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The world has ended, but her journey has just begun.
Thirty-year-old Zoe leads an ordinary life until the end of the world arrives. She is cleaning cages and floors at Pope Pharmaceuticals when the president of the United States announces that human beings are no longer a viable species. When Zoe realizes that everyone she loves is disappearing, she starts running. Scared and alone in a shockingly changed world, she embarks on a remarkable journey of survival and redemption. ...
The world has ended, but her journey has just begun.
Thirty-year-old Zoe leads an ordinary life until the end of the world arrives. She is cleaning cages and floors at Pope Pharmaceuticals when the president of the United States announces that human beings are no longer a viable species. When Zoe realizes that everyone she loves is disappearing, she starts running. Scared and alone in a shockingly changed world, she embarks on a remarkable journey of survival and redemption. Along the way, Zoe comes to see that humans are defined not by their genetic code, but rather by their actions and choices. White Horse offers hope for a broken world, where love can lead to the most unexpected places.
“Adams has an excellent sense of timing, delivering gasp-inducing moments that punctuate her nightmare with verve. But it’s Zoe’s clear-eyed sense of self-preservation that will keep readers waiting for Adams’ follow-up.”
“Written with such skill and confidence that it sits easily in the pantheon of post-apocalyptic thrillers alongside the likes of Justin Cronin and Stephen King. . .The first installment in a bold new trilogy, White Horse is the perfect start to a series that promises to both terrify and thrill.”
“Kept me up way too late at night, avidly racing to the thrilling end.”
“Alex Adams' debut, White Horse, is the first in a brilliant trilogy which will no doubt be ranked among the great fantasy novels.”
“It draws to a compelling pause, with a pair of revelations in the final pages that should spur readers to a sequel. Adams has fashioned a macabre landscape in which she explores fundamental questions about what it means to be human, with a compelling protagonist and narrator as our guide.”
“A cat-and-mouse tale of murder and pursuit . . . Adams' debut novel adds another dimension to dystopian fiction.”
“Suspenseful, fast-paced, and boasting solid character development, this is a much better than average post-apocalyptic novel.”
“Alex Adams delivers a beautifully written page-turner that brings new life to post-apocalyptic fiction and the hero’s journey. I couldn’t stop reading, and couldn’t stop wondering what I would do in the world of White Horse. Gorgeously, unrelentingly, dark and gripping.”
“The new Hunger Games.”
When I wake, the world is still gone. Only fragments remain. Pieces of places and people who were once whole. On the other side of the window, the landscape is a violent green, the kind you used to see on a flat-screen television in a watering hole disguised as a restaurant. Too green. Dense gray clouds banished the sun weeks ago, forcing her to watch us die through a warped, wet lens.
There are stories told among pockets of survivors that rains have come to the Sahara, that green now sprinkles the endless brown, that the British Isles are drowning. Nature is rebuilding with her own set of plans. Man has no say.
It’s a month until my thirty-first birthday. I am eighteen months older than I was when the disease struck. Twelve months older than when war first pummeled the globe. Somewhere in between then and now, geology went crazy and drove the weather to schizophrenia. No surprise when you look at why we were fighting. Nineteen months have passed since I first saw the jar.
I’m in a farmhouse on what used to be a farm somewhere in what used to be Italy. This is not the country where gleeful tourists toss coins into the Trevi Fountain, nor do people flock to the Holy See anymore. Oh, at first they rushed in like sickle cells forced through a vein, thick, clotted masses aboard trains and planes, toting their life savings, willing to give it all to the church for a shot at salvation. Now their corpses litter the streets of Vatican City and spill into Rome. They no longer ease their hands into La Bocca della Verità and hold their breath while they whisper a pretty lie they’ve convinced themselves is real: that a cure-all is coming any day now; that a band of scientists hidden away in some mountaintop have a vaccine that can rebuild us; that God is moments away from sending in His troops on some holy lifesaving mission; that we will be saved.
Raised voices trickle through the walls, reminding me that while I’m alone in the world, I’m not alone here.
“It’s the salt.”
“It’s not the fucking salt.”
There’s the dull thud of a fist striking wood.
“I’m telling you, it’s the salt.”
I do a mental tally of my belongings as the voices battle: backpack, boots, waterproof coat, a toy monkey, and inside a plastic sleeve: a useless passport and a letter I’m too chicken to read. This is all I have here in this ramshackle room. Its squalor is from before the end, I’ve decided. Poor housekeeping; not enough money for maintenance.
“If it’s not the salt, what is it?”
“High-fructose corn syrup,” the other voice says, with the superior tone of one convinced he’s right. Maybe he is. Who knows anymore?
“Ha. That doesn’t explain Africa. They don’t eat sweets in Timbuktu. That’s why they’re all potbelly skinny.”
“Salt, corn syrup, what does it matter?” I ask the walls, but they’re short on answers.
