The New York Times
The Whites of Their Eyes: The Tea Party's Revolution and the Battle over American Historyby Jill Lepore
Americans have always put the past to political ends. The Union laid claim to the Revolution--so did the Confederacy. Civil rights leaders said they were the true sons of liberty--so did Southern segregationists. This book tells the story of the centuries-long struggle over the meaning of the nation's founding, including the battle waged by the Tea Party, Glenn… See more details below
Americans have always put the past to political ends. The Union laid claim to the Revolution--so did the Confederacy. Civil rights leaders said they were the true sons of liberty--so did Southern segregationists. This book tells the story of the centuries-long struggle over the meaning of the nation's founding, including the battle waged by the Tea Party, Glenn Beck, Sarah Palin, and evangelical Christians to "take back America."
Jill Lepore, Harvard historian and New Yorker staff writer, offers a careful and concerned look at American history according to the far right, from the "rant heard round the world," which launched the Tea Party, to the Texas School Board's adoption of a social-studies curriculum that teaches that the United States was established as a Christian nation. Along the way, she provides rare insight into the eighteenth-century struggle for independence--a history of the Revolution, from the archives. Lepore traces the roots of the far right's reactionary history to the bicentennial in the 1970s, when no one could agree on what story a divided nation should tell about its unruly beginnings. Behind the Tea Party's Revolution, she argues, lies a nostalgic and even heartbreaking yearning for an imagined past--a time less troubled by ambiguity, strife, and uncertainty--a yearning for an America that never was.
The Whites of Their Eyes reveals that the far right has embraced a narrative about America's founding that is not only a fable but is also, finally, a variety of fundamentalism--anti-intellectual, antihistorical, and dangerously antipluralist.
In a new afterword, Lepore addresses both the recent shift in Tea Party rhetoric from the Revolution to the Constitution and the diminished role of scholars as political commentators over the last half century of public debate.
The New York Times
Gordon S. Wood
Samuel P. Jacobs
Martin F. Nolan
John Michael Senger
Steven P. Miller
Winner of the 2011 Gold Medal in History, Independent Publisher Book Awards
One of Choice's Outstanding Academic Titles for 2011
Winner of the 2010 Bronze Medal Book of the Year Award in History, ForeWord Reviews
A New York Times Book Review Editors' Choice for 2010
One of U.S. News & World Report's (online version) Top Debate Worthy Books of the Year for 2010
A Boston Authors Club Annual Awards Highly Recommended Book for 2011
Honorable Mention for the 2010 PROSE Award in U.S. History, Association of American Publishers
"Jill Lepore, a historian of the American Revolution and a staff writer at The New Yorker, has written a brief but valuable book, The Whites of Their Eyes: The Tea Party's Revolution and the Battle Over American History, which combines her own interviews with Tea Partiers (mostly from her home state, Massachusetts) and her deep knowledge of the founders and of their view of the Constitution."--Alan Brinkley, New York Times Book Review
"Throughout her book Lepore's implicit question remains always: Don't these Tea Party people realize how silly they are? They don't understand history; they need to learn that time moves forward. 'We cannot go back to the eighteenth century,' she says, 'and the Founding Fathers are not, in fact, here with us today.'"--Gordon S. Wood, New York Review of Books
"Tackling the present, the near present, and the far-away past in one small volume, Lepore has not only penned an indictment of the Tea Party's crimes against history, she's also working in the tradition of Hofstadter, helping edge the academy closer to the public arena. And remaining a card-carrying historian, churning out intricate studies like New York Burning, Lepore has continued to step outside the safe boundaries of the ivory tower. At the risk of being accused of dilettantism, she's even tried her hand at historical fiction, co-authoring Blindspot in 2008. Now she's given journalism a go, making the case that Lepore is a better reporter than any historian, and a better historian than any reporter."--Samuel P. Jacobs, Daily Beast
"The Whites of Their Eyes isn't a screed of any kind, and the text is refreshingly free of ire. It is, instead, a warning shot across the bow. To tea-party activists of today, Ms. Lepore seems to be saying, 'Tighten up your game.' In its current iteration, the tea-party is a feat of storytelling. But in order to gain a foothold in American politics, it must aspire to more than that."--Molly Young, Economist.com
"Lepore's graceful grasp of both history and reality is important. 'The past haunts us all,' Lepore writes. 'But time moves forward, not backward. Chronology is like gravity. Nothing falls up. We cannot go back to the eighteenth century, and the Founding Fathers are not, in fact, here with us today.'"--Martin F. Nolan, San Francisco Chronicle
"For a number of years, the author has been contributing pieces to the New Yorker on American colonial history, pithy commentaries shaped by historical evidence and a storyteller's hand. Here she braids those essays together, which makes them more satisfying and meaningful than if they were merely collected in an anthology. . . . The author is not smug in her treatment of the Tea Partiers, but she refuses to allow them to kidnap and torture history so that it is reduced to fit their fundamentalist mold. . . . Learned, lively and shrewd."--Kirkus Reviews (starred review)
