Wide Eyed

Wide Eyed

by Trinie Dalton
     
 

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“Trinie Dalton’s voice is so charming in these stories and they fly right by, so it takes a little time to realize how deftly she is talking about death and sex and fear and love and fur and slumber parties, how lightly she touches upon heaviness, making an imprint so gentle you don’t know it’s there until later, when the story floats back up in

Overview

“Trinie Dalton’s voice is so charming in these stories and they fly right by, so it takes a little time to realize how deftly she is talking about death and sex and fear and love and fur and slumber parties, how lightly she touches upon heaviness, making an imprint so gentle you don’t know it’s there until later, when the story floats back up in your memory, light as a butterfly or a blood-oil lilypad in the bath.” —Aimee Bender

“Trinie Dalton is as radically original a young writer as I’ve ever come across: a post-punk, post-apocalyptic, post-everything sensibility, casting spells of willed innocence against the powers of darkness she knows terrifyingly well.” —David Gates

“These charming stories vibrate with innocence and awe. Trinie Dalton is an effortless purveyor of wonder, strangeness, and love. She is a writer of high spirits and unguarded vision, and this debut collection is an absolute pleasure to read.” —Ben Marcus

“In Wide Eyed, a wonderfully eccentric and vibrant collection, Trinie Dalton showcases her ability to put a fresh spin on the world, leading the reader into places never explored—sometimes dreamlike, sometimes nightmarish, always riveting. Her vision is wholly unique and memorable.” —Jill McCorkle

In Trinie Dalton's tweaked vision of reality, psychic communications between herself and Mick Jagger, The Flaming Lips, Marc Bolan, Lou Reed, and Pavement are daily occurrences. Animals also populate this book; beavers, hamsters, salamanders, black widows, owls, llamas, bats, and many more are characters who befriend the narrator. This collection of stories is told by a woman compelled to divulge her secrets, fantasies, and obsessions with native Californian animals, glam rock icons, and horror movies, among other things. With a setting rooted in urban Los Angeles but colored by mythic tales of beauty borrowed from medieval times, Shakespeare, and Grimm's fairy tales, Wide Eyed makes the difficulties of surviving in a contemporary American city more palatable by showing the reader that magic and escape is always possible.

Stories include, "Hummingbird Moonshine," in which the narrator's frustrated hunt for authentic religion in botanicas and science books culminates in a spiritual connection made with a hummingbird. In "Oceanic," she resolves to marry a manatee after a drunken pre-party for her best friend's wedding. In "Tiles," four vignettes about bloody accidents in tiled bathrooms intermingle with scenes from Dalton's favorite scary movies.

Featuring oddball prose in the traditions of Dalton's literary heroes--Denton Welch, Robert Walser, and Jane Bowles--these stories have a dreamy, imaginative quality that reveal a peculiar state of mental ecstasy. To be inside the mind of Trinie Dalton is to be escorted into bliss.

Editorial Reviews

Publishers Weekly
With linked anecdotes substituting for plot, Dalton's 20 quick, vibrant, wild tales read more like fantastical diary entries than short stories. Narrated by the same woman at different ages, they reveal what most fascinates her: animals and magic and death and the sensual, up-close details of both earthly and unearthly beings. In "Soft Dead Things," the narrator riffs on things fur-related ("Fur makes me sad but excited"), including her dog ("Sometimes when I wake up, I'll kiss my dog's snout, but it unnerves me to think of the trash and hairy testicles it's been rooting around in"), the hamster she accidentally killed when she was a girl ("I pet her dead wet body for a long time") and a Beverly Hills fur store that both attracts and repels her. The latest in Dennis Cooper's Little House on the Bowery series, the work is ripe with sensuality and playfulness. In the hilarious "Bienvenido el Duende," the narrator exchanges letters with a Christmas elf, while "Animal Party" is a lovely meditation on cats and loneliness. Dalton's unique blend of dream and bracingly honest observation makes this a delightfully weird and disarming read. (Oct.) Copyright 2005 Reed Business Information.

Product Details

ISBN-13:
9781617750557
Publisher:
Akashic Books
Publication date:
10/01/2005
Sold by:
Barnes & Noble
Format:
NOOK Book
Pages:
170
File size:
1 MB

Read an Excerpt

Wide Eyed


By Trinie Dalton

Akashic Books

ISBN: 1-888451-86-6


Chapter One

Extreme Sweets

The dog wakes up from a dream at the same time I do. His whimpering wakes me, so I pet his nose to calm him. We were both dreaming about cats. I dreamed that my cat had six kittens, each one a color of the rainbow. The purple one was pastel, the same lavender as the Horse of a Different Color in The Wizard of Oz movie. I looked down to see if I was wearing ruby slippers, but I wasn't.

