Witch Hunt

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She is an ingenious assassin, with as many methods as identities, a master of disguise with an instinct for escape.... She is Witch, and she makes for alluring prey, teasing her pursuers as she eludes them, hunting her victims with breathtaking creativity, beguiling the most powerful men in the world with her dark beauty and cunning. Witch is wanted by the world's most elite police agencies, doggedly pursued by three very different detectives - one woman and two men. Two are at the beginning of their careers, one...
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She is an ingenious assassin, with as many methods as identities, a master of disguise with an instinct for escape.... She is Witch, and she makes for alluring prey, teasing her pursuers as she eludes them, hunting her victims with breathtaking creativity, beguiling the most powerful men in the world with her dark beauty and cunning. Witch is wanted by the world's most elite police agencies, doggedly pursued by three very different detectives - one woman and two men. Two are at the beginning of their careers, one is staking a lifetime's experience on tracking Witch down, and all three display a professional determination that veers dangerously close to obsession. Working with and against one another, crossing paths and crossing swords, the detectives on her trail must stop her before she pulls off her most daring and ingenious assignment yet, a killing whose repercussions will reverberate throughout the world. The intricate deceits and confidences that lead Witch to her latest target inspire an elaborate chase, but no matter how fast her pursuers track her, no matter how expertly they anticipate her every move, Witch always remains one step ahead of the game. With time growing short, it seems she will elude authorities again - but an unexpected link to her own mysterious past may upset her streak of calculated terror. Edgar Award winner lan Rankin delivers a novel of espionage that rivals the classics of the genre, confirming his stature as one of the modern masters of suspense.
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Editorial Reviews

From Barnes & Noble
The Barnes & Noble Review
In a fascinating stand-alone novel that's a combination of police procedural and political thriller, Ian Rankin, author of the bestselling Inspector Rebus series, details the breakneck hunt for a terrifyingly inventive female assassin known only as Witch.

The British police investigate when a pleasure craft explodes, killing two men. The French police are working on a similar incident involving four fishermen. Then a bright young man in the Collator's Office, who spends his days feeding data into a computer that looks for patterns in seemingly unrelated crimes, notices unexpected similarities between the two cases. That's when they call in Dominic Elder, an old-timer from the Cold War era (when operatives relied on paper files and legwork rather than computers), who has been forced into retirement because of his outdated ideas. Now authorities wonder if a so-called "crackpot theory" -- the idea that many random terrorist attacks are the work of a single, brilliant woman agent -- may be right after all.

This time, the normally elusive Witch wants to be noticed, wants to direct attention to an obvious target: the upcoming summit in London, where seven heads of state will gather in a week's time. To the police and intelligence officers, this means the Witch is getting overconfident. But Elder suspects this ingenious killer is hiding her real agenda and decides to send an ambitious but untried agent into the field to "stir the pot" and flush out his prey. This classic gambit could mean the end of Elder's chances to find the Witch…or bring him face to face with a killer who made the chase personal years ago. Sue Stone

Publishers Weekly
In this rather tepid thriller, Britain's security services are thrown into a tizzy thanks to the mysterious female superassassin known as Witch, who changes disguises and personae at the drop of a hat, carrying out hits and gravitating ominously toward the vulnerable heads of state at a London summit. Witch should be a potent femme fatale, combining female penchants for dressup and masquerade, social infiltration and sexual manipulation with male tendencies toward violence and lone-wolf alienation. But Rankin's attempts to get inside her head fall a bit flat. Glamorous on the outside, this lady assassin is dull on the inside; Witch has a touch of feminist outrage but spends most of her time dourly mulling over the details of upcoming hits. The novel often ditches her to take up the richer psychologies of the detectives tracking her, the incessant bureaucratic infighting and turf battles among various police and intelligence agencies, and a knockabout romance between an English spy-bloke and a French spy-gamine on Witch's trail. Rankin (Resurrection Men, etc.) is more comfortable with drawing-room mystery than spy thriller here; much of the action is interior, revolving around probing interviews and crossword-puzzle clues, and the terrorist-spectacular plot eventually deflates into a family melodrama. Rankin piles on lots of absorbing assassin and police procedural sleuthing, but it's all in pursuit of a routine case. Agent, Peter Robinson. (Sept. 21) Copyright 2004 Reed Business Information.
Library Journal
Rankin, who is widely acclaimed for his John Rebus mysteries (e.g., A Question of Blood), has also written several non-Rebus mysteries under the pseudonym Jack Harvey. Originally published in England in 1993 and released here for the first time, this Harvey novel reflects the strengths of the Rebus series: memorable characters, a complex and intriguing plot, and a strong sense of place, plus whiffs of Le Carr and Deighton. Three British intelligence officers pursue a mysterious female assassin, code-named Witch, who has just entered the country, but they know almost nothing about her, including her target. In addition to being a mistress of disguises, she taunts them with clues, kills once, and will surely kill again. Politics, interagency rivalries, and clashing personalities all complicate matters as tension builds. This espionage thriller/mystery will please Rankin's fans and should attract many new readers to his other works. Highly recommended for all suspense collections. [See Prepub Alert, LJ 5/15/04.]--Roland Person, Southern Illinois Univ. Lib., Carbondale Copyright 2004 Reed Business Information.
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Product Details

