The White Queen (Cousins' War Series #1)

The White Queen (Cousins' War Series #1)

3.9 797
by Philippa Gregory
     
 

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The inspiration for the critically acclaimed Starz miniseries The White Queen, #1 New York Times bestselling author Philippa Gregory brings to life the extraordinary story of Elizabeth Woodville, a woman who rises from obscurity to become Queen of England, and changes the course of history forever.

Elizabeth Woodville is a woman of extraordinarySee more details below

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Overview

The inspiration for the critically acclaimed Starz miniseries The White Queen, #1 New York Times bestselling author Philippa Gregory brings to life the extraordinary story of Elizabeth Woodville, a woman who rises from obscurity to become Queen of England, and changes the course of history forever.

Elizabeth Woodville is a woman of extraordinary beauty and ambition. Her mother is Jacquetta, also known as the mystical lady of the rivers, and she is even more determined to bring power and wealth to the family line. While riding in the woods one day, Elizabeth captures the attentions of the newly crowned King Edward IV and, despite her common upbringing, marries him in secret.

When she is raised up to be his queen, the English court is outraged, but Elizabeth rises to the demands of her exalted position and fights for her family’s dominance. Yet despite her best efforts, and even with the help of her mother’s powers, her two sons become pawns in a famous unsolved mystery that has confounded historians for centuries: the lost princes in the Tower of London.

In this dazzling account of the deadly Wars of the Roses, brother turns on brother to win the ultimate prize: the throne of England.

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Editorial Reviews

Diana Gabaldon
…engrossing…Most of the story is blunt, brutal and bloody, but Gregory has a deft hand with historical imagination, making the most of ancient mysteries…Elizabeth is narrow and stubborn, but not altogether oblivious. She realizes what her husband and his brothers have done in their rise to power: They broke the law. By which I don't mean that they contravened some statute, though they certainly do that. I mean they broke the whole concept of law, to such an extent that it didn't work anymore. Edward IV ignored the law of sanctuary and murdered the innocent. Now his wife and daughters may be humiliated, his small sons kidnapped and murdered because they stand between the throne and someone who wants it. Good historical fiction always provides at least incidental commentary on the present (if not outright warnings). In this case, the warning is clear: Turning your back on morality for the sake of political gain will come back and bite you in the bum.
—The Washington Post
Publishers Weekly
Gregory applies her romantically written fictionalization of history to the powerful story of Elizabeth Woodville, the first English born commoner to become Queen of England. Her marriage to King Edward IV became part of the aristocratic battle of kin against kin for the crown during the turbulent and tragic years of the War of the Roses. From the fairytale-like introduction to the loss of her two young princes in the Tower of London, Elizabeth tells her own tale of joy and grief. Bianca Amato narrates the story with little vocal embellishment. It is a reading rather than a performance, and, in this instance, wholly successful. Rather than a creating a host of character voices, Amato uses her strong, haunting and cultured tone and accent so that listeners hear Elizabeth herself. A Touchstone hardcover (Reviews, Jun. 29).
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Library Journal
This first title in Gregory's (www.philippagregory.com) new "Cousins' War" series, set in the time of England's War of the Roses and centering on commoner-turned-queen Elizabeth Woodville, is full of intrigue, magic, and murder. Tony and Audie Award-winning South African actress Bianca Amado's modulated, aristocratic diction adds a sense of immediacy, though one wonders whether Woodville actually sounded anything like that! For fans of English medieval historical fiction and the works of Anne Easter Smith, Sharon Kay Penman, Jean Plaidy, and Alison Weir. Those preferring an unabridged recording should instead buy the Recorded Books edition, read by Susan Lyons and also available in multiple audio formats. [This edition includes a bonus MP3-CD of Gregory's The Virgin Lover; the Touchstone hc, published in August, was a New York Times and Publishers Weekly best seller.—Ed.]—David Faucheux, Louisiana Audio Information & Reading Svc., Lafayette
USA Today
“Gregory returns with another sister act. The result: her best novel in years.”
Historical Novels Review
“Gregory is one of historical fiction’s superstars, and The Kingmaker’s Daughter shows why . . . providing intelligent escape, a trip through time to a dangerous past.”
From the Publisher
'It would be hard to make history more entertaining, lively or engaging' Sunday Express

