Walt Whitman (1819-1892) was born on Long Island and educated in Brooklyn, New York. He served as a printer's devil, journeyman compositor, itinerant schoolteacher, editor, and unofficial nurse to Northern and Southern soldiers.
Whitman: Poetry and Proseby Walt Whitman, Justin Kaplan (Noted by)
This Library of America edition is the most comprehensive volume of the work of Walt Whitman (1819-1892) ever published. It includes all of his poetry and what he considered his complete prose. It is also the only collection that includes, in exactly the form in which it appeared in 1855, the first edition of Leaves of Grass. This was the book, a commercial failure, which prompted Emerson's famous message to Whitman: "I greet you at the beginning of a great career." These twelve poems, including what were later to be entitles "Song of Myself" and "I Sing the Body Electric," and a preface announcing the author's poetic theories, were the first stage of a massive, lifelong work. Six editions and some thirty-seven years later, Leaves of Grass had become one of the central volumes in the history of world poetry.
Each edition involved revisions of earlier poems and the incorporation of new ones. In 1856, for example, he added such poems as "Crossing Brooklyn Ferry" and "Spontaneous Me;" in the third edition (1860), "Out of the Cradle Endlessly Rocking" and two new sections, "Calamus" and "Children of Adam." In the fourth (1867), he incorporated the Civil War poems published a few years earlier as Drum-Taps and Sequel to Drum-Taps, including the poems on the death of Lincoln, notably "When Lilacs Last in the Door Yard Bloom'd." As it progressed, it was hailed by Emerson, Thoreau, Rosetti and others, but was also, as with the sixth edition in 1881-82, beset by charges of obscenity for such poems as "A Woman Waits for Me." Printed here is the final, great culminating edition of 1891-92, the last supervised by Whitman himself just before his death.
Whitman's prose is no lessextraordinary. Specimen Days and Collect (1882) includes reminiscences of nineteenth-century New York City that will fascinate readers in the twenty-first, notes on the Civil War, especially his service in Washington hospitals, and trenchant comments on books and authors. Democratic Vistas (1871), in its attacks on the misuses of national wealth after the Civil War, is relevant to conditions in our own time, and November Boughs (1888) brings together retrospective prefaces, opinions, and random autobiographical bits that are in effect an extended epilogue on Whitman's life, works, and times.
Here it all is, the complete Whitman - elegiac, comic, furtive, outrageous - the most innovative and original of American authors.
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Unfortunately, the publishers of this book have forgotten the basis of making print materials more user friendly--in particular, don't justify text needlessly. This is not a newspaper; it is a piece of literature and should be treated as such. Those of us who are dedicated to reading Whitman won't even notice, but what about the student who struggles with the prose?
Obviously Whitman is the 'great American poet' of the 19th and 20th century, and his style has influenced seemingly every writer since. His essay's are tedious to get through, but interesting in comparison as they show clearly the lonely man trying to reach out and connect to his readers through his songs. This book (and all the 'library of america' series for that matter)is spectaculary edited, and, considering that it contains Whitman's life work, is very portable and easily fits into a backpack.
This was great. I also read 'Cascade' by Dennis Klett and found it to be wonderful. Very real, emotional poetry.