  • ISBN-13: 9780316010382
  • Publisher: Little, Brown and Company
  • Publication date: 8/1/2005
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 512
  • Sales rank: 345,391
  • Product dimensions: 4.25 (w) x 6.75 (h) x 1.00 (d)

Meet the Author

Ian Rankin

Ian Rankin is a #1 international bestselling author. Winner of an Edgar Award and the recipient of a Gold Dagger for fiction and the Chandler-Fulbright Award, he lives in Edinburgh, Scotland, with his wife and their two sons.


"I grew up in a small coal-mining town in central Scotland. I was always interested in stories. Even though the town had no book stores (and my parents were not great readers), I made full use of the local library. It was mind-boggling to me that (at the age of 11 or 12) I could not gain access to a movie theatre to see such classics as The Godfather, A Clockwork Orange, or Straw Dogs, yet no one stopped me from borrowing these titles from my library. Books seemed to have about them a whiff of the illicit and the dangerous. That was all the encouragement I needed. I went to university in 1978, joined a punk band (on vocals), and continued to write a lot of song lyrics and poems. However, I found that my poems were actually 'telling stories', and so started to write short stories.

A few of these found publication and even won some awards. Then one story raged out of control and became my first novel. It was never published, but that didn't matter: I was now a novelist. I stumbled on Detective Inspector John Rebus by accident while attempting to write an update of Dr Jekyll and Mr Hyde: Rebus would be my Jekyll, his Hyde a character from his past. Along the way, I discovered that a cop is a good 'tool,' a way of looking at contemporary society, its rights and wrongs. Rebus, I decided, would stick around. Meantime, I finished unviersity, moved to London for four years (where I worked first as a college secretary, later as a hi-fi/audio journalist), then rural France for six years. Both my sons were born in France. By the time the oldest had reached school age, we'd decided to move back to Scotland. I now live and work in Edinburgh, and the Rebus novels have gone from strength to strength in terms of sales and recognition."

Author biography courtesy of Little, Brown & Company

Good To Know

Before making it as an author Rankin held a wide variety of gigs, including working in a chicken factory, as a swineherd, a grape-picker, and a tax collector. He even performed as the frontman of the short-lived punk band, The Dancing Pigs.

He has broken Irvine Welsh and Iain Banks's records, with six titles in the Scottish top 10 bestseller list simultaneously.

His favorite/inspirational books include pretty much anything by James Ellroy, Ruth Rendell, and Raymond Chandler—plus classics of Scottish Literature such as Robert Louis Strevenson's Dr Jekyll and Mr Hyde, James Hogg's Confessions of a Justified Sinner, and Muriel Spark's The Prime of Miss Jean Brodie. Other "desert island" titles include Martin Amis's Money, Anthony Burgess's Earthly Powers, Anthony Powell's A Dance to the Music of Time and Ian McEwan's First Love, Last Rites.

His favorite web site is http://www.oxfordbar.com — the official web site of Rebus's favourite Edinburgh tavern!

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    1. Also Known As:
      Jack Harvey
    2. Hometown:
      Edinburgh, London and France
    1. Date of Birth:
      April 28, 1960
    2. Place of Birth:
      Cardenden, Scotland
    1. Education:
      Edinburgh University
    2. Website:

Read an Excerpt

Witch Hunt

By Ian Rankin

Little, Brown

Copyright © 1993 John Rebus Limited
All right reserved.

