The Whole World

The Whole World

3.6 3
by Emily Winslow
     
 

At once a sensual and irresistible mystery and a haunting work of psychological insight and emotional depth, The Whole World marks the beginning of a brilliant literary career for Emily Winslow, a superb, limitlessly gifted author.
 
Set in the richly evoked pathways and environs of Cambridge, England, The Whole World unearths the desperate

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Overview

At once a sensual and irresistible mystery and a haunting work of psychological insight and emotional depth, The Whole World marks the beginning of a brilliant literary career for Emily Winslow, a superb, limitlessly gifted author.
 
Set in the richly evoked pathways and environs of Cambridge, England, The Whole World unearths the desperate secrets kept by its many complex characters—students, professors, detectives, husbands, mothers—secrets that lead to explosive consequences.

Two Americans studying at Cambridge University, Polly and Liv, both strangers to their new home, both survivors of past mistakes, become quick friends. They find a common interest in Nick, a handsome, charming, seemingly guileless graduate student. For a time, the three engage in harmless flirtation, growing closer while doing research for professor Gretchen Paul, the blind daughter of a famed novelist. But a betrayal, followed by Nick’s inexplicable disappearance, brings long-buried histories to the surface.

The investigation raises countless questions, and the newspapers report all the most salacious details—from the crime that scars Polly’s past to the searing truths concealed in photographs Gretchen cannot see. Soon the three young lovers will discover how little they know about one another, and how devastating the ripples of long-ago actions can be.

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Editorial Reviews

From the Publisher
"Winslow's novel is so self-assured, so well-constructed and so chilling that the reader is left in awe by the young author's accomplished debut. As turn leads to twist and twist becomes shock, the ripples of the past grow into waves that spawn tragedy. And Winslow's depiction of brilliant but troubled students is pitch perfect."  —Richmond Times-Dispatch
Publishers Weekly
A research project turns deadly in Winslow's uneven debut. Expatriate American students Polly and Liv, in conjunction with British student Nick, are assisting blind Cambridge University professor Gretchen Paul to recapture her family history, organizing photographs of her childhood with her novelist mother. But secrets in Polly's and Gretchen's pasts, as well as a rivalry between Polly and Liv over Nick, quickly snowball into Nick's disappearance and two deaths. As told by Polly, Nick, a detective named Morris, Gretchen, and Liv, the ambitious tale presents difficulties in sorting out reliable voices and events from a clutter of peripheral characters and impressionistic storytelling. In addition, the American author's lack of dexterity with British English lends an unconvincing air to the British narratives, and leads the reader to wish the novel had been related solely by the haunted Polly, the most poignant and winning protagonist. (May)
Kirkus Reviews
A Cambridge professor's quest for the truth about her origins, and a student love triangle, lead to murder, in Winslow's uneven debut. Polly, an American student at Cambridge, and her English friend Nick are helping their classmate Liv perform her part-time job, assisting a blind professor, Gretchen, with research into her family history. Gretchen's mother, Linda Paul, published a successful series of novels but sacrificed her career to raise Gretchen. Or so Gretchen always believed. Nick shocks Gretchen with evidence that her real mother was not Linda Paul but a crazed fan who insinuated herself into the author's life, and then assumed her identity. Nick goes on a drunken bender after his romantic advances literally sicken Polly-flashbacks reveal that her revulsion stems from the murder of her first boyfriend by her father years before. Polly's mother Miranda is further complicating her life by arriving uninvited in Cambridge to shadow her daughter. When Nick goes missing, police inspector Morris is called in. Nick is alive, but trapped in a vacant mansion owned by an older lady friend, Lesley. A bad sprain incurred on the premises prevents him from leaving until Lesley happens by. Lost on his return to Cambridge, Nick, a novice driver, veers off onto a side road and, in the dark, runs over none other than Gretchen. Morris' investigation reveals that Gretchen had been dead for hours before Nick ran her over. The remote cottage Gretchen was visiting belongs to Susan, the writer formerly known as Linda Paul. Meanwhile, Gretchen's husband Harry, a canary aficionado, is found dead at their home, his attic aviary ransacked. Liv is growing increasingly desperate. Not only is she stung byNick's preference for Polly, her parents-San Francisco dot-commers gone bust-can no longer afford her Cambridge education. The confusing tangle of plotlines, too many clashing points of view and excessive attention to extraneous and not very engaging detail, often halt the pace of this would-be thriller.