There’s movement behind me. I turn to see Lisa No-last-name filling the doorway, although there is less of her to fill it than there was a week ago when I arrived. She’s younger than me by ten years. English, from one of those towns that ends in -shire. The daughter of one of the men in the next room, the niece of the other.
“It doesn’t matter what caused the disease. Not now.” She looks at me through feverish eyes; it’s a trick: Lisa has been blind since birth. “Does it?”
My time is running out; I have a ferry to catch if I’m to make it to Greece.
I crouch, hoist my backpack onto my shoulders. They’re thinner now, too. In the dusty mirror on the wall, the bones slice through my thin T-shirt.
“Not really,” I tell her. When the first tear rolls down her cheek, I give her what I have left, which amounts to a hug and a gentle stroke of her brittle hair.
I never knew my steel bones until the jar.
The godforsaken jar.
My apartment is a modern-day fortress. Locks, chains, and inside a code I have three chances to get right, otherwise the cavalry charges in, demanding to know if I am who I say I am. All of this is set into a flimsy wooden frame.
Eleven hours cleaning floors and toilets and emptying trash in hermetic space. Eleven hours exchanging one-sided small talk with mice. Now my eyes burn from the day, and I long to pluck them from their sockets and rinse them clean.
When the door swings open, I know. At first I think it’s the red answering machine light winking at me from the kitchen. But no, it’s more. The air is alien like something wandered freely in this space during my absence, touching what’s mine without leaving a mark.
Golden light floods the living room almost as soon as my fingers touch the switch. My eyes blink until they summon ample lubricative tears to provide a buffer. My pupils contract just like they’re supposed to, and finally I can walk into the light without tripping.
They say it’s not paranoia if someone is really out to get you. There is no prickle on the back of my neck telling me to watch out behind me, but I’m right about the air: it has been parted in my absence and something placed inside.
Not the kind that holds sour dill pickles that crunch between your teeth and fill your head with echoes. This looks like a museum piece, pottery, older than this city—so says the grime ground into its pores. And that ancient thing fills my apartment with the feel of things long buried.
I could examine the jar, lift it from the floor and move it away from here. But some things, once touched, can never be untouched. I am a product of every B movie I’ve ever seen, every superstition I’ve ever heard, every tale old wives have told.
I should examine the jar, but my fingers refuse to move, protecting me from the what-if. They reach for the phone instead.
The super picks up on the eighth ring. When I ask if he let someone into my place, his mind goes on walkabout. An eternity passes. During that time I imagine him clawing at his balls, out of habit more than anything else, while he performs a mental tally of the beer still left in the fridge.
“No,” he says, eventually. “Something get stolen?”
“What’s the problem, then?”
I hang up. Count to ten. When I turn the jar is still there, centered perfectly in my living room between the couch and television.
The security company is next on my list. No, they tell me. We’ve got no record of anyone entering apartment thirteen-oh-four.
“What about five minutes ago?”
Silence. Then: “We’ve got that. Do you need us to send someone out?”
The police give me more of the same. Nobody breaks in and leaves things. It must be a gift from a secret admirer. Or maybe I’m crazy; they’re not above suggesting that, but they use polite, hollow words designed to make me feel okay about hanging up the phone.
Then I remember the answering machine’s blinking light. When I press Playback, my mother’s voice booms from the speaker.
“Zoe? Zoe? Are you there?” There’s a pause; then: “No, honey, it’s the machine.” Another pause. “What—I am leaving a message. What do you mean, ‘Talk louder’?” There’s playful slapping in the background as she shoos my father away. “Your sister called. She said there’s someone she wants you to meet.” Her voice drops to a whisper that’s anything but discreet. “I think it’s a man. Anyway, I just thought you could call her. Come over for dinner Saturday and you can tell me all about him. Just us girls.” Another pause. “Oh, and you of course. You’re almost a girl,” she tells Dad. I can picture him laughing good-naturedly in the background. “Sweetie, call me. I’d try your cell phone, but you know me: ever hopeful that you’re on a date.”
Normally, I feel a small flash of anger in my chest when she calls to match make. But today …
I wish my mom were here. Because that jar isn’t mine.
Someone has been in my space.
The human body is a wondrous thing. It’s an acid manufacturing plant capable of transforming simple food into a hot burning mess.
I vomit a lot now. I’m great at it. I can lean forward just right and miss my boots completely. If the world wasn’t gone, I could go to the Olympics.
As soon as breakfast comes up, I poke down an apple. It takes.
“Do you have to go?” Lisa asks. She’s chewing her bottom lip, working the delicate skin into a pulpy mass.
“I have to get to Brindisi.”
We’re standing in the farmhouse’s yard, encapsulated in a constant damp mist. Plush moss springs from pale stones that make up the house’s exterior walls. My bicycle is leaning against a long-abandoned water pump. Somewhere along the way, the owners had resources enough to reroute the plumbing and enter the twentieth century, but they left the pump for charm or lack of caring. The bicycle is blue and not originally mine. No money changed hands. It was purchased for the paltry sum of a kiss outside Aeroporto Leonardo da Vinci di Fiumicino. No tongue. Just the surprising taste of tenderness from a Norwegian man who didn’t want to die without one last embrace.
