White Negritude: Race, Writing, and Brazilian Cultural Identity
This book looks at the relationship of literary criticism to the social construction of race in Brazil. Isfahani-Hammond considers Gilberto Freyre's model of master/slave synthesis and examines what "multiculturalism" means after the turn of the century.
1123863291
White Negritude: Race, Writing, and Brazilian Cultural Identity
This book looks at the relationship of literary criticism to the social construction of race in Brazil. Isfahani-Hammond considers Gilberto Freyre's model of master/slave synthesis and examines what "multiculturalism" means after the turn of the century.
54.99 In Stock
White Negritude: Race, Writing, and Brazilian Cultural Identity

White Negritude: Race, Writing, and Brazilian Cultural Identity

by A. Isfahani-Hammond
White Negritude: Race, Writing, and Brazilian Cultural Identity

White Negritude: Race, Writing, and Brazilian Cultural Identity

by A. Isfahani-Hammond

Paperback(1st ed. 2008)

$54.99 
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Overview

This book looks at the relationship of literary criticism to the social construction of race in Brazil. Isfahani-Hammond considers Gilberto Freyre's model of master/slave synthesis and examines what "multiculturalism" means after the turn of the century.

Product Details

ISBN-13: 9781349536580
Publisher: Palgrave Macmillan US
Publication date: 12/14/2015
Series: New Directions in Latino American Cultures
Edition description: 1st ed. 2008
Pages: 194
Product dimensions: 5.51(w) x 8.50(h) x (d)

About the Author

Alexandra Isfahani-Hammond is Associate Professor of Comparative Literature and Luso-Brazilian Studies. University of California, San Diego, USA.

Table of Contents

Vanishing Primitives: An Introduction * Poetry and the Plantation: Jorge de Lima's White Authorship in a Caribbean Perspective * White Man in the Tropics: Authorship and Atmospheric Blackness in Gilberto Freyre * Joaquim Nabuco: Abolitionism and Erasure in the Americas * From the Plantation Manor to the Sociologist's Study: Democracy, Lusotropicalism, and the Scene of Writing
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