ISBN: 0-316-00910-5

Chapter One

Monday 1 June


At least, that's how owner and skipper George Crane would have described it. It had been bought for pleasure back in the late 1980s when business was thriving, money both plentiful and cheap. He'd bought it to indulge himself. His wife had nagged about the waste of money, but then she suffered from chronic seasickness and wouldn't set foot on it. She wouldn't set foot on it, but there were plenty of women who would. Plenty of women for George Crane and his friends. There was Liza, for example, who liked to stand on deck clad only in her bikini bottom, waving at passing vessels. God, Liza, Siren of the South Coast. Where was she now? And all the others: Gail, Tracy, Debbie, Francesca ... He smiled at the memories: of routes to France, Portugal, Spain; of trips taken around the treacherous British Isles. Trips taken with women aboard, or with women picked up en route. Wine and good food and perhaps a few lines of coke at the end of the evening. Good days, good memories. Memories of the pleasure boat Cassandra Christa.

But no pleasure tonight, the boat gliding across a calm British Channel. This was a business trip, the client below decks. Crane hadn't caught much more than a glimpse of her as she'd clambered aboard with her rucksack. Brian had gone to help her, but she hadn't needed any. She was tall, he was certain of that. Dark maybe, as in dark-haired, not dark-skinned. European? He couldn't say. Brian hadn't been able to add much either.

"Just asked if she could go below. Better down there than up here getting in the way."

"She said that?"

Brian shook his head. "All she said was 'I'm going below.' Not even a question, more like an order."

"Did she sound English?"

Brian shrugged. He was a good and honest soul, unburdened by intellect. Still, he would keep his mouth shut about tonight's work. And he came cheap, since he was already one of George Crane's employees, one of that dwindling band. The business had overextended itself, that was the problem. Too big a loan to push the business into new areas, areas drying up just as George Crane arrived. More loans to cover the earlier loan ... It was bad luck. Still, the business would weather it.

Cassandra Christa, however, might not. He'd put word out that she was for sale, and an ad had been placed in a couple of newspapers: one quality Sunday, one daily. There had been just the one phone call so far but it was early days, besides which maybe he wouldn't have to sell after all. He glanced at his watch. Five minutes short of three in the morning. Crane stifled a yawn.

"Want me to check the cargo?" Brian asked. Crane smiled.

"You stay where you are, you randy little sod. The cargo can look after itself."

Crane had been told-had been ordered-not to be interested, not to be nosy. No chitchat, no questions. It was just a delivery, that was all. He didn't know quite what he'd expected. Some chisel-chinned IRA bastard or ex-pat felon. He certainly hadn't expected a young woman. Young? Well, she moved like a young woman. He had to admit he was intrigued, despite the warning. The worst part would be coming up soon: the landing on the coast. But she spoke English, so that shouldn't pose any problem even if they were stopped. A midnight cruise, take the boat out, breathe in the ozone, that sort of thing. A nod and a wink to Customs or whoever. They understood these things. The pleasure of making love on the deck of a boat, sky above, water all around. He shivered slightly. It had been a long time. The good days seemed an awful long time ago. But maybe they'd return. A few more runs like this wouldn't go amiss. Easy money. And to think he'd worried about it for weeks. Shame, really, that he was selling the boat. But if he did a good job, a smooth job of work, they might employ his talents again. Another job or two would save the Cassandra Christa. Another couple of jobs like this one and he'd be home and dry.

"Shoreline, Skip."

"I told you I don't like 'Skip.' Skipper's okay."

"Sorry, Skipper."

Crane nodded. Brian's attributes included sharp night vision. Yes, there it was now. The coastline. Hythe and Sandgate probably. Folkestone just a little to the east, their destination. Folkestone was the drop-off, the danger point. Then they'd turn the boat back towards Sandgate, where it had its mooring. More instructions: after depositing the cargo, head back out to sea before making for final mooring. Do not hug the coastline, as this would make them more likely to be spotted.

A silly order really, but he'd been told at the start: you either follow the orders to the letter or you don't take the job.

"I'll take the job," he'd said. But the man had shaken his head.

"Don't make up your mind so quickly, Mr. Grane." That was the way he'd said it-"Grane." He had trouble with consonants. Danish? Something Scandinavian? Or Dutch maybe? "Take your time. You need to be sure for yourself. I'll telephone you next week. Meantime, happy sailing."