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Product Details

ISBN-13:
9780385342889
Publisher:
Random House Publishing Group
Publication date:
05/25/2010
Pages:
304
Product dimensions:
6.54(w) x 9.60(h) x 1.13(d)

Related Subjects

Read an Excerpt

“Come on,” Nick said, tugging my arm. He pulled me past the plesiosaur and iguanodon skeletons and unlocked a stairwell. He prodded the button to call the elevator. When the thing came it had one of those old iron grilles, which he shoved aside for entry. He pressed me against the back wall of the box and kissed me.

 He has lovely hands. Later, when the people making “missing” posters asked for a detailed description of him, I uselessly went on about his perfect hands. 

When the elevator went ping at the top floor, he stalked out down a long, dingy hallway. I trotted after him. I’d forgotten that he had an office up in Earth Sciences—but of course he would. It was a tiny space, nothing more than books and a coffeemaker and a desk and a lock on the door, which was enough. We perched on the desk and he pulled my face to his. 

I don’t think he meant for much more than petting—he didn’t seem like someone who would rush anything. But when he started to unbutton my shirt, I said no. I’m certain I did, but it got muffled in his cheek. So he undid the next button. I said no again. I pushed his shoulder, hard. Nick was surprised. I was too. I mean, it’s fine to say no to anything, but this was abrupt. He leaned in to kiss me again. I don’t think he deliberately ignored me; I think he was just on a roll. So was I, frankly. I kissed him back, which was disorienting—he had a right to be even more confused. It was all so . . . 

There was this line. I wanted to be on one side of it. I tried to stay there, and haul him back. But he couldn’t see the line. All he knew was that I was still leaning into him. He kissed me all down my neck, and then lower, down into where my shirt was open from the first two buttons. It made me crazy, in a good way, and it made me angry, which was strange. I shoved him so hard that he was suddenly standing upright; I had pushed him off the desk onto his feet. I leaned over the other side of the desk and vomited into his trash can. It had papers in it, not crumpled, just all smooth and rounded, clinging to the side of the basket. I vomited in it, and then over it onto the floor. The sounds were horrible. I tried to stop. I covered up my mouth but just ended up with stuff on my sleeve. 

Nick put his hand on my back. I elbowed him off. More stuff came out of me. I didn’t think I’d eaten enough for it to go on this long. When it finally stopped I held still. A minute flipped on his clock, one of those old “digital” clocks that has the numbers on little cards attached to an axle. 

Nick said something. I made a noise to cover it up and bolted. I didn’t wait for the elevator; instead I lurched onto the stairs, which I hadn’t realized go on forever. Every corner I turned there was another flight down. I passed the museum level by mistake. Then the ground floor stopped everything. 

Through the window in the stairwell door I saw a dozen students gathered, for a club or a meeting. My shirt was still open at the top. I turned to the wall. It took me a few tries to mash the buttons back through their slits. 

I wanted to brush my teeth. I wanted to change my clothes. I rushed back up one flight to get my jacket from the window seat in the gem room. On Trumpington Street I started running. 

Chapter One

That whole thing in Nick's office happened just around what would have been Thanksgiving. Home was, no doubt, drenched in crackling, flashy leaves. England does the season differently. Students at Cambridge are discouraged from having cars, so autumn comes with a flurry of bicycles. Leaves barely bother to brown before falling listlessly-the bikes make up for that in their number, variety, and motion. They swirl everywhere, as if blown into little cyclones by the wind.

I used to live in New Hampshire, which is all spectacular falls and knee-high winters, and summers thick with humidity and mosquitoes. It's a parade of nature there; that's what makes it special. But here in Cambridge, instead of trees and mountains and extremes of weather, there are buildings, all these towers, like something cartoonishly

Atlantean that you'd put in a fish tank for guppies to swim through. Everything is made of stone, not clapboard. This city is like people, instead of God, made the world, and turned out to be good at this creation business.

The University has thirty-one colleges, which house, feed, and tutor students. The University departments provide lectures and exams. The older colleges downtown, founded by Plantagenets and Tudors, dominate the shops and houses like tall ships in a busy harbor. They're huge and solid and walled, each with an arched entryway giving a peep

of courtyards beyond. There's usually a sign telling whether or not they're open for tourists, and always a sign remonstrating that the courtyard grass is not to be walked on.

Peterhouse is on Trumpington Street. The college itself is on one side of the big art museum, and my room, in the dorm extension St. Peter's Terrace, is on the other.