“Please,” Lisa says. “Stay.”
“I can’t.” There’s a tightness in my chest from the mountains of regret heaped upon it. I like her. I really do. She’s a sweet kid who once dreamed of nice things. Now the best she can hope for is survival. Thriving is not an option and it may never be.
“Please. It’s nice having another woman here. It’s better.”
Then it strikes me, the note of desperation in her voice. She does not want to be left here alone with these men. They should be bound to protect family, and they do. But shared blood isn’t the only reason: I suddenly realize they see her as a possession. A way to while away the hours until humanity draws its last ragged breath. I should have sensed it sooner, but I was so bound to my own agenda that I failed to look beyond my borders.
“I’m sorry,” I say. “I didn’t know. I should have, but I didn’t.”
A pale pink flush creeps over her fair skin: I’ve guessed her secret. Although she can’t see me, I glance away to give her a moment to recoup. My cheeks buzz with shame.
The silence lasts long enough for the precipitation to congeal into raindrops.
“You can’t stay any more than I can. Come with me.”
I should regret the words, but I don’t. If she agrees, it will add who knows how many days to my journey. Time is a luxury when you can’t see what’s left in the hourglass. But with humanity limping along as it is, kindness is rare. I have to hold on to what makes me human.
“Really? You’d let me go with you?”
Her neck pops as she jerks her chin over one shoulder, back at the house.
“They won’t let me go. They’ll never allow it.”
What did they do to you, baby girl? I want to ask. Whatever she says, it won’t affect my decision anyway: she’s coming with me.
“Go up to your room and get your things. Make sure you’ve got something comfortable and warm to wear.”
“But—” I can see she’s still worried about the men.
“I’ll take care of it.”
We go inside together, and in the abrupt shelter we luxuriate for a moment. It feels good not to be rained on. Then we nod and she inches up the stairs while I make for the kitchen.
As far as kitchens go—and I’ve known few—this one is lean. Not an efficient leanness, but the too-thinness of a woman who fights to maintain an unnatural weight. The room has sag; I can see where things should go if one had the inclination to decorate or a love for cooking. It yearns to be filled with a family.
Only one man is present: Lisa’s uncle. His skin is filled to capacity and oozes over the chair’s borders. It’s a sturdy piece of furniture probably many generations old. The wood is dark from time, and the seat is some kind of thick wicker with a honeyed sheen. The chair has seven empty siblings.
The big guy glances up, scans me for weaknesses he can exploit. My breath catches as I pull my shoulders back and push my chin forward, trying to look as strong as my body will allow. He finds nothing he can take without considerable effort and goes back to chewing on the bread I made two days ago after I picked the weevils from the pantry’s ample flour supply. Crumbs fly from his mouth, spraying the table with damp flecks that will harden and stick if they’re not wiped down soon. Neither Lisa nor I will be here to do it. These men will be wallowing in their own filth in no time.
“Lisa’s coming with me.”
He grunts, swallows, fixes his beady eyes on me. Raisins pressed deep into dough.
“It wasn’t a question.”
His bulk gathers like an impending storm as he heaves himself from the chair.
“We’re her family.”
This can’t go anyplace good. A cold spot the size of a quarter forms on the back of my neck and spreads until I’m chilled all over. What was I thinking? He’s bigger than me. Morbidly obese and slow, true, but large enough that if he gets me on the ground, I’m screwed.
We stare each other down. If we were dogs, someone would be betting on him, impressed by his sheer size.
A sharp shriek tears the artificial calm. Upstairs. Lisa. For a second I tune out, my attention latching onto the strange silence that always follows a scream.
The fat man lunges for me. Lisa is in trouble, but right now I am, too.
I feint left, dive right. He’s like a crash test vehicle hitting the wall, plaster dust forming a white halo around his body. It takes him a moment to recover. He shakes his head to clear the pain fog, then comes at me again.
Again I manage to dodge him. Now we’re staring each other down across the width of the table. Just a few feet between us. No weapons in sight. Lisa is a tidy housekeeper, and though this isn’t her home, just one they stumbled across the same way I did, everything is in its place.
Another scream. This one drifts like dandelion fluff.
Inside my chest, my heart hurls itself at its bone prison. It knows her father is up there with her and it knows what’s happening.
“I’m going to her,” I say. “And if you try and stop me, you’re a dead man.”
He laughs. His jowls wobble and shudder.
“When he’s done fucking her, we’re going to take turns fucking you, bitch.”
“I’m surprised you didn’t try sooner.”
He holds up both palms. “What can I say, love? We like lamb, not mutton.”
It’s my turn to laugh, only mine is bitter and dry.
“What, bitch? What’s so fucking funny? Share the joke.”
