.
Let's remember: Our great-grandfathers holed up
in mountains with pistols and pemmican, their
manhood sufficient,

should they avoid peritonitis and gangrene,
to perform the mechanic alchemy
which liquefied landscape, dirt to nuggets, and
sluiced a state golden.

Let's remember not only the local wars
over claims but a late conflict of siblings
in aristocracy and the stock market,
sharing destruction.

Or recollect the brothers who stayed back east
laboring in the shoe factory, or their
bosses who summered hunting in Scotland and
reside forever

in the Protestant Cemetery at Rome
among cats, the pyramid of Cestius,
and Keats's grave. What use are those forefathers
to our condition?

We want comfort: Shall we consult Jefferson?
Alas, he's busy conducting a call-in
show for Republican-Democrats. Franklin?
He is occupied

obliterating SIN from Webster's project.
If we approach doddering George Washington,
he only smiles at us in his foolishness.
Shall we call upon

Abraham Lincoln for succor? No: The Great
Emancipator succumbs to Grant's whiskey.
As we approach the present, passing double
Roosevelts, we do

not help ourselves — not with old Eisenhower
cursing at caddies; not with Nixon cursing.
But if we return past Jonathan Edwards,
past Cotton Mather,

to the Israelites of the Mayfl ower —
who make covenant with Jehovah's promised
wilderness and the manna of Indian
corn, who stay secure

in Adam's fall and the broken promises
of the remnant — we discover ancestors
appropriate to our lapsarian state:
Their rage sustains us


THE PAINTED BED

"Even when I danced erect
by the Nile's garden
I constructed Necropolis.
"Ten million fellaheen cells
of my body floated stones
to establish a white museum."
Grisly, foul, and terrific
is the speech of bones,
thighs and arms slackened
into desiccated sacs of flesh
hanging from an armature
where muscle was, and fat.
"I lie on the painted bed
diminishing, concentrated
on the journey I undertake
to repose without pain
in the palace of darkness,
my body beside your body."


SECRETS

You climbed Hawk's Crag, a cellphone in your baggy shorts,
and gazed into the leafing trees and famous blue water.
You telephoned, in love with the skin of the world. I heard you
puff as you started to climb down, still talking, switching
your phone from hand to hand as the stone holds required.
You sang show tunes sitting above me, clicking your fingers,
swaying your shadowy torso. We attended to each other
in a sensuous dazzle as global as suffering
until gradual gathering spilled like water over the stone dam
and we soared level across the long-lived lake.

But how
can one flesh and consciousness adhere to another,
knowing that every adherence ends in separation? I longed
for your return, your face lit by a candle, your smile
private as a kore's under an inconstant flame — and dreamt
I stared into the fl at and black of water, afraid to drown.

It is half a year since we slept beside each other all night.
I wake hollow as a thighbone with its marrow picked out.
In falling snow, a crow pecks under the empty birdfeeder.

H
When the house lights go out in wind and heavy snow,
the afternoon already black, I lie frightened in darkness
on the unsheeted bed. No one comes to my door.
Old age concludes in making wills and trusts and inventories,
in knees that buckle going downstairs. Wretched in airless
solitude, I want to call you,
but if you hear my voice
you will unplug your telephone and lie awake until morning.

I remember you striding toward me, hands in jean pockets,
each step decisive, smiling as if you knew that the cool
air kept a secret, but might be cajoled into revealing it.

Copyright © 2006 by Donald Hall. Reprinted with permission by Houghton
Mifflin Company.
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Table of Contents

Contents

1. Early Poems
Old Home Day · 3
Love Is Like Sounds · 3
Wedding Party · 3
Exile · 4
Exile (1968) · 7
Elegy for Wesley Wells · 8
My Son My Executioner · 10
The Sleeping Giant · 11
Je Suis une Table · 11
Dancers · 12
By the Exeter River · 13
T.R. · 14
The Hole · 14
Religious Articles · 15
The Foundations of American Industry · 16
Cops and Robbers · 17
Sestina · 18
Waiting on the Corners · 19
"Marat's Death" · 20
"The Kiss" · 21
"Between the Clock and the Bed" · 22
Christ Church Meadows, Oxford · 22
Christmas Eve in Whitneyville · 23

2. The Musk Ox
The Long River · 29
The Snow · 29
The Farm · 31
The Moon · 32
The Child · 33
The Poem · 34
Wells · 34
An Airstrip in England, 1960 · 35
New Hampshire · 35
Self-Portrait as a Bear · 36
Orange Knee Socks · 36
Sleeping · 37
"King and Queen" · 38
"Reclining Figure" · 38
Digging · 39
The Pilot of 1918 · 40
Letter to an English Poet · 40
Stump · 42
In the Kitchen of the Old House · 45
The Days · 46
Swan · 47
The Man in the Dead Machine · 49

3. I Am the Fox
The Alligator Bride · 53
Sew · 54
The Coal Fire · 55
The Blue Wing · 55
Woolworth's · 56
The Repeated Shapes · 57
Crewcuts · 58
Tall Women · 59
The Table · 60
Mount Kearsarge ·61
The Young Watch Us · 62
Gold · 62
Waters · 63
Nose · 64
Stones · 64
The Dump · 65
The High Pasture · 65
The Green Shelf · 66
Adultery at Forty · 67
To a Waterfowl · 67
Fête · 68
Eleanor's Letters · 69
The Raisin · 70
The Town of Hill · 71
White Apples · 72