I love these old buildings because they're still in use. They haven't been made into museums. There's something so sad about people filing through a famous rich person's bedroom to ogle a made, never-again- slept-in bed. These college rooms are all lively with activity, just as they were built to be. They're as different from museums as a wild animal is different from taxidermy.

I chose Peterhouse because it's the oldest of the colleges, more than seven hundred years old. That seemed the right thing to do. If I was going to go to Cambridge, and live in actual architecture, and wear a monkish academic robe called a "gown" just to eat dinner, it seemed best to go all the way. Peterhouse had been the first of the colleges to get electricity, but it still lit meals only by candlelight. Its stained glass windows were by William Morris. There was a fireplace in my dorm room. When I saw that I laughed out loud.

Liv is American too, which is why we became friends. She was my first friend here. She's Californian, and could have gone to Stanford.

I met her my first week. It wasn't the way she talked that gave away her nationality. She hadn't even spoken yet. It was that she sat cross- legged on the floor in a public place. British people don't do that. She was sketching an empty windowsill inside the Fitzwilliam Museum.

I was above, surrounded by paintings of elaborate flower arrangements. She was below, on the middle landing of a fancy staircase, with two sets of steps going up on either side and another set heading down between them. She caught me looking at her drawing, and quickly hugged her sketchbook to her chest. Then she lowered it back to her lap, and smiled hello. She explained that there used to be three Chinese vases on this windowsill. "Close your eyes," she said. "Go ahead and close your eyes. Just try to see it, okay?"

I'd descended the steps and was right in front of her. I closed my eyes.

"Three big vases, right? Right here. And this guy," she said, "this guy-I swear this is true and you can look up the newspaper stories-he tripped, I swear, he tripped on his own stupid shoelaces right into those vases, and he totally took them down. I was in the gallery above those stairs, the floral room, right, and I heard it. It was, like, pow!-at first a hollow kind of sound and then a clatter. They shattered into six hundred pieces."

I flinched.

"No kidding," she went on. "I ran to the stairs. It was terrible to see them like that, all splattered, chaos where there should have been this-grace, you know?"

I couldn't keep my eyes closed any longer. Right here, right where I was standing, they'd broken up into shards. I backed up onto a step, to get off of where they'd fallen.

She nodded. "I know, right? I know. I was horrified too. But then I was, like, kind of elated. And I was, like, springier and more alive, somehow. It made me think:

"This is all really here. It's not like a picture in a book or on a screen. It's not even under glass or behind ropes. It's all just amazingly here. Until I saw some of it broken, I hadn't really understood. I'm here, you know? And this is all real, real enough that if you bump into it something could break. I'm really here."

She was beatific with the memory.

Then she grinned and snapped out of it. "It's amazing, you know?" she said.

I smiled back. I just stretched my face and held it tight. I was remembering something broken too. I never should have closed my eyes.

"Where are you from?" she asked. "Is this your first year?"

I didn't answer right away. I nodded, to buy time. I made my mind imagine vases. Over and over again my mind went clatter-pow. I forced it to be vases in my mind.

Liv's college is Magdalene, which is pronounced like it means "sentimental."

She lives in a riverside building with brick windowsills and fancy wooden banisters. The architect who designed it made every banister different so that drunk students could feel if they were on the correct stair. Hers had a kind of obelisk, and posts carved like checkerboards.

She'd covered the wall over her bed with pages from her sketchbook. I recognized details from paintings in the Fitzwilliam-lots of Monet poplars-and sights from around town. She didn't choose obvious targets. There was no King's College Chapel, its towers jutting from either side of its roof like the tufts on a great horned owl. Instead she drew two-story buses, shopwindow mannequins, and the snack aisle of the supermarket. There are literally dozens of flavors of potato chip here, and the many bright colors all lined up on the shelves give the appearance of a busy, upright garden.

"Here, give me a hand," she said, plonking down a stack of printed pages on her bed. "Reusing is even better than recycling, right?" She had two pairs of scissors, one for each of us.

The pages were old essay drafts. She'd been cutting them up into intricate little snowflakes that now nearly filled a plastic grocery bag.

At first I watched her: She'd cut a small piece off, no worry about its shape, and then fold it twice. Snip, snip, snip, then unfold. The folding gave the cuts a symmetry within the random edges. I took a page. Cut, fold, snip. Each sheet made a dozen or more sharp flakes, each one different.

When we were done, she undid the fancy iron fasteners on the casement windows over her bed. She grabbed a handful of paper snowflakes and heaved them out. She pressed another handful into my open palm.