My dog was dreaming of eating cat food. Most of his dreams are about stealing food from other animals. When his paws twitch, that means in his dream he just grabbed some meat and is trying to outrun a pack of vicious, hungry dogs. One time, when he and I were having the same dream, the dogs were faster than him, and I watched them catch up and rip him apart. I woke up crying. I wonder where you go when you die, but mostly I wonder how it affects you when you die in your dreams, night after night. Are you dying a little each time? Your whole life, you're dying, but I try not to think of it that way.

My cousin Laura collects glass animals. She dusts them like forty times per day. When I go over to her house, she constantly glances over to her armoire, making sure her animals are safe.

"What's new?" I ask her.

"Nothing," she says.

"Like a soda?" I ask, tossing her a can.

"Thanks," she says, setting it on the table.

"Want to go to the beach?" I ask.

"Can't," she says."I'll burn."

"Use sunscreen," I say. "Maybe we'll see dolphins."

She walks over to her shelves and picks up her dolphin. She steams it up with her breath, and polishes it with a diaper cloth.

"Already got one," she says.

"Jesus," I say. "Don't be so melodramatic."

"You're melodramatic, coming over here, all beached up and ready to party."

"What?" I say. "FYI, I'm trying to cheer you up and get you into the sun."

"I get plenty of light," Laura says. "I got these natural lightbulbs on eBay ..."

"Fuck eBay," I say, then storm out.

I really don't know what's wrong with Laura. She buys and sells animal figurines on eBay so she doesn't have to leave her house. We didn't grow up together. But she's one of my only relatives. Her mom and my mom are enemies. Laura and I are the same age. She has long brown hair, nice skin and teeth, and she keeps her nails painted. Sometimes when I go over to her house she's in this white gauze gown that looks like it's from Victorian times. I'm sure it's from eBay. I'm grubbier, I shave my head, wear cutoffs, and I keep my nails short so they don't get too much dirt under them. Riding my bike rules my life. I ride my bike around, racing past bums who push shopping carts and ladies who wheel sacks of laundry to the laundromat. Yesterday I saw a lady balancing a box of mangos on her head.

My mom and her sister are enemies because my mom found out that my aunt knew my dad was sick before he died, but she didn't tell anyone. Dad died ten years ago. My mom feels my aunt was partially responsible for my father's death, and my aunt swears that he made her promise not to tell anyone, because he knew he was sick and he would've died anyway. He didn't want everybody worrying about him. But my mom says that doesn't matter, when a man is dying and he doesn't want his wife and kids to know, you tell them anyway. I agree. Not that she killed him, but right after he died I'd lie awake trying to convince myself that my aunt wasn't a murderer. She didn't stab him or shoot him, but she secretly knew he was dying and didn't do a thing to change it. That's pretty close to murder.

* * *

In the middle of the night, my dog and I share candy on the couch. He sits next to me with his paws crossed, staring at my bag of taffy. He's like, I'll eat it all even if I have to barf it up after. He's like, Go For It. He likes the lime ones; lime is my least favorite. He freaks on sweets. I know it's bad to feed him donuts and Jujubes, but I can't resist. He lives for this. It makes me feel like we're both living our dreams. Sporty, like Extreme Dreaming! I imagine myself being interviewed on network television: "I'm just doing the best I can, shedding a little light. Trying to make a difference." Full of slogans, holding my Bit-O-Honey. It's like, you have dreams, night after night, for years on end, they don't make any sense, you wake up, and fuck it-you give your dog a little candy to cheer yourself up. Is that so bad? I mean, is it? I could be thinking of ways to sabotage my will-o'-the-wisp cousin, but no. I just eat candy.

The night after the lavender cat, Laura and I are riding through the sky in a glass elevator, a modern one, not like Willie Wonka's. All four sides of this elevator are made of windows that you can roll down, and the strangers riding with us are hanging out, smoking cigarettes over the edges. I think of what Charlie says in the book-It's eerie and frightening to be standing on clear glass high up in the sky. It makes you feel that you aren't standing on anything at all. The sky feels underwater-same blue-and the elevator feels like a glass-bottom boat. It would have been just as surprising to see a hammerhead shark swim past as it is to see this red-tailed hawk flying below the smokers. Things speeding by, like in the tornado before Oz-a cow, a witch on a bike, trees with roots hanging down. Instead though, a hawk and cigarette butts.

Laura shouts, "Come stand on the edge."

"Why don't you stand on the edge?"

Laura lights up, and the smoke wafts into my face.

"Blow it out the window," I tell her. As if there aren't windows all around us.

She leans over and whispers, "You know, you could die up here and I wouldn't tell anyone." She gets ready to push me over.