4. Root Cellar
Maple Syrup · 75
The Toy Bone · 77
O Cheese · 78
Kicking the Leaves · 79
Eating the Pig · 82
Wolf Knife · 86
On Reaching the Age of Two Hundred · 89
The Flies · 90
Ox Cart Man · 94
Stone Walls · 95
Old Roses · 99
Traffic · 100

5. Lady Ghost
The Black-Faced Sheep · 105
Names of Horses · 107
Great Day in the Cows' House · 109
The Henyard Round · 112
New Animals · 114
Scenic View · 115
Old Timers' Day · 115
The Baseball Players · 116
Granite and Grass · 117
A Sister on the Tracks · 118
A Sister by the Pond · 120
The Day I Was Older · 124
For an Exchange of Rings · 125
The Impossible Marriage · 126
Mr. Wakeville on Interstate 90 · 127
My Friend Felix · 128
Merle Bascom's .22 · 129
Cider 5¢ a Glass · 131
Oliver at Thirteen · 136
Edward's Anecdote · 137

6. The One Day
Shrubs Burnt Away · 143
Four Classic Texts · 156
To Build a House · 169

7. The Height and House of Desire
Tubes · 181
Moon Clock · 183
Carol · 183
Persistence of 1937 · 184
Six Naps in One Day · 184
The Coffee Cup · 185
This Poem · 186
Praise for Death · 189
Speeches · 196
The Night of the Day · 200
Another Elegy · 208

8. Baseball
The First Inning · 217
The Second Inning · 219
The Third Inning · 222
The Fourth Inning · 224
The Fifth Inning · 227
The Sixth Inning · 230
The Seventh Inning · 232
The Eighth Inning · 235
The Ninth Inning · 237

9. The Museum of Clear Ideas
Decius — Whose Guileful · 243
We've Come to Expect · 244
Let Engine Cowling · 246
Winter's Asperity Mollifi es · 247
Who's This Fellow · 249
I'm Not Up to It · 249
Let Many Bad Poets · 250
In the Name Of · 252
Mount Kearsarge Shines · 252
Camilla, Never Ask · 253
The Times Are Propitious · 254
Drusilla Informs · 256
Ship of State, Hightide · 257
When the Young Husband · 258
Old Woman Whom I · 260
When the Fine Days · 261
When I Was Young · 262
Flaccus, Drive Up · 263
Let Us Meditate the Virtue · 263
We Explore Grief's · 264
I Suppose You've Noticed · 265
Sabina — Who Explored · 266
Go Write a Poem · 267
Nunc Est Bibendum · 268
I, Too, Dislike · 269

10. Extra Innings
The Tenth Inning · 273
The Eleventh Inning · 276
The Twelfth Inning · 280
The Thirteenth Inning · 284

11. The Old Life
Spring Glen Grammar School · 295
The Hard Man · 297
Venetian Nights · 298
Blue · 299
My Aunt Liz · 299
Screenplay · 300
The Profession · 301
Edit · 302
The Girlfriend · 303
The Giant Broom · 303
Mr. Eliot · 304
Le Jazz · 305
Just Married · 306
Dread · 307
The Fragments · 307
Fame · 308
Forty Years · 309
What Counts · 310
Moon Shot · 311
7½ · 312
Elbows · 312
The Wedding Couple · 313
Rain · 314
Beans and Franks · 314
Revisions · 315
Routine · 316

12. ALL
Her Long Illness · 319
Barber · 331
The Porcelain Couple · 332
The Ship Pounding · 333
Folding Chair · 334
Her Intent · 335
Without · 335
After Life · 337
Retriever · 341
The Painted Bed · 342

13. Letters Without Addresses
Letter with No Address · 345
Midsummer Letter · 348
Letter in Autumn · 352
Letter at Christmas · 355
Letter in the New Year · 359
Midwinter Letter · 363
Letter after a Year · 366

14. Throwing Away
Weeds and Peonies · 373
After Homer · 374
Her Garden · 374
Summer Kitchen · 375
Wool Squares · 375
Pond Afternoons · 376
Hours Hours · 377
The Wish · 377
Another Christmas · 378
Sweater · 379
Distressed Haiku · 380
Throwing the Things Away · 381
The Perfect Life · 383
Deathwork · 384
Ardor · 385
Kill the Day · 386
Razor · 391
Conversation's Afterplay · 392
Charity and Dominion · 393
Sun · 394
Villanelle · 394
Love Poem · 395
Affirmation · 395

15. Recent Poems
Secrets · 399
The Angels · 400
The Master · 401
Surveyor and Surface · 401
North South · 402
The Mysteries · 404
Olives · 405
After Horace · 406
Tea · 407
Safe Sex · 407
Tennis Ball · 408
1943 · 409
Usage · 409
White Clapboard · 410
Witness's House · 410
Gospel · 412
We Bring Democracy to the Fish · 413
Fishing for Cats, 1944 · 413
The Hunkering · 414

Note · 416
Index of Titles and First Lines · 417
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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted June 8, 2006

    Excellent

    I love Donald Hall's work. He writes with such depth and clarity. His poems have a nice rhythm and sound to them. This is a generous collection of poems from the New Hampshire poet laureate.

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