Wild Sorrow (Wild Mystery Series #3)

Wild Sorrow (Wild Mystery Series #3)

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by Sandi Ault
     
 

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The Mary Higgins Clark Award-winning author returns with BLM agent Jamaica Wild.

In the midst of tracking a wounded mountain lion, Jamaica is forced to seek refuge in an old abandoned Indian School when a snowstorm hits. Exploring, Jamaica discovers the desecrated body of an elderly Anglo woman, frozen on the floor. After the storm, the FBI takes over

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Overview

The Mary Higgins Clark Award-winning author returns with BLM agent Jamaica Wild.

In the midst of tracking a wounded mountain lion, Jamaica is forced to seek refuge in an old abandoned Indian School when a snowstorm hits. Exploring, Jamaica discovers the desecrated body of an elderly Anglo woman, frozen on the floor. After the storm, the FBI takes over the murder investigation, but Jamaica remains haunted by the frozen woman. As the dead of winter settles, arctic temperatures threaten the survival of the mountain lions-but time reveals that there is something far more dangerous tracking Jamaica...

Editorial Reviews

Publishers Weekly

Fans of the late Tony Hillerman will embrace Ault's outstanding third mystery to feature Jamaica Wild, a resource agent for the Bureau of Land Management in Taos, N.M. (after 2008's Wild Inferno). When Jamaica seeks shelter during a blizzard in Pueblo Peña at the abandoned San Pedro de Arbués Indian School for her injured horse, Rooster, and her wolf companion, Mountain, she stumbles on a terrifying sight-the frozen corpse of Cassie Morgan, a strangled Anglo woman from whose neck hangs a sign in red crayon that reads "I am not an Indian." Though Jamaica is horrified to learn that Cassie was a former school matron "remembered for depriving, humiliating, and beating the Indian children," she continues to help the FBI investigation into what is deemed a hate crime. Outraged by Jamaica's interference, the twisted killer targets both Jamaica and Mountain. Ault's wildlife expertise and knowledge of Tanoah culture enhance a poignant plot. (Mar.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product Details

ISBN-13:
9780425232637
Publisher:
Penguin Publishing Group
Publication date:
01/05/2010
Series:
Wild Mystery Series, #3
Pages:
304
Sales rank:
870,222
Product dimensions:
5.90(w) x 8.90(h) x 0.90(d)
Age Range:
18 Years

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Table of Contents

Title Page

Copyright Page

Dedication

Epigraph

 

Chapter 1 - The Predator

Chapter 2 - The Howl

Chapter 3 - Morning

Chapter 4 - The Silver Bullet

Chapter 5 - Facts of the Matter

Chapter 6 - Aunties

Chapter 7 - Bad Wolf

Chapter 8 - What It Means to Be Hungry

Chapter 9 - The Coldfire Episode

Chapter 10 - Latchkey ATV

Chapter 11 - Deserters

Chapter 12 - Disempowered

Chapter 13 - The Lures

Chapter 14 - Chill

Chapter 15 - The Milagro, the Saint, and the Bruja’s Gift

Chapter 16 - Suffer the Little Children

Chapter 17 - Luminarias and Landlords

Chapter 18 - The Church

Chapter 19 - Over the Edge

Chapter 20 - Wild Life

Chapter 21 - Four-Legged Trouble

Chapter 22 - Kerry’s Places

Chapter 23 - This Land Is Your Land

Chapter 24 - The Shower

Chapter 25 - Solstice

Chapter 26 - Top of the List

Chapter 27 - Counting Sheep

Chapter 28 - Trapped

Chapter 29 - The Slam

Chapter 30 - Monito

Chapter 31 - The Smell of Vanilla

Chapter 32 - Remote Chance

Chapter 33 - What Trees Dream

Chapter 34 - All That Mattered

Chapter 35 - Injustice

Chapter 36 - Package Proposal

Chapter 37 - Under the Cottonwoods

Chapter 38 - Fog Singer

Chapter 39 - Double Entendre

Chapter 40 - Answering the Call

Chapter 41 - The Procession

Chapter 42 - Left Out

Chapter 43 - Christmas Present

Chapter 44 - Everything Changes

Chapter 45 - The Heart of the Matter

 

Epilogue

About the Author

Berkley Prime Crime titles by Sandi Ault

WILD INDIGO
WILD INFERNO
WILD SORROW

THE BERKLEY PUBLISHING GROUP
Published by the Penguin Group
Penguin Group (USA) Inc.
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Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada
(a division of Pearson Penguin Canada Inc.)
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South Africa

 

Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England

 

This book is an original publication of The Berkley Publishing Group.

 

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

 

Copyright © 2009 by Sandi Ault.

 

All rights reserved.

No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.

BERKLEY® PRIME CRIME and the PRIME CRIME logo are trademarks of Penguin Group (USA) Inc.