I inch down the table toward the open doorway. On the other side of this wall there’s an umbrella stand. What’s in there is useless for keeping a body dry, but the pointed end could still easily put out an eye.
“Did I ever tell you what I did for a living before all this?”
He grunts. Follows me down the table until we’re both at the blunted edge.
“Some kind of lab rat.”
I nod. Something like that. “I’ve done a lot of lifting, so I’m pretty strong for a skinny woman. What have you done besides shift gears in your truck and swing a glass of Guinness?” There’s less strength in my body now than there was before the world ended, but my survival instincts have brought me this far. I make a break for it but I miscalculate: his reach is longer than mine. His arm snaps out. Fat grasping fingers coil themselves around my ponytail. He jerks me backwards and pulls me against him until his gut is a stuffed IHOP pancake bulging against my back. A triangle forms around my neck and tightens. Chest, humerus, ulna.
Usually when I long for the past, I dream of meals in chain restaurants where they serve the exact same dish every time. I dream of how it feels to be dry, or how my skin tingled when I stood too long in a too-hot shower. But now? High heels. Stilettos. With a four-inch metal rod keeping the heels straight and true. Because my captor has socked feet and it would take nothing to drive my fashionable weapon right between his metatarsals.
I’m wearing boots with a thick sole made for walking, but he’s six-foot-something and I have to exaggerate to see five-five, which means my heels aren’t going to do much besides grind his toes. It’s not enough.
“I win,” he says.
Maybe he’s right, but the game isn’t over yet. There’s more than just me at stake.
“When was the last time you saw your own dick?” My voice thickens as the arm tightens at my throat. He’s pulling me closer and higher. My heels are rising off the ground. There’s a whisper of rubber against tile as my feet flail to seek stability. “Can you hold it to piss or do you sit like a woman?”
“Please. Fat guys like you can’t get a hard-on.”
Dark spots obscure my vision. It’s morning but my daylight is fading fast. Lisa is sobbing now between the screams.
There’s more strength in him than first appears. Adipose overlays significant muscle mass; the perfect camouflage. My toes leave the ground.
Everything that follows happens in an instant.
My chin drops and I sink my teeth into his forearm. The enamel slices through the tissue and scrapes bone. I draw my knees up so when he drops me and lets out a roar that comes all the way from his scrotum, my weight falls like the sparkly ball on New Year’s Eve and my boots crush his feet. A gasp shoots from my throat as I fall forward onto my knees. Impact pains set my shins on fire. My opponent recovers long enough to deliver a swift kick to my backside with his damaged foot. Warm copper with a hint of iron floods my mouth. I scramble to my feet, dart sideways, arm held protectively over my stomach.
Without a thought in my head besides survival, I reach for a chair. It’s lighter than its mellowed wood would suggest. Or maybe not. In times of need, the human body can conduct amazing feats. I know this because That’s Incredible! told me. And Cathy Lee Crosby had a face an eight-year-old could trust.
White bone gleams through the skin as I lock my hands into place on the chair’s back. He’s English, which means he understands little about my national sport. This chair is my bat and his face is the ball. Baseball on steroids.
He comes for me and I swing. There’s a sharp crack as his face shatters. Wet droplets of blood splatter my shirt and face: a mosquito’s wet dream. Broken teeth crumble from his sagging mouth, and he falls. He is a mountain of flesh conquered by a woman holding a chair. The wood slips from my hands as I stagger into the hall and mount the stairs.
I get his name from a friend of a friend’s sister.
“Oh my God, you have to call him. He’s the best,” my friend says with the exaggerated enthusiasm of one passing on thirdhand news.
Nick Rose. He sounds like a carpenter, not someone who listens to problems for a crippling fee. A woodworker. Someone average. I can do that. I can talk to someone regular. Because normally when I think about a therapist I imagine an austere Sigmund Freud looking for links between my quirks and my feelings about my mother. My relationship with my mother is just fine, although I haven’t yet returned her call or contacted my sister like she asked.
What would Freud make of that? What would Dr. Nick Rose?
I make the call out on the street from my cell phone. The city is in full tilt. Horns are the spice sprinkled over relentless traffic. Bodies form an organic conveyor belt constantly grinding along the sidewalks. Out here my words will be lost, but that’s what I want. I’m a rational woman but the jar’s arrival has me questioning my grip on reality. And deep down inside me, in the vault where I keep my fears carefully separated and wrapped in positive thoughts, I get the crazy notion that the jar will know.
So I stand outside on a corner, cup my hand over the phone’s mouthpiece, and dial.
A man answers. I expected a female assistant and I tell him so and immediately feel a jab of guilt for stereotyping my own sex. Some feminist I am.
He laughs. “It’s just me. I like to talk to potential clients. It gives both of us a feel for each other.”
Clients. Not patients. My shoulders slump and I realize how taut my body has been holding itself. Dr. Nick Rose’s voice is warm and bold like good coffee. He laughs like someone who is well practiced in the art.
