Wideacre (Wideacre Trilogy #1)

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Overview

From #1 New York Times bestselling author Philippa Gregory comes the stunning first novel of a thrilling trilogy about the Lacey family, and the captivating woman at the heart of a power-hungry estate willing to go to any means to protect her family name.

Beatrice Lacey, as strong-minded as she is beautiful, refuses to conform to the social customs of her time. Destined to lose her heritage and beloved Wideacre estate once she is wed, Beatrice will use any means necessary to ...

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New York 1990 Mass Market Paperback Third Printing Good with no dust jacket 0671730363. Pb, light wear/soil, crease at spine, inside covers starting to darken, libstamp on ... damaged title pg (from card pocket removal); (Wideacre Trilogy, Book 1); Ex-Library; 12mo 7"-7?" tall; 635 pages. Read more Show Less

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Wideacre (Wideacre Trilogy #1)

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Overview

From #1 New York Times bestselling author Philippa Gregory comes the stunning first novel of a thrilling trilogy about the Lacey family, and the captivating woman at the heart of a power-hungry estate willing to go to any means to protect her family name.

Beatrice Lacey, as strong-minded as she is beautiful, refuses to conform to the social customs of her time. Destined to lose her heritage and beloved Wideacre estate once she is wed, Beatrice will use any means necessary to protect her ancestral name. Seduction, betrayal, even murder—Beatrice’s passion is without apology or conscience. “She is a Lacey of Wideacre,” her father warns, “and whatever she does, however she behaves, will always be fitting.” Yet even as Beatrice’s scheming seems about to yield her dream, she is haunted by the one living person who knows the extent of her plans...and her capacity for evil.

Sumptuously set in Georgian England from the “queen of royal fiction” (USA TODAY), Wideacre is intensely gripping, rich in texture, and full of color and authenticity. It is a saga as irresistible in its singular magic as its heroine.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Gregory's full-blown first novel is a marvelously assured period piece, an English gothic with narrative verve. Beatrice Lacey loves nothing more than the family estate, Wideacrenot her bluff, hearty father, her weak brother, Harry, or her mother, who can't quite believe mounting evidence that damns her passionate daughter. Foiled in her hunger to own the estate by the 18th century laws of entail, Beatrice plots her father's death, knowing she can twist Harry in any direction she chooses, for her brother harbors a dark, perverted secret. Their incestuous tangle is not broken even by Harry's marriage. And while a bounteous harvest multiplies, no one gainsays the young squire and his sister, the true master of Wideacre. Beatrice marries also, managing to hide the paternity of two children sired by Harry until her increasing greed squeezes the land and its people dry, and the seeds of destruction she has sown come to their awful fruition. Gregory effortlessly breathes color and life into a tale of obsession built around a ruthless, fascinating woman. Doubleday Book Club main selection; Literary Guild alternate; major ad/promo. (February)
Library Journal
Released in 1989, 1990, and 1987, respectively, these are the three volumes of the author's "Wideacre Trilogy." Set in England, this long, sweeping soap opera revolves around the women of the Wideacre estate, their lives and loves, triumphs and tragedies. Copyright 2003 Reed Business Information.
From the Publisher
Val Hennessy London Daily Mail When it comes to writers of historical fiction, Philippa Gregory is in the very top league.

Maeve Binchy Author of Quentins A story of violent love and unsettling passions. It will never let you rest for a page as you wait for the climax that must come for the people and the land.

San Jose Mercury News The quintessential page-turner.

Pasadena Star-News Never has fiction portrayed such a woman as Beatrice Lacey....Wideacre is a compelling story of dark fascination.

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Product Details

  • ISBN-13: 9780671730369
  • Publisher: Pocket Books
  • Publication date: 8/28/1990
  • Series: Wideacre Trilogy , #1
  • Format: Mass Market Paperback
  • Product dimensions: 4.15 (w) x 6.73 (h) x 1.14 (d)

Meet the Author

Philippa Gregory is the author of several bestselling novels, including The Other Boleyn Girl, and is a recognized authority on women’s history. Her Cousins’ War novels are the basis for the critically acclaimed Starz miniseries The White Queen. She studied history at the University of Sussex and received a PhD from the University of Edinburgh. She welcomes visitors to her website, PhilippaGregory.com.

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    1. Hometown:
      Yorkshire, England
    1. Date of Birth:
      January 9, 1954
    2. Place of Birth:
      Nairobi, Kenya, East Africa
    1. Education:
      B.A. in history, Sussex University, 1982; Ph.D., 18th-century popular fiction, Edinburgh, 1984
    2. Website:

Read an Excerpt

Chapter One

Wideacre Hall faces due south and the sun shines all day on the yellow stone till it is warm and powdery to the touch. The sun travels from gable end to gable end so the front of the house is never in shadow. When I was a small child, collecting petals in the rose garden, or loitering at the back of the house in the stableyard, it seemed that Wideacre was the very centre of the world with the sun defining our boundaries in the east at dawn, till it sank over our hills in the west in the red and pink evening. The great arch it traced in the sky over Wideacre seemed to me a suitable boundary for our vertical influence. Behind the sun were God and the angels; beneath it, and far more significantly, ruled the Squire, my father.

I cannot remember a time before I loved him, the blond, red-faced, loud Englishman. I suppose there must have been a time when I was confined to a white-frilled cradle in the nursery; I suppose I must have taken my first steps clinging tight to my mother's hand. But I have no childish memories of my mother at all. Wideacre filled my consciousness, and the Squire of Wideacre dominated me as he ruled the rest of the world.

My first, my earliest childhood memory is of someone lifting me up to my father as he towered above me in the saddle of his chestnut hunter. My little legs dangled helplessly in space as I rose up the yawning void to the great chestnut shoulder — a hot, red rock-face to my surprised eyes — and up to the hard, greasy saddle. Then my father's arm was tight round my body and his hand tucked me securely before him. He let me grip the reins in one hand and the pommel in the other, and my gaze locked on the coarse russet mane and the shiny leather. Then the monster beneath me moved and I clutched in fright. His pace was erratic and rolling to me, and the long gap after each great stride caught me unawares. But my father's arm held tight and I gradually raised my eyes from the muscled, steamy shoulder of the mountainous horse, up his long neck to
his pointy signalling ears...and then the sweep of Wideacre burst upon me.

The horse was walking down the great avenue of beech and oak that leads to the house. The dappled shadows of the trees lay across the springing grass and the rutted mud tracks. In the banks glowed the pale yellow of spring primroses and the brighter sunshine-yellow of celandine. The smell, the dark, damp smell of rain-wet earth filled the arch of the trees like birdsong.

A drainage ditch runs alongside the drive, its yellow stones and white sand rinsed clean by the trickle of water. From my rolling vantage point I could at last see a clear view of its length, even where the black leaf mould at the banks carried the tiny, forked hoofprints of nighttime deer.

"All right, Beatrice?" My father's voice behind me was a rumble I could feel in my tense, skinny little body, as well as hear. I nodded. To see the trees of Wideacre, to smell the earth of it, to be out among the breath of wind of Wideacre, bonnetless, carriageless and Motherless, was beyond words.

"Like to try a trot?" he asked.