Happy sailing? Well, plain sailing anyway. Crane didn't expect trouble. There was no Customs activity to speak of around here these days. Cutbacks. The British coastline was like a net-full of holes through which you could push unseen anything you liked. Crane had been definite about that.

"Not if it's drugs. I won't have anything to do with drugs."

The foreigner had shaken his head slowly. "Nothing like that. It's just a body."

"A body?"

"A live body, Mr. Grane. Very much alive. Someone who wants to see England but finds themself stranded on the Continent without a passport."

"Ah." Crane had nodded at that. He had his ideas: missing peers, runaways, crooks from the Costa Del Sol who'd decided they'd pay anything for the pleasure of an afternoon in a British boozer. "What about a name then?"

Another shake of the head. "No names, Mr. Grane."

"So how will I know I've got the right person?"

An indulgent smile. "How many people do you think will be in the middle of the English Channel at midnight, waiting to meet a boat?"

Crane had laughed. "Not many, I suppose. Any night in particular?"

"I'll let you know. I must warn you now, you won't get much notice, a few hours at most. So make sure you are home every evening. Make sure you remain available. And Mr. Grane ...?"


"Better think up a story to tell your wife."

His wife! Least of his problems, he'd assured the man. But the man had seemed to know quite a lot about his problems, hadn't he? The way he'd approached Crane that early morning outside the office, telling him he might have some work for him. But he hadn't wanted to discuss it in Crane's office. They'd arranged to meet in a pub instead, that lunchtime.

With nothing to lose but suspecting some kind of trap, Crane had gone along. What he hadn't told the man was that one of his own men, Mike McKillip, was in the bar too. First sign of trouble, Mike's orders were to wade in. Mike liked a bit of a dustup, and Crane had slipped him a twenty as drinking money.

But there'd been no dustup, no trap, just a muted conversation, mostly one-way. A business proposition ... believe you own a boat ... financial difficulties ... would like to hire your services. That was the way he'd put it: "I would like to hire your services." Like George Crane was some tugboat skipper. But then the man had started to talk serious money. He offered £1,000 on acceptance of the contract-he'd called it that too, making it sound like "gontrag"-£2,000 on delivery, and a further and final £2,000 twelve weeks after delivery.

"Three months? How do I know you won't ... I mean, I'm not suggesting ... but all the same." Crane's head spun with thoughts of money. He gulped a mouthful of whiskey.

Cue the smile. "You are a businessman, Mr. Grane. Cautious, prudent, and suspicious. You are quite right. But the time lag is so we can assure ourselves of your silence. If we don't pay, you could go to the police with your story."

"Hardly! I'd be an accomplice."

"Nevertheless, you could tell your story. We would rather pay for your silence. Two thousand seems to me a small price to pay for the gift of silence."

George Crane still wasn't sure about that. What story could he possibly tell? Still, he'd have done the job for three grand in any case, and three grand was what he'd have by the end of tonight's little adventure. Three thousand beautiful pounds, a thousand of which had already been lodged in what he called his "Number Four Account," one of several he'd managed to keep hidden from the Inland Revenue's sniffer dogs (the same sniffer dogs he'd suspected of laying a trap for him in the first place). There was fifty quid to pay Brian, of course. It didn't seem much but anything higher and he might start to get suspicious. Fifty was just right for Brian: enough to buy his fidelity but not enough to get him excited.

There were lights along the coast, welcoming lights. He turned to Brian now. "Better tell her we're home."

"I think she already knows."

And here she was, coming in a crouch through the small doorway and onto deck, pulling her rucksack behind her. She stood up straight, stretching her back. She was tall, five-ten or thereabouts. Tall and thin. Hard to tell much more through the waterproof she was wearing. She had a package with her which she held out to Crane. He accepted it.

"Brian," he said, "take over here for a sec."

"Right, Skipper."

Crane made his way to the side of the boat, nearest to the land. There was enough light to see by. He didn't want Brian to see how much money was involved. He tore open the package and flipped through the wad of notes. Fifties. Looked like about forty of them. Well, he wasn't going to stand here counting them out like Shylock. He stuffed them into his inside jacket pocket, creating a comfortable bulge, and returned to the wheel. The woman was looking at him, so he nodded towards her. Only towards her, not at her. It was difficult to meet her eyes, difficult to hold their gaze. It wasn't that she was beautiful or anything (though she might be in daylight). But she was ... intense. And almost scowling, like she was spoiling for a fight.