I want to hear it again, so I say, “Just so we’re clear, I don’t secretly want to have sex with either of my parents.”
Another laugh is my reward. Despite my reservations, I smile into the phone.
“Me either,” Dr. Rose tells me. “I worked through that in college just to make sure. It was touch and go for a while, especially when my father kept asking me if he looked pretty.”
We laugh some more. My tension is rendered butter melting away from my psyche. And at the end he tells me that Friday afternoons are all mine if I’ll have him.
When we hang up, I am light-footed. The mere act of procuring a therapist has done wonders for me already. Friday. It’s Tuesday now. That gives me three days to fabricate a story about the jar. A dream, maybe. Psychologists love dreams. Because I can’t tell him the truth and I can’t explain why because I don’t know. The answer isn’t there yet. I don’t want him to think I’m crazy, because I’m not. Desperate is what I am. Quietly desperate and insatiably curious.
I follow the routine: unlock, unlock, open, close, lock, lock, chain, security code. The blinking light on the panel glows green, just like it’s supposed to.
The jar is waiting.
Lisa’s whimpers come from her bedroom. I say her bedroom; but who knows who it really belongs to. Whoever was here before shook all their personal belongings into suitcases, or maybe boxes, and fled. So I call it Lisa’s room, although it won’t be for much longer. Not if I can help it.
Left at the top of the stairs. Second right. Through the open door.
What’s left of her family is in there with her.
Her father is a leaner man than his brother, younger by a handful of years, although from this angle I can’t see his face. His ass is a glowing white moon with a pale slash of hair dividing the hemispheres.
Beneath him, Lisa is pressed into the bed facedown. She’s past struggling, resigned to her place in the family hierarchy. A crude puppet impaled by her puppet master, hunching the bed herky-jerky with his every thrust.
Disgust is lava and pyroclastic ash erupting from my pores. A small cry is all the warning he gets as I race forward and grab his testicles mid-slap. Before our world ended, I was never one for manicures and pedicures. A stranger flicking a file across my feet would only make me squeal as the nerve endings danced. Hangnails frame my fingertips still. White dots are albino freckles on my nails. The edges are ragged where I’ve lain awake and nibbled while I rifled through my thoughts. All of this adds up to the one time a man doesn’t want a woman’s hand on his balls. My nails are pincers sinking into the delicate skin..
I expect him to shriek, but he doesn’t. There’s one last ripple of his ass and he stops cold as though he’s awaiting my instructions.
“Get off her.”
His voice is husky from the grunting. “I’m sorry.”
“Not me. Pull out and tell her that.”
He eases out. His erection withers until it’s a limp shoestring dangling in the air.
“I’m sorry,” he repeats.
“Lisa,” I snap. “Get up and get your things.” I wish my words could be gentle, but that won’t get her up and moving and out of here.
There’s a moment’s hesitation, then she pushes her body off the bed. She tugs up her jeans and fastens them without lifting her chin. This is not your shame, I want to tell her. It’s him. All him. But now is not the time.
“Lisa’s part of my family now,” I tell the man who created half of what she is. “We’re leaving.”
He’s a chipped and damaged record. “I’m sorry.”
When I release him, he remains frozen. His shoulders shake and it occurs to me he’s crying. I kneel beside him as his daughter gathers her things and crams them into a backpack the same size as mine. My hand comes to roost on his shoulder and I am shocked at myself because I know I’m about to comfort a rapist.
“We don’t have to be monsters. We still get to choose.”
“I have urges.”
“She’s your daughter.”
“We’re leaving now. Lisa?”
She shakes her head; she has no last words to give him.
We pack food: bread, preserves, canned goods. Anything with a high-calorie punch. These we wrap in plastic trash bags and tuck into my bicycle’s basket. There’s milk in the kitchen drained by one of the men from the cows that wander the yard. They’re living off grass now, scavenging the land. And they’re lucky, because all the rain means thicker, lusher pasture for the eating. At the back of my mind is an image of me slaughtering a cow to survive, my arms stained with what looks like ketchup but is really blood. I shove it away and try not to think about that yet.
“We should drink it all,” I tell her, dividing the tepid liquid into two glasses. My gag reflex tries to reject the fluid, but I force it down, knowing that my body needs this. Food is becoming more scarce. An estimated ninety percent of the population is dead, but perishables are long gone and fast food is anything but. What remains is processed foods. Hamburger Helper that for the first time actually does help. Eventually we’ll all be down to foraging, or subsistence farming—if any of us make it that far.
Lisa sips at the milk: a church mouse with a precious piece of cheese.
“Where’s my uncle?”
The question hangs in the air between us.
“On the floor. I had to stop him.”
She swallows. “Is he dead?”
I don’t want to touch him. I don’t. But she’s looking to me like I know what to do. She doesn’t know that I’m making it up as I go along. Pulling it out of my ass like my butt is a magician’s hat.
