A Whole World of Trouble

A Whole World of Trouble

4.0 6
by Helen Chappell
     
 

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In the tradition of Fannie Flagg, veteran storyteller Helen Chappell, acclaimed author of Giving Up the Ghost, presents a wry, funny, and poignant novel about two sisters, their dead mother, and a Chesapeake Bay town where anything can happen and frequently does.

Sometimes you have to go home again, even if you know the trip is going to be one from hell. When Carrie

Overview

In the tradition of Fannie Flagg, veteran storyteller Helen Chappell, acclaimed author of Giving Up the Ghost, presents a wry, funny, and poignant novel about two sisters, their dead mother, and a Chesapeake Bay town where anything can happen and frequently does.

Sometimes you have to go home again, even if you know the trip is going to be one from hell. When Carrie points her van in the direction of Oysterback, Maryland, her old hometown, she does it only because she has no choice. Her momma, the indomitable Audrey, has done the unthinkable: she's died. And it wasn't a neat little Oysterback death either. No, it happened in Florida and involved an alligator. But, then again, there was nothing conventional about Audrey, even in life. The same could be said for her daughter Carrie -- single, perpetually searching, and professionally adrift, she has become an expert at yard sales, sifting through the detritus of other folks' lives, then reselling it to shops that sell antiques and assorted "collectibles." Her sister, Earlene, considers Carrie a junk collector, but then Earlene has devoted her life to being conventional. Married with two boys, she has remained in Oysterback where she and her husband run the View 'n' Chew, a combination video store-sandwich shop.

Momma had lived by the notion that a woman is incomplete without a man and spent the years following her husband's death trying to be as complete as humanly possible -- in the process working her way through a whole parade of men. As best Carrie can figure, her momma's last two flames were Alonzo Deaver, the town's resident miscreant and a current resident of the state penitentiary, and Jack Shepherd, a college professor on the run from failure and boredom. Both had been granted carte blanche to crash at Momma's house whenever the occasion should arise (be it Alonzo's planned escape from prison or Jack's escape from his ratty little boat).

Once back in Oysterback, Carrie finds herself unwittingly caught up in a family drama of epic proportions -- including Earlene's resentment (which leads to a classic -- and very messy -- confrontation), a now-married ex-boyfriend's attempt to rekindle an old flame, her own attraction to Professor Jack, and a roiling stew of anger and grief over Momma's poorly timed passing. For while Carrie never expected to go home again, she naively believed it always would be there.

A Whole World of Trouble is a delightfully authentic comedy of Southern manners and an antic, frequently hilarious, pointed, and moving novel by a writer who knows the people and the world she writes about.