I nodded again, tightening my small hands on the saddle and reins. At once the giant strides altered and all around me the trees lurched and jigged as the horizon moved in great sickening leaps. I bobbed like a cork in a spring-flood river, sliding painfully to one side, and then, perilously, correcting. Then I heard my father click to the horse and the stride lengthened. Wonderfully, the horizon steadied, but the trees sped past. I regained my balance and, though the ground flashed by under the thudding hooves, I could breathe and look around again. Your first canter is the fastest you will ever go. I clung like a louse to the saddle and felt the spring wind in my face, and saw the shadows of the trees flash light and shade across me as the chestnut mane streamed, and I could feel a great burble of delighted laughter and scream of fear gather in my throat.

On our left the woods were thinning and the steep bank dropped away, so I could see through the trees to the fields beyond, already brightening with the spring growth. In one a hare, large as a hound puppy, stood on its hind legs to watch us go by, its black-tipped ears pointed to hear the thud of the hooves and the jingle of the bit. In the next field a line of women, drab against the deep black of the ploughed field, bent double over the furrows, picking, picking, picking like sparrows on the broad back of a black cow, clearing the earth of flints before sowing.

Then the sliding scenery slowed and slowed as the hunter dropped into a teeth-chattering trot again, and then pulled up at the closed gates. A woman erupted from the open back door of the lodge house and scuttled through a scatter of hens to swing open a tall iron gate.

"A fine young lady you have to ride with you today," she said, smiling. "Are you enjoying your ride, Miss Beatrice?"

My father's chuckle vibrated down my spine, but I was on my dignity, high on the hunter, and I merely bowed. A perfect copy, had I known it, of my mother's chill snobbery.

"Say good day to Mrs. Hodgett," my father said abruptly.

"Nay!" said Mrs. Hodgett, chuckling. "She's too grand for me today. I'll have a smile on baking day though, I know."

The deep chuckle shook me again and I relented and beamed down on Mrs. Hodgett. Then my father clicked to the hunter again, and the smooth walk bore me away.

We did not turn left down the lane which leads to Acre village as I had expected, but went straight ahead, up a bridle track where I had never been before. My excursions till now had been in the carriage with Mama or in the pony-cart with Nurse, but never on horseback along the narrow green ways where no wheels could go. This path led us past the open fields where each man of the village could farm his own strip in a ragged, pretty patchwork. My father tutted under his breath at the ill-dug ditch and the thriving thistles in one patch and the horse, eager for a signal to canter, broke forward again. His easy strides took us higher and higher up the winding path, past deep banks dotted with wild flowers and with exciting-looking small holes, crowned with hedges of budding hawthorn and dog roses.

Then the banks fell away, and the fields and hedges with them, and we were riding, silent on thick leaf mould, through the beech coppices that crowd the lower slopes of our Downs. Tall, straight, grey trunks rose high as a cathedral nave. The nutty, woody smell of beech tickled my nose and the sunlight at the end of the wood looked like the bright mouth of a cave, miles and miles away. The hunter, blowing now, rushed upon it, and in seconds we were out in the brilliant sunlight at the very tipmost-topmost point, the highest peak in the entire world, the pinnacle of the South Downs.

We turned to look back over the way we had come, and the shape and the setting of Wideacre opened up to me, like a magical page in a picture book, seen for the first time.

Closest to us, and extending far below us, were the green sweet slopes of the Downs, steep at the top, but easy as soft shoulders lower down. The gentle wind which always blows steady and strong along the top of the Downs brought the smell of new grass and of ploughing. It flattened the grass in patches like seaweed tossing under currents of water, first one way, then another.

Where the ground grew steep and broken, the beech coppices had taken hold and now I could look down on them, like a lark, and see the thick tops of the trees. The leaves were in their first emerald growth and chestnuts showed fat, mouth-watering buds. The silver birches shivered like streams of green light.

To our right lay the dozen cottages of Acre village, whitewashed and smug. The vicarage, the church, the village green and the broad spreading chestnut tree that dominates the heart of the village. Beyond them, in miniature size like crumpled boxes, were the shanties of the cottagers who claimed squatters' rights on the common land. Their little hovels, sometimes thatched with turf, sometimes only a roofed-in cart, were an eyesore even from here. But to the west of Acre, like a yellow pearl on green velvet, amid tall proud trees and moist soft parkland, was Wideacre Hall.

My father slipped the reins from my fingers and the great head of his horse dipped suddenly to crop the short turf.

"It's a fine place," he said to himself. "I shouldn't think there's a finer in the whole of Sussex."

"There isn't finer in the whole world," I said with the certainty of a four-year-old.

"Mmm," he said softly, smiling at me. "You may be right."

On the way home, he let me ride alone in glorious solitude on top of the swaying mountain. He walked at my side, a restraining hand gripping the frills and flounces of my petticoats. Past the lodge gates and up into the cool quietness of the drive, he loosened his grip and walked before me, looking back to bawl instructions.

"Sit up! Chin up! Hands down! Heels in! Elbows in! Gentle with his mouth! You want to trot? Well, sit down, tighten the rein, and dig your heels in! Yes! Good!" And his beaming face dissolved in the heaving blur as I clung with all my small might to the leaping saddle and bit back shrieks of fear.

I rode alone up the last stretch of the drive and triumphantly brought the gentle great animal to a standstill before the terrace. But no applause greeted me. My Mama watched me, unimpressed, from the window of her parlour, then came out slowly to the terrace.

"Get down at once, Beatrice," she said, waving Nurse forward. "You have been far too long. Nurse, take Miss Beatrice upstairs and change and bathe her at once. All her clothes will have to be washed. She smells like a groom."

They pulled me off my pinnacle and my father's eyes met mine in rueful regret. Then Nurse paused in her flight towards the house.

"Madam!" she said, her voice shocked.

She and my mother peeled back the layers of petticoats and found my lacy flounces stained with blood at the knees. Deftly Nurse stripped them off so she could see my legs. The stitching and the stirrup leather flaps had rubbed my knees and calves raw and they had bled.

"Harold!" said my mother. It was the only sign of reproach she ever permitted herself. Papa came forward and took me into his arms.

"Why didn't you tell me you were hurt?" he asked, his blue eyes narrow with concern. "I would have carried you home in my arms, little Beatrice. Why didn't you tell me?"

My knees burned as if stung by nettles but I managed a smile.

"I wanted to ride, Papa," I said. "And I want to go riding again."
His eyes sparkled and his deep, happy laugh shouted out.

"That's my girl!" he said in delight. "Want to go riding again, eh? Well, you shall. Tomorrow I shall go to Chichester and buy you a pony and you shall learn to ride at once. Riding till her knees bled at four years old, eh? That's my girl!"

Still laughing, he led his horse around to the stableyard at the rear of the house where we could hear him shouting for a stablelad. I was left alone with Mama.

"Miss Beatrice had better go straight to bed," she told Nurse, ignoring my wide-awake face. "She will be tired. She has done more than enough for one day. And she will not go riding again."

Of course I went riding again. My mother was bound by all sorts of beliefs in wifely obedience and deference to the head of the household, and she never stood against my father for more than one self-forgetful second. A few days after my ride on the hunter, and alas before the little scabs on the inside of my knees had healed, we heard a clatter of hooves on the gravel and an

"Holloa!" from outside the front door.

On the gravel sweep outside the house stood my father's hunter with Father astride. He was leaning down to lead the tiniest pony I had ever seen. One of the new Dartmoor breed, with a coat as dark and smooth as brown velvet and a sweep of black mane covering her small face. In a second my arms were round her neck and I was whispering into her ear.