Kneel. Two fingers against her uncle’s neck. They’re swallowed by his flesh knuckle-deep, like he’s made of quicksand.
Please let him stay down, I chant. The fingers not lost in flab curl around a paring knife. A postapocalyptic insurance policy. For a few seconds his pulse eludes me and I think he’s dead. But no … there it is. Pa-rump, pa-rump, pa-rump. He’s the Little Drummer Boy on speed.
“He’s alive.” For now, because a galloping pulse can’t be good in a man the size of a VW Beetle.
“Thank God,” Lisa says.
Yeah, God. That guy. He forgot to RSVP to mankind’s last party. Who could blame him? The fireworks were great but everyone attending was sick.
On the other side of the kitchen, knives wait in a drawer. Knives for sawing bread, for slicing cheese, for dicing tomatoes, for hacking meat. One cleaver for me, and the paring knife. Both bear keen edges.
“You should have a knife.”
Lisa’s brows dip. “Oh no, I couldn’t.”
“What if you need to cut something?”
“I thought you meant …”
She’s staring toward the thin air above her uncle. The drawer beckons. A corkscrew. Good for taking out an eye. An adequate weapon for someone who doesn’t want to carry one.
“Take this,” I say. Her fingers close around the helix. One presses against its point and she winces. “Just in case we find a great bottle of wine. This is Italy, remember?”
We walk with my wheels between us. Lisa’s hand balances on the seat, using it to guide her path while I hold the handlebars and steer us true. She took the corkscrew without question and shoved it into her jeans pocket, where she reaches down and traces the outline every few dozen feet.
This is the middle of nowhere, although its existence proves that it must be somewhere. So I pull out my compass and wait for the needle to still. Southeast. I want southeast. If we take a right at the farm’s entrance, that’s the road east. Good enough until we find a road that wanders south.
We don’t speak until we’re at the white mailbox and the old planks that form a halfhearted attempt at a fence are behind us.
Lisa cracks the silence. “I hope he’s okay. My dad.”
“He’ll be fine.”
“He’s my father.”
“You could have killed him.”
“But I didn’t.”
There’s a pause as she formulates the question. “Why?”
“The world you knew, that we all knew, is gone. Humanity is mostly dead and what’s left is dying.”
A ditch forms between her eyebrows, and it’s filled with ignorance.
“I don’t get it.”
“I like being human.”
The ditch digs a little deeper.
“He did it because he loved me,” she says after a while. “That’s what I tell myself so I don’t hate him. He’s still my dad, and a person shouldn’t hate their dad. In a way, I feel like I owed him something. It was a hard job, looking after me out here, being blind and all.”
“Did he tell you that?”
“It’s no excuse,” I tell her. “You didn’t owe him that.”
She disappears inside herself for several moments before returning with a new question.
“During sex, did you ever close your eyes and pretend it was someone else?”
Did I? Maybe. When I was younger. Before I began having sex with someone other than myself.
“Sure,” I say to make her feel better. “Probably everyone does that.”
“I tried. It didn’t work very well.”
“Honey, what he was doing to you wasn’t sex or love.”
“Can I tell you a secret?” The question mark has a rhetorical curve, so I stay silent. When we reach the first crossroad stamped into the landscape, she says, “I think I’d still like being touched one day. By a man who likes me.”
“I think you will, too.”
“Do you have any secrets?”
I look at her sideways, tell myself I won’t let this one come to harm when I’ve lost so many along the way. “No.”
Posted May 4, 2012
I love apocalyptic or dystopia novels. All I've read previously tend to be for younger readers. At last here is one for adults. The first in what will be a trilogy, and with movie rights already in the works, WHITE HORSE is a winner.
The language seems almost poetic and I would have kept reading for that reason alone. But, along with the excellent writing comes a terrific story about Zoe,a thirty-year-old woman who cleans cages in a medical laboratory where strange things begin to happen.
Something has gone amok and people are dying everywhere. Those who don't die from the illness become mutations that are less than human. For some reason Zoe seems to be immune to the disease and as she fights to stay alive, she tries to hang on to her humanity and not give in to basic instincts that would involve killing to stay safe. It's not always possible.
At first I had a small problem with the jumping back and forth from "then" and "now", but once I found my groove, I sailed along.
Each book in the series can stand alone, though each is a part of the big picture, which you realize with the last sentence in this one. It creates high tension and keeps you turning the pages. I can hardly wait for the second part.
I gave this book four stars.
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Posted April 25, 2012
If you survived the end of the world, what would you become? Surely you don't imagine you'd remain the very same you, the you that you've come to know and love (and self-loathe at intervals.) Would you become a hero? A hermit? Or perhaps a looter, or a lunatic?
What is left after every achievement you've gained in life becomes meaningless and you're stranded on the ashy other side of all you've ever known? Once someone (or something) has pushed the reset button on civilization, who will you be? And what will you cling to?