"Around the coast a little way yet, Brian," Crane said. "Just outside the town, that's the drop."

"How much longer?" she asked. Yes, European, thought Crane. Probably British, but she looked as if she'd been away for a while.

"Five minutes," he said. He produced a hip flask from his pocket and unscrewed the top. "A drop of malt," he explained. "Care for a tot?"

She shook her head, but as he drank deep she said: "Good health."

He exhaled noisily. "Thank you. And here's to yours." Then he passed the near-depleted flask to Brian, who finished it off in a mouthful.

"We've got a dinghy." Crane announced. It was good policy to look helpful if he wanted future contracts. "We can row you ashore."

"I'll swim. Just get me close."

"The water's freezing," Brian protested. "You'll catch your death."

But she was shaking her head.

"And what about your bag?"

"It's waterproof, and so am I."

"It'll sink like a -"

She was taking off the waterproof, slipping out of her shoes, undoing her jeans. The two men watched. Underneath, she was wearing a one-piece black bathing suit.

"I must get one of those for the wife," Crane muttered.

She was stuffing her clothes into the rucksack. "I'll change back when I reach shore."

Brian, staring at her long white legs, seemed to be picturing this. Truth be told, Crane was picturing it, too. She might not be beautiful, but she had a body. Christ, she had a body.

"Thanks for the thought," she said finally with a slight twist of her lips. It was as if she'd been reading their minds.

"It's been a pleasure," said Crane. "A pleasure."

They dropped her off and watched for a few moments as she struck for shore. She swam strongly, dragging the rucksack after her. They were no more than a hundred yards from land. It looked like she'd make it with ease. Then Crane remembered his orders.

"Back out to sea with her, Brian. We'll come around to Sandgate. Home before dawn with a bit of luck."

"She was something, wasn't she, Skip?" Brian was still gazing towards shore.

"Yes, son," admitted Crane. "She was something."

She changed quickly. The rucksack contained quite a lot, including several changes of clothes and shoes. It also contained air pockets to help keep it afloat. She deflated these. The rucksack had been heavier early on in the evening. She smiled at the memory. Wrapped in polyethylene in an already waterproofed pocket was a diary, and beside it some odds and ends of makeup. The makeup was like a talisman to her. Makeup was the beginning of disguise. What else was in the rucksack? You could tell a lot about a woman from the contents of her bag. If you tried hard, this rucksack would tell you a lot too. Passport, driver's license, money. A few small tools. Some packages of what looked like plasticine. A tarot pack. A handgun. That was about it.

She didn't look out to sea, but she listened to it. The steady clash of waves, the whistling wind. Exhilarating. Her hair, pinned back, was still drying quickly, her scalp chilled by the wind. A sharp salt smell clung to her. Her eyes were closed slightly as she listened. Then, in the distance, she heard a loudish pop, there and then not there. Like the meeting of balloon and pin at a children's party. She knew she had measured the amount of the charge well, and had placed it well, too, down in the bowels of the boat. The hole blown in the hull would be a couple of yards in diameter. The vessel would sink in seconds, seconds of shock and horror for its crew. And if the explosion didn't kill the two men outright ... well, what chance of their reaching land? No chance for the older man, minimal for the younger. Minimal was as much as she liked to leave to chance. But she hung around for a while anyway, just in case anyone did reach shore. There was a certain amount of shelter, so she did not freeze. In fact, the breeze was growing almost warm. Or perhaps she was just getting used to being back.

No sign of the two men. She waited seventy-five minutes, then unpinned her long hair, letting it fall forwards over her face. A simple trick, but one which reduced her age by several years, especially when she was not wearing makeup. She thought of the boat a final time. It would be a mere oil slick now. Perhaps banknotes were floating on the tide. Useless things anyway.

She made her way to the main road and began to walk. Hitching along the south coast. Going to visit a friend in Margate. (Or Cliftonville: dare she say Cliftonville?) Didn't get a lift out of Folkestone, so spent the night there, sleeping rough by the roadside ...

That was the story she would tell to whichever motorist picked her up. Someone would pick her up. Some man, most probably. She was a single woman, young.


