The Wind in the Willows by Kenneth Grahame, Robin Lawrie |, Hardcover | Barnes & Noble
The Wind in the Willows

The Wind in the Willows

4.2 125
by Kenneth Grahame, Paul Bransom
     
 

View All Available Formats & Editions

Kenneth Grahame's exuberant yet whimsical The Wind in the Willows belongs to the golden age of children's classic novels. These charming, exciting and humorous tales of the riverbank and its life featuring the wonderfully imagined Ratty, Mole, Badger and the irrepressible but conceited Toad of Toad Hall — whose passion for motor cars ("The only way

Overview

Kenneth Grahame's exuberant yet whimsical The Wind in the Willows belongs to the golden age of children's classic novels. These charming, exciting and humorous tales of the riverbank and its life featuring the wonderfully imagined Ratty, Mole, Badger and the irrepressible but conceited Toad of Toad Hall — whose passion for motor cars ("The only way to travel! Here today — in next week tomorrow") lands him in many scrapes — still continue exert their charm over adults as well as children.

Kenneth Grahame was born in Edinburgh in 1859. He was educated at St Edward's School, Oxford but because of family circumstances he was unable to enter Oxford University. He joined the Bank of England as a gentleman clerk in 1879, rising to become Secretary to the Bank in 1898. He wrote a series of short stories published in such collections as The Golden Age (1895) and Dream Days (1898). These featured a fictional family of five children. In 1899 he married Elspeth Thomson and their only child, Alistair, was born a year later. He left the Bank in 1908 on health grounds. The same year, The Wind in the Willows was published. The book was not an immediate success, and he never attempted to write fiction again. However, the popularity of the novel grew steadily and by the time of Grahame's death in 1932 it was recognized as a children's classic.

Editorial Reviews

Library Journal

Originally published in France in 1996, this edition collects the four corresponding English-language volumes that were first issued between 1997 and 2002 by NBM. Plessix's style has been called "detailed impressionism," and the limpid watercolors of his lavish adaptation give that "Somewhere Else" quality to the classic story-2008 is the 100th anniversary of Graham's novel. So many adaptations have so little space to work in that they seem more like CliffsNotes versions. But Plessix has truly adapted the tale with most of the narrative details intact-and a few new twists at the end. And while the anthropomorphic animal characters have a cute, cartoony quality, the overall effect of a timeless, golden world is not thereby disrupted; all the looniness and love of nature from the original come through beautifully. Somehow the world of Mole and his friends suggests an animal Hobbiton in a Ring-less alternative universe, where talking animals and humans coexist amid a gloriously bucolic world of water, woods, and fields based on preindustrial rural England. Unfortunately, the pages are a little too small to showcase the details of Plessix's lush art as it deserves. For all ages.
—Martha Cornog