'Queen of the historical novel' Mail on Sunday

'Gregory brings to life the sights, smells and textures of 16th-century England' Kate Mosse, Financial Times

'Rollicking, page-turning stuff' Metro

'Of Woodville herself, Gregory makes a fascinating heroine; strong, ambitious, vengeful, beautiful and tinged with more than a hint of witchcraft. Popular history at its best' Daily Mail

‘History comes gloriously alive as widowed Elisabeth Woodville of the House of Lancaster seduces and marries Yorkist King Edward IV. From then on conflict, betrayal and murder stalk her life as the Queen of England’ Mirror

‘As with The Other Boleyn Girl, Gregory’s clever blend of fact and fiction is a lot racier than the average historical biography ... her tale of Elizabeth Woodville’s tenacious fight for her family’s position during the Wars of the Roses oozes sex appeal and suspense’ Glamour magazine

‘Lady Margaret Beaufort – cold, clever, calculating – will stop at nothing to put her son Henry Tudor on the throne. Gregory is very good at describing the bitchiness of the women in this tale of dynastic rivalry’ Telegraph

'Entrancing' Telegraph

'an informative and riveting read from start to finish' Edinburgh Evening News

'Gregory brings this period of history and another strong female character to life with the same colour and intrigue she applies to all her novels' Glasgow Evening Times

'A gripping read' South Wales Echo

'...whips along with lashings of historical intrigue' Company

'Gregory's novels are, in fact, meticulously researched pieces of historical scholarship. For each novel she immerses herself in dozens of primary and secondary sources, before transforming them into vivid fiction' Sunday Telegraph

Historical Novels Review (Editor's Choice Review)

“Gregory is one of historical fiction’s superstars, and The Kingmaker’s Daughter shows why . . . providing intelligent escape, a trip through time to a dangerous past.”

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Product Details

ISBN-13:
9781416563914
Publisher:
Touchstone
Publication date:
08/18/2009
Series:
Cousins' War Series , #1
Sold by:
SIMON & SCHUSTER
Format:
NOOK Book
Pages:
416
Sales rank:
2,096
File size:
7 MB

Read an Excerpt

In the darkness of the forest the young knight could hear the splashing of the fountain long before he could see the glimmer of moonlight reflected on the still surface. He was about to step forward, longing to dip his head, drink in the coolness, when he caught his breath at the sight of something dark, moving deep in the water. There was a greenish shadow in the sunken bowl of the fountain, something like a great fish, something like a drowned body. Then it moved and stood upright and he saw, frighteningly naked: a bathing woman. Her skin as she rose up, water coursing down her flanks, was even paler than the white marble bowl, her wet hair dark as a shadow.

She is Melusina, the water goddess, and she is found in hidden springs and waterfalls in any forest in Christendom, even in those as far away as Greece. She bathes in the Moorish fountains too. They know her by another name in the northern countries, where the lakes are glazed with ice and it crackles when she rises. A man may love her if he keeps her secret and lets her alone when she wants to bathe, and she may love him in return until he breaks his word, as men always do, and she sweeps him into the deeps, with her fishy tail, and turns his faithless blood to water.

The tragedy of Melusina, whatever language tells it, whatever tune it sings, is that a man will always promise more than he can do to a woman he cannot understand.

SPRING 1464

My father is Sir Richard Woodville, Baron Rivers, an English nobleman, a landholder, and a supporter of the true Kings of England, the Lancastrian line. My mother descends from the Dukes of Burgundy and so carries the watery blood of the goddess Melusina, who founded their royal house with her entranced ducal lover, and can still be met at times of extreme trouble, crying a warning over the castle rooftops when the son and heir is dying and the family doomed. Or so they say, those who believe in such things.