Editorial Reviews

Publishers Weekly
Carrie Hudson, the narrator of this Southern-flavored comic novel by Chapell (Giving Up the Ghost), didn't think that anything could drag her back to her tiny hometown of Oysterback, in rural Maryland. But she's forced back into the bosom of her dysfunctional family when her mother unexpectedly dies while traveling in Florida. Carrie left town 20 years ago, right after high school, and has been living out of her van and traveling the country buying and selling antiques. Her visit home turns out to be far longer than she expected-her brother, the emotionally unstable Wayne ("Wayne hasn't been right since Vietnam, and he wasn't even in the military"), gets into a fight with airport security while trying to bring his mother's ashes home. The ashes are impounded as evidence, and Carrie has to wait around Oysterback, reluctantly catching up with old high school classmates, boyfriends and her melodramatic sister. There are two other (uninvited) guests staying at the house: Jack Shepherd, an old flame of her mother's who was recently fired from his job as a college professor, and Alonzo, another of her mother's boyfriends, an escaped convict. Chappell sometimes lays on the folksy charm a little thick (Carrie says things like "I may have only a couple of years of college to my credit, but I've heard the hoot owls hoot in enough places to know exactly the worst question to ask a... defrocked professor"), but for the most part Carrie's sympathetic, wry voice gives some depth to what would otherwise be a predictable gallery of smalltown oddballs. Agent, Nancy Yost. (May) Copyright 2003 Reed Business Information.
Kirkus Reviews
An extended sitcom in prose as Chappell (Giving Up the Ghost, not reviewed, etc.) follows a young ne’er-do-well back home for her mother’s funeral. Carrie Hudson has kept in touch with her kinfolk in Oysterback, Maryland, ever since she left home 20 years ago. Now 37, Carrie is still a drifter, sleeping on a futon in the back of her Econoline van and driving cross-country to buy and sell antiques--or, as her family would call it, junk--at garage, stoop, and house sales. A 21st-century drifter, equipped with cell phone and e-mail, she’s home in a flash when she learns that her Momma Audrey has died at a Florida alligator park (she fell into the pit). But that’s only the start of the Hudson family tragedies: Carrie’s brother Wayne has been arrested for fighting with airport security in Miami (they wouldn’t let him carry his Momma’s ashes on the plane), and her brother-in-law Delmar is having trouble getting the authorities to release the ashes that are now being held as evidence. So now Carrie is stuck in Oysterback, cooling her heels as she waits for the guest of honor, meanwhile catching up with the old boyfriends, shopkeepers, and gossipy neighbors she grew up with and was only too happy to leave behind. But there are some surprises--like Professor Jack Shepherd, an old boyfriend of her Momma’s who has recently been fired and is squatting in her house for lack of anywhere else to go. Or, more frighteningly, the escaped convict Alonzo Deaver (another one of Momma’s beaux), also hiding out in Momma’s place until it’s safe to be seen in daylight again. Living under the same roof with characters like these can make ordinary domestic traumas seem pretty tame. Genial but hardly subtle: anicely drawn tale that goes overboard on the local color--to the point of turning Southern Gothic into Mayberry Gothic.

Product Details

ISBN-13:
9781416578437
Publisher:
Simon & Schuster
Publication date:
09/25/2007
Pages:
224
Product dimensions:
5.50(w) x 8.40(h) x 0.60(d)

Read an Excerpt

Chapter One: Sad to the Bone

I should have known that Momma would be late for her own funeral.

She'd been late for everything else in her life, so it seemed appropriate that she'd be delayed in death. Some of my earliest memories involved being hauled down the road by Momma, late for this or that appointment or lunch or meeting. I think that's why Daddy went the way he did, quietly sitting in the car in front of Doreen's Curl Up 'n' Dye Salon de Beauté. He died of waiting for Momma.

"Well, it's not really her fault," my sister, Earlene, said. "Wayne was trying to bring her ashes through the airport security, and you know Wayne, he gets a little excited."

"A little excited," I repeated, looking around Momma's house. The casseroles and floral arrangements were already piling up on the kitchen table, and the place smelled like a funeral home. Only we couldn't have the funeral because we didn't have Momma's ashes, thanks to Wayne, who doesn't get a little excited, he gets a whole lot excited. But then, Wayne hasn't been right since Vietnam, and he wasn't even in the military.

"Why the hell did Momma have to go and die in Florida, anyway?" I asked, peeling off my rain slicker. The house seemed strange, as if Momma would come through the door at any minute, fussing over the food and flowers, lighting up a Kool before she turned her attention to clucking at Earlene and me.

My older sister had already given up any pretense of trying to set Momma's kitchen in order and was collapsed in a chair, staring at a coconut cake some Methodist Women's Association lady had dropped off the minute she'd heard the news.

In Oysterback, a death is big news. A town this isolated depends on births, deaths, and criminal behavior for current events, and the definition of a good woman is one who has a freezer full of corn pudding and stringbean casseroles at the ready.

"Momma died in Florida because she was down there trying to get Wayne straightened out, as you very well know." Earlene was a martyr to the end. Her attention had drifted to a plate of cookies covered with foil. She eased the corner up a little and peeked inside. "Miss Carlotta Hackett's black walnut drops," she pronounced, helping herself to one.