 

Library of Congress Cataloging-in-Publication Data

 

eISBN : 978-1-101-01473-8

1. Wild, Jamaica (Fictitious character)—Fiction. 2. United States. Bureau of Land Management—Fiction.
3. Pueblo Indians—Colorado—Fiction. 4. Murder—Investigation—Fiction. I. Title.

 

PS3601.U45W57 2009
813’.6—dc22 2008048318

 

 

For Sherry, Bev, and Rick—
such wild-hearted children, then and now.

Author’s Note

This is a work of fiction, and the characters, many of the places, and some of the events herein are figments of my imagination. That being said, I have taken some license in highlighting in this story a very real and very sad chapter in our nation’s history when—until quite recently—generations of children from Indian tribes were forced to attend Indian boarding schools. In these institutions they were mistreated, robbed of their culture, and deprived of the comfort and support of their traditions, their language, and their families. The effects of this heartless and brutal policy still reverberate through Native America and through the conscience of our nation, where this war made on innocent children awaits our awakening, our accountability, and amends so that all of our hearts can heal.

I write of rituals from several Native American cultures, especially those of the Native Puebloans, of whom I am most fond and with whom I am most familiar—however, out of respect for their wishes and their right to keep and to define their own culture, I have mixed and changed these myths and rituals and created some fictitious ones, leaving a hole in the top of everything so the spirits still move freely.

It’s cheaper to educate Indians than to kill them.

—THOMAS JEFFERSON MORGAN,
United States Commissioner of Indian Affairs, speaking at the establishment of the Phoenix Indian School in 1891

1

The Predator

The wind howled like a broken-hearted woman who had given up on life. I had not meant to come this far, but it was too late now. I had followed the blood, expecting to find a wounded animal. But not this.

It was ten days before Christmas. Before dawn, a shepherd had fired a shot at a shadow that lurked in the scrub, while his sheep huddled into a knot in the arroyo where he’d brush-penned them for the night. He’d wounded the predator without getting a clear view of it, and could not identify what it was. The tribe had reported three sheep kills since they brought their flocks down from the mountains for winter grazing on the high mesas above Tanoah Pueblo. Rumors rose up that wolves, newly reintroduced in the region, were the cause of the attacks. But I suspected a mountain lion, and I rode horseback on the rangelands west of the pueblo with my wolf, Mountain, loping alongside, determined to find out. It was my job—I’m a resource protection agent for the Bureau of Land Management assigned as a liaison to the pueblo. My name is Jamaica Wild.

I followed the tracks of a big cat through the afternoon—losing the trail, doubling back and finding it again as it led out onto a wind-swept, desolate canyon rim. A storm was building to the west, the billowing sky the color of steel and filled with heavy foreboding. I felt the moisture in the air, the temperature diving. Rooster, the young sorrel I rode, turned skittish, feeling the oncoming tempest. But the wolf didn’t seem to notice. He led—darting along with his nose to the ground as we tracked the trail from blood spot to blood spot—stopping when he found sign and scanning the area with his senses. I scanned, too, but I was also calculating time and distance and the torment in the skies, the clouds growing more menacing with every moment.

The ruin stood high on a knoll, visible from a mile away. As we approached, the sound of the gale rushing across the high mesa split into a chorus of voices as it swept along the jagged, stacked-rock walls, over the lips of long-abandoned kivas, and through the crumbling stone shells of the once-tall towers that marked an ancient village.

I looped Rooster’s reins around a stone on the ground outside of the ruin wall. Mountain watched me for cues—wolves hunt in packs. “You stay with me, buddy,” I whispered. “You stay with me.”

I drew my rifle from the saddle scabbard and clicked off the safety. I made my way around the wall until I was downwind, Mountain moving low and close beside me. We climbed over a breach of collapsed flat rocks and I studied the interior of the pueblo ruin. Several subterranean stone circles clustered together in a corner. I walked cautiously toward them, across a hundred-yard carpet of pot shards peppered with nuggets of red chert. I felt the crunch of brittle pottery beneath my boots as the freezing wind blasted my face, tore at my hat brim and coat, and wailed over the walls, creating three distinct pitches, all of them piercing and plaintive.

As we approached the rim of the first sunken circle, I signaled the wolf to stop. I crouched low and edged forward, peering over the round rock lip. Six feet below, a scrub juniper and a pile of toppled rock created a barrier near the interior wall. A mound of earth nearby indicated the ground had been dug out beneath. Mountain pushed forward to the kiva rim, sending a loose stone along the edge shooting down into the center. Before I could raise up and ready my rifle, two faces peered out from behind a limb covering the doorway to the den. Cubs! Two little mountain lions, no more than a few months old. As the wind blasted us, it carried their cries—these babies were hungry.