We threw fistfuls of paper snow down onto the busy path below, while Liv shouted, "Ho ho ho!" Some people stopped to look up at us in annoyance, shaking the papers out of their hair or brushing them off their shoulders. One didn't. He bent to sweep up the scraps. At first I thought he was a neat freak, some kind of anti-litter crusader. But then he stood and pulled his arm back, and pitched the debris at us like a snowball. It couldn't make it up to Liv's window; it didn't have the weight or cohesion for that. Instead it showered back onto him, drifting down past his great, huge smile.

That's how we met Nick.

Liv was out in the hall before I even turned around. Her footsteps clattered down the stairs while mine padded. Out on the path, we tried to have a snowball fight, but even a ream of paper isn't enough for that. We halfheartedly threw bits around, but the wind had carried a lot of it away. The river would be dotted with it.

A dozen paper flakes were caught in Nick's hair. They were, by chance, arranged in a ring like a halo. Liv reached to tousle them out, but he ducked away from her hand. He reached up and rubbed them out of his hair himself. So Liv sprinkled another handful on, and he gave in and left them there. We all smiled. Teeth were everywhere.

Nick had to leave. He was a graduate student, a paleobiologist, at Magdalene too. He had a meeting. Liv got his phone number.

"Oh my God!" she said, laughing. "Oh my God!"

"What?"

"He's so cute! Do you think he likes me?"

"Yeah! Of course he does. I think he really does."

She hugged herself and spun around. She almost slipped on the mess of scraps, but caught my arm and righted herself. Someone else didn't quite manage that.

"Oh!" A surprised woman fell backward. Her skirt rode up, and the side of one soft leather boot scraped against the walk. A thin white cane pointed straight up into the air. Oh crap, she's blind. . . .

"Shi-!" Liv said, rushing to help her. "It's me, Liv. Here, let me . . ." She pulled on the woman's hands to haul her up. Resistance; confusion. Liv ended up whacked in the face by the cane. She stepped back with her hand on her cheek while the woman got herself back up to standing unassisted. She wiped her damp knees and smoothed out her skirt. She demanded to know what was on the ground.

"Some idiot dropped paper all over the walk," Liv explained. I sucked in a breath.

The woman's thick beaded necklace was caught on her top button. Despite brushing her hands together and wiggling her fingers, a few paper flakes still stuck. "They should be reported to the porters," she declared.

Liv agreed, gravely. It took both my hands to keep the laughing in my mouth.

There was a smear of dirt and scraps on the back of the woman's peacock blue coat. "You look great," Liv assured her.

Her heels and cane tapped on the path: click click click away from us.

"See you tomorrow! Gretchen!" Liv called out after her.

"Was that Gretchen Paul?" I asked, grabbing Liv's arm. I'd heard of her from two girls in my building who studied English. "What class do you have with her?" Liv majored in Art History, so I didn't know what she would be doing with a Lit professor.

"I don't. I work for her. Shit, shit, shit. I hope she's not mad."

"She probably just needed to get somewhere," I said, but actually she had looked pretty mad.

"Really?" Liv said. "Do you really think so?" She squeezed my hand.

I opened and closed my mouth. A porter saved me.

He boomed out, "Do you know who did this?" The broom in his hand contrasted with his neat, formal suit.

"Some first years," Liv said easily, pulling me along like we had somewhere we needed to go. We didn't slow down until we were out on Magdalene Street, heading for the bridge.

"What does it take to get someone to lighten up around here?" she shouted, with her hands cupped around her mouth. Quayside was full of people: waiting in line for coffee, hanging out, eating at outdoor tables. All of them looked at us.

It turned out we were both turning twenty that week. So we went out to a pub to celebrate. Liv was in her second year, and twenty because she had taken time off to paint before coming here. I was twenty as a first year because our school district had had a draconian cutoff for starting kindergarten. And I took time off after high school too.

"They call that a 'gap year' here. What did you do?" Liv slowed down with her own beer, even though she really didn't want to, to keep pace with me, which was nice.

"Nothing. Just a break, you know?"

"Sure," she said. "But really, doing what?"

The whole group at the next table cheered about something.

"Look, nothing, leave it alone." I didn't recognize any of the beers advertised on the cardboard coasters. I hadn't smelled cigarettes in a restaurant since I was a little kid.

She waved her hand in front of my face. "Hello? You were drifting away there for a minute."