I wake up knowing that if I stayed asleep, I would've died. Basically, I just saved my own life. Ha! I think, in the darkness. You can't kill me! This applies less to my twisted cousin than it does to the universe. I roll out of bed and into the kitchen, where I pour myself a glass of chocolate milk and drink it in the light of the fridge. It's the ultimate chocolate milk commercial-Narrowly escaping death, she reaches for the only thing that can satisfy, Milk!

Next day I go to Disneyland. I feel guilty for leaving the dog home alone all day. "I'll bring you a treat," I tell him, as I pet his head and pull the front door shut.

"He'll be fine," my friend Lois says, putting her sunglasses on. She's an optimist. "Once you ride Space Mountain you'll forget all about him."

"That's true," I say, wondering what Laura's doing. I decided yesterday to stop inviting her out, which also contributes to my guilt. I know from past experience how much it sucks to feel guilty at Disneyland. You're twirling in a teacup at sunset remembering you told your mom you'd cook her birthday dinner; you get off the ride and find a pay phone to call and apologize, but you didn't bring her phone number with you. Harsh.

The Haunted House reminds me of Laura, the painting of the beautiful young girl that morphs into an old hag with snakes in her hair.

"That looks like my cousin," I say to Lois.

"Or you," she jokes.

"Shut up," I say, elbowing her. Still, it's uncanny.

"It's a ride, not a funeral," Lois says.

I remember the glass elevator. "Don't you love Willie Wonka?" I ask Lois.

"We're at Disneyland," Lois says. "Wrong fantasy."

"Let's get candy," I say. When we exit the mansion, we head straight for the stand where I chomp on chocolate turtles and candy canes. I buy a Mickey Mouse Pixy Stix for the dog, after I picture his nose dusted with the sugar powder. So cute-canine cocaine. Lois's tongue turns blue as she chews gumdrops. All I can think about is death. Laura, I'm convinced, is trying to kill me with her mind.

"I think my cousin's psychic," I say.

"What?" Lois says.

"Last night, in my dream, Laura was trying to kill me," I explain. "She sits at home all day, tripping out on eBay ... I feel like right now she's sending me evil vibes."

"No more candy for you," Lois says. "Anyways, you can't die from dreaming about death."

"But she could be willing my demise," I say. "Voodoo."

"Look, Laura might shop too much on eBay, but that doesn't make her a Voodoo priestess," Lois says. "That's, like, from a bad horror movie."

"We'll see," I say. "I better start sleeping with Snickers under my pillow. When I go out, I want to be well stocked."

"There's plenty of candy in heaven," Lois says.

Lois was right: I did eat too much candy at Disneyland. That night my dreams were a mess. I breast-fed a hippo. An albino man with glass teeth stalked me; every time I turned around he was Windexing his grin. My dog spoke backwards, telling me that he needed to be brushed. Hsurb em, he said. What's worse, the glass-toothed man finally cornered me at a party, bit my arm with his jagged fangs, and I bled to death while everyone stood around drinking beer.

But Laura wasn't responsible. She had her chance to get in there and damage me, while I was trapped in my sugary nightmares, but instead she stayed up all night haggling, pale-faced in her computer screen's glow.

(Continues...)


Excerpted from Wide Eyed by Trinie Dalton Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are saying about this

Aimee Bender
"Trinie Dalton's voice is so charming in these stories and they fly right by, so it takes a little time to realize how deftly she is talking about death and sex and fear and love and fur and slumber parties, how lightly she touches upon heaviness, making an imprint so gentle you don’t know it's there until later, when the story floats back up in your memory, light as a butterfly or a blood-oil lilypad in the bath."
David Gates
"Trinie Dalton is as radically original a young writer as I've ever come across: a post-punk, post-apocalyptic, post-everything sensibility, casting spells of willed innocence against the powers of darkness she knows terrifyingly well."
Ben Marcus
"These charming stories vibrate with innocence and awe. Trinie Dalton is an effortless purveyor of wonder, strangeness, and love. She is a writer of high spirits and unguarded vision, and this debut collection is an absolute pleasure to read."
Jill McCorkle
"In Wide Eyed, a wonderfully eccentric and vibrant collection, Trinie Dalton showcases her ability to put a fresh spin on the world, leading the reader into places never explored--sometimes dreamlike, sometimes nightmarish, always riveting. Her vision is wholly unique and memorable."

Meet the Author

Trinie Dalton grew up in Los Angeles, and has an MFA from Bennington Writing Seminars. She writes music, book, and art criticism in addition to fiction. The book she co-edited for McSweeney's, Dear New Girl, is also forthcoming. Dennis Cooper is the author of 'The George Miles Cycle,' an interconnected sequence of five novels published in the US by Grove Press and translated into fourteen languages. His most recent novel is God, Jr. (Grove, 2005). He lives in Los Angeles.

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