Wilco (The Album)by Wilco
Rock & roll lifers that they are, Wilco knows the implications of a self-titled album, how any record bearing an eponymous name is bound to be seen as a reintroduction. That's why they puncture Wilco (The Album) with a parenthetical aside, a slyly ironic joke that deflates the notion that Wilco is returning to its roots while signaling/i>/a>… See more details below
Rock & roll lifers that they are, Wilco knows the implications of a self-titled album, how any record bearing an eponymous name is bound to be seen as a reintroduction. That's why they puncture Wilco (The Album) with a parenthetical aside, a slyly ironic joke that deflates the notion that Wilco is returning to its roots while signaling that the band is finally lightening up again, a notion reinforced by the camel birthday party on the cover. And, to be fair, "reintroduction" is indeed too strong a term for a band that never went away, they merely spent a decade-and-a-half on a walkabout, consuming anything that came their way, changing their tone and tenor from record to record. Wilco (The Album) finds Wilco the band happily returning from the wilderness, taking stock of where they've been and consolidating all they've learned into one tight, likeable record. (The Album) never veers too far into the experimental -- nor does it dabble in country-rock, a sound that's largely remained verboten in Wilco ever since their debut -- but the reverberations of the Jay Bennett era can be heard in how "Bull Black Nova" builds to a shuddering, noise-filled coda, or the band's general mastery of varying degrees of light and shade. All this studio texture is not the focal point, it's the coloring on a collection of straight-ahead rock and pop songs, tunes that are generally soft, sunny, and hazy -- quite exquisitely so on the '70s George Harrison pastiche "You Never Know" and the nearly Baroque "Deeper Down" -- but also jangly and sparkly, as on "Sonny Feeling," or that have some measure of backbone, as on the spiky "I'll Fight" and the cool shuffle of "Wilco (The Song)." If Wilco (The Album) as a whole is considerably less ambitious than its predecessors, it compensates with its easy confidence and craft: it's the work of a band that knows their strengths and knows what they're all about, and it's ready to settle into an agreeably comfortable groove.
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Performance CreditsWilco Primary Artist
Nels Cline Guitar,Group Member
John Stirratt Group Member
Jeff Tweedy Group Member
Glenn Kotche Group Member
Pat Sansone Group Member
Leslie Feist Vocals
Max Crawford Trumpet
Mikael Jorgensen Group Member
Jason Tobias Cimbalom
Technical CreditsBob Ludwig Mastering,Remastering
Jim Scott Producer,Engineer,Audio Production
Jeff Tweedy Composer,Graphic Design
Lawrence Azerrad Graphic Design
Pat Sansone Composer
TJ Doherty Engineer
Jordan Stone Engineer
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Most Helpful Customer Reviews
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Wilco can't help but make great albums. After the excess of A Ghost Is Born, the Jeff Tweedy-led sextet have refocused the lens a 2nd time for the concise Wilco (the album). Alternating between chugging, medium-tempo rockers and emotional ballads ("You and I", a duet with Feist, being especially lovely), the group maintains a solid, earthy feel throughout the album. Although Tweedy claims that the studio is another "instrument", he really doesn't knob-twiddle it up, except for in "Bull Black Nova" on Wilco (the album). It doesn't, however, detract from the song itself. It hearkens back to Yankee Hotel Foxtrot and A Ghost Is Born as a reminder that "we can do this, if we choose to". But this one's not in the vein of either of those albums - this is an album of songs, much like Sky Blue Sky. It's not about a mood or a style, just songs. And if Wilco keep choosing to make albums with great songs on them, I'll be right there listening. So should you.
An easy listen and overall, a really enjoyable album.
It is like hearing an old friend. Familiar but with some new twists. A very pleasurable album.