I grabbed Mountain’s collar, pulled a handful of jerky strips from my pocket, and pitched them into the kiva. The wolf was curious, but did not resist my hold as I led him away. I kept Mountain close as I explored the rest of the ruin. But there was no sign of the she-lion. I searched the perimeter for blood spots, then moved outward in concentric circles. No trace.

From the high ground near the ruin, I surveyed my surroundings. The winds suddenly subsided, creating an eerie stillness. The air pulsed with gray-green light and electric anticipation. To the west, a wide, winding crack in the earth created a long, snaking canyon fed by an insufficient river. Arroyos leading out from the canyon fractured the high plain to the north. To the east, the way I had come, I could no longer see the blue silhouette of Sacred Mountain and the range that sheltered Tanoah Pueblo. To the south, set in a swale below, a massive old adobe compound seemed to be melting back into the earth.

I mounted up and rode down the slope, the wolf following—the sky sinking around us like a heavy black blanket, the sound of the horse’s hooves pounding like a drum on the dry desert dirt.

A high adobe wall, cracked and eroding, surrounded a U-shaped compound of buildings. Plywood over the windows had withered, splintered, and separated into gray ribs reminiscent of prison bars. There were no roads nearby—only a stretch of dirt track grown over from disuse that led downslope and dead-panned into a low area long ago washed out by spring floods boiling out of the canyon. As I approached the arched mission gates in the wall, I heard a faint howling sound like the crying of children coming from inside. Or was it the cat?

A brass plaque on the wall read:

SAN PEDRO DE ARBUÉS INDIAN SCHOOL
ESTABLISHED 1898

As I read this, the cloud deck quaked with bellowing thunder. Tiny white pellets of ice began to strike my hat, my coat, making small, dull ticks, the rhythm growing faster and more intense until there was a barrage of unbroken clattering and a white carpet covering the ground. Rooster bridled, his withers quivering, and he threw his head to the side and looked at me with one wild, obsidian eye, his nostrils inflating and collapsing in a frantic rhythm, his ears back. All at once, he reared and stood on hind legs, pounding the dried wood of the gates. I started to slide, clinging to the reins—which yanked Rooster’s head back—and he responded by bucking violently. As he threw himself forward, I felt his hindquarters rise like a surging storm wave, and then my own backside left the saddle as I flew up and forward, hard into the gate and the path of Rooster’s heaving hooves.

My shoulder slammed into the iron hinge that spanned the width of the wood. I slid to the ground, splinters shredding the sleeve of my coat and scraping my skin, and I landed on one knee and hand in a bed of cactus. But I forced myself to roll to the side just as Rooster’s powerful front hooves boomed beside my ear, exploding a weathered slat, trapping his foreleg in the hole he had just made. The rhythm of his tirade interrupted, his front foot snared, Rooster’s weight surged forward, off balance, and he crashed through the right half of the gate, his big body like a long-legged locomotive speeding toward me, his massive red rear yawing to the left and threatening to pin me against the side of the gate still standing.

I was down already; there was no time to rise and run. I dove under his belly as the horse came at me. The metal stirrup struck my forehead with a thwack, and I hit the ground just behind him as Rooster rammed into the gate, an explosion of dirt, shards of wood, and snow pummeling my body.

Mountain had stayed well away from the action. He came to me now and sniffed at my face. “I’m okay, buddy,” I said as I got to my feet, feeling my forehead where the stirrup had hit. Rooster was down on one side, lying in the center of the entrance, both gates flung open by the force of his slide. He looked at me over one shoulder and then struggled twice to right himself, finally springing to his feet. A shard of wood extended from his right foreleg, and I cooed to him as I approached, patting his rump, running my hand along his side, catching hold of the reins and petting his nose. I pulled out the big splinter and the horse flinched, but he let me examine the area afterward. The leg seemed good, and as I walked him to test it, a granular snow drove down around us as if the clouds had opened a too-full chute and dumped a winter’s worth of payback all at once. A boreal cold accompanied this downfall, and Rooster’s breath froze in a cloud around his face.

“We gotta get inside,” I said, leading Rooster into the yard of the school, where I tied his reins to a hitching post inside the wall. The wolf raced ahead of me, into a blinding white blur. I followed, and he led us right to the doors of a chapel across from the entrance. A slat had been nailed across the double doors, but it was loose, and I easily pried it away. “This looks good, buddy,” I told Mountain.

I pushed on one side, and the heavy door groaned and screeched, its bottom scraping and then jamming against the hard floor, permitting barely enough opening for me to slide through. I took a moment for my eyes to adjust, brushing the snow from my shoulders and sleeves, and then Mountain wriggled through the gap and rammed into the backs of my knees, sending me sprawling toward the floor. I thrust out my hands to break my fall. That was when I felt cold flesh.

