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“Gorgeous. . . . A delicious, delightful, and deeply satisfying tale of domestic choices.”
—The Times-Picayune
The introduction, discussion questions, author biography, and suggestions for further reading that follow are designed to enhance your group’s discussion of Julia Glass’s national bestseller, The Whole World Over.
1. Julia Glass is a master at creating vivid, believable places. Describe the various places you remember from the novel—New York City’s West Village, Santa Fe, the small island in Maine, Uncle Marsden’s house in Connecticut, Marion’s neighborhood in Berkeley. What are the crucial differences between the various settings? How does place influence lifestyle, life choices, and even the temperaments and the personalities of the characters? Where is “home” for Greenie? For Saga? What about Walter?
2. Describe the structure of the novel. Why does Glass divide her novel into three parts with various chapters? How does she note the passage of time over almost two years? Why do you think the seasons and the holidays are so crucial to this story? Much of Three Junes, Glass’s first novel, was narrated in the first person and in the present tense. Here, however, she’s told the story almost entirely in the past tense and in the third person, from alternating points of view. How is the reader affected differently by these choices? And what about the switch, in the final pages of this novel, to the present tense? Why do you think the author made this switch?
3. Why does Greenie take the opportunity to go to New Mexico? Do you think it was a good decision? Was it in character for her to go? Would you have gone if you were Greenie? Would you have returned to New York in the end?
4. How is teenage love portrayed in the novel? Describe Scott and Sonya’s relationship. Do you think it will last? Why do both Alan and Greenie reconnect with their adolescent loves? Is it nostalgia, memory of youth, or is there something morepowerful going on? Is it curiosity about the path not taken?
5. The past seeps into the novel through the various characters’ memories. Greenie does occasionally use recipes and she glances through cookbooks, but much of her cooking is done from memory and experimenting. For what else in her life does she rely on her memory? For Saga, who has lost a great deal of her memory, remembering is the key to being normal again. What is Alan’s take on this? How important are stories of our past in defining who we are in the present? Discuss the importance of family stories in this novel, particularly in connection with Saga and Walter.
6. What kind of mother is Greenie to George? Do you think being a mother defines her? Describe the other mothers in the novel—Alan’s depressed mother; the stylish, well-mannered Olivia Duquette; the Lutheran grandmother who raised Walter. How important in the characters’ lives are memories of their mothers? What do you think about the choices made by Joya and Marion—and Stephen—in their quests for parenthood? What happens to Saga when she learns she was pregnant at the time of her accident? How do you think it will affect her life beyond the end of the novel?
7. The two epigraphs to this novel are from a cookbook and a Dr. Seuss book. How do they set up or relate to the themes and tone of the novel? In Greenie’s interactions with her son, who has just learned to read, and then in certain scenes with Saga, Glass also alludes to or quotes from a number of other children’s books. Do you notice ways in which she’s used specific books to add another dimension to the story that she is writing?
8. There are so many intersecting relationships in The Whole World Over. If you like, try making an actual diagram or map of these relationships. Does this reveal connections you did not notice before? Even Fenno, from Glass’s earlier novel, Three Junes, appears and plays an important part in this novel. If you’ve read Three Junes, do you think Fenno has changed or grown from the last novel to this one? Have the other characters changed by the end of this novel?
9. Choosing the right food for the right occasion is an important part of any chef’s job. Food can be used as manipulation—for instance, in the scene where Ray McCrae asks Greenie to prepare a soufflé for the contentious Water Boys, suggesting that a fancier dessert will “placate” them. Discuss how different kinds of food influence the ways in which people relate. Have you ever used food to get something you wanted?
10. The first time Greenie takes Alan to her parents’ summer home in Maine, she quickly jumps into the cold ocean water, urging Alan to “just make a run for it,” joking that this is her personal motto. Alan retorts that his own motto is “Always test the waters” [p. 192]. How do their chosen careers reflect their personalities? Describe their marriage. Why is it falling apart? Do you think it’s salvageable? From what you learn about Greenie’s and Alan’s parents, how do you think those earlier marriages have shaped their own?
11. Alan remarks to his sister that “honesty can do more harm than good” in a marriage at times [p. 105]. Do you agree with him? If so, in what situations?
12. Why do you think Glass chose to make the monumental, historic events of September 11, 2001, so prominent in a novel about intimate emotions and relationships? Talk about the notion of destiny versus individual determination in this novel. To what extent does each of the major characters freely choose his or her own individual fate?
13. What about the theme of betrayal and forgiveness? Notice how many of the characters betray the people they care about, in subtle as well as obvious ways—not just by being unfaithful, as Gordie, Greenie, and Alan all are, but by threatening the confidence and stability of those around them. What’s going on, for instance, when Joya suggests to Alan that she’s told Greenie about Marion? Or when Greenie’s mother speaks unflatteringly about her daughter to Alan? When Michael criticizes his father’s continuing indulgence of Saga? Does Greenie, in some way, betray her own son as well as her husband when she becomes involved with Charlie? And what about the sexual infidelities? Can you empathize with the characters who have strayed from their commitments? Do you think there will be lasting consequences?
