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Who I Am: A Memoir

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From the voice of a generation: The most highly anticipated autobiography of the year, and the story of a man who... is a Londoner and a Mod.... wanted The Who to be called The Hair.... loved The Everly Brothers, but not that "drawling dope" Elvis.... wanted to be a sculptor, a journalist, a dancer and a graphic designer.... became a musician, composer, librettist, fiction writer, literary editor, sailor.... smashed his first guitar onstage, in 1964, by accident.... heard the voice of God on a vibrating bed in ...

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Who I Am: A Memoir

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Overview

From the voice of a generation: The most highly anticipated autobiography of the year, and the story of a man who... is a Londoner and a Mod.... wanted The Who to be called The Hair.... loved The Everly Brothers, but not that "drawling dope" Elvis.... wanted to be a sculptor, a journalist, a dancer and a graphic designer.... became a musician, composer, librettist, fiction writer, literary editor, sailor.... smashed his first guitar onstage, in 1964, by accident.... heard the voice of God on a vibrating bed in rural Illinois.... invented the Marshall stack, feedback and the concept album.... once speared Abbie Hoffman in the neck with the head of his guitar.... inspired Jimi Hendrix's pyrotechnical stagecraft.... is partially deaf in his left ear.... stole his windmill guitar playing from Keith Richards.... followed Keith Moon off a hotel balcony into a pool and nearly died.... did too much cocaine and nearly died.... drank too much and nearly died.... detached from his body in an airplane, on LSD, and nearly died.... helped rescue Eric Clapton from heroin.... is banned for life from Holiday Inns.... was embroiled in a tabloid scandal that has dogged him ever since.... has some explaining to do.... is the most literary and literate musician of the last 50 years.... planned to write his memoir when he was 21.... published this book at 67.

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  • Who I Am
    Who I Am  
  • Pete Townshend Live at Barnes & Noble
    Pete Townshend Live at Barnes & Noble  

Editorial Reviews

From Barnes & Noble

In the works since at least 1997, Peter Townshend's autobiography finally arrived last year. It's not that the famed singer/songwriter/guitarist of The Who ever suffered from writer's block; in fact, this multi-talented music legend has keyboarded novels, short story collections, plays, essays, articles, and more; but Who I Am is special; being the quintessential statement of who he is. His riveting account of being raised by his grandmother as the orphaned-at- home son of two musicians is only the beginning of a story that throttles us forward with jarring specificity through several decades of rock history, complete with cameos of famous musicians living and dead, and reflections on his own life in and out of music. Completely unghosted, this 600-page autobiography was a bestseller in hardcover and promises to be the same in trade paperback and NOOK Book.

The New York Times
Who I Am is an earnest, tortured, searching book—by turns eloquent and long-winded, revealing and oddly elliptical…Mr. Townshend's self-portrait is raw and unsparing…What Mr. Townshend…manage[s] to do here with insight, verve and sometimes grandiosity is describe how the Who and its music evolved: how the group "set out to articulate the joy and rage" of the generation that came of age in the "teenage wasteland" that was post-World War II Britain, under the shadow of the atomic bomb and deeply alienated from the established class system.
—Michiko Kakutani
Rolling Stone (Four 1/2 Stars!)
“Intensely intimate…candid to the point of self-laceration…[Townshend’s] tone is less lofty than anyone would have expected, just as this book is more honest than any fan would have hoped.”
The Guardian (UK)
“Unusually frank and moving…[Who I Am] isn’t one of those rock memoirs that puts the what before the why. His past is a puzzle Mr. Townshend is sweating to decipher.”
Rolling Stone (Four and a half star review)
“Intensely intimate…candid to the point of self-laceration…[Townshend’s] tone is less lofty than anyone would have expected, just as this book is more honest than any fan would have hoped.”
Library Journal
Townshend—principal songwriter and guitarist for boundary-pushing, hard-living British rock band The Who—lays his life bare in this candid and entertaining autobiography, reflecting on both his personal life and his career as the brains behind one of rock’s most successful and influential groups. Townshend details the band’s early years as a trendy 1960s Mod outfit, the creative and commercial peaks of the 1970s, and the changes forced by the sudden deaths of drummer Keith Moon (in 1978) and bassist John Entwistle (in 2002). But he also gets personal, tracing his troubled youth, a difficult and affair-ridden marriage, relationships with family members and bandmates, various scandals and legal troubles, and decades-long struggles with alcohol and overwork. Townshend covers a lot of ground and is admirably forthcoming in addressing controversies and personal mistakes, but there is frustratingly little insight into his creative process or songwriting and recording methods. Verdict The lack of perspective into the influential musician’s blending of experimental artistry and raw rock ’n’ roll power will frustrate some readers, but Townshend’s long-awaited memoir is easily recommended to anyone interested in this true rock icon’s amazing journey.—Douglas King, Univ. of South Carolina Lib., Columbia

