White Light

Editorial Reviews

All Music Guide - Thom Jurek
Gene Clark's 1971 platter, with its stark black cover featuring his silhouette illuminated by the sun, was dubbed White Light -- though the words never appear on the cover -- and if ever a title fit a record, it's this one. Over its nine original tracks, it has established itself as one of the greatest singer/songwriter albums ever made. After leaving the Byrds in 1966, recording with the Gosdin Brothers, and breaking up the Dillard & Clark group that was a pioneering country-rock outfit, Clark took time to hone his songwriting to its barest essentials. The focus on these tracks is intense, they are taut and reflect his growing obsession with country music. Produced by ...
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Editorial Reviews

All Music Guide - Thom Jurek
Gene Clark's 1971 platter, with its stark black cover featuring his silhouette illuminated by the sun, was dubbed White Light -- though the words never appear on the cover -- and if ever a title fit a record, it's this one. Over its nine original tracks, it has established itself as one of the greatest singer/songwriter albums ever made. After leaving the Byrds in 1966, recording with the Gosdin Brothers, and breaking up the Dillard & Clark group that was a pioneering country-rock outfit, Clark took time to hone his songwriting to its barest essentials. The focus on these tracks is intense, they are taut and reflect his growing obsession with country music. Produced by the late guitarist Jesse Ed Davis who also worked with Taj Mahal, Leon Russell, Link Wray, and poet John Trudell, among others, Clark took his songs to his new label with confidence and they supported him. The band is comprised of Flying Burrito Brothers' bassist Chris Ethridge, the then-Steve Miller Band-pianist and future jazz great Ben Sidran, organist Michael Utley, and drummer Gary Mallaber. Clark's writing, as evidenced on "The Virgin," the title cut, "For a Spanish Guitar," "One in a Hundred," and "With Tomorrow," reveals a stark kind of simplicity in his lines. Using melodies mutated out of country, and revealing that he was the original poet and architect of the Byrds' sound on White Light, Clark created a wide open set of tracks that are at once full of space, a rugged gentility, and are harrowingly intimate in places. His reading of Bob Dylan's "Tears of Rage," towards the end of the record rivals, if not eclipses, the Band's. Less wrecked and ravaged, Clark's song is more a bewildered tome of resignation to a present and future in the abyss. Now this is classic rock.
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Product Details

  • Release Date: 9/27/2011
  • Label: Sundazed Music Inc.
  • UPC: 090771626523
  • Catalog Number: 6265
  • Sales rank: 125,270

Tracks

Disc 1
  1. 1 The Virgin (3:40)
  2. 2 With Tomorrow (2:27)
  3. 3 White Light (3:41)
  4. 4 Because of You (4:06)
  5. 5 One in a Hundred (3:36)
  6. 6 For A Spanish Guitar (5:00)
  7. 7 Where My Love Lies Asleep (4:23)
  8. 8 Tears of Rage (4:15)
  9. 9 1975 (3:49)
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Album Credits

Performance Credits
Gene Clark Primary Artist, Acoustic Guitar, Harmonica, Vocals
Jesse Davis Electric Guitar, Bottleneck Guitar
Chris Ethridge Bass
John Selk Acoustic Guitar
Ben Sidran Piano
Mike Utley Organ
Gary Mallaber Drums
Bobbye Hall Porter Percussion
Technical Credits
Gene Clark Composer
Bob Dylan Composer
Jesse Davis Composer, Producer
Richard Manuel Composer
Joe Zagarino Engineer
Bob Irwin Mastering
John Einarson Annotation
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