Only one day later and Nurse had cobbled together a tiny version of a tailored riding habit for me to wear for my daily lesson with Papa in the paddock. Never having taught anyone to ride, he taught me as he had learned from his father, round and round the water-meadows so my falls were cushioned by the soft earth. Tumble after tumble I took into the wet grass — and I did not always come up smiling. But Papa, my wonderful, godlike Papa, was patient, and Minnie, dear little Minnie, was sweet-natured and gentle. And I was a born fighter.
Only two weeks later, and I rode out daily with Papa. Minnie was on a leading rein and beside the hunter she looked like a plump minnow on the end of a very long line.

A few weeks after those first expeditions and Papa released me from the apprenticeship of the leading rein and let me ride alone. "I'd trust her anywhere," he said briefly to Mama's murmured expostulations. "She can learn embroidery any time. She'd better learn to have a seat on a horse while she's young."

So Papa's great hunter strode ahead and Minnie bobbed behind in a rapid trot to keep up. In the lanes and fields of Wideacre, the Squire and the little Mistress became a familiar sight as our rides lengthened from the original half an hour to the whole of the afternoon. Then it became part of the routine of the day that I should go out morning and afternoon with Papa. In the summer of 1760 — an especially dry hot summer — I was out every day with the Squire, and I was all of five.

These were the golden years of my childhood and even at that age I knew it. My brother Harry's baby illnesses lingered on; they feared he had inherited Mama's weak heart. But I was as fit as a flea and never missed a day out with Papa. Harry stayed indoors almost all winter with colds and rheums and fevers, while Mama and Nurse fussed over him. Then when spring was coming and the warm winds brought the evocative smells of warming land, he was convalescent. At haymaking, when I would be out with Papa to watch them scything down the tall rippling grass in great green sweeps, Harry would be indoors with his sneezing malady which started every year at haytime. His miserable 'atchoo, 'atchoo would go on all through the hot days of summer, so he missed harvesting, too. At the turn of the year, when Papa promised I could go fox-cubbing, Harry would be back in the nursery or, at best, sitting by the parlour fire with his winter ailments again.

A year older than I, he was taller and plumper, but no match for me. If I succeeded in teasing him into a fight, I could easily trip him up and wrestle with him till he called for Mama or Nurse. But there was much good nature in Harry's sweet placidity and he would never blame me for his bumps and bruises. He never earned me a beating.

But he would not romp with me, or wrestle with me, or even play a gentle game of hide-and-seek with me in the bedrooms and galleries of the Hall. He only really enjoyed himself when he was sitting with Mama in the parlour and reading with her. He liked to play little tunes on the pianoforte there, or read mournful poetry aloud to her. A few hours of Harry's life made me unaccountably ill and tired all over. One day in the quiet company of Harry and Mama made me feel as weary as a long day in the saddle riding over the Downs with Papa.
When the weather was too bad for me to be allowed out, I would beg Harry to play, but we had no games in common. As I moped round the dark library room, cheered only by finding the breeding record of Papa's hunters, Harry would pile all the cushions he could find into the window seat and make himself a little nest like a plump wood pigeon. Book in one hand, box of comfits in the other, he was immoveable. If the wind suddenly ripped a gap in the thunder clouds for the sun to pour through, he would look out at the dripping garden and say, "It is too wet to go out, Beatrice. You will get your stockings and shoes soaked and Mama will scold you."

So Harry stayed indoors sucking sweets, and I ran out alone through the rose garden where every leaf, dark and shiny as holly, extended a drop of rain on its luscious point for me to lick. Every dense, clustered flower had a drop like a diamond nestling among the petals, and when you sniffed the sweetness, rainwater got up your nose and made it tickle. If it rained while I was roaming, I could dive for shelter into the little white-latticed summer-house in the centre of the rose garden and watch the rain splashing on the gravel paths. But more often I would take no notice at all and walk on, on and out through the streaming paddock, past the wet ponies, along the footpath through the sheltered beech wood down to the river Fenny which lay like a silver snake in the coppice at the end of the paddock.

Although we were so near in age, we were strangers for all of our childhood. And though a house with two children in it — and one of them a romp — can never be completely still, I think we were a quiet, isolated household. Papa's marriage to Mama had been arranged with a view to wealth rather than suitability and it was obvious to us, to the servants and even to the village, that they grated on each other. She found Papa loud and vulgar. And Papa would, too often, offend her sense of propriety by donning his Sussex drawl in her parlour, by his loud, easy laugh and by his backslapping chumminess with every man on our land from the poorest cottager to the plumpest tenant farmer.
Mama thought her town-bred airs and graces were an example to the county, but they were despised in the village. Her disdainful, mincing walk down the aisle of the parish church every Sunday was parodied and mimicked in the taproom of the Bush by every lad who fancied himself a wit.

Our procession down the aisle, with Mama's disdainful saunter and Harry's wide-eyed waddle, made me blush with embarrassment for my family. Only inside our high-backed pew could I relax. While Mama and Harry stuck their heads in their hands and fervently prayed, I would sit up by Papa and slip one cold hand in his pocket.

Mama would recite prayers in a toneless murmur, but my little fingers would seek and find the private magic of my Papa's pocket. His claspknife, his handkerchief, a head of wheat or a special pebble I had given him — more potent than the bread and wine, more real than the catechism.

And after the service, when Papa and I lingered in the churchyard to learn the village news, Mama and Harry would hurry on to the carriage, impatient of the slow drawling jokes and fearful of infections.

She tried to belong to the village, but she had no knack of free and easy speech with our people. When she asked them how they did, or when a baby was due, she sounded as if she did not really care (which was true) or as if she found their whole lives sordid and tedious (which was also true). So they mumbled like idiots, and the women twisted their aprons in their hands as they spoke, and kept their mob caps dipped low.

"I really fail to see what you see in them," Mama complained languidly after one of these abortive attempts at conversation. "They really are positively Natural."

They were Natural. Oh! Not in the sense she meant: that they were half-witted. They were natural in that they did as they felt and said what they thought. Of course they became tongue-tied and awkward in her chilly presence. What could you say to a lady who sat in a carriage high above you and asked you with every appearance of boredom what you were giving your husband for dinner that night? She might ask, but she did not care. And even more amazing to them, who believed the life of Wideacre was well known throughout the length and breadth of England, was that the Squire's lady clearly did not know she was speaking to the wife of one of Acre's most successful poachers, and so a true answer to the question would have been: "One of your pheasants, Ma'am."

Papa and I knew, of course. But there are some things which cannot be told or cannot be taught. Mama and Harry lived in a world which dealt in words. They read huge boxfuls of books delivered from London booksellers and libraries. Mama wrote long criss-crossed letters that went all over England: to her sisters and brothers in Cambridge and London, and to her aunt in Bristol. Always words, words, words. Chatter, gossip, books, plays, poetry and even songs with words that had to be memorised.

Papa and I lived in a world where words were very few. We felt our necks prickle when thunder threatened haymaking and it only needed a nod between us for me to ride to one corner of the field and Papa to ride away over to the other acres to tell the men to stack what they could and be ready for the rain. We smelled rain on the air at the start of harvesting and, without speaking, would wheel our horses round to stop the sickle gang from cutting the standing corn with the storm coming. The important things I knew were never taught. The important things I was born knowing, because I was Wideacre born and Wideacre bred.

As for the wider world, it hardly existed. Mama would hold up a letter to Papa and say, "Fancy..." And Papa would merely nod and repeat, "Fancy." Unless it affected the price of wheat, wool or cattle, he had no interest.

We visited some county families, of course. Papa and Mama would attend evening parties in winter, and now and then Mama would take Harry and me to visit the children of neighbouring families: the Haverings at Havering Hall, ten miles to the west, and the de Courcey family in Chichester. But the roots of our lives were deep, deep into the Wideacre earth and our lives were lived in isolation behind the Wideacre park walls. After a day in the saddle or a long afternoon watching the labourers ploughing, Papa liked nothing so much as a cigar in the rose garden while the stars came out in the pearly sky and the bats swooped and twittered overhead. Then Mama would turn from the windows of the parlour with a short sigh and write long letters to London. Even my childish eyes saw her unhappiness. But the power of the Squire, and the power of the land, kept her silent.

Her loneliness showed itself only in her continual letters, and in the way her disagreements with Papa were never won nor lost, but dragged on in indecisive pain.

The riding quarrel rumbled on throughout my childhood. My Mama was bound to conventional obedience to the master's word, but utterly free of any moral standard. Behind her respectability and her worship of the conventions she had the morality of the gutter. Without power, she had spent all her life seeking minuscule advantages in perpetual quest for the satisfaction of getting her own way in something, anything, however small.

Poor woman! She had no control of the housekeeping monies, which were submitted by the butler and cook directly to Papa and paid for out of estate accounts. She had no control over her dress allowance, which was paid direct to the Chichester dressmaker and milliner. Once a quarter she received a few pounds and shillings for spending money: for her church collection, for her charities and for the dizzy indulgence of buying a posy of flowers or a box of sweet-meats. And even that little purse was discreetly regulated by her behaviour. After a moment's lapse when she had spoken out to Papa shortly after my birth, the allowance had magically stopped — a seven-year-old secret which still rankled enough for Mama to whisper it to me in her enduring resentment.
I listened not at all and cared less. I was for the Squire. I was Papa's little girl, and I understood well enough that disloyal, resentful whispers like that were part of the same attack on me and my Papa as her opposition to my riding. Mama was always in search of family life as it was depicted in her quarterly journals. That was the secret reason for her hatred of my father's uncompromising loudness, his bawdiness, his untamed joy. That was why she gloried in the quiet prettiness of her fair-haired boy. And that was why she would have done anything to get me off horseback and into the parlour where young girls, all young girls, whatever their talents and dispositions, belong.

"Why don't you stay at home today, Beatrice?" she asked in her sweet plaintive voice one morning at breakfast. Papa had already eaten and gone, and my Mama turned her eyes from his plate with the great knuckle bone of ham chewed clean and the scatter of crumbs from a crusty Wideacre loaf.

"I am riding with Papa," I said, my words muffled by my own hearty portion of bread and ham.

"I know that is what you planned," she corrected me sharply. "But I am asking you to stay at home today. To stay at home with me. This morning I should like to pick some flowers and you could help me to arrange them in the blue vases. This afternoon we could go for a drive. We could even visit the Haverings. You would like that. You could chatter with Celia."

"I am sorry, Mama," I said with all the finality of an indulged seven-year-old, "but I promised Papa I would check the sheep on the Downs and I will need all day. I shall go to the west side this morning and then ride home for dinner. This afternoon I shall go to the east side and not be back till teatime."

Mama compressed her lips and looked down at the table. I barely noticed her rising irritation, and her tone of anger and pain was a surprise to me when she burst out, "Beatrice, I cannot think what is wrong with you! Time and time again I ask you to spend a day, or half a day with me, and every time you have something else you would rather do. It hurts me; it distresses me to be so rebuffed. You should not even be riding alone. It is outrageous when I have specifically asked for your company indoors."

I gazed blankly at her, a fork of ham halfway to my mouth.

"You look surprised, Beatrice," she said crossly, "but in any ordinary household you would not even have learned how to ride. It is only because your father is horse-mad and you are Wideacre-mad that you have such licence. But I will not tolerate it in my daughter. I will not permit it!"

That made me afraid. Mama's overt opposition to my daily rides could mean I was returned to the conventional pursuits of a young lady. A miserable enough fate for anyone, but if I was to be kept inside when the ploughing started, or when the reaping bands were out, or at harvest-time, I should be in continual torment. Then I heard my Papa's clatter in the hall and the door banged open. Mama winced at the noise and my head jerked up like a gun dog at the sound of game to see his bright eyes and merry smile.

"Still feeding, little piglet?" he bellowed. "Late to breakfast, late to leave and late in the fields. You have to be on the west slope and back in time for dinner, remember. You'll have to hurry."

I hesitated and glanced at Mama. She said nothing and her eyes were downcast. I saw the game she was playing in one swift acute second. She had put me in a position where my defiance of her would be absolute if I went now with my Papa. On the other hand, my obedience and devotion could be transferred wholesale to her if I insisted on staying indoors. I was not going to be managed by such paltry parlour games. I swallowed my mouthful and cast Mama's secrets before my father.

"Mama says I must stay at home today," I said innocently. "What am I to do?"
I glanced from one to the other, the picture of childish obedience. I looked as if I sought only guidance, but in my heart I had staked a large gamble on my Papa.

"Beatrice is needed out on the Downs today," he said baldly. "She can stay at home tomorrow. I want her to look at the flocks today before we separate them for market and there is no one else free who can ride up there and whose judgement I can rely on."

"Young ladies do not generally spend all day in the saddle. I am afraid for Beatrice's health," Mama said. Papa grinned.

"Oh stuff, Ma'am," he said rousingly. "She's as lean and as fit as a race horse. She's never had a day's illness in her life. Why don't you say what you mean?"

Mama bridled. Plain speaking is not the natural voice of ladies.

"It's not the proper upbringing for a girl," she said. "Spending all her time talking with such rough men. Knowing all the tenants and cottagers and galloping around the countryside without a chaperone."

Papa's blue eyes sparkled with temper. "Those rough men earn our bread and butter," he said. "Those tenants and cottagers pay for Beatrice's horse, aye and even the dress on her back and the boots on her feet. A fine little city miss you would have on your hands if she did not know where the wealth is made and where the work is done."

Mama, a city miss in her girlhood, looked up from the table and came perilously close to defying the convention that ladies Never Raise Their Voices, Never Disagree With Their Husbands and Keep Their Tempers Under The Tightest Of Wraps.

"Beatrice should be brought up in a manner befitting a young lady," she said tremulously. "She will not be a farm manager in later life, she will be a lady. She should be learning how a lady behaves."

Papa was red to the ears — a sure sign of his temper. "She is a Lacey of Wideacre," he said, his voice firm and unnecessarily loud for the little breakfast parlour. The cups jumped and chinked as he bumped the table.

"She is a Lacey of Wideacre, and whatever she does, however she behaves, will always be fitting. Whether she checks the sheep or even digs ditches, on this land her behaviour is the pattern of Quality. And no damned mincing, citified, pretty-pretty gentility could change that. And nothing could improve that."
Mama was white with fright and temper.

"Very well," she said through her narrowed lips. "It shall be as you order."
She rose from the table and picked up her reticule, her shawl and the letters that lay by her plate. I could see her fingers tremble and her mouth working to hold back resentful, bitter tears. Papa detained her with a hand on her arm at the door and she looked up in his face with an expression of icy dislike.

"She is a Lacey of Wideacre," he said again, trying to convey to this outsider what that meant on this, our land. "Bearing that name, on this land she can do no wrong. You need have no fears for her, Ma'am."

Mama tipped her head in cold acquiescence and stood like a statue till he released her. Then she glided, in the short dainty steps of the perfect lady, from the room. Papa turned his attention to me, silent at my breakfast plate.

"You didn't want to stay at home, did you, Beatrice?" he asked, concerned. I beamed at him.

"I am a Lacey of Wideacre, and my place is on the land!" I said. He scooped me from my place in a great bear-hug and we went arm-in-arm to the stables, victors of a righteous battle. Mama watched me go from the parlour window, and when I was on my pony and safe from her detaining hand, I reined in by the terrace to see if she would come out. She opened the glass door and came out languidly, her perfumed skirts brushing the stones of the terrace, her eyes blinking in the bright sunshine. I stretched an apologetic hand out to her.

"I am sorry to grieve you, Mama," I offered. "I shall stay at home tomorrow."
She did not move close to take my hand. She was always afraid of horses and perhaps she disliked being too close to the pony, who was pulling against the bit and pawing at the gravel, keen to be off. Mama's pale eyes looked coldly up at me, sitting high, bright and straight-backed on a glossy pony.

"I try and try with you, Beatrice," she said and her voice was sad, but also flawed with self-righteous complaint. "I sometimes think you do not know how to love properly. All you ever care for is the land. I think sometimes you only love your Papa so much because he is the master of the land. Your heart is so full of Wideacre there scarcely seems room for anything else."

The pony fidgetted and I smoothed her neck. There seemed little to say. What Mama said was probably true, and I felt a momentary sentimental sadness that I could not be the daughter she wanted.

"I am sorry, Mama," I said awkwardly.

"Sorry!" she said and her voice was scornful. She turned and swept back through the door, leaving me holding a restless pony on a tight rein and feeling somehow foolish. Then I loosened the rein and Minnie sprang forward and we clattered off down the gravel to the grassy track of the drive. Once in the shadow of the branches which cast dappled bars of shade across my track while the early summer sunshine warmed my face, I forgot all about the disappointed woman I had left in her pale parlour and remembered only my freedom on the land and the work I had to do that day.

But Harry, her favourite, was a disappointment to her in another way. The high hills and the rolling chalk valleys and the sweet River Fenny flowing so cool and so green through our fields and woods were never enough for him. He seized at the chance of visits to our aunt in Bristol and said he preferred the rooftops and rows of tall town houses to our wide, empty horizon.

And when Papa broached the idea of a school, Mama turned white and reached a hand for her only son. But Harry's blue eyes sparkled and he said he wanted to go. Against Papa's certainty that Harry would need a better education than his own to deal with an encroaching and slippery world, and Harry's quiet but effective determination to leave, Mama was helpless. All August, while Harry was ill again, Mama, Nurse, the housekeeper and every one of the four upstairs maids dashed around all day in a frenzy of preparation for the eleven-year-old hero's departure for school.

Papa and I avoided the worst of the fuss. In any case, there were the long days which we had to spend on the open Downland pastures collecting the sheep to separate lambs from ewes for slaughter. Harry, too, remained secluded in library or parlour choosing books to take to school with him, and scanning his newly-purchased Latin and Greek grammars.

"You cannot want to go, Harry!" I said incredulously.

"Why ever not?" he said, frowning at the breeze which had blown in with me as I flung open the library door.

"To leave Wideacre!" I said and then stopped. Once again Harry's world of words defeated me. If he did not know that nothing outside Wideacre could match the smell of Wideacre's summer wind, or that a handful of Wideacre earth was worth an acre of any other land, then I had no way to tell him. We did not see the same sights.

We did not speak the same language. We did not share even the similarity of family resemblance. Harry took after my father in colouring, with his bright blond curls and his wide blue, honest eyes. From Mama he had inherited her delicate bone structure and the sweetness of her smile. Her smiles were rare enough, but Harry was a merry-faced golden cherub. All the petting and indulgence he had from Mama had been unable to spoil his sunny nature — and his smiling good looks reflected his sweet and loving spirit.

Beside him I was a throwback to our Norman ancestors and the founders of the line. Foxy-coloured, like those greedy and dangerous men who came in the train of the Norman conqueror and took one look at the lovely land of Wideacre and fought and cheated and lied until they got it. From those ancestors I had my chestnut hair, but my hazel-green eyes were all my own. No portrait in the gallery showed a set of eyes slantingly placed above high cheek bones like mine.

"She's a changeling," Mama once said in despair.

"She's her own pattern," my blond Papa said consolingly. "Maybe she'll grow into good looks."

But Harry's golden curls could not last forever. His head was cropped for his first wig as part of the preparations for school. Mama wept as the radiant springs fell all around him on the floor, but Harry's eyes were bright with excitement and pride as Papa's own wig maker fitted a little bob-tailed wig on his head — as shorn as a lamb. Mama wept for his curls, she wept as she packed his linen, she wept as she packed a great box of sweetmeats to sustain her baby in the hard outside world. The week before his departure, she was in one continual flood of tears which even Harry found wearisome, and Papa and I found pressing business on the far side of the estate from breakfast to dinner.

When he finally departed — like a young lord in the family carriage with his bags strapped on the back, two outriders and Papa himself riding alongside for company for the first stage — Mama shut herself in her parlour for the afternoon. To my credit, I managed a few tears and I took good care to tell no one they were not for Harry's departure. My father had bought me my first grown-up mount to console me for the loss of my brother. She was an exquisite mare, Bella, with a coat the colour of my own chestnut hair, a black mane and tail and a stripe like starlight down her nose. But I would not be allowed to try her paces till Papa came home, and he would be gone overnight. My tears flowed easily enough, but they were all for me and white-nosed Bella. Once Harry turned the corner of the drive and was out of sight, I scarcely thought of him again.

Not so Mama. She spent long solitary hours in her front parlour fiddling with little pieces of sewing, sorting embroidery silks or tapestry wool into the ranges of shades; arranging flowers picked for her by me or one of the gardeners; or tinkling little tunes on the piano — absorbed by the little time-wasting tedious skills of a lady's life. But unconsciously, the little tune would stop and her hands would fall into her lap, and she would gaze out of the window to the gentle shoulder of the green Downs, seeing their rippled loveliness, yet all the time seeing the bright face of Harry, her only son.

Then she would sigh, very softly, and drop her head to her work, or take up the tune again.

The sunlight, so joyous in the garden and in the woods, seemed to beat cruelly on the pretty pastel colours of the ladies' parlour. It bleached the pink out of the carpets and the gold out of Mama's hair, and the lines into her face. While she faded in pale silence indoors, my father and I rode over the length and breadth of Wideacre, chatting to the tenant farmers, checking the progress of their crops against those we farmed ourselves, watching the flow of the River Fenny over our turning mill wheel, until it seemed the whole world was ours and I might take a proprietary interest in every living thing which — one way or another — belonged to us.

Not a baby was born in our village but I knew of it and generally the child took one of our names: Harold or Harry for my father and brother, Beatrice for my Mama and me. When one of our tenants died, we concerned ourselves in the packing and the leaving of their family, if they were going, or the succession of the oldest son and the cooperation of his brothers if they were staying. My father and I knew every blade of grass on our lands, from the weeds on the lazy Dells' farm (they would be looking for a new tenancy when their lease ran out) to the white-painted fence posts on the spick-and-span Home Farm which we farmed ourselves.

Small wonder I was a little empress riding over our land on our horses, with Father — the greatest landlord for a hundred miles around — riding before me and nodding to our people, who dropped a curtsey or pulled their forelocks as we passed.

Poor Harry missed all this. Not for him the pleasure of seeing our land under every daily light and in every season. The ploughed fields ringed with white hoar frost and crunchy as fudge, or the swaying corn in the beating heat of summer. While I rode like a lord at a lord's side, Harry moped at school and sent sorrowful letters home to his mother, who replied in pale blue ink blotted with tears of sympathy.

His first year was miserable, with longing for his Mama and her quiet sunny parlour. The boys all belonged to gangs with fierce tribal loyalties, and little Harry was bullied and tormented by every child an inch taller or a month older. Not until his second year brought a new batch of victims into the arena did Harry's life improve. His third school year meant the dizzy heights of being nearly a big boy, and his cherub-like brightness and his undimmed sweetness brought him petting as well as occasional cruelty. More and more often, when he came home for the holidays, his great trunk was crammed with comfits and cakes given him by older boys.

"Harry is so popular," Mama said proudly.

Each holiday too, he would tell me tales of the courage and dash of his gang leader. How every term they would plan a campaign in the war against the apprentice lads of the town. How they marched from the school gates to spring upon the lads in glorious, epic battles. And how the hero of the day was always Staveley, Lord Staveley's youngest son, who gathered around himself the strongest, the meanest and the prettiest of all the boys in the school.

Harry's newfound zest for school could only widen the gulf between us. He had caught the schoolboy's tone of arrogance like a galloping infection, and apart from boring me to tears about the demi-god Staveley, scarcely deigned to speak to me at all. Towards Papa he was always polite, but his unconcealed enthusiasm for his studies made Papa at first proud, then irritated that Harry should so obviously prefer to spend his days in the library when the windows were open and the cuckoos calling to everyone to take a line and rod and try for some salmon.

Only with Mama was he totally unchanged, and those two spent long, intimate days in easy companionship, reading and writing together in library and parlour while Papa and I, intent on wider, freer pursuits, watched the land under every light, under every season and under every sort of weather. Harry could come and go as he pleased; he was always a visitor in his own home. He never belonged to Wideacre as I belonged. Only Papa, the land and I were the constant elements in my life. Papa, the land and I had been inseparable since the first time I had seen Wideacre in its wonderful wholeness from between the hunter's ears. Papa, the land and I would be here forever.

Copyright © 1987 by Philippa Gregory

Read More Show Less

Introduction

Wideacre

By Philippa Gregory

Reading Group Discussion Guide

INTRODUCTION

Description

Beatrice Lacey, as strong-minded as she is beautiful, refuses to conform to the social customs of her time. Destined to lose her family name and beloved Wideacre estate once she is wed, Beatrice will use any means necessary to protect her ancestral heritage. Seduction, betrayal, even murder — Beatrice's passion is without apology or conscience. "She is a Lacey of Wideacre," her father warns, "and whatever she does, however she behaves, will always be fitting." Yet even as Beatrice's scheming seems about to yield her dream, she is haunted by the one living person who knows the extent of her plans...and her capacity for evil.

Sumptuously set in Georgian England, Wideacre is intensely gripping, rich in texture, and full of color and authenticity. It is a saga as irresistible in its singular magic as its heroine.

DISCUSSION QUESTIONS

1. "I am a Lacey of Wideacre, and my place is on the land!" How does Beatrice's devotion to her family's land enable her, at a very early age, to assume an untraditional role in her family? How does her mother feel about Beatrice's being raised with these liberties, and what informs her attitudes toward her daughter?

2. What role does the English law of primogeniture, in which the eldest son inherits the family land, play in Beatrice's feelings about Wideacre? How do the consequences of this law affect her emotional connection with her father?

3. How does the budding romance between Beatrice and Ralph threaten some of the unspoken codes of social class in Wideacre? To what extent do you think Beatrice's attractionto Ralph is driven by this blurring of boundaries?

4. How does Harry's return to Wideacre alter the balance of power in the Lacey household, and how does his friendship and physical attraction to Ralph change the nature of Beatrice and Ralph's relationship?

5. "There is a way to stay here and be the lady of Wideacre...It is a long and crooked way, but we win the land and the pleasure." How does Ralph and Beatrice's plot to retain Wideacre for themselves forever change the course of their lives? How does their mutual decision affect Beatrice's family?

6. How would you describe the connection that develops between Beatrice and her brother, Harry? How does their incestuous love complicate the nature of Wideacre's ownership?

7. "Wideacre is changing and the way we have to farm is changing." How does Beatrice's plan of enclosure of the common of Wideacre affect her reputation among the farmers and people of Acre? To what extent does this agricultural innovation represent a change to the existing social order between the working people and the Quality?

8. Why does Beatrice agree to Dr. John MacAndrew's proposal of marriage? In what ways does their marriage enable her to fulfill her dream of keeping Wideacre in her family?

9. What are some of the social expectations that the women of Wideacre (Lady Lacey, Beatrice, Celia, and Julia) must accommodate? To what extent are these expectations limiting or oppressive? How do these expectations enable them to fulfill their destinies as mothers, wives, sisters, and daughters?

10. "Only I knew what it had cost me, what it had cost Wideacre, what it had cost Acre village to get us to this point where the way was clear for my son." What are some of the costs — the casualties — of Beatrice Lacey MacAndrew's quest to keep Wideacre in her hands? In the grand scheme of the novel, do all of Beatrice's decisions seem in keeping with her single-minded desire to maintain her family's land forever?

ENHANCE YOUR BOOK CLUB

1. Do you want to know more about Philippa Gregory and the creation of Wideacre? Visit the author's personal website: http://www.philippagregory.com/index.shtml to read more about the historical underpinnings of the book, and to listen to an interview.

2. Visit http://www.britainexpress.com/History/Georgian_index.htm to learn more about the actual historical events in England during the milieu in which Wideacre is set.

3. If you have a passion for historical fiction, and you'd like to learn more about the genre and get some recommendations for further reading, visit http://www.historicalnovelsociety.org/, where you can read reviews of current historical novels, or become a member and share notes with other fans of these novels.

Read More Show Less

Reading Group Guide

Wideacre

By Philippa Gregory

Reading Group Discussion Guide

INTRODUCTION

Description

Beatrice Lacey, as strong-minded as she is beautiful, refuses to conform to the social customs of her time. Destined to lose her family name and beloved Wideacre estate once she is wed, Beatrice will use any means necessary to protect her ancestral heritage. Seduction, betrayal, even murder — Beatrice's passion is without apology or conscience. "She is a Lacey of Wideacre," her father warns, "and whatever she does, however she behaves, will always be fitting." Yet even as Beatrice's scheming seems about to yield her dream, she is haunted by the one living person who knows the extent of her plans...and her capacity for evil.

Sumptuously set in Georgian England, Wideacre is intensely gripping, rich in texture, and full of color and authenticity. It is a saga as irresistible in its singular magic as its heroine.