The pub was really noisy. I could barely hear her.

"I think I need to go back to my room. I might be coming down with something." I got out into cooler air.

It was happening again. I felt strange and kind of out of it. I thought back to those vases she'd told me about before. Clatter-pow.

Newnham is the part of town where a lot of faculty live. It has big houses and pleasant, uncrowded doctors' and dentists' offices. Stephen Hawking lives there; I saw him once, whirring by.

Liv took me there to Gretchen Paul's house to help with the project she was working on.

She rang the bell, and then got out a key without waiting. "Gretchen doesn't mind," she explained. "She just wants me to get it done." The furniture inside, all dark and solid, was interspersed with exotic objects. I figured they must travel.

Liv hadn't yet been able to figure if their money was hers or his. Gretchen's husband, Harry, didn't work. Well, he worked hard, but he didn't work for money. He bred canaries in a special room upstairs, and was almost always home. He was gentle and seemed like the kind of person who would repair something thoroughly. His last name was Reed; Gretchen used her mother's last name.

Harry offered us tea and brought it to us in the library: a pot, cups and saucers, milk and sugar. British cookies are brittle, meant for dunking. These had been made from scratch. Harry had a towel tucked into his belt, and wiped his hands on it as he left us to the work. We giggled. I felt like I was in kindergarten, playing tea party. We clinked our cups together in a happy toast. This is what saucers are for: I almost splashed onto Liv's work, but the little dish caught it and saved me.

There were photos spread all over the table: sepia grandparents and black-and-white babies, vacation shots from the fifties, and orangey snaps of seventies teens. They were in piles, some large and definite, others small and spread out, in the beginnings of a system, like Liv wasn't sure yet exactly of their classification. "Those are the same person," I pointed out, indicating two black-and-white photos near each other but not stacked. The woman was beautiful; her eyes and mouth were striking, even at the two different ages represented.

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What People are saying about this

From the Publisher
"Winslow's novel is so self-assured, so well-constructed and so chilling that the reader is left in awe by the young author's accomplished debut. As turn leads to twist and twist becomes shock, the ripples of the past grow into waves that spawn tragedy. And Winslow's depiction of brilliant but troubled students is pitch perfect."  —Richmond Times-Dispatch

Meet the Author

Emily Winslow is an American living in Cambridge, England. She trained as an actor at Carnegie Mellon University’s prestigious drama conservatory and earned a master’s degree in museum studies from Seton Hall University. For six years she worked for Games magazine, creating increasingly elaborate and lavishly illustrated logic puzzles that were often issue centerpieces. The Whole World is her first novel. Delacorte will publish her next novel, The Start of Everything.

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Whole World 3.7 out of 5 based on 0 ratings. 3 reviews.
RickStein More than 1 year ago
Emily Winslow uses the multiple narratorial voices of her characters to great effect in unfolding this town/gown tale of murder in Cambridge, England. Quirky yet believable characters reveal just enough of the baggage they are carrying to raise suspicion and speculation, and the resolution is unexpected. Winslow's theatre background enables her to craft distinct personalities with flair, and her puzzle-making skills keep us guessing until the end in this debut novel by a gifted writer.
Anonymous More than 1 year ago
Awesomeness1 More than 1 year ago
When I won this on firstreads, I got excited. It looked really good. Polly and Liv, two American friends at Cambridge University, both find themselves for Nick, the perfect English guy. The three work together on doing research for a blind professor named Gretchen Paul, who wants to write a book about her mother, a famous author. But one day Nick disappears and in the aftermath, secrets come bubbling to the surface. I was not a big fan of this book. I did not like the characters or the writing style, and the plot was just too outlandish. The story is told in 5 parts, each narrated by a different character. I liked some parts more than others. Liv's was just flat-out weird. The writing, I don't know.....there was just something that irked me about it. It was jumpy, never flat out just saying anything. It was hard for me to picture anything and the author assumed I could fill in the empty spaces. There was a lot of reading in-between the lines. And as I said, the characters were unlikable. They were compltely impulsive and I never knew what was up with them. They were just crazy sometimes. I never felt any sympathy for any of them. It takes a while for the plot to figure out where it wants to be, but by then, I was already dissatisfied with the book. The plot was pretty much all over the place, and pretty much completely unrealistic. It thrived off of coincedences. And also, I don't think the end wrapped up nicely enough. There wasn't much to enjoy with this book. There were some good moments, but I don't think puddling through all the muck was worth it to get to them.