Hopefully, these kinds of questions are all just hypothetical exercises for us here on B&N, but as I've always said, fiction is the best way to exercise your mental muscles for empathy, outrage, compassion, judgement, and interpretation. As such, Alex Adams' WHITE HORSE is one hell of a workout.
In her debut novel, Adams treads a tightrope of excellent words over an abyss of death and destruction. And what little umbrella does she employ to to balance against the gusts? Hope.
WHITE HORSE tells the story of Zoe Marshall's trek arcoss a world ravaged by a disease dubbed White Horse. She goes through wicked trials in her trans-Atlantic journey, fighting despair and digging for decency and dignity in her darkest moments. She risks all that's left in the search for the man she loves, in the hope that he has somehow survived the plague. Zoe jousts villains and collects allies from those who remain - the small percentage of people who have natural immunity from the virus, and also the others, a scattering of the changed: the ones who didn't die, but didn't exactly survive, either - not recognizably as themselves, at any rate.
This isn't for the squeamish. But what apocalypse really is, if we're being honest?
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Posted April 17, 2012
This is a book that shows an apocalypse before during and after. Something that's so frighteningly realistic that I wonder that it hasn't happened yet or if it will happen in my life time. The people are dying so rapidly that they have to burn the bodies. A war was being fought but it was forgotten when the sickness came on hard and fast and those that came home, came home to no one. Zoe for some reason along with a small portion of the population is immune to the sickness. And when everyone she loves, cares about, dies, she decides to go in search of the one person who may or may not be alive that means something to her.
Zoe is determined. God is she determined. And she has hope. She doesn't believe in God. She thinks he's left them all. But the hope she has, that is what keeps her going. Hope. Four little letters but they have such strength in them for her. They help her rescue a blind girl from a rapist. Help her escape monsters, drowning. When she is too tired to walk she keeps walking. She finds companionship with the most unique living things. And hope is what helps her believe that somehow she'll reach her destination. That's a whole lot of hope.
I did not feel very hopeful reading this novel. I was pretty sure humans were done for and most of the time I thought Zoe was going to die. Do not read this if you're depressed. It isn't uplifting even if Zoe has a lot of hope. It doesn't spill over. Adams throws one hurdle after another in front of Zoe until she seems to be superwoman to be able to continue. There is no time to mourn or hold hands and have a pity party. She's likely to be killed. Keep moving forward. That's Zoe's motto and she does, no matter who her companions may be. I sat here and read this straight through not stopping for meals, children, dogs or phone calls. I could not put it down. It was gripping and totally consuming. I had to know if Zoe made it, if all that hope was for nothing, if all the monsters were bad, if she'd find anyone at the end of her journey. I promise, despite it's graphic sexual violence (and you do finally understand it) and the general doom that comes with an apocalypse you will not be able to put this book down. It is an unbelievable story. It was almost too much for one book and I think I"ll have to read it again to absorb it. But when I read the last line of the novel I immediately wanted the next book in the series (this is a planned trilogy).
The story is written in a "Then" and "Now" type of timeline and that works very well for the story. It doesn't give away too much up front nor does it keep us too much in the dark. The wording was a little jarring at times. "Horns are the spice sprinkled over relentless traffic. Bodies form an organic conveyor belt constantly grinding along the sidewalks." (p.14ARC) I had to pause and read these sentences a couple of times because they didn't read easy. There are many sentences like that and it took a while to get used to her way of writing. It's unique and I like it, but unusual. But as I said, I read the almost 300 page book in less than a day so it didn't bother me too much!
I highly recommend this novel, a strong start in the series, to anyone that enjoys apocalyptic stories.
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Posted May 20, 2013
Zoe once lived an ordinary life, she had family and friends and a decent job as janitor for Pope Pharmaceuticals. Then the world she knew spiraled out of existence leaving Zoe on a journey in a post-apocalyptic world making her way to Greece on a search for a better life. Through flashbacks we are able to see precisely how the world becomes a nightmare full of monsters lurking around every corner, those who were once human and those who are still human but lost their humanity somewhere in the chaos.
This novel starts off from the beginning as a harsh assessment of the monsters that human beings can become. This is a brutal story full of murder and unspeakable violence in a world that has been left ravaged; it is certainly not for the faint of heart. For the most part I liked this book, the flashbacks of how the world began to change was much more interesting to me then the “now” portion of the book until Zoe finally makes it to Greece and the author seems to open up and the post-apocalyptic world becomes even more enthralling than the downfall of mankind. The only problem I had with the book was the big bad villain was more annoying than anything else, but in the end it works into the story a bit better and you’re not rolling your eyes every time they show up. Plus with an ending like this one has chances are you’ll read book two regardless just to see what happens next. I was sent a free copy of this book for an honest review.
Posted December 20, 2012
Oh. My. Gosh.
