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| The Rippingtons | Primary Artist |
| Chanté Moore | Vocals, Background Vocals |
| Willy Chirino | Vocals, Background Vocals |
| Scott Breadman | Percussion |
| Gary Grant | Trumpet |
| Bill Heller | Piano, Keyboards |
| Jerry Hey | Trumpet |
| Dave Karasony | Drums |
| Eric Marienthal | Saxophone |
| Bill Riechenbach | Trumpet |
| Kim Stone | Bass |
| Ozomatli | Background Vocals |
| Asdrubal Sierra | Background Vocals |
| Sheffer Bruton | Background Vocals |
| Raúl Pacheco | Background Vocals |
| Russ Freeman | Guitar, Keyboards |
| Ralph Sutton | Arranger |
| Sonny Mediana | Art Direction |
| Clarence Paul | Composer |
| Rex Rideout | Composer |
| Steve Sykes | Engineer, Audio Production |
| Mark Wexler | Executive Producer |
| Stevie Wonder | Composer |
| Bill Mayer | Illustrations |
| Andi Howard | Executive Producer |
| Morris Broadnax | Composer |
| Doc Wiley | Engineer |
| Hatsukazu "Hatch" Inagaki | Engineer |
| Marko Ruffalo | Engineer |
| Lloyd Talbot | Arranger |
| Russ Freeman | Arranger, Composer, Programming, Producer, Executive Producer, Audio Production |
Editorial Reviews
All Music Guide - Matt Collar
Smooth jazz stalwarts the Rippingtons infuse their trademark brand of instrumental pop with a Latin aesthetic on Wild Card. Once again featuring the lead guitar of Russ Freeman, the Rippingtons deliver a solid collection of mellow contemporary pop and lite jazz that should please longtime fans. Evenly split between R&B-inflected cuts such as the Aretha Franklin hit "Till You Come Back to Me" and Latin tracks including the flamenco-inspired "Spanish Girl" and the salsa-ready "Mulata di Mi Amor," Wild Card is a pleasant listen.