With this contradictory parentage of mine: solid English earth and French water goddess, one could expect anything from me: an enchantress, or an ordinary girl. There are those who will say I am both. But today, as I comb my hair with particular care and arrange it under my tallest headdress, take the hands of my two fatherless boys and lead the way to the road that goes to Northampton, I would give all that I am to be, just this once, simply irresistible.

I have to attract the attention of a young man riding out to yet another battle, against an enemy that cannot be defeated. He may not even see me. He is not likely to be in the mood for beggars or flirts. I have to excite his compassion for my position, inspire his sympathy for my needs, and stay in his memory long enough for him to do something about them both. And this is a man who has beautiful women flinging themselves at him every night of the week, and a hundred claimants for every post in his gift.

He is a usurper and a tyrant, my enemy and the son of my enemy, but I am far beyond loyalty to anyone but my sons and myself. My own father rode out to the battle of Towton against this man who now calls himself King of England, though he is little more than a braggart boy; and I have never seen a man as broken as my father when he came home from Towton, his sword arm bleeding through his jacket, his face white, saying that this boy is a commander such as we have never seen before, and our cause is lost, and we are all without hope while he lives. Twenty thousand men were cut down at Towton at this boy's command; no one had ever seen such death before in England. My father said it was a harvest of Lancastrians, not a battle. The rightful King Henry and his wife, Queen Margaret of Anjou, fled to Scotland, devastated by the deaths.

Those of us left in England did not surrender readily. The battles went on and on to resist the false king, this boy of York. My own husband was killed commanding our cavalry, only three years ago at St. Albans. And now I am left a widow and what land and fortune I once called my own has been taken by my motherin-law with the goodwill of the victor, the master of this boy-king, the great puppeteer who is known as the Kingmaker: Richard Neville, Earl of Warwick, who made a king out of this vain boy, now only twenty-two, and will make a hell out of England for those of us who still defend the House of Lancaster.

There are Yorkists in every great house in the land now, and every profitable business or place or tax is in their gift. Their boyking is on the throne, and his supporters form the new court. We, the defeated, are paupers in our own houses and strangers in our own country, our king an exile, our queen a vengeful alien plotting with our old enemy of France. We have to make terms with the tyrant ofYork, while praying that God turns against him and our true king sweeps south with an army for yet another battle.

In the meantime, like many a woman with a husband dead and a father defeated, I have to piece my life together like a patchwork of scraps. I have to regain my fortune somehow, though it seems that neither kinsman nor friend can make any headway for me. We are all known as traitors. We are forgiven but not beloved. We are all powerless. I shall have to be my own advocate, and make my own case to a boy who respects justice so little that he would dare to take an army against his own cousin: a king ordained. What can one say to such a savage that he could understand?

My boys, Thomas, who is nine, and Richard, who is eight, are dressed in their best, their hair wetted and smoothed down, their faces shining from soap. I have tight hold of their hands as they stand on either side of me, for these are true boys and they draw dirt to them as if by magic. If I let them go for a second, then one will scuff his shoes and the other rip his hose, and both of them will manage to get leaves in their hair and mud on their faces, and Thomas will certainly fall in the stream. As it is, anchored by my grip, they hop from one leg to another in an agony of boredom, and straighten up only when I say, "Hush, I can hear horses."

It sounds like the patter of rain at first, and then in a moment a rumble like thunder. The jingle of the harness and the flutter of the standards, the chink of the chain mail and the blowing of the horses, the sound and the smell and the roar of a hundred horses ridden hard is overwhelming and, even though I am determined to stand out and make them stop, I can't help but shrink back. What must it be to face these men riding down in battle with their lances outstretched before them, like a galloping wall of staves? How could any man face it?