From the Publisher
“It is what I call a Household Book . . . a book which everybody in the household loves, and quotes continually ever afterwards; a book which is read aloud to every new guest.”
–A. A. Milne
Children's Literature - Lois Rubin Gross
Some books are classics for a short time, limited by characterization or the technology they feature (think the original UNIVAC computer in A Wrinkle in Time). And some books are classic and ageless. So it is with Kenneth Grahame's fantasy of small, anthropomorphized woodland creatures having great adventures against the background of Victorian England. The book has gone through numerous incarnations with famous illustrators including Bransom, Rackham, and Hague. There are annotated versions and abridged versions. Most people meet Mr. Toad of Toad Hall when a beloved teacher makes the book the subject of special, shared reading time in first grade. However, David Roberts' gift-intended tome creates an abridged version with illustrations suitable for a younger group of readers. His digital drawings of Toad, Mole, and Badger have whimsical personalities that will reach out to young readers. The characters appear frequently throughout the text, rather than the few, scattered drawings in older versions. Color saturated pages bring the Wild Wood, Toad Hall, and the riverbank vividly to life. Toad dressed as a runaway washerwoman is a delight, as is a page of Christmas caroling mice with lovely long tails and nearly textured red scarves. The historically cumbersome chapter about the god, Pan, is deleted, but Roberts has made a point of secreting images of Pan in his illustrations throughout the book. If you are looking for classic representations of this timeless book or, heaven forbid, the Disney version, this is not it. This is a rendition with a contemporary feel that will introduce the beloved characters to an extended audience, and the elegant language of the original Grahame story is not sacrificed. The final rendition of Mole and Toad literally walking into the sunset with arms wrapped around each other is a fitting close to a delightful and colorful escapade. Reviewer: Lois Rubin Gross
School Library Journal
01/01/2014
Gr 1–4—Grahame's early-20th-century classic is enhanced by lovely watercolor illustrations that provide a contemporary and packed-with-charisma accompaniment. The anthropomorphized characters, all fashionably turned out in Edwardian costume, are vivified with expressive facial features and twinkling eyes. Detailed settings range from Ratty's cozy and colorfully decorated waterside home to the elegant grandeur of Toad Hall to Mole's understated tunnel-shaped abode. The beautifully composed outdoor scenes sparkle with season-appropriate hues: a springtime rowing jaunt down a sunlit river is framed by trailing willow trees, and a wintertime excursion into the Wild Wood is evoked with lavender skies, intertwined tree barks in swirling grays, and an overlay of heavy white snowflakes. In addition to the geometric drawings that embellish each chapter title, designs made from bold shapes and bright constrasting colors appear throughout, adding an Art Deco flair. Ranging from small vignettes to full-bleed double pages, the artwork embellishes almost every spread, engaging independent readers and reeling in younger listeners with entertaining antics, gentle humor, and genial affection.—Joy Fleishhacker, School Library Journal
Kirkus Reviews
2013-08-15
Many famous artists have interpreted the antics and adventures of Mole, Ratty, Toad and Badger. Roberts takes a decidedly modern approach in this gift edition sure to appeal to another generation of readers. From the glimmer of silver-foiled lettering on the front cover to the full-color illustrations liberally dispersed throughout, readers of all ages can fully immerse themselves in Grahame's settings. Images executed in watercolor, ink, pen and pencil perfectly convey the postures of a distraught Mole or a momentarily contrite Toad, while the backgrounds impress with a range of seasons and circumstances. Washes of a dominant color are given fine details and highlights with touches of contrasting color, as when cool, frosty blues give way to a circle of white that glows around a young mouse choir, all snuggled in their vibrant orange-red scarves, as they sing carols. Humor abounds. Giggles will erupt at the picture of Toad alarmed and upside down, with the birds at the bottom of the page and the grassy bank slanting at the top. The variety of full-page, double-page and spot illustrations keeps the experience lively. Although purists may quibble at the omission of the chapter "The Piper at the Gates of Dawn," those new to the book will not miss it (but may inquire who the mischievous boy--the Greek god Pan--is that appears on a few pages). All told, an elegantly designed volume ready to take its rightful place on any child's bookshelf. (Fantasy. All ages)

Product Details

ISBN-13:
9780517632307
Publisher:
Random House Value Publishing, Incorporated
Publication date:
12/12/1988
Series:
Children's Classics Series
Pages:
350
Product dimensions:
7.91(w) x 9.59(h) x 1.36(d)

Read an Excerpt

Playing Pilgrims


"Christmas won't be Christmas without any presents,"grumbled Jo, lying on the rug.

"It's so dreadful to be poor!"sighed Meg, looking down at her old dress.

"I don't think it's fair for some girls to have lots of pretty things, and other girls nothing at all," added little Amy, with an injured sniff.

"We've got father and mother, and each other, anyhow,"said Beth, contentedly, from her corner.

The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly?

"We haven't got father, and shall not have him for a long time." She didn't say "perhaps never,"but each silently added it, thinking of father far away, where the fighting was.

Nobody spoke for a minute; then Meg said in an altered tone, "You know the reason mother proposed not having any presents this Christmas, was because it's going to be a hard winter for every one; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can't do much, but we can make our little sacrifices, and ought to do it gladly. But I am afraid I don't;"and Megshook her head, as she thought regretfully of all the pretty things she wanted.

"But I don't think the little we should spend would do any good. We've each got a dollar, and the army wouldn't be much helped by our giving that. I agree not to expect anything from mother or you, but I do want to buy Undine and Sintram for myself; I've wanted it so long,'said Jo, who was a bookworm.

"I planned to spend mine in new music,"said Beth, with a little sigh, which no one heard but the hearth-brush andkettle-holder.

"I shall get a nice box of Faber's drawing pencils; I really need them," said Amy, decidedly.