I sat down at the kitchen table opposite her. "Well, I guess it didn't work, did it." I lifted a bit of Saran Wrap and peered at a Sunrise Surprise Pecan Jell-O mold. Evidently, Miss Nettie Leery had already come to pay her respects. With the tip of my finger, I swiped a pecan off the top and licked at the Cool Whip. "Just tell me what she was doing with that alligator, that's all."

My sister looked at me as if she were seeing me for the first time. Maybe she was just recalling that she swore, when last we met, that she'd never speak to me again.

"It was an accident," she hissed at me. "A terrible, terrible, most unfortunate accident, and I don't want to hear you say anything different to anyone, you hear?"

"An unfortunate accident with a Florida reptile? The damn alligator ate her, Wayne said!" I eyed Earlene indignantly. It was just like her to put a mealymouth spin on everything. While I considered Momma being eaten by a alligator somewhat romantic, all my sister could see was that it might shock the neighbors. Like you could really shock anyone in Oysterback.

My sister pressed a corner of Kleenex to her lips. "Mind your mouth, Carrie," she muttered. "Momma was peering down into the alligator pit at Gator Gardens and she had a heart attack and fell in. It was an unfortunate accident. And that thing didn't eat her! It just mauled her a little, that's all. How can you sit there and talk about your own mother like that?"

I decided that if I didn't want to see Earlene have a full-blown case of hysterics, I'd best keep my mouth shut. Denial is a way of life for her. Otherwise, why would she stay married to boring old Romilar? Nonetheless, now that I had broken my neck to get here, she and I were fighting. It was just like old times. Call Vince MacMahon and get a Steel Cage Wrestling match going.

"Who told you Momma was eaten by an alligator?" she asked after swallowing a couple more cookies. Earlene is nothing if not nosy.

"Wayne, of course. He called me up three days ago and said that Momma was eaten by a sixteen-foot-long alligator at Gator Gardens, outside of Homosassa Springs."

"Well, isn't that just what you'd expect from Wayne?" Earlene asked the cake. "She had a heart attack, Charmaine, a heart attack!"

"Wayne said she fell into the alligator pit." She knows I hate it when she calls me Charmaine, which is my given name. It sounds either like some bimbo in a toga movie or some bimbo who lives in a trailer park. I became Carrie as soon as I could talk.

Earlene pressed her lips together. "I don't have to put up with this," she told a Tater Tots-chicken casserole.

"She was my mother, too," I pointed out. "I drove all night just to get here, and now you're telling me that Momma and Wayne are trapped at the Miami International airport? Who decided to have her cremated, anyway? No one asked me."

"Wayne thought it was more scientific. And cheaper than shipping a casket." She rolled her eyes.

While I was driving across the Chesapeake Bay Bridge, I swore I wasn't going to let Earlene get to me, and now I was in the house two minutes and already I wanted to kill her. Earlene can do that to me. And I can do it to her.

"This hasn't been easy for Delmar and me," my sister said, and burst into tears as she shoved a piece of coconut cake into her mouth. I watched the crumbs on her chin wobble up and down. I don't know how Earlene can be so thin or so blond. Well, not completely true. I know how she can be so blond. But thin?

I guess it was right then that it struck me that Momma really was dead, but it still didn't sink in, not the way I knew it was going to later. I'd been putting off dealing with the reality of it because I had to drive through some bad traffic, but now it was starting to hit home. Momma was not coming back. Ever.

With Delmar rushing to the rescue, what else could possibly go wrong?

"Why do I have to do everything?" my sister suddenly wailed. "How am I going to schedule a funeral without a corpse? We've got to get the church, and Parsons has to open a grave, and we have to plan a wake!" And then it really hit her. "Good Lord, people will think we're Unitarians!"

While Earlene cried, I got up and went out on the back porch to catch a breath of air. I also wanted a cigarette, and I knew if I smoked in the house, my sister would have a whole new round of hysterics, which I wasn't in the mood to deal with.