(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Reviews
The soul-searching of a deeply conflicted rock star will likely draw a mixed response from readers. As the creative force driving the Who, one of the most explosive and ambitious rock bands in history, guitarist/composer Townshend (Horse's Neck, 1985) has shown himself offstage to be an uncommonly articulate and reflective musical celebrity. For those who want to go deep into his psyche, from the Dickensian childhood in which he believed he was sexually abused (and was unquestionably mistreated) through the marital fidelity that he tried to sustain and the depression, anxiety attacks, alcoholism and other conditions he has successfully battled, Townshend bares his soul and is tougher on himself than most readers are likely to be. (Even those readers aware of the scandal in regard to his accessing child pornography are likely to agree that it was a careless mistake.) Along the way, he lets Who fans know just what inspired and influenced audacious achievements such as Tommy and intriguing hits such as "I Can See for Miles" and "Pictures of Lily." He's remarkably generous in the credit he gives other musicians, particularly the Kinks' Ray Davies and a whole lot of jazz artists (he idolizes pianist Keith Jarrett). Yet the narrative falls surprisingly flat in its surfeit of details (on houses, boats and much younger women who seemed to attract and torture him mainly because of their beauty), while adding little understanding to the unique dynamics of the Who. Jimi Hendrix comes alive in these pages, but ex-wife Karen Townshend does not. Regarding the "odd couple" relationship he has sustained with singer Roger Daltrey, Townshend doesn't seem to understand it any better than readers will. Fans will find plenty of revelation; others may be overwhelmed or just confused.
(Four 1/2 Stars!) - Rolling Stone
"Intensely intimate…candid to the point of self-laceration…[Townshend’s] tone is less lofty than anyone would have expected, just as this book is more honest than any fan would have hoped."
The Guardian (UK)
“Unusually frank and moving…[Who I Am] isn’t one of those rock memoirs that puts the what before the why. His past is a puzzle Mr. Townshend is sweating to decipher.”
Rolling Stone (Four 1/2 Stars!)
“Intensely intimate…candid to the point of self-laceration…[Townshend’s] tone is less lofty than anyone would have expected, just as this book is more honest than any fan would have hoped.”
Michiko Kakutani
“Mr. Townshend’s self-portrait is raw and unsparing...as intimate and as painful as a therapy session, while chronicling the history of the band as it took shape in the Mod scene in 1960s London and became the very embodiment of adolescent rebellion and loud, anarchic rock ‘n’ roll.”
The Guardian(UK)
"Unusually frank and moving…[Who I Am] isn’t one of those rock memoirs that puts the what before the why. His past is a puzzle Mr. Townshend is sweating to decipher."
Library Journal
Townshend has been working on this memoir for a decade—without the help of a ghostwriter. (It says something that this fact is emphasized.) Here he is as a child, raised by a mentally incapacitated grandmother as his parents led an early version of countercultural life; an adolescent, founding the forerunner of the Who with buddy Roger Daltrey; and a full-fledged rock star wrestling (as rock stars do) with drugs, sex, fame, fortune, and notoriety. With a one-day laydown on October 8 and a 400,000-copy first printing.
The Barnes & Noble Review

What does rock 'n' roll do to a person, long-term? Decibels, overload, and the ravening Id; chemical attrition, abuse of the higher faculties; near-limitless scope for bad behavior... After decades of these, what effects? Well, the specimens are walking, or shambling, among us — and more than that, they are writing up their own case histories. On the microscope slide of memoir they are offering us slivers of old rocker brain. Keith Richards did it in 2010 ? in his book Life — with the help of co-author James Fox. Now Neil Young and Pete Townshend have done it, each in his own way, no co-authors involved. "Writing is very convenient, has a low expense, and is a great way to pass the time," declares Young in Waging Heavy Peace. "I highly recommend it to any old rocker who is out of cash and doesn't know what to do next. You could hire someone to write it for you if you can't write it yourself.... Just don't hire some sweaty hack who asks you questions for years and twists them into his own vision of what is right or wrong." Townshend, most Townshend-ianly, concludes Who I Am with a letter to his eight year-old self: "You have a brilliant mind. Unfortunately you are not going to exercise it quite as much as you should."