DISCUSSION QUESTIONS

1. "I am a Lacey of Wideacre, and my place is on the land!" How does Beatrice's devotion to her family's land enable her, at a very early age, to assume an untraditional role in her family? How does her mother feel about Beatrice's being raised with these liberties, and what informs her attitudes toward her daughter?

2. What role does the English law of primogeniture, in which the eldest son inherits the family land, play in Beatrice's feelings about Wideacre? How do the consequences of this law affect her emotional connection with her father?

3. How does the budding romance between Beatrice and Ralph threaten some of the unspoken codes of social class in Wideacre? To what extent do you think Beatrice's attraction to Ralph is driven by this blurring of boundaries?

4. How does Harry's return to Wideacre alter the balance of power in the Lacey household, and how does his friendship and physical attraction to Ralph change the nature of Beatrice and Ralph's relationship?

5. "There is a way to stay here and be the lady of Wideacre...It is a long and crooked way, but we win the land and the pleasure." How does Ralph and Beatrice's plot to retain Wideacre for themselves forever change the course of their lives? How does their mutual decision affect Beatrice's family?

6. How would you describe the connection that develops between Beatrice and her brother, Harry? How does their incestuous love complicate the nature of Wideacre's ownership?

7. "Wideacre is changing and the way we have to farm is changing." How does Beatrice's plan of enclosure of the common of Wideacre affect her reputation among the farmers and people of Acre? To what extent does this agricultural innovation represent a change to the existing social order between the working people and the Quality?

8. Why does Beatrice agree to Dr. John MacAndrew's proposal of marriage? In what ways does their marriage enable her to fulfill her dream of keeping Wideacre in her family?

9. What are some of the social expectations that the women of Wideacre (Lady Lacey, Beatrice, Celia, and Julia) must accommodate? To what extent are these expectations limiting or oppressive? How do these expectations enable them to fulfill their destinies as mothers, wives, sisters, and daughters?

10. "Only I knew what it had cost me, what it had cost Wideacre, what it had cost Acre village to get us to this point where the way was clear for my son." What are some of the costs — the casualties — of Beatrice Lacey MacAndrew's quest to keep Wideacre in her hands? In the grand scheme of the novel, do all of Beatrice's decisions seem in keeping with her single-minded desire to maintain her family's land forever?

ENHANCE YOUR BOOK CLUB

1. Do you want to know more about Philippa Gregory and the creation of Wideacre? Visit the author's personal website: http://www.philippagregory.com/index.shtml to read more about the historical underpinnings of the book, and to listen to an interview.

2. Visit http://www.britainexpress.com/History/Georgian_index.htm to learn more about the actual historical events in England during the milieu in which Wideacre is set.

3. If you have a passion for historical fiction, and you'd like to learn more about the genre and get some recommendations for further reading, visit http://www.historicalnovelsociety.org/, where you can read reviews of current historical novels, or become a member and share notes with other fans of these novels.

Read More Show Less

Customer Reviews

Average Rating 3.5
( 197 )
Rating Distribution

5 Star

(65)

4 Star

(47)

3 Star

(42)

2 Star

(11)

1 Star

(32)

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See All Sort by: Showing 1 – 20 of 198 Customer Reviews
  • Posted February 17, 2009

    I Also Recommend:

    Not for folks with morals!

    I am no christian and I still found the basic premise of this book depraved. Incest and murder are the basic themes. I do not identify with the main character in the least. I have read every other book by Mrs. Gregory and have come to realise that in history there are awful things that happen, but this book just seems to compile all the terrible things people will do to get ahead into one character. It was a bit much for me.

    9 out of 9 people found this review helpful.

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  • Posted June 9, 2009

    more from this reviewer

    BRILLIANT & ASTONISHING

    This book has become one of my all time favorites & I cherish the day I found Book I of the Wideache trilogy.
    The velvet curtains fall down & the you experience the scandal, abuse & power of a past era. I never wanted this novel to end & was hungry for book II the minute I read the last page.

    6 out of 6 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted April 27, 2009

    Kinda creepy

    I love Philippa Gregory's historical fiction so decided to give this trilogy a try. Beatrice, the main character in Wideacre, is such a bad person that I wasn't sure if I really wanted to finish the book once I got started. She's just BAD. But I really liked the end so went for the next book in the series, The Favored Child. Another creepy story. Ms. Gregory really knows how to develop nasty, mean, yucky characters. I was finally satisfied at the end of the last book in the series, Meridon. Go ahead, give the three a try. Just be ready to be creeped out!

    4 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted June 7, 2012

    Wideacre is the fifth Phillipa Gregory novel I've read and I'm b

    Wideacre is the fifth Phillipa Gregory novel I've read and I'm beginning to think that she only writes about narcissistic women! It was difficult to finish this book because Beatrice is SO BEASTLY that I found my stomach in knots while reading it. She is a classic narcissist - justifying her evil acts, never thinking of anyone else's wants and needs but her own, and using lies and manipulation to achieve her goals (along with attempted murder, patricide, and incest). While it is an interesting story, it is hard to stomach Beatrice's total lack of empathy. I'd love to know what Phillipa hoped to accomplish when she wrote this story, as there is no redemption. I don't mind sex in a book (in fact, it can enhance a story) but the incest scenes are plentiful and they are creepy. This book is really the profile of a sociopath and the evil is so unrelenting that it's hard to take.

    Interesting read for those who can handle challenging topics. If you want a formulaic historical novel, this is not it! I'm going to read the other two books in the hopes that Phillipa has some elements of resolution and redemption for the reader.

    3 out of 3 people found this review helpful.

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  • Posted September 21, 2009

    more from this reviewer

    I Also Recommend:

    Bravo!

    I must say that this book has to be the best book I have ever read. I dont know why everyone is being so narrow minded. This trilogy is amazing! I am bowing down to Philippa Gregory!

    I love this book. And if you are looking for a book that you will just not be able to put down....this is it. And if I were you, I wouldnt listen to these narrow minded reviews. I promise you, you will love it.

    Philippa Gregory is a genius!

    3 out of 4 people found this review helpful.

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  • Anonymous

    Posted April 15, 2009

    Intriguing, disturbing, couldn't put it down

    If you can tolerate reading about incest with kinky sex, the story is intriguing and a real page turner. I have read and enjoyed all the Boleyn books, and I enjoyed the period background in this one as I have in those. The main character in this novel is dark and intense due to her obsession with the land. I was drawn in to her love and connection to the land. As the story develops, you keep wondering how far she will go in her obsession to get the land. You wonder whether she will achieve her goals in the end. You wonder whether her obsession will destroy her or whether she will find redemption. It is definitely worth reading to follow Beatrice's obsession. She is certainly a memorable character. I can't wait to read the next book.

    3 out of 3 people found this review helpful.

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  • Posted February 6, 2009

    more from this reviewer

    I Also Recommend:

    Shockingly unnerving and great.

