Wings of Joy

Editorial Reviews

All Music Guide - Ned Raggett
From the quiet, descending strings and woodwinds at the start of "Watersong," which launches Cranes' first proper full-length album, things are at once in sync with, and far removed from, the deep murk of the group's earliest days. The gripping, chilling atmosphere that Cranes dwell in hasn't moved an inch, but in terms of approach, it shows that on the very well self-produced Wings of Joy, the quartet has continued to expand its palette. One thing to note is in the album credits: Matt Cope may have been initially invited in for live bass playing, but it's Alison Shaw who plays the shuddering, ominous deep notes throughout, and effectively at that. Check out her opening ...
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1998-02-24 Audio CD Very Good Very Good Clean Disc and case _ Disc with original inserts and case _ Not a copy! _ Outstanding Quality, Value, and Service with Always Great ... Products _ Check our feedback _ We appreciate your business! Read more Show Less

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1998-02-24 Audio CD Like New /ORIGINAL 1991 DEDICATED RECORDS RELEASE/AS NEW, SEEMS NEVER USED/CASE DRILLED THROUGH THE BACK INSERT/***Fast Delivery***Check out my other ... listings: BOOKS, CDS, DVDS, VIDEOS, GAMES*** Read more Show Less

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/ORIGINAL 1991 DEDICATED RECORDS RELEASE/AS NEW, SEEMS NEVER USED/CASE DRILLED THROUGH THE BACK INSERT/ *SHIPS WITHIN 24HRS!!*

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Editorial Reviews

All Music Guide - Ned Raggett
From the quiet, descending strings and woodwinds at the start of "Watersong," which launches Cranes' first proper full-length album, things are at once in sync with, and far removed from, the deep murk of the group's earliest days. The gripping, chilling atmosphere that Cranes dwell in hasn't moved an inch, but in terms of approach, it shows that on the very well self-produced Wings of Joy, the quartet has continued to expand its palette. One thing to note is in the album credits: Matt Cope may have been initially invited in for live bass playing, but it's Alison Shaw who plays the shuddering, ominous deep notes throughout, and effectively at that. Check out her opening work on "Living and Breathing." It's a simple enough pattern, but delivered in such a context that it immediately conjures up a nervous, threatening mood. Jim Shaw's relentless percussion, never overbearing but always moving with a stately, ritualistic tinge, and his piano and keyboard arrangements -- elegant and haunting at once -- set the rest of the tone. His guitar, along with Mark Francombe and Cope's credited work, adds everything from brisk, gently creepy acoustic touches to vicious electric snarl. Add Alison Shaw's almost too wistfully calm and sweet singing -- just missing out on easy interpretation, but suggesting so much via delivery -- and the result is what most goth music, or any music with a sense of shadows and doom, aims for but generally misses. With songs like the epic "Adoration" and the gentler "Tomorrow's Tears" already signaling the careful variety that dominates the album thanks to their previous appearance on EPs, the new material takes center stage here. "Starblood" is the most flat-out disturbing track, with Jim Shaw's slow-paced, pounding drums and Alison Shaw's guitar wailing slammed up against cold slabs of feedback. The album as a whole is a beautiful, if unsettling, piece of work.
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Product Details

  • Release Date: 2/24/1998
  • Label: DEDICATED
  • UPC: 617024401722
  • Catalog Number: 44017

Tracks

Disc 1
  1. 1 Watersong (3:48)
  2. 2 Thursday (4:23)
  3. 3 Living and Breathing (3:29)
  4. 4 Leaves of Summer (3:43)
  5. 5 Starblood (3:35)
  6. 6 Sixth of May (4:38)
  7. 7 Wish (3:56)
  8. 8 Tomorrow's Tears (3:57)
  9. 9 Beautiful Sadness (4:04)
  10. 10 Hopes Are High (2:59)
  11. 11 Adoration (5:27)
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Album Credits

Performance Credits
Cranes Primary Artist, Primary Artist, Primary Artist
Matt Cope Guitar
Mark Francombe Guitar
Allison Shaw Bass, Vocals
Jim Shaw Guitar, Piano, Drums
Technical Credits
Cranes Producer
Lambourne Engineer, Contributor
Gail Lambourne Engineer
Allison Shaw Lyricist
Jim Shaw Composer
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