These are two very different books by two very different men. Who I Am is literate, self-aware, painstakingly chronological, and written in a spirit of lacerating candor. "I was still experiencing manic-depressive anxiety attacks, hearing voices and music, seeing visions. The only medication that helped was alcohol." Waging Heavy Peace is candid, too, but hazier and more graciously self-forgiving. The book ambles back and forth on a woozy narrative spiral — now he's talking about his latest car, now his broken toe, now his first band — and reads for the most part like it came curling off the top of Young's magnificent head. "So we are getting into this now. There may have to be more than one book. I read up on this sort of thing, and the worst thing you can have is a book that is too long." A couple of points of commonality, though, between Neil Young and Pete Townshend: they are both geniuses, and they have both largely expressed themselves with electricity, using amplified guitars.

Townshend's classic sound is a near-celestial ringing and whooshing, his solos a matter not so much of individual notes as of the huge choral combinations at that moment forcing their way through his built-to-order high-tensile noise-conducting neurotic Englishman's frame and hands. As a boy, we learn from Who I Am, he was subject to mysterious sonic overwhelmings, often triggered by rivers or the sea: "I began to hear the most extraordinary music, sparked by the whine of the outboard motor and the burbling sound of water against the hull. I heard violins, cellos, horns, harps and voices, which increased in number until I could hear countless threads of an angelic choir." When, as a man, he channeled this "alpha-state music" through his guitar, it would emerge stamped unmistakably with Townshend-ness — what Gerard Manley Hopkins, writing of the composer Henry Purcell (also a favorite of the young Townshend), called "the forg'd feature": "...it is the rehearsal / Of own, of abrupt self there so thrusts on, so throngs the ear."

Neil Young's sound — when he's really going — is heavier, weirder and more searing, with the glimmering immaterial weight of an epileptic aura. (Young himself has suffered from seizures, rushes, strange buzzings and gusts of "cosmic wind".) In Waging Heavy Peace he recounts the moment when he first delivered himself to it, surrendered to it, dangerously — the full current of his musical being. The occasion is a show by his pre–Buffalo Springfield band the Squires, at the Flamingo Club in Fort William, Ontario, where having played a solo "like I was out of my mind" Young is approached after the set by a well-respected local guitarist, a real shredder and proponent of "the Toronto sound." As Young records it, the man is agog. "What the fuck was that?! What the hell were you doing? I have never heard anything like that in my life! It was fucking great, man! Shit!" (That last exclamation capturing beautifully the enraptured, covetous sense of affront that is the truest tribute one artist can pay to another.)

Both Neil Young and Pete Townshend are also, in the best and most constructive sense of the term, cranks. Parts of Waging Heavy Peace double as a product pitch for Lincvolt, Young's vision of a fuel-efficient, sort-of-green classic car ("Lincvolt will be powerful, clean and sexy. This has to happen. It is going to.") and PureTone, his attempt to rescue recorded music, and the ears of its listeners, from the plague of the MP3. Throughout the book he is building, designing, inventing, fiddling with wires, giving up, starting again; he is a lifelong model train buff, with a "small share" in the collectibles company Lionel; reworking the interior of Broken Arrow Ranch (where he wrote "Old Man") he makes connoisseurial trips to the lumberyard, going through "stacks and stacks of twelve-inch-wide planks of rough-sawn A-grade redwood, choosing the ones with the most beautiful sap and grain. Maybe I took one out of every twelve."

