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The Witch Queen

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Overview

Jan Siegel has created one of the most compelling fantasy series in recent memory. What began with Prospero’s Children and continued with The Dragon Charmer now comes to a dazzling conclusion with of The Witch Queen. Magnetically gifted Fern Capel has at last come into her own with her magical powers—and just in time. . . .

It is a fearsome world of witches, dragons, and goblins, where a gnarled tree bears fruit of human heads. Fern Capel believes she has left it all behind. But...

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The Witch Queen

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Overview

Jan Siegel has created one of the most compelling fantasy series in recent memory. What began with Prospero’s Children and continued with The Dragon Charmer now comes to a dazzling conclusion with of The Witch Queen. Magnetically gifted Fern Capel has at last come into her own with her magical powers—and just in time. . . .

It is a fearsome world of witches, dragons, and goblins, where a gnarled tree bears fruit of human heads. Fern Capel believes she has left it all behind. But now that world is seeping into modern day England: The witch-queen Morgus, who had imprisoned Fern in the ghostly Otherworld, has returned from countless years of exile beneath the gruesome Eternal Tree. Stalking the twenty-first century in her Prada stilettos, Morgus has the mind-set of the Dark Ages and vows to rule the ancient kingdom of Logrez, now modern Britain.

Most of all, Morgus wants revenge on Fern Capel. Rejuvenated through sorcery, neither charm nor weapon can harm the witch-queen. She has planted a cutting from the Eternal Tree in the real world and awaits with impatience the ripening of its terrifying bounty. When Fern learns that her enemy cannot be defeated through conventional means, she turns for help to her best friend, Gaynor, her brother Will, her old mentor, Ragginbone, and Maldo, the goblin-queen. Together, they track Morgus through London’s high-society parties and seedy, sinister contacts, until they finally draw a magic circle in a Soho basement. Fern Capel knows that survival is not enough: This time she must win. But she does not yet understand how high a price she will have to pay.

In this thrilling final novel of her acclaimed trilogy, Jan Siegel takes advantage of her greatest strengths as a writer—weaving magic into a modern-day world and bringing vivid life to a host of characters that readers will not soon forget.

From the Hardcover edition.

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Editorial Reviews

From Barnes & Noble
Perched on her Prada stilettos, stalking the streets of modern London, witch-queen Morgus is primed for revenge and control. With her Dark Ages mentality, Morgus plans to conquer and rule not Britain but the ancient kingdom of Logrez. But nothing drives her dark heart harder than her unremitting thirst for vengeance against Fern Capel. This is the third novel in the captivating series that began with the award-winning Prospero's Children.
Publishers Weekly
British author Siegel offers stylish, satisfying fantasy-horror fare in her third installment in the story of Fern Capel, a cute London PR whiz and fledgling witch. In the first two novels, Prosperos Children and The Dragon Charmer, Fern became aware of her magical powers and acquired a crew of mortal and supernatural allies. This time, an old, once-dead witch queen, Morgus, invades her home turf to seize control of the world and to take sadistic revenge against Fern, who now has to destroy an unkillable foe while protecting her friends. This may sound like Buffy the Vampire Slayer with a U.K. accent, but Siegel does some distinctive, startling things with an apparently trivial form. For one thing, she writes in a quiet but uncommonly witty style that can soar into eloquence or mute into dread as needed. For another, she uses myth and legend in daringly eclectic ways, combining offhand but authoritative-sounding references to, say, Atlantis and King Arthur in the same breath. The author is particularly good at seeing past the actions surface to grapple with what really matters. In this case, as Fern realizes, the goal is not simply to defeat her rival. Morgus has dedicated herself utterly to mastering magical lore, so that in gaining power, she has also wound up grandly alone and insane. So how can Fern beat her without imitating her? How, in other words, can she avoid becoming the new witch queen? The answer is not only disturbing but also tough-mindedly convincing, leaving readers anxious for the next Fern Capel novel. (July 30) Mass Market Copyright 2002 Cahners Business Information.
Library Journal
Modern-day witch Fern Capel strives to piece her life back together after her imprisonment by the ancient sorceress Morgus only to find her dreams disturbed by intimations that her battle with her captor is not yet over. Following Prospero's Children and The Dragon Queen, the third installment of a series featuring a young, resourceful practitioner of magic in the modern world draws upon Arthurian legends and Atlantean myths to create a new twist on an old tale of passion rekindled and love betrayed. Siegel creates complex, believable characters caught in a web of treachery and intrigue. For most fantasy collections. Copyright 2002 Cahners Business Information.
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Product Details

  • ISBN-13: 9780345442598
  • Publisher: Random House Publishing Group
  • Publication date: 9/30/2003
  • Edition description: Reprint
  • Pages: 352
  • Sales rank: 740,095
  • Product dimensions: 4.16 (w) x 6.87 (h) x 0.92 (d)

Meet the Author

Jan Siegel is also the author of The Dragon Charmer and Prospero’s Children, which was chosen by the San Francisco Chronicle and Library Journal as One of the Best Books of the Year. She has already lived through one lifetime— during which she traveled the world and supported herself through a variety of professions, including that of actress, barmaid, garage hand, laboratory assistant, journalist, and model. Her new life is devoted to her writing.

