Why Buffalo Dance: Animal and Wilderness Meditations Through the Seasons [NOOK Book]

Overview


In this elegantly written and illustrated book, Susan Chernak McElroy offers a series of short pieces — meditations and teaching tales — based on animals and the natural world. Each piece can be used as a starting point for meditation practice or read as it is. Arranged around the seasons, the pieces describe nature’s evocative moments: magpies hiding prized baubles in their nests, badgers emerging from their dens, buffalo dancing on picnic tables, elk during mating season, dreaming squirrels, dogs, doves, ...
See more details below
Why Buffalo Dance: Animal and Wilderness Meditations Through the Seasons

Available on NOOK devices and apps  
  • NOOK Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$9.99
BN.com price
(Save 37%)$16.00 List Price

Overview


In this elegantly written and illustrated book, Susan Chernak McElroy offers a series of short pieces — meditations and teaching tales — based on animals and the natural world. Each piece can be used as a starting point for meditation practice or read as it is. Arranged around the seasons, the pieces describe nature’s evocative moments: magpies hiding prized baubles in their nests, badgers emerging from their dens, buffalo dancing on picnic tables, elk during mating season, dreaming squirrels, dogs, doves, weasels, horses, bears, and even rivers, rocks, and the wind. With McElroy's poetic language, even these so-called inanimate parts of the wild world of nature are vibrant and alive, offering their gifts to any who stop and pay attention. The book explores emptiness, resistance, new beginnings, attraction, decay, integrity, leave-taking, cleansing, and regeneration. Each of the seasonal sections features a line drawing of an animal during that season, and the pages throughout are adorned with intricate decorative borders and art.
Read More Show Less

Editorial Reviews

Library Journal
McElroy, a writer and a longtime cancer survivor, has written an interesting collection of reflections that draw from her proximity to the Grand Teton Mountains of Wyoming and Idaho. She uses her observations of nature, animals, and wildlife to reflect on certain truths and mysteries of human and nonhuman existence. McElroy writes in prose, but her mini essays do what poetry used to they offer digestible, intelligent responses to life through symbols and imagery. Many readers will enjoy sharing the journey with her. For most collections. Copyright 2006 Reed Business Information.
Read More Show Less

Product Details

  • ISBN-13: 9781577318200
  • Publisher: New World Library
  • Publication date: 2/1/2010
  • Sold by: Barnes & Noble
  • Format: eBook
  • Sales rank: 1,183,246
  • File size: 574 KB

Read an Excerpt

Why Buffalo Dance

Animal And Wilderness Meditations Through The Seasons
By Susan Chernak McElroy

New World Library

Copyright © 2006 Susan Chernak McElroy
All right reserved.

ISBN: 978-1-57731-542-1


Chapter One

Ever since I moved to a landscape with four distinct seasons, I have dreamed of creating a book where animals and nature speak simply to us about the power and mystery of the seasons. Because no matter what our perceived differences, we all - animals, plants, and elements - share the cycles of the year and are affected deeply by the turning of the world. In this time of great distance between ourselves and wild nature, the primal lessons of how to live harmoniously with our inner and outer cycles are needed perhaps more than ever before.

In this small guidebook, I've gathered the voices of animals, elements, and land into a collection of meditations exploring the seasons of nature and the seasons of our lives. The stories are built upon the foundation of a few simple assumptions about nature and our relationship to her. While the basics of these meditations are ancient, the creatures who stalk these pages will teach you new truths about life and living, in a way that is uniquely, fascinatingly, and honorably their own.

Nature: The First Revelation

These stories are grounded in a vision of nature as the first revelation. I so wish this idea had been mine, but I discovered it most eloquently unfolded in the writings of Brother Wayne Teasdale, a modern-day monk and mystic. In MysticHeart, Teasdale writes, "Natural mysticism is the primordial revelation.... Long before writing and tradition, the divine reality communicated its light to us through all that is. Every ancient and medieval culture has known this truth in some form; it is part of the primordial tradition, the perennial philosophy, the universal wisdom that underpins the old cultures with their different religions.... This revelation is ... always available to each one of us, in every culture, in every time, in any moment of our lives. It is thus the first and permanent source of revelation."

We imagine ourselves to be modern humans, whatever that means - techno-marvels? brain masters? - but at the biological level, and in our quest for meaning, we are still Pleistocene people. Our minds trick us into believing we have achieved a certain heightened level of evolution, but our bodies tell us differently. That which moved us, informed us, inspirited us, and matured us hundreds of thousands of years ago remains unchanged: Nature remains the clean and pure page we write ourselves upon. She remains the bedrock of our human experience, the mother, father, and spirit revealed to us in physical forms we can touch and know in real-time communion.

She informs our dreams with her night sounds, infuses our days with everything we have come to know that endures - sunlight, breeze, soil, hard frost on autumn grasses. She births life in moisture and often straining, and takes it all back sometimes with fury. Somehow, in our ancient hearts and bones, we instinctively know that the glass-fragile days of our own lives mimic her in ways great and small, secular and spiritual, old and new.

The deep and enduring questions - who we are, what we are, what is true, how we heal - are inseparable from our relationship with the natural world because we are the natural world. The percentage of our bodies that is salt water is the same as the proportion of the earth that is ocean. What is left of us is composed of minerals, in a proportion which mimics that of the surface of the earth. The water and clay that fashion us are given to us by the earth, and we, in turn, exchange our molecules with hers on a regular basis. We are, in effect, miniature living planets. The Original Instructions encoded within us for living in a good way are the same instructions that the planet follows: care for your children, take only what you need, keep your nest clean, support your community, be cautious but never fearful, trust life.

The Original Instructions - also called the Law of Life - are posted all around us in the form of living creatures, living systems, and living cycles. To tap into the wisdom of the Law, we need only remember where to look and how to ask.

The Lessons of the Seasons

This book presumes a distinctly cyclical - as opposed to linear - pattern to human life. The circle and spiral, which are cycles themselves, are some of the oldest universal symbols known to humankind and represent ultimate cosmic order in nearly all early civilizations. In ancient Egypt, the number zero - the circle - was considered a holy place, the birthplace of all knowledge. The circle reveals unity, infinity, union, and motion (as the wheel). The circle is represented in human expression in countless forms, including labyrinths, wheels, mandalas, whirling dances, and medicine wheels. In nature, the circle reveals itself in such things as bird nests, wind patterns, tree trunks, fingerprints, planets, eyes, stones, and shells.

The geometric symbolism of the circle and square in conjunction - that is, a circle with four equidistant touch-points along its edge - is one of the oldest known symbols of the relationship between the finite and the infinite. It appears in the ancient art of Taoism, Islam, and Christianity and in the tribal traditions from which sprang all the world's religions. This ancient geometric symbol segments the circle neatly into four cardinal directions, or four seasons, illustrating the cycles of human life from birth to childhood, childhood to maturity, maturity to elderhood, and elderhood to death and rebirth. There are many symbols associated with the seasons. In nature, migration and hibernation are powerful symbols of autumn and winter. Flowers, hatching eggs, and ripe tomatoes carry the memories of spring and summer. In many traditions, the cardinal directions and their associated winds are the keepers of the seasons.

Revealed in the cycle of the seasons is an enduring and profound wisdom for humankind as we spin our way through thousands of generations of births, deaths, and rebirths on the wheel of life. I can think of no other aspect of creation that speaks to us as urgently or compassionately about the necessity to live life with fullness and integrity as the song and pageantry of winter, spring, summer, and autumn.

With color, texture, temperature, motion, emotion, light, and sound, the seasons sing to us in a chorus of voices, harmonizing through a miraculous cast of characters who tread alongside us on the same journey from one sun to another. All living creatures follow their seasons of germination, growth, blossoming, ripening, and decay. It has always been this way and remains so: nature remains the first and best example of how to live, grow, prosper, accept, endure, and let go.

Each season is bequeathed an energy unique to it. Living in harmony with the energy patterns of each season, as all wild things do by nature, we can learn again how to synchronize our own lives with the larger life of the planet and to align ourselves with the distinct possibilities of each fourfold cycle.

Each season is given its own set of important tasks. If we - humans and squirrels alike - do not, for instance, gather the harvests of fall, we will not survive the tasks of winter. If we - humans and robins alike - do not nurture our spring dreams, we will have nothing to hatch come the growing time of summer. Each season has its place in a larger sequence, as well. Winter cannot, according to the Law of Life, come after spring. The tasks of the seasons fall in a natural cycle, each building on the last and making ready for the next. In the seasons of our lives when we have witnessed un-commonly early springs, extraordinarily long winters, and shockingly unseasonal weather, we have seen, either in personal experience or in the news, the chaotic results - mudslides, floods, frozen crops, dangerous tides, drought.

Humans live two lives. One we share with the physical world. The other is lived inside us. In our inner worlds, we can rocket through all the energies of all the seasons in a day; sometimes in the midst of summer, we have our own private wintertime of deep silence. Still, what nature discloses to us from one season to the next holds true for our inner cycles, no matter how quickly - or slowly - we pass through them. The seasonal ripening, harvesting, and release must be mirrored in our inner journey in task and in sequence, because we are the earth in microcosm, physically and spiritually.

Story Keepers

Every species has its signature gift. The beaver is a master engineer, the falcon a master flyer, the lark a master singer. We humans are master storytellers and story keepers. Although many animals and even plants have elaborate communication practices, from sounds to dances to smells, no creature tells stories in the way that we do. Since humankind discovered language, we have been telling stories that inform, teach, inspire, chronicle, caution, heal, and - perhaps most important - create meaning out of a perpetual avalanche of events and information.

After experience, the next best thing is, I believe, a good story. In this volume, you have a collection of good stories given to me by badgers and bison, magpies and moose, eagles and elk. Over a period of fifteen years, while living in a series of mountain cabins on river edges, hilltops, and flats, I collected these stories from a host of wild beings who were gracious enough to spend some moments with me. Each creature ushered me into a deeper understanding of what life gives to us - and asks of us - as we participate in the universal dance of cycle and season. Sit quietly with the stories and listen until you can hear the grunting of the bear, the whistling of the hawk, and the chuckle of the coyote. When your ears become open to these voices, all your seasons will be the richer for it.

(Continues...)



Excerpted from Why Buffalo Dance by Susan Chernak McElroy Copyright © 2006 by Susan Chernak McElroy. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)