He is a glorious gearhead: his relationship with his cars, with his guitars, is true intimacy. Ragged Glory, he tells us (rumbling with ecstasy) was mainly written in his "car barn," surrounded by "all of my best shit": "My Fender Deluxe with a Fender Reverb, my whizzer attached to it, my Magnatone feeding from that, and my Baldwin Exterminator feeding off of it, too." He has also adored dogs and people — especially people who, like good cars, do their jobs properly and with a bit of style: his formidable manager/confrere David "Be Great or Be Gone" Briggs is eulogized, in bursts, throughout Waging Heavy Peace, as are the likes of sideman Ben Keith ("a wonderful man, gentle as the rain") whose steel guitar playing on "Old Man" and "Heart of Gold" is the very definition of the word plangent.

The crankiness of Pete Townshend is more, shall we say, abstract. True, his breakthrough work with synthesizers around the time of Who's Next was quite Young-esque in its balance of inspiration and hands-on monomania. (Why is he not acknowledged as a pioneer of electronic music? Oh, that's right: because his greatest innovations are buried under the power chords of "Baba O'Riley.") The real action, however, was upstairs, in the throbbing Townshend brain.

There vague intuitions and intimations — about the power of Rock, about the coming of virtual reality, about the one true note from which all music springs, about a sad boy in a bubble — congealed into concepts, "high-flown congregational notions", few of which he was able to get across. "My excitement was greatest," he writes, "when I was exploring the terrain between the spiritual magic of music and the march of physics. Unfortunately I wasn't having much success communicating in the language I was using — one part science fiction, one part mystical waffle, one part visionary glimpses of the role computers could play in the future of electronic music." As he himself had prophesied in an early Who hit, he couldn't explain. His ego would rise in indignation. "It's like trying to explain atomic energy to a group of cavemen," he complained to his wife Karen in 1970, having failed to put his bandmates in the picture with regard to his Lifehouse project.

But the point about Lifehouse was that nobody understood it — not the Who, not their management, certainly not the kids who gathered at London's Young Vic theatre, in early 1971, in nebulous expectation of a futuristic Who/audience mash-up. ("We did manage to perform some songs to a pre-recorded backing track," relates Townshend in Who I Am, "but no new music was produced; the assembled audience wasn't given access to electronic instruments, or even tambourines to bang.")

We should be grateful, I suppose, that Townshend the electro-druid has opted to tell his story straight, in sequential black-and-white, rather than in whirring cyber-splinters on some unusable new social media platform. But telling it straight is important to him now, particularly with respect to the child pornography scandal that enveloped him in 2003. (Who I Am will reassure you that he meant no harm.) As for the reasons or purposes behind Waging Heavy Peace, they seem to be twofold: first, to check that Neil Young's brain is still working, and second, because no songs are coming to him at the moment. On the former point he is disarmingly straightforward: "I am always getting scared that I will be in the middle of some long-winded story and forget what I'm talking about and my secret that I am slowly losing my mind will be out. It is a real fear. Everyone will know! But that is not new. That is not a recent development. I have always been like that. That is what makes detecting the onset of early stages of dementia in me so difficult."

On the latter he is shrewd and artistic: "Songs are like rabbits and they like to come out of their holes when you're not looking.... So I feel like am standing over a song hole. That will never result in success." Childlike, senescent, wise, and wonderfully foolish, Young in Waging Heavy Peace hands down his lessons — the most fundamental of them, perhaps, being one to which the Townshend of Who I Am would readily assent. And it goes like this: "Don't be greedy. Be ready."

James Parker is the author of Turned On: A Biography of Henry Rollins (Cooper Square Press), and a correspondent for The Atlantic.

Reviewer: James Parker

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Product Details

  • ISBN-13: 9780062127242
  • Publisher: HarperCollins Publishers
  • Publication date: 10/8/2012
  • Pages: 544
  • Product dimensions: 6.30 (w) x 9.00 (h) x 1.50 (d)

Meet the Author

Pete Townshend is the legendary lead guitarist and principal songwriter for The Who, one of the most influential rock-and-roll bands of all time. Townshend is responsible for having written over 100 songs and rock operas in the band's important catalogue. He is one of Rolling Stone's "100 Greatest Guitarists of All Time" and was inducted into the Rock and Roll Hall of Fame in 1990. He resides in West London, where he was raised.