From the Hardcover edition.

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Read an Excerpt

Enter First Witch

The name of the island was Æeea, which, however you attempt to pronounce it, sounds like a scream. It was a gold-green jigsaw fragment of land set far away from any other shore, laced with foam and compassed with the blue-shaded contours of the sea. Near at hand, the gold dulled to yellow: slivers of yellow sand along the coastline, dust-yellow roads, yellow earth and rock showing through the olive groves on the steep climb to the sky. The central crag was tall enough to hook the clouds; in ancient times the natives believed such clouds concealed the more questionable activities of their gods. Nowadays, the former fishermen and peasant farmers catered to the discerning tourist, telling stories of smugglers and shipwrecks, of nymphs and heroes, and of the famous enchantress who had once lived there in exile, snaring foolish travelers in the silken webs of her hair. Æeea was overlooked by the main vacation companies: only the specialists sent their customers to a location with little nightlife and no plate smashing in the quiet tavernas. Most of the more sumptuous villas were owned by wealthy mainlanders who wanted a bolt-hole far from the madding crowd of more commercial destinations.

The villa above Hekati Beach was one of these. More modern than most, it had seaward walls of tinted glass, black marble pillars, cubist furniture standing tiptoe on blood-colored Persian carpets. There was a courtyard, completely enclosed, where orchids jostled for breathing space in the jungle air and the cold silver notes of falling water made the only music. At its heart the latest incumbent had planted a budding tree grown from a cutting—a thrusting, eager sapling, whiplash-slender, already putting forth leaves shaped like those of an oak but larger and veined with a sap that was red. The house was reputedly the property of a shipping magnate, a billionaire so reclusive that no one knew his name or had ever seen his face, but he would loan or rent it to friends, colleagues, strangers, unsocial lessees who wanted to bathe on a private beach far from the prying eyes of native peasant or vulgar tourist. The latest tenant had been there since the spring, cared for by an ancient crone who seemed to the local trades- people to be willfully deaf and all but dumb, selecting her purchases with grunts and hearing neither greeting nor question. Her back was hunched, and between many wrinkles the slits of her eyes appeared to have no whites, only the beady black gleam of iris and pupil. The few who had glimpsed the mistress declared she was as young as her servant was old, and as beautiful as the hag was ugly, yet she too was aloof even by the standards of the house. They said she did not lie in the sun, fearing perhaps to blemish the pallor of her perfect skin, but swam in the waters of the cove by moonlight, naked but for the dark veil of her hair. In the neighboring village the men speculated, talking in whispers over the last metaxa of a goddess beyond compare, and the women said she must be disfigured or diseased. She had a pet even stranger than her servant, a huge sphinx cat hairless as a baby, its skin pie- bald, grayish-white marked with bruise-black patches. It had been seen hunting on the mountain slopes above her garden; someone claimed to have watched it kill a snake.

Behind the glass walls of her house, the woman heard the villagers stories, though her servant never spoke, and smiled to herself, a sweet, secret smile that showed no teeth. She still bathed by night, secure in the power of the moon, and by day she stayed in a darkened room, lighting a cold fire on the cold marble hearth, and gazing, gazing into the smoke. Sometimes she sat in the courtyard, where little sun found its way through the vine-trellised canopy. No cicadas strummed here, though the slopes beyond throbbed with their gypsy sawing; no bee buzzed, or not for long. The hungry orchids snapped up all insect life in their spotted mouths. There was no sound but the water. The woman would sit among the carnivorous plants, dressed in a thin red garment spotted like an orchid, with the black ripples of her hair falling around her shoulders. Watching the tree. The cat came to her there and rubbed its bald flank against her limbs, purring. Will it fruit, Nehemet? she would murmur. It grows, but will it fruit? And if it does, what fruit will it bear? And she would touch the leaves with her pale fingertips—leaves that trembled at that contact, not after but before, as though in anticipation.

For Panioti, son of the woman who owned the village general store and gift shop, there came a night when the last metaxa was a drink too much. He was handsome as only a child of the sun can be, high of cheekbone and brown of skin, with the gloss of youth on him like velvet down and the idle assurance of absolute beauty. In the summer, he minded the shop for his mother and made love to all the prettiest visitors; in the off-season, he went to college in Athens, took life seriously, studied to be an engineer. “I do not believe in the loveliness of this unknown siren,” he maintained over the second to last drink, “or she would not hide herself. A beautiful woman puts on her smallest bikini and shows off her body on the beach. Has anyone seen her?” But no one had. “There you are. I won’t take her charms on trust; like any rumor, they will have grown in the telling. I want proof. I want to see her with my own eyes, swimming naked in the moonlight. Then I will believe her a goddess.”

“Why don’t you?” said one of his companions. “Hide in the olive grove down by the rocks. See for yourself.”