Excerpted from Witch Hunt by Ian Rankin Copyright © 1993 by John Rebus Limited. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

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Customer Reviews

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( 7 )
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Sort by: Showing 1 – 9 of 8 Customer Reviews
  • Anonymous

    Posted August 15, 2012

    Witch Hunt

    A ver good book. In the beginning of the book, I thought it started out as an old fashion type of mystery. It didn't take long to get to the real story, which kept my interest until the end

    1 out of 1 people found this review helpful.

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  • Posted June 6, 2012

    more from this reviewer

    A great book.

    I am a newer Ian Rankin fan, and thought the story line sounded interesting. Well let me just say, I couldn't put it down. You won't be sorry with the purchase.

    1 out of 1 people found this review helpful.

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  • Posted December 9, 2008

    more from this reviewer

    exhilarating espionage thriller

    They call her Witch because of her abilities to change her identity, ¿seduce¿ her opponents and her victims even without meeting them, and completing the kill; she is the ultimate cold blood professional assassin. This ¿Cassandra Chameleon¿ is so good at her trade, she is a legend.---- New Scotland Yard investigates the sinking of two ships in the same night near Folkestone and off Calais; several counterintelligence agencies worry that the incidents parallel events in other places over the past few years that culminated with assassinations. MI5 fears that the sinking is the calling card of the magical Witch in England to kill a VIP. As the cops follow clues, espionage agencies in Britain and France struggle to cooperate to stop the ingenious femme fatale assassin who obviously targets some worldly figure or why else hire the best? However this time Witch knows she must be even more cautious to avoid mistakes because besides her hefty fee this job is personal, which means emotions could hamper judgment.---- WITCH HUNT is an exhilarating espionage thriller that hooks the audience once the key cast is introduced and fans get over the fact that Rebus is not here. The story line moves quickly forward with several plots tied together through the Witch link in a sort of Sink the Bismarck kind of way as several groups independently give chase. Separately these various counterspy agencies and police force know they will fail, but if they can bury their jealousies and work as a team, together they might succeed; that is the timely message that Ian Rankin furbishes in his action-packed multiple perspective Sink the Witch thriller.---- Harriet Klausner

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted July 14, 2004

    You¿ll find yourself dissecting fact scenarios from each character's point of view!

    The Cassandra Christa ¿ not just an exotic name, but also a well-known pleasure boat. Its owner deep in debt, that is until its final destination and delivery of cargo, an enigmatic young woman. The sinking coincides with that of another ship, on the same night off Calais. The accident captures Jack Constant¿s attention that in turn passes this information up the ladder to Michael Barclay, an intelligence technician. Barclay who doesn¿t consider himself a spy or any part of the Secret Service reads between the lines, thus pushing the case further up, bypassing his own boss, Joyce Parry. The information reaches London¿s Scotland Yard Secret Service - Special Branch. They have only a hint that a terrorist named Witch may have snuck back home. Few within the bureau even believe she exists. Even so, Commander Bill Trilling pairs John Greenleaf, a quiet man with an arrogant Hardman Doyle to investigate. It doesn¿t take long for Parry to point out Barclay¿s grave mistake and brings in a retired agent named, Dominic Elder. Witch is a known ghost from Elder's past. Elder, is an obsessed British agent who longs his career hadn¿t ended, but is persistent in freelancing this final assignment. This time to lure the enemy to her ultimate defeat. Witch, herself has the ability to change her identity, seduce her opponents, and complete the kill. She is the ultimate cold-blooded professional assassin. Her very life depends on keeping up a charade, on cloaking her intentions. She can trust no one but herself, and keeps an eagle eye on Elder himself! Elder joins Greenleaf and Doyle at the end of one trail, while Barclay hones in from another direction with the help of an attractive Parisian novice detective named, Dominique Herault. Characters, each with their own agendas, wage shadowy war against one another with the highest stakes imaginable. The counterspy agencies and police force eventually come to work as a team in turning over stone upon stone from Paris to Germany and back. Racing against time, leaving only few questions unanswered: Is the target a delegate to the International Summit, or does Witch have a personal agenda? If you're not accustomed to reading spy thrillers, and you can handle a gritty story, you might want to give this a try. If you are a fan of the genre, and you haven't read this one, you're probably missing something. With a cynical sense of humor Witch Hunt moves forward quickly with several plots tied together. Every part of the story is interesting and engaging. Where other novels would still be setting up the premise, Witch Hunt has already started playing the game! Reviewed by M. Romero

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