Winogrand: Figments from the Real World

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This book, published to accompany a retrospective exhibition at The Museum of Modern Art, is the first comprehensive overview of the work of Garry Winogrand. It contains an eloquent and important essay on the life and work of the photographer by John Szarkowski and a lavish plate section presenting the photographs thematically under the following titles: Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc., The Fort Worth Fat Stock Show and Rodeo, Airport, and Unfinished Work. Many of the ...
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Overview

This book, published to accompany a retrospective exhibition at The Museum of Modern Art, is the first comprehensive overview of the work of Garry Winogrand. It contains an eloquent and important essay on the life and work of the photographer by John Szarkowski and a lavish plate section presenting the photographs thematically under the following titles: Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc., The Fort Worth Fat Stock Show and Rodeo, Airport, and Unfinished Work. Many of the 179 plates are works that have never before been published; and the last section includes twenty-five pictures chosen from the enormous body of work that Winogrand left unedited at the time of his death in 1984.
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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Director of photographic exhibitions for New York's Museum of Modern Art, Szarkowski in this companion volume to a show traveling nationwide celebrates a camera artist whose pictures for decades elevated the mundane in American life to a distinctive, almost ethereal stature. Random-looking, even disorderly at times, Winogrand's images, his humanistic ``figments'' of reality, catch the eye in a detached, virtually trance-like mood: a blonde female flight attendant carrying a black child; a couple in a tentative sidewalk embrace seen over the shoulder of a distressed pedestrian; a Maine family trio inexplicably sad and perhaps angry; and the cover shot, a diapered toddler emerging from a dark garage interior toward an over-turned kiddie car in a brooding desert scene. Winogrand (1928-1984), in an era of ferment for artistic photography, produced as many as a half-million film images, many of which are published here for the first time. (May)
Library Journal
In a manner variously described as manic, compulsive, and voyeuristic, Garry Winogrand produced hundreds of thousands of black-and-white snapshots, street photographs of ordinary people and situations rich in gesture and body language. Szarkowski, director of MOMA's photography department, cultivated Winogrand and, after his death in 1984, was left with the task of editing 6500 rolls of unprinted (and 2500 rolls of undeveloped) 35mm negatives (about 300,000 unedited images altogether). Nine stages of Winogrand's work are presented chronologically here and in a traveling exhibition, along with a sizable selection of ``unfinished'' later work described by Szarkowski as ``deeply flawed'' and ``pointless.'' The uninitiated might see much of the earlier work the same way. Kathleen Collins, Library of Congress
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Product Details

Meet the Author

"Garry Winogrand was born in 1928 and raised in the Bronx. After high school and two years in the army, he briefly studied painting at Columbia University until a friend showed him the darkroom in the basement of the schoolis architecture building. iI never looked back,i he later said. For some years he worked as a freelance photojournalist and in advertising; by the 1960s his distinctive themes and style had begun to emerge. The Museum of Modern Art first substantially showed his work in 1963, and later held two one-man exhibitions, The Animals, in 1969, and Public Relations, in 1976. Winogrand received three Guggenheim fellowships for special photographic projects. He taught at Chicagois Institute of Design and then for five years at the University of Texas in Austin. In 1978 he moved to Los Angeles, where he took pictures incessantly. Although Winogrand was an articulate and conscientious teacher, he resisted talking about his own photography. iThe artist is irrelevant once the work exists,i he said. iAll there is is the pictures.i Winogrand died in 1984."

John Szarkowski is director emeritus of the Department of Photography at The Museum of Modern Art, New York. As director of the department from 1962 through 1991, he oversaw the presentation of more than 100 exhibitions. He also oversaw the publication of more than 30 books and catalogues, the inauguration of the Museum's first photography collection galleries in 1964 and their expansion in 1984 and the establishment of endowments to support the department's programs. Throughout his tenure, he supervised the development of the collection, which now includes more than 25,000 works spanning the history of photography. Szarkowskiwas born in Ashland, Wisconsin in 1925.

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Table of Contents

Foreword 7
Acknowledgments 8
The Work of Garry Winogrand 11
Eisenhower Years 43
The Street 75
Women 99
The Zoo 115
On the Road 133
The Sixties, Etc 151
The Fort Worth Stock Show and Rodeo 173
Airport 193
Unfinished Work 221
Chronology 249
Notes to the Text 253
Selected Bibliography 255
Photograph Credits 258
Addenda 259
Trustees of the Museum of Modern Art 260
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