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Read an Excerpt

Who I Am


By Peter Townshend

HarperCollins Publishers

Copyright © 2012 Peter Townshend
All rights reserved.
ISBN: 978-0-06-212724-2


Excerpt

CHAPTER 1

I WAS THERE


It's extraordinary, magical, surreal, watching them all dance to my feedback guitar solos; in the audience my art school chums stand straight backed among the slouching West and North London Mods, that army of teenagers who have arrived astride their fabulous scooters in short hair and good shoes, hopped up on pills. I can't speak for what's in the heads of my fellow band mates, Roger Daltrey, Keith Moon or John Entwistle. Usually I'd be feeling like a loner, even in the middle of the band, but tonight, in June 1964, at The Who's first show at the Railway Hotel in Harrow, West London, I am invincible.

We're playing R&B: 'Smokestack Lightning', 'I'm a Man', 'Road Runner' and other heavy classics. I scrape the howling Rickenbacker guitar up and down my microphone stand, then flip the special switch I recently fitted so the guitar sputters and sprays the front row with bullets of sound. I violently thrust my guitar into the air – and feel a terrible shudder as the sound goes from a roar to a rattling growl; I look up to see my guitar's broken head as I pull it away from the hole I've punched in the low ceiling.

It is at this moment that I make a split-second decision – and in a mad frenzy I thrust the damaged guitar up into the ceiling over and over again. What had been a clean break becomes a splintered mess. I hold the guitar up to the crowd triumphantly. I haven't smashed it: I've sculpted it for them. I throw the shattered guitar carelessly to the ground, pick up my brand-new Rickenbacker twelve-string and continue the show.

That Tuesday night I stumbled upon something more powerful than words, far more emotive than my white-boy attempts to play the blues. And in response I received the full-throated salute of the crowd. A week or so later, at the same venue, I ran out of guitars and toppled the stack of Marshall amplifiers. Not one to be upstaged, our drummer Keith Moon joined in by kicking over his drum kit. Roger started to scrape his microphone on Keith's cracked cymbals. Some people viewed the destruction as a gimmick, but I knew the world was changing and a message was being conveyed. The old, conventional way of making music would never be the same.

I had no idea what the first smashing of my guitar would lead to, but I had a good idea where it all came from. As the son of a clarinettist and saxophonist in the Squadronaires, the prototypical British Swing band, I had been nourished by my love for that music, a love I would betray for a new passion: rock 'n' roll, the music that came to destroy it.

I am British. I am a Londoner. I was born in West London just as the devastating Second World War came to a close. As a working artist I have been significantly shaped by these three facts, just as the lives of my grandparents and parents were shaped by the darkness of war. I was brought up in a period when war still cast shadows, though in my life the weather changed so rapidly it was impossible to know what was in store. War had been a real threat or a fact for three generations of my family. In 1945 popular music had a serious purpose: to defy post-war depression and revitalize the romantic and hopeful aspirations of an exhausted people. My infancy was steeped in awareness of the mystery and romance of my father's music, which was so important to him and Mum that it seemed the centre of the universe. There was laughter and optimism; the war was over. The musics Dad played was called Swing. It was what people wanted to hear.

I was there.
(Continues...)


Excerpted from Who I Am by Peter Townshend. Copyright © 2012 by Peter Townshend. Excerpted by permission of HarperCollins Publishers.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

Act One: War Music

1 I Was There 3

2 It's a Boy! 6

3 You Didn't See It 26

4 A Teenage Kind of Vengeance 49

5 The Detours 62

6 The Who 86

7 I Can't Explain 113

8 Substitoot 130

9 Acid in the Air 151

10 God Checks In to a Holiday Inn 175

11 Amazing Journey 199

12 Tommy: The Myths, The Music, The Mud 226

Act Two: A Really Desperate Man

13 Lifehouse and Loneliness 277

14 The Land Between 304

15 Carriers 334

16 A Beggar, a Hypocrite 351

17 Be Careful What You Pray For 374

18 The Undertaker 398

19 Growing Into My Skin 416

20 Rock Star Fuckup 451

Act Three: Playing to the Gods

21 The Last Drink 489

22 Still Loony 526

23 Iron Man 559

24 Psychoderelict 589

25 Relapse 607

26 Noodling 627

27 A New Home 644

28 Letter to My Eight-year-old Self 665

29 Black Days, White Knights 694

30 Trilby's Piano 703

31 Intermezzo 714

32 Who I Am 721

Appendix A Fan Letter from 1967 725

Coda 728

Acknowledgements 730

Picture Credits 740

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See All Sort by: Showing 1 – 20 of 51 Customer Reviews
  • Posted November 19, 2012

    more from this reviewer

    Check it out! I think you'll like this one.