Thomas sees the bare blond head in the midst of all the fury and noise and shouts "Hurrah!" like the boy he is, and at the shout of his treble voice I see the man's head turn, and he sees me and the boys, and his hand snatches the reins and he bellows "Halt!" His horse stands up on its rear legs, wrenched to a standstill, and the whole cavalcade wheels and halts and swears at the sudden stop, and then abruptly everything is silent and the dust billows around us.

His horse blows out, shakes its head, but the rider is like a statue on its high back. He is looking at me and I at him, and it is so quiet that I can hear a thrush in the branches of the oak above me. How it sings. My God, it sings like a ripple of glory, like joy made into sound. I have never heard a bird sing like that before, as if it were caroling happiness.

I step forward, still holding my sons' hands, and I open my mouth to plead my case, but at this moment, this crucial moment, I have lost my words. I have practiced well enough. I had a little speech all prepared, but now I have nothing. And it is almost as if I need no words. I just look at him and somehow I expect him to understand everything — my fear of the future and my hopes for these my boys, my lack of money and the irritable pity of my father, which makes living under his roof so unbearable to me, the coldness of my bed at night, and my longing for another child, my sense that my life is over. Dear God, I am only twenty-seven, my cause is defeated, my husband is dead. Am I to be one of many poor widows who will spend the rest of their days at someone else's fireside trying to be a good guest? Shall I never be kissed again? Shall I never feel joy? Not ever again?

And still the bird sings as if to say that delight is easy, for those who desire it.

He makes a gesture with his hand to the older man at his side, and the man barks out a command and the soldiers turn their horses off the road and go into the shade of the trees. But the king jumps down from his great horse, drops the reins, and walks towards me and my boys. I am a tall woman but he overtops me by a head; he must be far more than six feet tall. My boys crane their necks up to see him; he is a giant to them. He is blond haired, gray eyed, with a tanned, open, smiling face, rich with charm, easy with grace. This is a king as we have never seen before in England: this is a man whom the people will love on sight. And his eyes are fixed on my face as if I know a secret that he has to have, as if we have known each other forever, and I can feel my cheeks are burning but I cannot look away from him.

A modest woman looks down in this world, keeps her eyes on her slippers; a supplicant bows low and stretches out a pleading hand. But I stand tall, I am aghast at myself, staring like an ignorant peasant, and find I cannot take my eyes from his, from his smiling mouth, from his gaze, which is burning on my face.

"Who is this?" he asks, still looking at me.

"Your Grace, this is my mother, Lady Elizabeth Grey," my son Thomas says politely, and he pulls off his cap and drops to his knee.

Richard on my other side kneels too and mutters, as if he cannot be heard, "Is this the king? Really? He is the tallest man I have ever seen in my life!"

I sink down into a curtsey but I cannot look away. Instead, I gaze up at him, as a woman might stare with hot eyes at a man she adores.

"Rise up," he says. His voice is low, for only me to hear. "Have you come to see me?"

"I need your help," I say. I can hardly form the words. I feel as if the love potion, which my mother soaked into the scarf billowing from my headdress, is drugging me, not him. "I cannot obtain my dowry lands, my jointure, now I am widowed." I stumble in the face of his smiling interest. "I am a widow now. I have nothing to live on."

"A widow?"

"My husband was Sir John Grey. He died at St. Albans," I say. It is to confess his treason and the damnation of my sons. The king will recognize the name of the commander of his enemy's cavalry. I nip my lip. "Their father did his duty as he conceived it to be, Your Grace; he was loyal to the man he thought was king. My boys are innocent of anything."

"He left you these two sons?" He smiles down at my boys.

"The best part of my fortune," I say. "This is Richard and this is Thomas Grey."

He nods at my boys, who gaze up at him as if he were some kind of high-bred horse, too big for them to pet but a figure for awestruck admiration, and then he looks back to me. "I am thirsty," he says. "Is your home near here?"