"In The Whites of Their Eyes, Lepore reviews the history of the American Revolution--in order to explore, and explode, the way the 21st-century Right uses that history. She criticizes history-according-to-the-Tea-Party on two levels. First, and unsurprisingly, she finds that the Tea Party's description of the past is simply incorrect at many turns. More interesting is Lepore's second criticism. In their asking the (unanswerable) question, 'What would the Founders do?', the Tea Party invites people to have a very strange relationship with the past: 'People who ask what the founders would do quite commonly declare that they know, they know, they just know what the founders would do, and, mostly, it comes to this: if only they could see us now, they would be rolling over in their graves. . . . We have failed to obey their sacred texts, holy writ,' Lepore writes provocatively. 'That's not history. It's not civil religion, the faith in democracy that binds Americans together. It's not originalism or even constitutionalism. That's fundamentalism.'"--Lauren Winner, Books & Culture
"The Whites of Their Eyes is a fascinating attempt to raise the level of US public policy debate. It is also a critique of the uses of history in politics and a brief, informative account of the ordinary people who lived at the time of the American Revolution. [It] is a valuable contribution to current discussions of public policy and should be read by anyone interested in serious political debate."--John Michael Senger, ForeWord Reviews
"In The Whites of Their Eyes, Lepore's liberal perspective is obvious although she largely sticks to history. Readers will find no exposé of an 'astroturf' movement funded by billionaire libertarians. What they will find is a trenchant, lively and devastating meditation on the uses and abuses of American history, most recently by the tea partiers. . . . Lepore counters what she assails as 'historical fundamentalism' (which, in the words of a chapter title, places 'the past upon its throne') with rich, if roaming, portraits of an American Revolution that she clearly loves. Thus, the book will have enduring value beyond the upcoming election."--Steven P. Miller, St. Louis Post-Dispatch
"Lepore, a Harvard University historian and writer for the New Yorker, has a good ol' time shooting fish in a barrel. But by far the most interesting and biting parts of her story come not from cleaning up messy and false tea party tales of the olden days, nor from her parallel account of the leftist history promoted by activists during the nation's bicentennial in the 1970s. What Lepore does best is rescue forgotten people and moments from the Revolutionary era and remind us beautifully of the many-layered power of place. In some ways, this little book is not so much about the tea party and American history as about richly knowing a city, in this case Boston. To know a city through time, to look at a spot and know what once stood there is among the most intense--and often ironic--urban pleasures. Lepore conveys this beautifully."--Stephan Salisbury, Philadelphia Inquirer
"Lepore's acerbic wit (and its accompanying soul, brevity) makes The Whites of Their Eyes (Princeton, 206 pages, $19.95) a welcome change of pace from the 900-page biographies of George Washington now straining bookstore shelves across the country."--Matthew Buckingham, Willamette Week
"Recommended as an engaging, well-informed picture of a complex society suffering under a repressive regime and the subject of often unbalanced debate about American policy."--Elizabeth Hayford, Library Journal
"Writing with verve, wit, and careful attention to detail, Lepore systematically contrasts their use of Revolutionary imagery and ideas with documented facts. She provides a detailed yet disturbing portrait of a populist faction advocating devolution towards a society that would have excluded all of the Tea Party's own members. Yet, Lepore's goal is not to make this association look foolish, but to cast a critical light on all organizations, public as well as private, who misuse the past for their own selfish goals. For that reason alone, this is an important work for all Americans."--Choice
"Lepore mounts an obvious argument, but does so in a way that is eminently readable, shows flashes of wit, and punctures with fact the magical thinking that she justly terms 'historical fundamentalism.' The book's accessible, sensible history of a period prone to wild misrepresentation is a valuable contribution, and Lepore has ably reinforced that contribution in her journalism for the New Yorker and the New York Times--such as her recent, pleasing attack on Paul Ryan's budgetary demagoguery."--Feisal Mohamed, Huffington Post
Lepore (American History/Harvard Univ.; New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan, 2005, etc.) explores the nexus of the American Revolution, the understanding and telling of history and today's Tea Party.
For a number of years, the author has been contributing pieces to the New Yorker on American colonial history, pithy commentaries shaped by historical evidence and a storyteller's hand. Here she braids those essays together, which makes them more satisfying and meaningful than if they were merely collected in an anthology. Lepore mixes in thoughts on the historian's craft, and in particular the misuse of history by the Tea Party, that two-year-old gathering of anti-tax, anti-Obama and, as Lepore shows, anti-history folks. The author is not smug in her treatment of the Tea Partiers, but she refuses to allow them to kidnap and torture history so that it is reduced to fit their fundamentalist mold—fundamentalist in the sense of conflating originalism (that the intent of the framers is fixed and knowable), evangelism and heritage tourism, and uninterested in the historical evidence of the American Revolution, that "messy, sprawling, decades-long affair." They treat the past as prologue, but it is a fictive past, writes the author, "reductive, unitary and, finally, dangerously anti-pluralist"—for example, the attempt to draw a parallel between the health-care law and the Intolerable Acts. For Lepore, history—"which is controversial, contentious and contested...picky, demanding, and vital"—is hard enough to grasp without willed ignorance.
Learned, lively and shrewd.
Meet the Author
Jill Lepore is the David Woods Kemper '41 Professor of American History at Harvard University and a staff writer at the "New Yorker". Her books include "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan", a finalist for the Pulitzer Prize; and "The Name of War: King Philip's War and the Origins of American Identity", winner of the Bancroft Prize.
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