    Just finished the book, "Who I Am" by Pete Townshend, 2012, Harper Collins books, New York, 500p.

    For those of you who may not remember, Pete Townshend is one of the founding members of the band, The Who. The book is not really an autobiography; it's more a memoir. I was big fan of
    The Who during my younger days, from about 1967 on into the days of "Tommy" and "Quadrophenia." I was fortunate enough to have seen them perform in concert, twice.

    Pete was born in 1945. His mother was a singer in swing bands and his father was a musician (clarinet and sax) in the swing band era in London shortly after WWII. He is 5 years older than me, he's 67, the same age as Eric Clapton, and a bit younger than George Harrison and the rest of the Beatles. He has 2 younger brothers, Paul (1957-) and Simon (1960-). He has 3 children, Emma(1969-), Minta (1971-), and Joseph (1989-). He is a grandfather of a boy as of this book's
    publishing. Both Keith Moon and John Entwisrle, original members of The Who, are deceased. He is barred for life from Holiday Inns.

    I was impressed by all the artistic endeavors of Pete Townshend over the years. He was the main songwriter of nearly all the material performed by The Who. He was heavily involved in the management of The Who, as well as all their financial affairs. He experimented early on with multi-track recording, digital recording, synthesized music, and theatrical and musical production. He was a publisher, a promoter, and a producer. He was a sailor and owned several boats.
    He owned (or owns) several houses. He was the quintessential rock star and has lived the life in all its gory details as covered in the book. He has been an addict and he has been in therapy for years. He is partially deaf. He invented "the Marshall stack" made famous by many bands in the 60's and 70's, including Jimi Hendrix. He is a follower of Meher Baba ( I'm not sure who Baba was or what following him means.)

    My take on the book is that Pete Townshend has presented a memoir describing who he is, and from his perspective, who is The Who. Pete Townshend is an artist in the sense a musician creates and performs his art. But he is also much more, especially in the realm of writing, recording, and producing music. If that interests you, so will reading the book.

    4 out of 4 people found this review helpful.

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  • Anonymous

    Posted November 19, 2012

    Fun Read for Who fans.

    I am enjoying this book. There are many references to other top stars of his genre and I particularly reading about his upbringing and personal life. Kind of the behind the scenes influences. I always believed he was the brains behind the great music and this has solidified that opinion. There are times when the book is kind of slow going, but these seem to coincide with very busy times in my schedule, so may just not be too strong a pull to keep my attention. When I have the time, I am very much enjoying reading and have sought out other biographies from this genre of musicians to read next.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted October 23, 2012

    Good and Bad

    This memoir is both awful and good. Townshend is completely full of himself; so much so that it distracts from his stories. But it's his memoir, his story, his life.

    3 out of 4 people found this review helpful.

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  • Anonymous

    Posted March 13, 2013

    Arrogance is bad and this book proves it!!!!!!!

    This guy is such a pompous slug. He's always talking about smart and great he is. And how dumb and bad we are

    2 out of 5 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 3, 2012

    He should have caled this book Tommy

    He should have caled this book Tommy

    2 out of 9 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 21, 2012

    i thought this was the worst book on earth. i dont reccomend you

    i thought this was the worst book on earth. i dont reccomend you buy it.

    2 out of 11 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted November 15, 2012

    Good, not great. It certainly lives up to its title as it is ver

    Good, not great. It certainly lives up to its title as it is very introspective. I think that Townshend wants the reader to understand that he is first and foremost, an artist. I appreciate this, but I was hoping for more information about his songwriting. He does convey just how personal most of his songs are, but most of us already knew that. The most interesting theme of the book is his strange relationship with his wife. I don't believe I've ever heard of such a disconnected and public marriage lasting so long. I'm still trying to figure out if it is a testament to a strong family or patience for a really mixed up and stressed-out workaholic. Regardless, Karen Townshend comes across as a saint. I imagine that was the author's intention. I also enjoyed the fact that him and Daltrey were always friends and fierce co-workers. A much different perspective than that which we got through media outlets.