“He would never dare,” said another. “Bet you five thousand drachma.”

By the last drink, the bet was on.

The cove was inaccessible save by the path down from the house, so the following evening Panioti swam around the headland, coming ashore on the rocks in order to leave no footprints, and concealed himself among the olive trees at the base of the slope. He carried in a waterproof case a camera, the kind that would take pictures in the dark without need of a flash, and a bottle of beer. He sat under the leaves in the fading sunset, leopard spotted with shadow, drinking the beer slowly, slowly, to make it last. The dark had come down before the bottle was empty, and he thrust it upright into the sandy soil. He waited, impatient with the crawling hours, held to his vigil only by the thought of his friends scorn if he were to return too soon. At long last his wristwatch showed the hands drawing toward midnight. Now she will come, he thought, or I shall leave. But I do not think she will come.

He first saw her as a white movement on the path, her form apparently wreathed in a glittering mist, her dark hair fading into darkness. She seemed to glide over the uneven ground with a motion that was smooth and altogether silent; he almost fancied her feet did not touch the earth. The hair prickled on his neck. For a moment he could have believed her a pagan spirit, a creature of another kind whose flesh and substance were not of this world. Then as she descended to the beach he realized the mist effect was a loose, transparent garment that she unfastened and shed on the sand; her body glowed in the moonlight, slender and shapely as an alabaster nymph, a cold, perfect thing. She raised her arms to the sky as if in greeting to some forgotten deity, then she walked out into the water. The sea was calm and all but waveless: it took her with barely a ripple. He saw her head for a while as a black nodule silhouetted against the sea glimmer, then it dipped and vanished. Belatedly, he remembered the camera, extracting it from its case, waiting for her to reemerge. He half wondered if she would show in a photograph or if, like some supernatural being, she would leave no imprint on celluloid. He moved forward, lying along the rocks, poised and ready; but the swimmer did not return. She was gone so long his breath shortened in fear and he put the camera aside, braced to plunge in in a search he knew would be hopeless.

She reappeared quite suddenly, within yards of the rocks where he lay. He thought her eyes were wide open, staring through the night with the same dilated gaze with which she must have pierced the darkness undersea. She began to swim toward the shore—toward him—with a sleek, invisible stroke. Then abruptly she rose from the water; the sea streamed from her limbs; her black hair clung wetly to breasts, shoulders, back. For the first time, he saw her face, dim in the moonglow but not dim enough—he looked into eyes deep as the abyss and bright with a luster that was not of the moon; he saw the lips parted as if in hunger . . . He tried to move, to flee, forgetful of the camera, of the bet, of his manly pride; but his legs were rooted. The whisper of her voice seemed to reach into his soul.

“Do I look fair to you, peasant?” She swept back her hair, thrusting her breasts toward him, pale hemispheres surmounted by nipples that jutted like thorns. “Look your fill. Tell me, did you feel bold coming here? Did you feel daring—sneaking among the rocks to gawp, and ogle, and boast to your friends? What will you say to them when you return—if you return? That you have seen Venus Infernalis,

Aphrodite risen from a watery grave, reborn from the spume of the sea god’s ecstasy? What will you say?”

Closer she came and closer; his spirit recoiled, but his muscles were locked and his body shuddered.

“Nothing,” he managed. “I will say nothing. I swear.”

“I know you will say nothing.” She was gentle now, touching a cold finger to his face. “Do you know the fate of those who spy on the goddess? One was struck blind, another transformed into a stag and torn to pieces by his own dogs. But you have no dog, and the blind can still see with the eyes of the mind. So I will blank your mind and put your soul in your eyes. You came here to see me, to behold the mystery of my beauty. I will give you your heart’s desire. Your eyes will be enchanted, lidless and sleepless, fixed on me forever. Does that sound good to you?” Her hands slid across his cheeks, cupped around his sockets. His skin shrank from the contact.

“Please,” he mumbled, and “No . . .” but her mouth smiled and her fingers probed unheeding.

In a velvet sky the moon pulled a wisp of cloud over her face, hiding her gaze from what followed.

The next morning a rumor circulated through the village that the woman and her servant had left in the small hours, taking the hairless cat and uprooting plants from the courtyard. The taxi driver who had driven them to the airport confirmed it, though his tip had been so generous he had gotten drunk for a week and was consequently confused. For some reason, the house was not occupied again. The owner left it untenanted and uncared for, the bloodred carpets faded, and only the orchids thrived. They found Panioti two days later, borne on the sea currents some way from Hekati. He had not drowned and there was no visible injury on his body, save where his eyeballs had been plucked out. But that was not a story they told the tourists.

From the Hardcover edition.

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Table of Contents

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Customer Reviews

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted April 23, 2004

    GREAT BOOK

    I loved this series so much I hated for it to end. I wish there would be a 4th book or a new series where Fern remembers who she was and her powers come back.

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  • Anonymous

    Posted October 9, 2011

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    Posted October 29, 2008

    No text was provided for this review.

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