"We would be honored..." I glance at the guard who rides with him. There must be more than a hundred of them. He chuckles. "They can ride on," he decides. "Hastings!" The older man turns and waits. "You go on to Grafton. I will catch you up. Smollett can stay with me, and Forbes. I will come in an hour or so."

Sir William Hastings looks me up and down as if I am a pretty piece of ribbon for sale. I show him a hard stare in reply, and he takes off his hat and bows to me, throws a salute to the king, shouts to the guard to mount up.

"Where are you going?" he asks the king.

The boy-king looks at me.

"We are going to the house of my father, Baron Rivers, Sir Richard Woodville," I say proudly, though I know the king will recognize the name of a man who was high in the favor of the Lancaster court, fought for them, and once took hard words from him in person when York and Lancaster were daggers drawn. We all know of one another well enough, but it is a courtesy generally observed to forget that we were all loyal to Henry VI once, until these turned traitor.

Sir William raises his eyebrow at his king's choice for a stopping place. "Then I doubt that you'll want to stay very long," he says unpleasantly, and rides on. The ground shakes as they go by, and they leave us in warm quietness as the dust settles.

"My father has been forgiven and his title restored," I say defensively. "You forgave him yourself after Towton."

"I remember your father and your mother," the king says equably. "I have known them since I was a boy in good times and bad. I am only surprised that they never introduced me to you."

I have to stifle a giggle. This is a king notorious for seduction. Nobody with any sense would let their daughter meet him. "Would you like to come this way?" I ask. "It is a little walk to my father's house."

"D'you want a ride, boys?" he asks them. Their heads bob up like imploring ducklings. "You can both go up," he says, and lifts Richard and then Thomas into the saddle. "Now hold tight. You on to your brother and you — Thomas, is it? — you hold on to the pommel."

He loops the rein over his arm and then offers me his other arm, and so we walk to my home, through the wood, under the shade of the trees. I can feel the warmth of his arm through the slashed fabric of his sleeve. I have to stop myself leaning towards him. I look ahead to the house and to my mother's window and see, from the little movement behind the mullioned panes of glass, that she has been looking out, and willing this very thing to happen.

She is at the front door as we approach, the groom of the household at her side. She curtseys low. "Your Grace," she says pleasantly, as if the king comes to visit every day. "You are very welcome to Grafton Manor."

A groom comes running and takes the reins of the horse to lead it to the stable yard. My boys cling on for the last few yards, as my mother steps back and bows the king into the hall. "Will you take a glass of small ale?" she asks. "Or we have a very good wine from my cousins in Burgundy?"

"I'll take the ale, if you please," he says agreeably. "It is thirsty work riding. It is hot for spring. Good day to you, Lady Rivers."

The high table in the great hall is laid with the best glasses and a jug of ale as well as the wine. "You are expecting company?" he asks.

She smiles at him. "There is no man in the world could ride past my daughter," she says. "When she told me she wanted to put her own case to you, I had them draw the best of our ale. I guessed you would stop."

He laughs at her pride, and turns to smile at me. "Indeed, it would be a blind man who could ride past you," he says.

I am about to make some little comment, but again it happens. Our eyes meet, and I can think of nothing to say to him. We just stand, staring at each other for a long moment, until my mother passes him a glass and says quietly, "Good health, Your Grace."

He shakes his head, as if awakened. "And is your father here?" he asks.

"Sir Richard has ridden over to see our neighbors," I say. "We expect him back for his dinner."

My mother takes a clean glass and holds it up to the light and tuts as if there is some flaw. "Excuse me," she says, and leaves. The king and I are alone in the great hall, the sun pouring through the big window behind the long table, the house in silence, as if everyone is holding their breath and listening.

He goes behind the table and sits down in the master's chair. "Please sit," he says, and gestures to the chair beside him. I sit as if I am his queen, on his right hand, and I let him pour me a glass of small ale. "I will look into your claim for your lands," he says. "Do you want your own house? Are you not happy living here with your mother and father?"