    2 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted November 2, 2012

    more from this reviewer

    There once was a note...

    Wow! Maybe I'm biased because I always considered Pete the best of all rock songwriters, but this memoir is just as soul revealing as his songs. He was certainly, often a a**hole, especially to his wife but at least acknowledges it! So introspective but also filled w/ anectdotes that brought back memories of younger days for me (especially Bowie and Clapton). I teared up at the end, not because it was sad so much as the trip was over. Honest, soul-searched, funny. If you grew up w/the Who or just Sixties/Seventies Rock you'll love it!

    2 out of 4 people found this review helpful.

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  • Anonymous

    Posted March 30, 2013

    The who rocks

    They are the beast

    1 out of 5 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 6, 2014

    :¿)

    :•(

    0 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 16, 2014

    I hate it:-(

    I hated this and you should not waste your money on it:-(

    0 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 14, 2014

    headline headline

    review review

    0 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted September 6, 2013

    Worth the read

    I am a long time Townsend and Who fan and was eager to read Who I Am. Overall I found the book enjoyable and educational. At times the writing felt tangential and disconnected and I had higher expectations for the quality of writing than was delivered. That being said, I am grateful for the opportunity to read Townsend's thoughts and experiences. Who I Am inspired me to read other Rock Bio/Autobios. Thank you Pete!!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 9, 2013

    I am a huge Who fan. Pete was fine but I really liked John and

    I am a huge Who fan. Pete was fine but I really liked John and Keith's playing but still interested in what the guitarist would say about his life. Well, I now know way too much about his houses, girlfriends, silly religious views, sexual interests, boats, boring books, films, and musicals, and drinking. I wanted a real musicians take on song construction, the Who's compositional and musical approach, and a more philosophical read on the role of music, and the Who, in larger social contexts. I got just a touch of these, however. Pete pretends like he doesn't think he's deity in this book but I am pretty sure he thinks he is one. Pass on this one.

    Was this review helpful? Yes  No   Report this review
  • Posted May 31, 2013

    Very Interesting

    So very often we really never know the person behind the tunes we all love. What makes them tick. How did life treat them during their career. What really happened back then!!! Well now you will know. Great read.

    Was this review helpful? Yes  No   Report this review
  • Posted May 19, 2013

    Ok so, full disclosure; I love The Who. That said, I love this

    Ok so, full disclosure; I love The Who.

    That said, I love this book. It gives a keen insight into the genius that is Pete Townshend.

    He comes across as honest and almost apologetic for his life of stardom and indulgence. His love of music and art. As well as his love, respect and frustrations of his fellow band members.

    I've heard many give comments on his thoughts on Mick Jagger however this has simply gotten too much press as being sensational. This book is so much more. It's charming and sophisticated. Even if your a casual fan of this genre you'll get something from this man's prospective.

    Was this review helpful? Yes  No   Report this review
  • Posted March 24, 2013

    Guitar and Pen

    What more can I say that hasn't already been said about Pete's book? He's honest, truthful, gut-spilling, evasive and at times, pompous. He sounds pretty human --just like the rest of us. Celebrity does not make you perfect. Reading this book and listening to the audio-book made me pull out some of my old vinyl and CDs to listen to and I am struck by the depth and brilliance of Pete's writing and composing. I love how he can say what so many of us have felt at so many stages in our lives. Pure and easy,this book has some great stories and leaves you wanting more.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 11, 2013

    A dark memoir

    Its a good book, but too dark for my tastes. His depression followed him through life. Not my cup of tea, but to its credit there are a lot of musical tidbits in the book that i really enjoyed.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 1, 2013

    Interesting Man

    He is interesting, and the book reads easily enough. But the man is quite an egotist and self absorbed...

    Was this review helpful? Yes  No   Report this review
  • Posted January 25, 2013

    Pete Townshend speaks to his generation and beyond. Magical insi

    Pete Townshend speaks to his generation and beyond. Magical insight into the mind of one of the greatest musicians who ever graced the Earth. From his boyhood as a post WWII Londoner, to the profound success of The Who, to today, a living legend among us who’s music is the chronicle of so many lives. I thoroughly appreciated his honesty, emotions, stories of the past and narrative in this memoir. Thank you Pete for being Who you Are!

    Was this review helpful? Yes  No   Report this review
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