The body beneath me was frozen, blue-white, and stiff. Two sightless eyes stared through me; a round mouth opened onto a deep, black cave. I screamed and sprang to my feet, backing to the door, where Mountain gave a nervous whimper.

From here, I could see the whole scene, my eyes having adapted to the minimal light. An elderly Anglo woman lay dead on her back with legs spread wide, a dust-covered black dress reaching below her knees. A collar of twisted sage and feathers decorated each ankle. Her hair had been razored off at the scalp, her face painted with two yellow lightning bolts. A sign hung from her neck. I had to move close to read it. Scribbled in red crayon were the words I am not an Indian.

2

The Howl

As I made my way back to Rooster, snow pelted my face—not just flakes of snow, but a blasting curtain of icy gobs that stuck to my nose and eyelashes and pasted the front of my coat with white ice in a matter of seconds. The winds had picked up again, and they were bearing down a blizzard on us. I looked down at Mountain, who was slinking beside me, and saw a thick coat of white frosting his head, neck, and back. “We have to stay here tonight,” I shouted into the wind, as I pulled my sidearm from the holster beneath my coat and slid it into my pocket. I untied the horse, who now looked like an enormous white sheep from the quilt of snow he wore.

I led Rooster through a blinding whiteout to the door. Once I had tied the reins to the door handle, I opened my saddlebag and grabbed a flashlight and my LED headlamp. I drew my handgun out of my pocket, then slid through the narrow opening and looked around, carefully sidestepping as Mountain came through so that he wouldn’t knock me over again. I strapped on the headlight, feeling a pang as the elastic tightened over the place where the stirrup had struck my forehead. We stood in a big, empty nave, its small, high windows emitting little light. There was nothing but cold adobe walls and a hard stone floor.

I used my flashlight to examine the cadaver. On one side of the deceased’s neck, I saw a dark line in the flesh. A tail of thin gray hair lay loose just above her head, where it had been sliced away from her scalp. Two low-heeled black shoes had been tossed to the side, no doubt removed so that the sage bracelets could be slid over her feet. I noted again the dust on the woman’s black dress, and yet the chapel floor did not seem dirty. I spotted Mountain sitting nearby watching. He cocked his head at me.

“Wow,” I whispered. “This old woman had somebody real mad at her.”

Mountain followed me close as I looked around the chapel. In addition to the entry, there were two doors: one on the outside wall at the front and another on the opposite side at the back. I went to the one near the entrance, readied my gun, and pulled on the handle. Unlike the entry, this door opened with little effort, exposing me to bitter, arctic cold. A small square belfry stood empty, save a large drift of snow.

At the back of the church, I tugged on the arched door and it gave a deep groan, then a wailing sound that whistled down a long hall with doors along each side, which I presumed were the school’s classrooms. I guessed that this wing led to the other big building in the U-shaped compound, probably the living quarters for its residents. I closed the door again, sure that whoever had left the old woman’s body here was long gone.

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Meet the Author

Sandi Ault a former journalist and newspaper editor, lives in Lyons, Colorado, with her husband, wolf and cat. She teaches writing workshops and classes. She is also a volunteer firefighter and a Colorado Resource/Fire Information officer for wildfires.

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Wild Sorrow (Wild Mystery Series #3) 4.6 out of 5 based on 0 ratings. 5 reviews.
Anonymous More than 1 year ago
Jamaica Wild is thoughly put to the test in this story. Sandi weaves an exciting yarn which has many interesting twists and turns.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
I have read all of Sandi Ault's books in this series. I enjoy how she mixes a mystery with the Native American culture.
Anonymous More than 1 year ago
harstan More than 1 year ago
Bureau of Land Management resource protection agent Jamaica Wild is the liaison with the Tanoah Pueblo. A rancher complains that a wolf has attacked his sheep, but Jamaica believes the predator is probably a mountain lion. With her friend the semi-civilized wolf Mountain, she follows the wounded animal¿s bloody trail while expecting a blizzard to hit the area shortly. When she reaches some ruins, she takes shelter from the weather inside the ruins of the San Pedro De Arbues Indian School.

Inside Jamaica finds the body of a woman whose hair was scalped. Later she learns the corpse is Cassie Morgan, an elderly Anglo woman who was a matron of the Indian School that abducted children from their ¿savage¿ parents to Americanize them through corporal punishment and substandard food, health care, and shelter. After she reports the homicide, Jamaica sees an ATV and gives chase. From that moment on attempts are made to frighten Jamaica off the investigation, but when that fails, murder attempts follow.

The protagonist is brave refusing to allow thugs to run her off the case though she is a bit fearful even with her faithful companion Mountain having her back. The whodunit is exciting because no one, not even the heroine, knows why she has become under siege. Sandi Ault provides readers with a deep vivid look at the life of a Pueblo inside an entreating outdoors¿ mystery.

Harriet Klausner