1. Julia Glass is a master at creating vivid, believable places. Describe the various places you remember from the novel–New York City’s West Village, Santa Fe, the small island in Maine, Uncle Marsden’s house in Connecticut, Marion’s neighborhood in Berkeley. What are the crucial differences between the various settings? How does place influence lifestyle, life choices, and even the temperaments and the personalities of the characters? Where is “home” for Greenie? For Saga? What about Walter?
2. Describe the structure of the novel. Why does Glass divide her novel into three parts with various chapters? How does she note the passage of time over almost two years? Why do you think the seasons and the holidays are so crucial to this story? Much of Three Junes, Glass’s first novel, was narrated in the first person and in the present tense. Here, however, she’s told the story almost entirely in the past tense and in the third person, from alternating points of view. How is the reader affected differently by these choices? And what about the switch, in the final pages of this novel, to the present tense? Why do you think the author made this switch?
3. Why does Greenie take the opportunity to go to New Mexico? Do you think it was a good decision? Was it in character for her to go? Would you have gone if you were Greenie? Would you have returned to New York in the end?
4. How is teenage love portrayed in the novel? Describe Scott and Sonya’s relationship. Do you think it will last? Why do both Alan and Greenie reconnect with their adolescent “loves”? Is it nostalgia, memory of youth, or is there somethingmore powerful going on? Is it curiosity about the path not taken?
5. The past seeps into the novel through the various characters’ memories. Greenie does occasionally use recipes and she glances through cookbooks, but much of her cooking is done from memory and experimenting. For what else in her life does she rely on her memory? For Saga, who has lost a great deal of her memory, remembering is the key to being normal again. What is Alan’s take on this? How important are stories of our past in defining who we are in the present? Discuss the importance of family stories in this novel, particularly in connection with Saga and Walter.
6. What kind of mother is Greenie to George? Do you think being a mother defines her? Describe the other mothers in the novel–Alan’s depressed mother; the stylish, well-mannered Olivia Duquette; the Lutheran grandmother who raised Walter. How important in the characters’ lives are memories of their mothers? What do you think about the choices made by Joya and Marion–and Stephen–in their quests for parenthood? What happens to Saga when she learns she was pregnant at the time of her accident? How do you think it will affect her life beyond the end of the novel?
7. The two epigraphs to this novel are from a cookbook and a Dr. Seuss book. How do they set up or relate to the themes of the novel? To its tone? In Greenie’s interactions with her son, who has just learned to read, and then in certain scenes with Saga, Glass also alludes to or quotes from a number of other children’s books. Do you notice ways in which she’s used specific books to add another dimension to the story that she is writing?
8. There are so many intersecting relationships in The Whole World Over. If you like, try making an actual diagram or map of these relationships. Does this reveal connections you did not notice before? Even Fenno, from Glass’s earlier novel Three Junes, appears and plays an important part in this novel. If you’ve read Three Junes, do you think Fenno has changed or grown from the last novel to this one? Have the other characters changed by the end of this novel?
9. Choosing the right food for the right occasion is an important part of any chef’s job. Food can be used as manipulation–for instance, in the scene where Ray McCrae asks Greenie to prepare a soufflé for the contentious Water Boys, suggesting that a fancier dessert will “placate” them. Discuss how different kinds of food influence the ways in which people relate. Have you ever used food to get something you wanted?
10. The first time Greenie takes Alan to her parents’ summer home in Maine, she quickly jumps into the cold ocean water, urging Alan to “just make a run for it,” joking that this is her personal motto. Alan retorts that his own motto is “Always test the waters.” How do their chosen careers reflect their personalities? Describe their marriage. Why is it falling apart? Do you think it’s salvageable? From what you learn about Greenie’s and Alan’s parents, how do you think those earlier marriages have shaped their own?
11. Alan remarks to his sister that “honesty can do more harm than good” in a marriage at times. Do you agree with him? If so, in what situations?
12. Why do you think Glass chose to make the monumental, historic events of September 11, 2001, so prominent in a novel about intimate emotions and relationships? Talk about the notion of destiny versus individual determination in this novel. To what extent does each of the major characters freely choose his or her own individual fate?
13. What about the theme of betrayal and forgiveness? Notice how many of the characters betray the people they care about, in subtle as well as obvious ways–not just by being unfaithful, as Gordie, Greenie, and Alan all are, but by threatening the confidence and stability of those around them. What’s going on, for instance, when Joya suggests to Alan that she’s told Greenie about Marion? Or when Greenie’s mother speaks unflatteringly about her daughter to Alan? When Michael criticizes his father’s continuing indulgence of Saga? Does Greenie, in some way, betray her own son as well as her husband when she becomes involved with Charlie? And what about the sexual infidelities? Can you empathize with the characters who have strayed from their commitments? Do you think there will be lasting consequences?