I sat down on the wooden step among the potted plants and lit a Vantage, staring out across the marsh to the place where the Bay met the sky. I noted that Momma's geraniums were planted in her old Wedgwood containers, the green and brown glazed ones that I can get fifty or sixty dollars apiece for from one of my dealers. That's one of the things about my line of business: you can't just see stuff as just stuff; you automatically put a price on it. Some people would say I know the price of everything and the value of nothing, but that's not true, not really. I just don't think it's a good thing to go around telling everyone about all the things you really care about. I don't like people knowing too much about me.

I gloomily watched a redwing blackbird soar over the hydrangeas, across the vast openness of the Great Devanau Marsh, where the yellow salt grass goes on forever. Oysterback is a sort of island, an extended piece of high ground threaded between the Bay and miles and miles of flat salt meadow. When you cross that bridge over Oysterback Creek, you come into a different world. Nothing out here but the mosquitoes and the blackflies. Driving here on the causeway, you watch the woods grow thinner and thinner until there's nothing but a skimpy layer of olney three-square grass and sky. A few narrow guts — shallow tidal creeks — wind their way in and out of the wet savannah. Here and there, cripples — small hammocks of spindly pines — dot the landscape, and if you get out of the car along the way to study a wading heron or a muskrat lodge or just the eerie, primeval beauty of this place, the mosquitoes and the blackflies will descend on you, covering any bare skin until it's black with biting insects. Some say that before the county began to spray the marsh, if you weren't careful, the bugs would pick you up and carry you away to make a blood feast out of your careless flesh. To outsiders, this place is not much, but it's home to us and we're used to it. But its isolation does serve to keep most people away.

The air was so gummy with August humidity, it was like breathing in one of Miss Nettie's Jell-O molds, maybe the Marshmallow Fantasy she'd won the Jell-O Mold-Off with twenty years ago, back about the time I blew out of this town and swore I'd never come back.

I had, of course, but only to visit. Momma had a whim of iron, and when she said she expected you home for Christmas, she meant you were home for Christmas.

I still found it hard to believe that she was dead; I half expected her to come out of the garden shed at the foot of the yard and reprimand me for sitting on the steps smoking. Momma was dead against smoking since her first heart attack, even though she still snuck her Kools.

It was more than a sense of unreality that bothered me, though. I just couldn't picture Momma being dead because, well, Momma thought that the world couldn't go on without her. It was simply out of the question. I doubted that there was an alligator in the world big enough or mean enough to take on Momma. She simply would have fixed it with that look of hers, that cold-eyed Medusa stare, and the poor old thing would have backed away, muttering sorry, no ma'am, it must have been a mistake, before sinking into the mud to breathe a sigh of relief at escaping from that terrifying woman.

Out of the corner of my eye, I saw something glitter under the leg of the aluminum glider. I stuck my fingers under there. It was a bottle of nail polish. Rusty Red.

Suddenly, I could see Momma sitting on the glider in the cool of the evening, watching the sun set over the marsh as she carefully painted her nails for her trip to Florida. "I had to go get Wayne straightened out," she would say matter-of-factly.

And it was just as if she were sitting on that glider now, I could see her so clearly, looking at me over the top of her glasses, daring me to challenge her decision.
ard

It was so real that I jumped, and burned myself on my cigarette.

But when I looked at the glider again, it was just the same old glider it had always been, and of course no one was sitting there.

I'm not a weeper like Earlene, who turns her tears into a grand and public production number, or a drama king like Wayne, who can make a paranoid conspiracy out of a sneeze. I've never been very good at displays of emotion. But now I felt as if something deep inside of me had been hollowed out and taken away, as if I'd lost a part of myself that I didn't even know I had until it was no more. That's when I knew for sure that Momma was really gone and this time she wasn't coming back.

Finally, my mother had met something bigger than herself: death.

"I'm sorry, Momma," I whispered, and suddenly I was crying silent, red-hot tears. I didn't know if I was sorry that she was dead, sorry that we hadn't gotten along better, sorry that I hadn't been there to say good-bye, or sorry for myself that I was all of a sudden an orphan. I was just sorry, sorry about the whole damn mess.

The first wave of grief was washing over me, searing and engulfing, like molten silver being poured inside my body.