"They are kind to me," I say. "But I am used to my own household, I am accustomed to running my own lands. And my sons will have nothing if I cannot reclaim their father's lands. It is their inheritance. I must defend my sons."

"These have been hard times," he says. "But if I can keep my throne, I will see the law of the land running from one coast of England to another once more, and your boys will grow up without fear of warfare."

I nod my head.

"Are you loyal to King Henry?" he asks me. "D'you follow your family as loyal Lancastrians?"

Our history cannot be denied. I know that there was a furious quarrel in Calais between this king, then nothing more than a young York son, and my father, then one of the great Lancastrian lords. My mother was the first lady at the court of Margaret of Anjou; she must have met and patronized the handsome young son ofYork a dozen times. But who would have known then that the world might turn upside down and that the daughter of Baron Rivers would have to plead to that very boy for her own lands to be restored to her? "My mother and father were very great at the court of King Henry, but my family and I accept your rule now," I say quickly.

He smiles. "Sensible of you all, since I won," he says. "I accept your homage."

I give a little giggle, and at once his face warms. "It must be over soon, please God," he says. "Henry has nothing more than a handful of castles in lawless northern country. He can muster brigands like any outlaw, but he cannot raise a decent army. And his queen cannot go on and on bringing in the country's enemies to fight her own people. Those who fight for me will be rewarded, but even those who have fought against me will see that I shall be just in victory. And I will make my rule run, even to the north of England, even through their strongholds, up to the very border of Scotland."

"Do you go to the north now?" I ask. I take a sip of small ale. It is my mother's best but there is a tang behind it; she will have added some drops of a tincture, a love philter, something to make desire grow. I need nothing. I am breathless already.

"We need peace," he says. "Peace with France, peace with the Scots, and peace from brother to brother, cousin to cousin. Henry must surrender; his wife has to stop bringing in French troops to fight against Englishmen. We should not be divided anymore, York against Lancaster: we should all be Englishmen. There is nothing that sickens a country more than its own people fighting against one another. It destroys families; it is killing us daily. This has to end, and I will end it. I will end it this year."

I feel the sick fear that the people of this country have known for nearly a decade. "There must be another battle?"

He smiles. "I shall try to keep it from your door, my lady. But it must be done and it must be done soon. I pardoned the Duke of Somerset and took him into my friendship, and now he has run away to Henry once more, a Lancastrian turncoat, faithless like all the Beauforts. The Percys are raising the north against me. They hate the Nevilles, and the Neville family are my greatest allies. It is like a dance now: the dancers are in their place; they have to do their steps. They will have a battle; it cannot be avoided."

"The queen's army will come this way?" Though my mother loved her and was the first of her ladies, I have to say that her army is a force of absolute terror. Mercenaries, who care nothing for the country; Frenchmen who hate us; and the savage men of the north of England who see our fertile fields and prosperous towns as good for nothing but plunder. Last time she brought in the Scots on the agreement that anything they stole they could keep as their fee. She might as well have hired wolves.

"I shall stop them," he says simply. "I shall meet them in the north of England and I shall defeat them."

"How can you be so sure?" I exclaim.

He flashes a smile at me, and I catch my breath. "Because I have never lost a battle," he says simply. "I never will. I am quick on the field, and I am skilled; I am brave and I am lucky. My army moves faster than any other; I make them march fast and I move them fully armed. I outguess and I outpace my enemy. I don't lose battles. I am lucky in war as I am lucky in love. I have never lost in either game. I won't lose against Margaret of Anjou; I will win."

I laugh at his confidence, as if I am not impressed; but in truth he dazzles me.

He finishes his cup of ale and gets to his feet. "Thank you for your kindness," he says.

"You're going? You're going now?" I stammer.

"You will write down for me the details of your claim?"

"Yes. But — "

"Names and dates and so on? The land that you say is yours and the details of your ownership?"