This book is amazing! Without a doubt, it is one of the most incredible books I've read so far this year. And it's been a long year. The writing is beautiful beyond compare and the story is filled with so much emotion that it's bursting at the seams. Even without all of that, the very idea behind the story is intriguing. It doesn't need all of the glamor and glitz that a well versed author can tactfully shove in there because it's wonderful enough on its own. All of that is like the icing on top of the cake.
This book was one of those that I was just not able to put down no matter how hard I tried. Not that I really wanted to, but sometimes humans tend to need such trivial things along the lines of water and sleep. This is not one of those books that you can just read in one sitting, unless you've got a whole lot of time on your hands and a bladder the size of a swimming pool.
I think that there were pieces of this book that were for everybody. It's obviously a post-apocalyptic novel, but it's also a mystery, a contemporary novel, and, at times, a thriller. There's also a little bit of romance thrown in there for those who appreciate it, but it in no way takes over the story. Zoe is not your typical lovesick puppy type of heroine.
Absolutely everything she does in this novel feels justified to me, which I appreciate more than words can describe. There's nothing worse than a main character that you feel you can't rely on because their author doesn't know them well enough to develop them as people first, before they stick them in a story and shove them along. Book characters are people too, so they should act like such: rationalizing their own decisions and refraining from metaphorically jumping around too much in their own minds.
The best part about White Horse is that everything in it seems very real. The kind of events that take place here are not too absurd to believe, especially not the way Alex Adams describes them. Everything that happens in this novel could very well happen to us in the future, and that's what makes it such an interesting read. As all of the horrors are thrown at Zoe, we start to realize that her story is not so unlike our own, especially in the beginning.
White Horse also makes you feel. It is such an emotionally proactive novel. Now, that emotion may vary anywhere between gut wrenching pity, beaming pride, sickening disgust, or raging fury, but that's what a good book is supposed to make us feel. Certainly not all emotions in life are positive and one-sided, so they shouldn't be in books either.
And now for the icing on the aforementioned cake: the beautiful writing. There are so many passages in this book that I want to highlight, but most of them reveal something in one way or another. This one is still beautiful, not my absolute favorite, but at least it doesn't give away anything in the story.
"Miracles are tiny things, meaningless except to the person who seeks one. To that one person, a miracle is everything. One happy event can change the course of a life. In the blackest moments, they hide.
Ignoring prayers and pleading, miracles enjoy the element of surprise. They love those who would step forward and meet them halfway."
Posted December 10, 2012
Told between two different times, noted as THEN and NOW, by Zoe, the central figure, WHITE HORSE is a story of a world disaster engineered by the greed of a premiere pharmaceutical company in search of a cure for cancer. What was created was an indestructible cancer virus that raged quickly through the body, either killing its host or mutating them in some way. The disease was named White Horse and ordinary Zoe Marshall is one of the questionably lucky 10% who survived.
In the course of seeing a doctor for mental problems, Zoe falls in love and eventually must set off on a world wide quest to find him once again.
Zoe's story of her life prior to the great apocalypse is cast against her present situation as she struggles to maintain some sort of humanity in a world that has gone feral. She will do what she must to survive, but holds tight to her compassion for others. Her willingness to give aid, comfort and strength to others is a beautiful thing to see. Of course, for every heroine, we have a villain, and 'The Swiss' is a twisted, dark being with a self-serving agenda.
This has got to be one of the best post-apocalyptic tales I have read, told in a dark, gritty way that is entirely disturbing on every level, probably because it is totally within the realm of 'real.'
The attention to detail in both the bleak scenes and the scenes that bring joy is brilliant!
This copy was provided by NetGalley and Atria/Emily Bestler Books in exchange for an honest review!
Posted July 9, 2012
The story goes between the stories of Now and Then. Now is the tale of a woman desperately fighting in a post-apocalyptic land, trying to get to a village she considers her last hope for peace. Then is the story of how this tragedy came to be, from the eyes of a janitor (same woman from Now) at the pharmaceutical company responsible.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted May 20, 2012
I really enjoyed this book. After reading it in one sitting, I had to quickly look to see what else this author has wrote. I discovered there is a second book in the White Horse series in the works and I can't wait to read it. The suspense build up was excellent and I fell head over heals for the characters. You really feel love in this book and you heart breaks with the characters and you cry and you are in the story yourself. Excellent read.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted May 18, 2012
Posted May 17, 2012
Posted May 15, 2012
Not your run of the mill apocalypse
I don't usually like stream of consciousness tales (or their close relatives) but this is engrossing, fascinating and an entirely new take on the apocalypse. A couple of unlikely occurrences get Zoe further towards her goal, but this is fiction. Some foreshadowing of the second novel, without giving away anything important away. Works as stand alone or the beginning of a series.
Posted May 10, 2012
Posted May 10, 2012
One of the best apocalyptic books i've read. It's hard to come by them, hopefully more start coming out!
It's a little more of an adult book though, compared to something like the Hunger Games. But i recommend it to everyone!
Posted April 22, 2012
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Posted May 17, 2012
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Posted April 24, 2012
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Posted May 22, 2012
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