Library_Gal
Posted May 5, 2010
I absolutely adored this book. Wonderful characters, plot, writing style, and a gorgeous cover. The latter attracted my attention and the book did not disappoint. The characters were so believable and the storyline flowed seamlessly. I loved the way the characters lives intersected and also the thoughful way the author treated alternative lifestyles. This book would make a great gift for anyone who enjoys something other than brain candy.
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Posted April 1, 2010
This book has been very enjoyable. I'm on the last 100 pages, and hate to get to the end.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Julia Glass is a great storyteller. The World World Over is brillantly written. It is about the fragility of relationships and not taking anything for granted. This is also a good book for food lovers because Greenie is a baker. The Whole World Over is a book I would buy and read again. I would recommend it for book clubs.
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Posted March 10, 2009
a pleasure
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This book was a pleasure to read for its use of language. You can "see" the different locals and emotions. There is no dramatic plot or conclusion, but an interwoven theme of living. The different viewpoints and many characters dance around life with its joys and sorrows. An amazingly satisfying slice of life. One reviewer said he would like to shake the characters but isn't that how it is in reality. Not a book strong on drama or intrigue but a vast pleasure to read.
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Posted October 6, 2007
One of the most beautifully written works I've read recently. It's a top-of-the-list favorite, right up there with Ann Pachett's Bel Canto. Glass provides her characters with generous inner lives and a past each must eventually come to terms with. She weaves her large cast, and their various stories, into a tapestry that stretches from NYC to Santa Fe. Over-arching all, 'the whole world over,' is the sky that provides a sense of connectedness, as well as uncontrollable fate. Things fall into and out of the sky, some beneficent, some not, but all altering lives. This is a gorgeous book that will stay with you for a long time.
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Posted January 1, 2007
Looking forward to this book, I found it terribly disappointing and the characters really annoying. There was nothing likable about any of them....I found myself wanting to shake them. It struck me that for a woman who supposedly wanted children, or at least a child, the heroine in the story was rather stiff and an unnatural mother reacting in an inhibited manner to her son. I did finish the book, but found it difficult and several times almost put it down for good.
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Posted July 12, 2006
I would divide this book into 4 parts with each part being about 125 pages. The first 2 parts were very well written. I was deeply moved by the characters and the writing. I was engrossed in the characters and felt the book was fantastic. Around the 3rd part I felt it was getting a little bogged down. I was still enjoying it but the constant descriptions of the food Greenie prepared were beginning to bore me a little. I felt her relationship with Charlie was a little off kilter - I felt the connection between them was a little forced. I loved Walter's story all the way through. The ending was deeply moving and I read the last 125 pages in one sitting. Overall I think Julia Glass is a fantastic writer. She develops characters that readers can truly care about. I would highly recommend this book and her previous book as well. Also - the children's books she mentions thoughout the book are great too!
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Posted May 24, 2006
Funny, deeply moving, captures the complexities of love and the nuances of relationships. The characters in this book are even more accessible and touchable than those found in Three Junes. Julie Glass excels at showing how unexpected/unplanned events can send anyone of us down a path we never intended to take, and the impact these events can have on our relationships.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.In Manhattan's West Village, Greenie Duquette runs a local basement bakery that provides pastries to neighborhood restaurants, Her close friend renowned restaurateur Walter, in between falling in love again, obtains Greenie a position as the pastry chef to the to the New Mexico governor. To the shock of her spouse, psychiatrist Dr. Alan Glazier, she accepts the position when it is offered to her.--------------- Greenie leaves Alan in New York and accompanied by their four-year-old son George travels to the Land of Enchantment. Meanwhile their nearly collapsed marriage is further deteriorated when gay bookseller Fenno McLeod, thirtyish amnesiac Saga, and her Uncle Marsden make demands especially on Alan who wonders why everyone demands his time except the woman he wishes would demand his time.-------------- This is a complex family drama in which Alan begins to learn what matters in life as he misses his family even as the demands on his time expand to somewhat fill the void. The cast is powerful and genuine while the estranged lead couple struggle thousands of miles apart over a year deciding what they want from life and each other culminating with the collapse of the Towers symbolizing everything to them. Readers will take immense delight with Julia Glass¿s strong insightful look at people stressed by life and not appreciating what they have.------------- Harriet Klausner
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Overview
Julia Glass, author of the award-winning novel Three Junes, tells a vivid tale of longing and loss, revealing the subtle mechanisms behind our most important connections to others. In The Whole World Over, she pays tribute once again to the extraordinary complexities of love.Greenie Duquette lavishes most of her passionate energy on her Greenwich Village bakery and her young son. Her husband, Alan, seems to have fallen into a midlife depression, while Walter, her closest professional ally, is nursing a broken heart. At Walter’s restaurant, the visiting governor of New Mexico tastes Greenie’s coconut cake and decides to woo her away to be his chef. For reasons both ambitious and desperate, she accepts–heading west without