- Shopping Bag ( 0 items )
The Shakespeare NewsletterWho Hears in Shakespeare presents a varied and engaging collection on the generalized area of hearing, mishearing, and overhearing in Shakespeare as performed by both the on-stage and the theatrical audiences. The capaciousness of the subject allows for a great variety of approaches, as the contributions of the two editors demonstrate.
The late and very much lamented Bernice Kliman explores the multiplicity of choices presented by Measure for Measure, both in terms of the text and the staging. The intelligence, learning, and wise evaluation of this article are what we had learned to expect from Bernice.