So I sat and smoked my cigarette and watched the sun going down over the marsh and I cried. I was glad no one could see me, especially Earlene. The last thing I wanted was a pity party with her.

When I finished the cigarette, I ground it out in the soil around one of the geraniums. Then I stood up and went inside.

"So where's old Romilar?" I asked Earlene, who had polished off most of the pralines and was cutting herself another slice of coconut cake and holding it between her manicured nails as she slid it onto a paper napkin. She stopped long enough to give me a sideways look. If my eyes looked red and puffy, she didn't comment on it.

"His name is Delmar. D-e-l-m-a-r. He was named after his grandfather, who was a state delegate in Annapolis, if you'll recall. I wish you wouldn't call him after a cough syrup," she said resentfully. "It isn't fair and it isn't dignified."

I thought about Romilar, who looks like the Pillsbury Doughboy in a short-sleeved rayon shirt, and I winced. Years of living with Earlene and running the View 'n' Chew Sandwich and Video Rental Store has made him a chronic passive-aggressive.

"If you must know, Delmar left just as soon as we heard the news," Earlene added stiffly. "He caught a five o'clock flight from Salisbury, and he called the minute his plane landed in Miami. He's down there in Florida right this minute, tryin' to straighten things out with Wayne and Momma's ashes and all those security people."

At the thought of Momma's ashes, my sister began to tear up again, and at the same time she started to break off pieces of the coconut cake and stuff them into her mouth. It will never cease to irritate me how much Earlene can eat and still be as skinny as she is. I decided I would watch her to see if she went and threw up later. Maybe Earlene had been bulemic all these years and I just never noticed. That would certainly explain a lot of things.

"So, what happened in Miami that Romil — Delmar had to go down there and get Momma and Wayne?" I asked.

Earlene sniffled. "You know what Wayne's like. He'd made such a fuss about carrying Momma's ashes on board the plane that someone had called security, and they're holding him and Momma. Delmar will straighten it all out. You don't want to make a fuss at an airport these days. Even I know that. But apparently Wayne doesn't. I guess the urn set off the metal detector," she added uncertainly. "And that set Wayne off. And, of course, when Wayne went off, those security people went off, and, well, airport people have been so jumpy lately anyway that you can just imagine."

"Oh, Lord," I said, heaving a heavy sigh. "Maybe one of us should have gone down there when Momma died, instead of letting Wayne handle it all. And just who decided she should be cremated?"

Earlene straightened up, and her mouth got thin and hard. "In case you missed it the first time I told you, Delmar had to take time off from the View 'n' Chew to go down there! And it was Wayne who decided she ought to be cremated and went right on ahead and did it, before he even asked me! We couldn't get ahold of you! And speaking of that, you know, you could have gone down there. It's not like you have a real job or anything, living out of that van and driving all over the place looking for junk!"

"And do what? Haul Momma's body home in the van? Isn't it interesting that Wayne can call me on my cell phone, but you can't? And besides, I have a job! And it's a better job than standing on my feet all day, making subs and renting videos! I'm an antique trader!"

Well, actually, I'm a picker, but since I don't file for taxes or use credit cards or bank accounts, it doesn't really matter. Besides, Earlene doesn't know a damn thing about old stuff. She and Delmar bought everything in their house from Montgomery Ward, back in the seventies when they got married. It's a veneer and plastic paradise in shades of avocado and harvest gold.

Earlene tore the napkin from the coconut cake and scooped up the shaggy white icing with her finger, jamming it into her mouth. She eyed me nastily. "Now I remember why I swore I was never gonna talk to you again," she said around a mouthful of white mess. "Look at you! You're forty — "

"Thirty-five!"

"Thirty-seven years old. You have no home, no savings, no job — and no husband or children!" She regarded me triumphantly, as befit a woman who has a house, some money in the bank, a job, and two children — if you want to call those hell monster nephews of mine children. Personally, I think they're spawn of Satan, both of them. Loud, loutish good old boys with a worldview limited to TV talk shows and riding around in their SUV, four-wheeling on eight-lane highways.