"Mother didn't say anything about our money, and she won't wish us to give up everything. Let's each buy what we want, and have a little fun; I'm sure we grub hard enough to earn it,"cried Jo, examining the heels of her
boots in a gentlemanly manner.

"I know I do, teaching those dreadful children nearly all day, when I'm longing to enjoy myself at home," began Meg, in the complaining tone again.

"You don't have half such a hard time as I do," said Jo. "How would you like to be shut up for hours with a nervous, fussy old lady, who keeps you trotting, is never satisfied, and worries you till you''e ready to fly out of the window or box her ears?"

"It's naughty to fret, but I do think washing dishes and keeping things tidy is the worst work in the world. It makes me cross; and my hands get so stiff, I can't practise good a bit." And Beth looked at her rough hands with a sigh that any one could hear that time.

"I don't believe any of you suffer as I do," cried Amy; "for you don't have to go to school with impertinent girls, who plague you if you don't know your lessons, and laugh at your dresses, and label your father if he isn't rich, and insult you when your nose isn't nice."

"If you mean libel I'd say so, and not talk about labels, as if pa was a pickle-bottle," advised Jo, laughing.

Meet the Author

DON DAILY (1939-2002) A native of Trenton, NJ, Donald A. Daily served in the United States Navy for four years before attending Trenton Junior College. He continued his studies with a full Merit Scholarship to Art Center College of Design in Los Angeles and graduated in 1968 with a BFA in Illustration. Moving to Philadelphia, PA, he began his career as a freelance illustrator, represented by New York agents Frank and Jeff Lavaty. Over the next 24 years, he worked on national advertising, motion picture, and editorial accounts. Clients included: TWA, Equitoriana Airlines, Coleco Toys, U. S. Army National Guard, Weyerhauser Paper, Reader’s Digest Condensed Books, Spider Magazine, Highlights Magazine, Cosmopolitan Magazine, TV Guide, and the Franklin Library. He created covers for Dell, Fawcett, and Doubleday Publishers, and posters for “The Great Santini”, “California Suite”, “The Four Seasons”, “Roots”, and “Cheers”. In addition to his illustration work, Don painted private oil portrait commissions and was a Certified Member of the American Portrait Society. He was also an honored member of The New York Society of Illustrators, where his work appeared annually in juried shows. From 1989-1991, Don was an Instructor of Illustration at the University of the Arts in Philadelphia. In 1992, Don began working exclusively on children’s books, completing nine books for Philadelphia publisher Running Press and one for Dial Books before his death. Sales of his books currently reach almost 2,000,000 copies, in eight languages. Don was a frequent guest speaker at book stores, libraries, and elementary schools. His book illustrations were in many regional group shows including Rosenfeld Gallery, Art in City Hall, Main Line Art Center, and Markham Art Center. He had one-man exhibits of his children’s book paintings at the University of the Arts, Cabrini College, Main Line Art Center, and the Educational Testing Service of Princeton, NJ. Don’s children’s illustrations reflect his joy of life and passion for painting. A meticulous painter of detail and superb colorist, his work is infused with humor and humanity. Don spent about nine months on each book, from his initial conceptual sketches, through the design and layout phases, to the finished paintings in water color and gouache. His partnership with Running Press allowed him free-reign in all stages of the process. He researched costumes, locations, and the myriad of details necessary to create such convincing and charming illustrations. He used himself, his wife and two children, and his friends as models for his book characters, and transformed them as needed into witches, princesses, farmers, and even animals, through the magic of his active imagination and incredible drawing skills. Children’s books illustrated by DON DAILY: 1993 1994 1995 1996 1997 1998 1999 2000 2000 2001 2006 2006 The Classic Tale of The Wind in the Willows, Kenneth Grahame The Classic Tale of The Jungle Book, Rudyard Kipling The Classic Tale of Brer Rabbit, Joel Chandler Harris The Nutcracker, E. T. A. Hoffman The Velveteen Rabbit, Margery Williams The Twelve Days of Christmas Cats, Don Daily The Classic Treasury of Aesop’s Fables The Twelve Days of Christmas Callie Ann and Mistah Bear, Robert D. SanSouci The Classic Treasury of Grimm’s Fairy Tales Don Daily’s Classic Children’s Storybook Collection Don Daily’s Gifts of Christmas

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >