- White Light White Heat
- Gift
- Lady Godiva's Operation
- Here She Comes Now
- Stephanie Says
- Temptation Inside Your Heart
- I Heard Her Call My Name
- Sister Ray
- Hey Mr Rain
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1
8013252900044
John Cale Bass,Organ,Piano,Viola,Vocals,Keyboards,Spoken Word,Guitar (Bass),Bass (Electric),Multi Instruments,Vocals (Background)
Lou Reed Piano,Guitar,Vocals,Keyboards,Lead Guitar
Moe Tucker Bass,Drums,Percussion
Sterling Morrison Guitar,Vocals,Guitar (Bass),Vocals (Background)
Kevin Reeves Mixing
Jack Hunt Engineer
John Cale Composer,Tape Sources
Lou Reed Composer
Val Valentin Engineer,Director of Engineering
Moe Tucker Composer
Gary Kellgren Engineer
Sterling Morrison Composer
Andy Warhol Cover Art Concept
The Velvet Underground Arranger,Producer
Tom Wilson Producer
Billy Name Cover Photo,Photography
Susan Cooper Photography
Acy Lehman Design,Cover Design
Mario Anniballi Photography


Vinyl LP(Long Playing Record)
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Overview
The world of pop music was hardly ready for The Velvet Underground's first album when it appeared in the spring of 1967, but while The Velvet Underground and Nico sounded like an open challenge to conventional notions of what rock music could sound like (or what it could discuss), 1968's White Light/White Heat was a no-holds-barred frontal assault on cultural and aesthetic propriety. Recorded without the input of either Nico or Andy Warhol, White Light/White Heat was the purest and rawest document of the key Velvets lineup of Lou Reed, John Cale, Sterling Morrison, and Maureen Tucker, capturing the group at their toughest and most abrasive. The album opens with an open and enthusiastic endorsement of amphetamines (startling even from this group of noted drug enthusiasts), and side one continues with an amusing shaggy-dog story set to a slab of lurching mutant R&B ("The Gift"), a perverse variation on an old folktale ("Lady Godiva's Operation"), and the album's sole "pretty" song, the mildly disquieting "Here She Comes Now." While side one was a good bit darker in tone than the Velvets' first album, side two was where they truly threw down the gauntlet with the manic, free-jazz implosion of "I Heard Her Call My Name" (featuring Reed's guitar work at its most gloriously fractured), and the epic noise jam "Sister Ray," 17 minutes of sex, drugs, violence, and other non-wholesome fun with the loudest rock group in the history of Western Civilization as the house band. White Light/White Heat is easily the least accessible of The Velvet Underground's studio albums, but anyone wanting to hear their guitar-mauling tribal frenzy straight with no chaser will love it, and those benighted souls who think of the Velvets as some sort of folk-rock band are advised to crank their stereo up to ten and give side two a spin. ~ Mark Deming
Product Details
Release Date: | 11/13/2015 |
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Label: | V2 / Vinyl Lovers |
UPC: | 8013252900044 |
Tracks
Album Credits
Performance Credits
The Velvet Underground Primary ArtistJohn Cale Bass,Organ,Piano,Viola,Vocals,Keyboards,Spoken Word,Guitar (Bass),Bass (Electric),Multi Instruments,Vocals (Background)
Lou Reed Piano,Guitar,Vocals,Keyboards,Lead Guitar
Moe Tucker Bass,Drums,Percussion
Sterling Morrison Guitar,Vocals,Guitar (Bass),Vocals (Background)
Technical Credits
Bob Ludwig MasteringKevin Reeves Mixing
Jack Hunt Engineer
John Cale Composer,Tape Sources
Lou Reed Composer
Val Valentin Engineer,Director of Engineering
Moe Tucker Composer
Gary Kellgren Engineer
Sterling Morrison Composer
Andy Warhol Cover Art Concept
The Velvet Underground Arranger,Producer
Tom Wilson Producer
Billy Name Cover Photo,Photography
Susan Cooper Photography
Acy Lehman Design,Cover Design
Mario Anniballi Photography
From the B&N Reads Blog
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