And, of course, she also has a husband, if you want to count Romilar as a man and not a cipher.

"All you do" — Earlene was really getting into this now, her voice rising — "all you do is drive up and down the road, buying junk from people's auctions and yard sales and stuffing it into that old truck! That's no life for a lady! You're just an old hippie, Carrie, and you need to grow up."

"It's a good life! It's my life, and I do one hell of a lot better than you do!" I snapped back. "Wait a minute! Old hippie?"

"While you've been out there being an old hippie junk dealer, who the hell do you think stayed here and looked after your mother? It certainly wasn't Wayne or you! Oh, no! You both left me holding the bag!"

"Well, that was your choice, Earlene!" I was yelling now myself, but I didn't care. "Besides, what happened to Mike? I thought he was supposed to take care of Momma, not empty out all her bank accounts and run off with Reverend Claude Crouch, the Traveling Evangelist!"

Earlene's lips got thin, like they do anytime anyone mentions any one of Momma's former boyfriends. Since Mike had been a lay reader at the Oysterback Memorial Methodist church Earlene is so devoted to, his defection was a special sore spot. He'd run off with a tent revivalist and the Methodist Men treasury. Just another one of the no-account losers my mother seemed addicted to after Daddy died. My father had been a lawyer; most of these guys couldn't earn a living walking and chewing gum at the same time.

"You've spent your whole adult life avoiding responsibility!" my sister accused sullenly. "You weren't here to deal with that mess, either! Or the one when that idiot Dog got killed — or any of Momma's boyfriends!"

"I don't need this," I muttered, and slammed out of the house again. I was so mad at Earlene I could spit nails. But I was even angrier with myself.

The thing about death is it brings out the worst in everyone.

Copyright © 2003 by Helen Chappell

Meet the Author

Helen Chappell is the author of more than thirty books of mystery, historical romance, and nonfiction, including most recently, the novels Giving Up the Ghost, Ghost of a Chance, and Slow Dance with the Angel of Death. She lives in Royal Oak, Maryland.

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Whole World of Trouble 4 out of 5 based on 0 ratings. 6 reviews.
Anonymous More than 1 year ago
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Guest More than 1 year ago
Fans of Helen Chappell, rejoice! Oysterback, the delightful town on Maryland's Eastern Shore that was the setting for two earlier collections, has returned, as deliciously quirky as ever. For protagonist Carrie Hudson, Oysterback is less than delightful -- it's her hometown and she left it behind her a long time ago. Now her mother's death has brought her home, home to deal with everything she thought she'd left behind her a long time ago. By turns humorous and touching, A WHOLE WORLD OF TROUBLE is Chappell at her best.
Guest More than 1 year ago
This is a delightfully funny book that left me howling with laughter. Chappell is unique among Southern writers. I'm really looking forward to her next novel!
harstan More than 1 year ago
Junk picker Carrie returns to her hometown, Oysterback, Maryland on the Eastern Shore to attend her mother¿s funeral. Carrie and her sister Earlene have been at odds for years over lifestyles and even while trying to honor the dead they argue. Both await their brother Delmar to return with the ashes from Florida, but he is being detained by police for an incident at the airport where metal detectors were set off by their mom¿s urn............. Carrie is shocked to find Professor Jack Shepherd sleeping in her mother¿s bed. He explains that he normally lives on a boat, but her mother said he could use her house while she was away if he needed to for some reason. Her former boyfriend, the married Hudson Swann, also accosts Carrie. She clearly explains to Hudson that they are the past though she admits to herself that she wouldn¿t mind a future with Jack.................. Though here is a dark comical backdrop, WHOLE LOT OF TROUBLE is a deep relationship drama that showcases family rivalries and lingering disagreements and disappointments. The sisters are a delight to observe fuss and fight while their respective descriptions of their brother paint quite a picture of him. Though some tension caused by ¿outsiders¿ seems unnecessary, fans will appreciate this no person is an island tale that emphasizes everybody needs somebody sometimes................. Harriet Klausner