Who Killed Palomino Molero?

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Overview

Near an air-force base in Peru in the 1950s, a young airman is found tortured and murdered. The subsequent investigation makes an entertaining and brilliantly plotted mystery. In his ninth novel, Peru's Mario Vargas Llosa turns to detective fiction yet still inserts his usual themes of guilt versus innocence and despair at the difficulty of being an honest man in a society based on corruption.
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Who Killed Palomino Molero?

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Overview

Near an air-force base in Peru in the 1950s, a young airman is found tortured and murdered. The subsequent investigation makes an entertaining and brilliantly plotted mystery. In his ninth novel, Peru's Mario Vargas Llosa turns to detective fiction yet still inserts his usual themes of guilt versus innocence and despair at the difficulty of being an honest man in a society based on corruption.
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Editorial Reviews

Publishers Weekly - Publisher's Weekly
In the 1950s, a hanging, castrated, garroted corpse is discovered in a field outside a small town in Peru, revealing a murder that is never satisfactorily solved and a political intrigue that's never untangled. Written by the distinguished Peruvian novelist (Aunt Julia and the Scriptwriter, The War of the End of the World), the tersely recounted story follows the progress of two detectives whose efforts to track down Palomino Molero's killer are blocked by an Air Force colonel and his daughter. Molero, a poor cholo serving in the Air Force, is brought to life by the townspeople as they supply clues to the killing. He was gentle and handsome, they say, a wonderful singer and guitarist, in love with a woman far above him in wealth and station. The detectives confront the colonel's daughter, who admits the affair and accuses her father not only of murder but incest. He, in turn, maintains that his daughter is an incurable neurotic, subject to erotic fantasies. At the end both detectives are transferred to another town. Guilt goes unpunished, the trappings of privilege remain in place; the pervasive taint of corruption becomes unmistakable. Written with colloquial ease and gritty dialogue, this taut narrative propels the reader to its disturbing denouement, leaving provocative questions in its wake.
From the Publisher
"Vargas Llosa's fiction is distinguished by his wit, his taste for irony and his disposition to engage the complexities of existence with an insight that distains glib moralizing or ideological rigor." —Robert Stone, The New York Times Book Review
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Product Details

  • ISBN-13: 9780374289782
  • Publisher: Farrar, Straus and Giroux
  • Publication date: 6/1/1987
  • Edition number: 1
  • Pages: 160
  • Product dimensions: 5.66 (w) x 8.58 (h) x 0.70 (d)

Meet the Author

Mario Vargas Llosa is Peru's foremost author and the winner of the 2010 Nobel Prize in Literature. In 1994 he was awarded the Cervantes Prize, the Spanish-speaking world's most distinguished literary honor, and in 1995 he won the Jerusalem Prize. His many distinguished works include The Storyteller, The Feast of the Goat, Aunt Julia and the Scriptwriter, Death in the Andes, In Praise of the Stepmother, The Bad Girl, Conversation in the Cathedral, The Way to Paradise, and The War of the End of the World. He lives in London.

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Read an Excerpt

WHO KILLED PALOMINO MOLERO? (Chapter 1)

“Sons of Bitches.” Lituma felt the vomit rising in his throat. “Kid, they really did a job on you.”

The boy had been both hung and impaled on the old carob tree. His position was so absurd that he looked more like a scarecrow or a broken marionette than a corpse. Before or after they killed him, they slashed him to ribbons: his nose and mouth were split open; his face was a crazy map of dried blood, bruises, cuts, and cigarette burns. Lituma saw they’d even tried to castrate him; his testicles hung down to his thighs. He was barefoot, naked from the waist down, with a ripped T-shirt covering his upper body. He was young, thin, dark, and bony. Under the labyrinth of flies buzzing around his face, his hair glistened, black and curly.

The goats belonging to the boy who’d found the body were nosing around, scratching around the field looking for something to eat. Lituma thought they might begin to gnaw on the dead man’s feet at any moment.

“Who the fuck did this?” he stammered, holding back his gorge.

“I don’t know,” said the boy. “Don’t get mad at me, it’s not my fault. You should be glad I told you about it.”

“I’m not mad at you. I’m mad that anybody could be bastard enough to do something like this.”

The boy must have had the shock of his life this morning when he drove his goats over the rocky field and stumbled onto this horror. But he did his duty: he left his herd browsing among the rocks around the corpse and ran to the police station in Talara. Which was quite a feat because Talara was a good hour’s walk from the pasture. Lituma remembered his sweaty face and his scared voice when he walked through the station-house door:

“They killed a guy over on the road to Lobitos. I can take you there if you want, but we have to go now because I left my goats all alone and somebody could steal them.”

Luckily, no goats were stolen. As he was getting over the jolt of seeing the body, Lituma had noticed the boy counting his goats on his fingers. He heard him breathe a sigh of relief: “All here.”

“Holy Mother of God!” exclaimed the taxi driver. “What the hell is this?”

On the way, the boy had described, more or less, what they were going to see, but it was one thing to imagine it and quite another to see it and smell it. The corpse stank to high heaven. The sun was boring holes through the rocks and through their very skulls. He must have been rotting at a record pace.

“Will you help me get him down, buddy?”

“Why not?” grunted the taxi driver, crossing himself. He spit at the carob tree. “If someone had told me what the Ford was going to be carrying, I’d never of bought it. You and the lieutenant take advantage of me because I’m such a nice guy.”

Jerónimo had the only taxi in Talara. His old van, as big and black as a hearse, passed freely through the gate that separated the town from the zone where the foreigners who were employed by the International Petroleum Company lived and worked. Lieutenant Silva and Lituma used the taxi whenever they had to go anywhere too far to use horses or bicycles—the only transport available at the Guardia Civil post. The driver moaned and complained every time they called him, saying they made him lose money, despite the fact that the lieutenant always paid for the gasoline himself.

“Wait, Jerónimo, I just remembered we can’t touch him until the judge comes and holds his inquest.”

“Which means I’ll be making this little trip again,” croaked the old man. “Either the judge pays me or you find another sucker.”

Just then, he tapped himself on the forehead, opened his eyes wide, and looked the corpse in the face. “Wait a minute! I know this guy!”

“Who is he?”

“One of the boys they brought to the air base among the last bunch of recruits.” The old man’s face lit up. “That’s right. The guy from Piura who sang boleros.”

WHO KILLED PALOMINO MOLERO? Copyright © 1986 by Mario Vargas Llosa

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