    Do you ever hate a character so much that you become obsessed by them. This is exactly how Beatrice is for me. She is wickedly deplorable and routhless. Reading her almost made me feel guilty, like I was watching some horrible tragedy, morally unethical and yet I could not bring myself to put the book down. I had to know just how far she would go. She is a delicious character of such unyielding passion and determination with no moral inhibitions that she is detestable... and great. You have to read the whole series to truly appreciate its timelessness.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted September 22, 2012

    I am a big fan of Philippa Gregory and have read many of her his

    I am a big fan of Philippa Gregory and have read many of her historical fictions so I couldn't wait to start reading The Wideacre Series. I had a hard time finishing the first book because of the morale of the story and it was depressing to read the terrible things one person can do to hurt others. I know we don't live in a perfect world but as a Christian it was so wrong in many ways. I have the all 3 books but will not read the last two. It was a very disappointing story.

    2 out of 2 people found this review helpful.

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  • Posted May 5, 2011

    more from this reviewer

    Great Read for the Mature Reader

    Wow! One of my favorite books. Great plot twists and truly seductive character flaws. This book is a little depressing, so read the other two books. Clearly some readers cant handle such a descriptive novel; Not A BOOK FOR PRUDES!

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted January 29, 2010

    I Also Recommend:

    Stay Away

    This novel is different, though far from good. Philippa Gregory's writing is such that it is easy to picture every scene, every charachter. There are some twists to her plot, though nothing unpredictable.

    Wideacre is a cross between a cheap romance and a truly perverse, sexual fantasy. The book is full of sex scenes, most of which are incestuous. If you enjoy that than I'm sure this book and a good therapist are more than appropriate for you. However, if that level of perversion isn't your thing then stay away. While that is the worst of the book none of it is good, and nothing comes to close to making wading through Philippa Gregory's sick fantasies worthwhile.

    2 out of 3 people found this review helpful.

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  • Posted December 28, 2008

    Very Odd!

    Like so many others, I love Phillipa Gregory's work. This trilogy was a bit unsettling and I was embarassed to admit I read it. After talking to my friend, she wanted to read it and I loaned her the series. She agreed with me.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted November 2, 2011

    A Big Waste of Time

    I was looking for something by an author I had not read before and found this at my local store. Enjoying historical fiction, I eagerly started Wideacre and enjoyed the beginning. I knew the lead character was independent, but with each new page, she quickly turned evil and had no redeeming qualities to draw me back into the story. Just could not finish the book as I kept wishing I had the time back I'd invested in this bad tome. I'm usually better at selecting books; must have let my guard down.

    1 out of 1 people found this review helpful.

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  • Posted September 13, 2011

    A Complete Smutfest

    I thought that Philippa Gregory was a genuine historian, who, having done years of research, would recreate and flesh out people in their time. Her book about Bess of Hardwick, Lady Shrewsbury ("The Other Queen") was such a book, which is why I decided to read this book.

    * * *
    This book absolutely disgusted me. I felt like I needed to bathe myself for a week after reading it. It starts as an interesting, engaging story, which is why I bought it after reading the sample. It descends into total filth. This is not a story of an heroic woman who sacrifices all for the land she loves. It is an excuse for pornographic and S&M incest scenes in an 18th century setting. It has a vaguely reminiscent feeling of being a poorly conceived English version/reworking/reinterpretation of "Gone With The Wind", only without civil war and with every possible dirty element that can be worked into the "plot".

    * * *
    Y U C K.

    * * *
    If you like smut, you'll love this. If you enjoy well-researched historical novels, look everywhere else. I won't even recommend "The Other Queen" after reading this. I am completely disgusted by Philippa Gregory.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 13, 2009

    Don't waste your time

    This was just ridiculous, I couldn't get through a 1/4 of the book. Would not recommend to anyone unless you enjoy silly romance novels.

    1 out of 2 people found this review helpful.

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  • Posted April 10, 2009

    I Also Recommend:

    From Disturbing to Disgusting

    When my 3rd grade students become discouraged with a book, after only a few chapters, I urge them to stick with it, saying, "Don't give up! The more you read of a book, the better the story gets." After 3 decades of continuous reading, I have always found that to be true. Then, I read Philippa Gregory's 'Wideacre.'

    The first few chapters made me uncomfortable, but wanting to practice what I preach to my students, I 'didn't give up.' And so, I moved from uncomfortable, to disturbed...grossed out...appalled, and ended up disgusted! (Both with the book, and myself for reading the big, dirty mess.)

    Beatrice Lacey is the only daughter of the priviliged, land-owning Lacey family. Beatrice loves her family's estate, Wideacre, more than anything else in the world. She knows and understands Wideacre, and the peasants who farm there, much better than her foolish older brother. Unfortunately, in the eighteenth century, only sons could inherit land, no matter how unworthy or undeserving they may be. (If a family had no male children, the courts would search for a distant male relative to own the land.) Eighteenth century daughters were married off and sent away to live with their new husbands. Beatrice vows she'll never leave Wideacre and promises herself that one day she'll own the family estate. Scheming and planning to achieve her goals, Beatrice begins committing one heinous act after another.

    At the ripe old age of 14, she arranges her father's murder. She then maims and leaves for dead the poor boy who killed her father for her, by luring him to a large, steel-jawed bear trap. Then, Beatrice's brother becomes the Squire of Wideacre, and suddenly she's weak-kneed with lust at the sight of him. Luckily for Beatrice, he developed a sexual appetite for being beaten while away at school, and she uses this to her advantage. Beating, whipping, and bedding the him until Wideacre is almost hers!

    Next, she marries a very intelligent, honorable doctor, and foists the second child she conceived with her brother off on him. When he's clever enough to discover most of the evil things Beatrice has done, she ruins him by pretending he killed her mother by doctoring her while drunk. Guess who really killed Beatrice's mother?

    And the fun is just getting started!

    Save yourself and do not read this book.

    1 out of 3 people found this review helpful.

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  • Anonymous

    Posted March 4, 2014

    While some aspects of this book were appalling, I admire ms. Gre

    While some aspects of this book were appalling, I admire ms. Gregory for having the guts to go there. The synopsis warns you outright that Beatrice is amoral and that she gets what she wants...aside from all that, her books about Henry's queens are so different in style that it feels like Wideacre was written by a different author. I did not love the trilogy as a whole (too many unbelievably crazy folks obsessed with that plot of land, and the story sometimes drug on a bit too long) I was eager to foreshadow Beatrice's punishment for her crimes.

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  • Anonymous

    Posted January 28, 2013

    Love!!

    This whole series is just amazing! I could read them over and over again

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  • Posted January 11, 2013

    Good book

    I usually enjoy Ms. Gregory's writings and particularly the era she writes within. This story fits but I felt dragged a bit with repeats of the main characters "thinking". As to the main charater, she certainly is interesting in her progression into madness. Interesting too the main male character personality, the mother and the wife. One is able to have a great deal of sympathy for the people of the estate village with the complicated issues of the time. Made me re-realize that throughout ages there have always been those of the "Haves" and the the "have nots" and there are always going to be those who try to make others lives bearable and those who do the opposite.

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  • Anonymous

    Posted October 31, 2012

    Just not worth the time

    This book was just terrible. I couldnt even get through the first 150 pages without trying to get past the incest. This doesnt even get a star in my mind. DONT WASTE YOUR MONEY ON THIS ONE!

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  • Posted October 5, 2012

    Different.....

    So, I have read The Other Boylen Girl by this Author and LOVED it.
    This book is alittle on the wild side.
    I couldnt not get past the main characters justification through out this whole book I could not even finish it. NOT because of the characters but because it has to be the s..l..o..w..es..t book ever! Nothing ever happens all you hear about is the land.

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