I almost clutch his sleeve to keep him with me, like a beggar. "I will, but — "

"Then I will bid you adieu."

There is nothing I can do to stop him, unless my mother has thought to lame his horse.

"Yes, Your Grace, and thank you. But you are most welcome to stay. We will dine soon...or — "

"No, I must go. My friend William Hastings will be waiting for me."

"Of course, of course. I don't wish to delay you..."

I walk with him to the door. I am anguished at his leaving so abruptly, and yet I cannot think of anything to make him stay. At the threshold he turns and takes my hand. He bows his fair head low and, deliciously, turns my hand. He presses a kiss into my palm and folds my fingers over the kiss as if to keep it safe. When he comes up smiling, I see that he knows perfectly well that this gesture has made me melt and that I will keep my hand clasped until bedtime when I can put it to my mouth.

He looks down at my entranced face, at my hand that stretches, despite myself, to touch his sleeve. Then he relents. "I shall fetch the paper that you prepare, myself, tomorrow," he says. "Of course. Did you think differently? How could you? Did you think I could walk away from you, and not come back? Of course I am coming back. Tomorrow at noon. Will I see you then?"

He must hear my gasp. The color rushes back into my face so that my cheeks are burning hot. "Yes," I stammer. "T...tomorrow."

"At noon. And I will stay to dinner, if I may."

"We will be honored."

He bows to me and turns and walks down the hall, through the wide-flung double doors and out into the bright sunlight. I put my hands behind me and I hold the great wooden door for support. Truly, my knees are too weak to hold me up.

"He's gone?" my mother asks, coming quietly through the little side door.

"He's coming back tomorrow," I say. "He's coming back tomorrow. He's coming back to see me tomorrow."

• • •

When the sun is setting and my boys are saying their evening prayers, blond heads on their clasped hands at the foot of their trestle beds, my mother leads the way out of the front door of the house and down the winding footpath to where the bridge, a couple of wooden planks, spans the River Tove. She walks across, her conical headdress brushing the overhanging trees, and beckons me to follow her. At the other side, she puts her hand on a great ash tree, and I see there is a dark thread of silk wound around the rough-grained wood of the thick trunk.

"What is this?"

"Reel it in," is all she says. "Reel it in, a foot or so every day."

I put my hand on the thread and pull it gently. It comes easily; there is something light and small tied onto the far end. I cannot even see what it might be, as the thread loops across the river into the reeds, in deep water on the other side.

"Magic," I say flatly. My father has banned these practices in his house: the law of the land forbids it. It is death to be proved as a witch, death by drowning in the ducking stool, or strangling by the blacksmith at the village crossroads. Women like my mother are not permitted our skills in England today; we are named as forbidden.

"Magic," she agrees, untroubled. "Powerful magic, for a good cause. Well worth the risk. Come every day and reel it in, a foot at a time."

"What will come in?" I ask her. "At the end of this fishing line of yours? What great fish will I catch?"

She smiles at me and puts her hand on my cheek. "Your heart's desire," she says gently. "I didn't raise you to be a poor widow."

She turns and walks back across the footbridge, and I pull the thread as she has told me, take in twelve inches of it, tie it fast again, and follow her.

"So what did you raise me for?" I ask her, as we walk side by side to the house. "What am I to be? In your great scheme of things? In a world at war, where it seems, despite your foreknowledge and magic, we are stuck on the losing side?"

The new moon is rising, a small sickle of a moon. Without a word spoken, we both wish on it; we bob a curtsey, and I hear the chink as we turn over the little coins in our pockets.

"I raised you to be the best that you could be," she says simply. "I didn't know what that would be, and I still don't know. But I didn't raise you to be a lonely woman, missing her husband, struggling to keep her boys safe; a woman alone in a cold bed, her beauty wasted on empty lands."

"Well, Amen," I say simply, my eyes on the slender sickle. "Amen to that. And may the new moon bring me something better."

Copyright © 2009 by Philippa Gregory Limited

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