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Seven years ago, Eliza's childhood sweetheart vanished from the streets of Whitechapel. No one believed her when she told them that he was stolen away by the faeries.
But she hasn't given up the search. It will lead her across London and into the hidden palace that gives refuge to faeries in the mortal world. That refuge is now crumbling, broken by the iron of the underground railway, and the resulting chaos spills over to the streets above.
Three centuries of the Onyx Court are about to come to an end. Without the palace's protection, the fae have little choice but to flee. Those who stay have one goal: to find safety in a city that does not welcome them. But what price will the mortals of London pay for that safety?
With Fate Conspire is a Kirkus Reviews Best of 2011 Science Fiction & Fantasy title.
“An absorbing finale to a series that has grown richer with every installment.”--Kirkus Reviews (starred review) on With Fate Conspire
"[A] complex and vibrant depiction of a magical Victorian era."--Publishers Weekly on With Fate Conspire
"Enchanting, fearsome faerie vistas and pinpoint character delineations make Galen's absorbing quest one to savor and remember."
--Publishers Weekly (starred review) on A Star Shall Fall
“Splendidly mixing historical and fictional characters while carefully depicting the spirit of an age, Brennan’s latest novel should delight fans of historical fantasy.”
--Library Journal on A Star Shall Fall
Final entry in Brennan's historical fantasy series (A Star Shall Fall, 2010, etc.) wherein the Onyx Court, realm of the fae, lies hidden below Queen Victoria's London.
Few humans believe in fairies, and fewer still know the Onyx Court even exists. And with a technological revolution in full swing, London is threaded with iron: paved-over rivers, pipes, bridges, the tracks of the underground railways. The presence of so much iron is destroying the fairy realm; what remains holds together only by the magic and indomitable willpower of its queen, Lune. Her bewildered experts are researching, by scientific, alchemical and magical means, ways to preserve the court, although most others are resigned to fleeing. Meanwhile, Nadrett, the fiendish gangster lord of the Goblin Market, pursues his own nefarious plans, while, in a connected development, certain prominent citizens, both fae and human, find odd chunks of their memories have inexplicably gone missing. On the streets of London above, Eliza O'Malley searches grimly for her sweetheart, who vanished seven years ago, stolen away by the faeries of the Goblin Market. Of course, nobody believes her when she insists he was stolen by fairies. Only Eliza's unshakeable determination keeps her quest alive. Eventually she will cross paths with Dead Rick, Nadrett's tortured, shape-shifting slave, held in thrall by the memories Nadrett stole from him. This time, Brennan's grasp of period detail is sure, as the Dickensian squalor of most mortal sections of the city has its mirror in the teeming desperation of the Goblin Market. Despite the cast of thousands, many of the characters have real presence, and after a slow start the plot coheres and swirls forward into a series of tense and surprising conclusions.
An absorbing finale to a series that has grown richer with every installment.
February–May 1884
I behold London; a Human awful wonder of God!
—William Blake, Jerusalem: The Emanation of the Giant Albion
Oh City! Oh latest Throne! where I was rais’d To be a mystery of loveliness Unto all eyes, the time is well nigh come When I must render up this glorious home To keen Discovery: soon yon brilliant towers Shall darken with the waving of her wand;
Darken, and shrink and shiver into huts,
Black specks amid a waste of dreary sand,
Low-built, mud-walled, Barbarian settlement,
How chang’d from this fair City!
—Alfred, Lord Tennyson, “Timbuctoo”
A great town is like a forest—that is not the whole of it that you see above ground.
—Mr. Lowe, MP, address at the opening of the Metropolitan Railway, reported in the Times, January 10, 1863
Given enough time, anything can become familiar enough to be ignored.
Even pain.
The searing nails driven through her flesh ache as they always have, but those aches are known, enumerated, incorporated into her world. If her body is stretched upon a rack, muscles and sinews torn and ragged from the strain, at least no one has stretched it further of late. This is familiar. She can disregard it.
But the unfamiliar, the unpredictable, disrupts that disregard. This new pain is irregular and intense, not the steady torment of before. It is a knife driven into her shoulder, a sudden agony stabbing through her again. And again. And again.
Creeping ever closer to her heart.
Each new thrust awakens all the other pains, every bleeding nerve she had learned to accept. Nothing can be ignored, then. All she can do is endure. And this she does because she has no choice; she has bound herself to this agony, with chains that cannot be broken by any force short of death.
Or, perhaps, salvation.
Like a patient cast down by disease, she waits, and in her lucid moments she prays for a cure. No physician exists who can treat this sickness, but perhaps—if she endures long enough—someone will teach himself that science, and save her from this terrible death by degrees.
So she hopes, and has hoped for longer than she can recall. But each thrust brings the knife that much closer to her heart.
One way or another, she will not have to endure much more.
Copyright © 2011 by Bryn Neuenschwander
For over three centuries, the Onyx Court of the Fae has existed beneath London. Most humans living above ground are unaware of those residing underneath the city. However, several decades ago, the Industrial Revolution began a new iron age as pipes, bridges and rails run over and under the city; iron is lethal to the Fae whose species has become endangered with short term extinction a likely outcome as their magical realm rapidly diminishes. Only the resolute Queen Lune keeps at bay imminent extinction, but she is dying.
Meanwhile Eliza O'Malley continues her seven years old fruitless search for her vanished best friend Owen who she insists was kidnapped by the fairy; people believe she is insane. Like Lune, Eliza refuses to quit as she seeks the dog man, Goblin Market head gangster Nadrett's slave Dead Rick who betrayed her Owen. Ironically Dead Rick is perhaps the only one who empathizes with Eliza as he wants the return of his stolen memory that Nadrett, as he has done with humans and fae, took from him.
The fourth Onyx Court Victorian fantasy (see Midnight Never Come, in Ashes Lie and A Star Shall Fall) is a terrific tale anchored by one of the best sub-genre backgrounds in recent memory though that also slows down the start of the thriller. Described with dark Dickensian depth in the human and Fae realms, fans will envision the grim squalor of Goblin Court and mortal London as well as the hopelessness of the Onyx Court as urban development fostered by iron encroaches. The key cast is solid as readers anticipate a confrontation between the three determined antagonists as the new Iron Age is destroying Onyx Court and the Fae.
Harriet Klausner
Anonymous
Posted October 1, 2011
No text was provided for this review.
Overview
Marie Brennan returns to the Onyx Court, a fairy city hidden below Queen Victoria's London. Now the Onyx Court faces its greatest challenge.
Seven years ago, Eliza's childhood sweetheart vanished from the streets of Whitechapel. No one believed her when she told them that he was stolen away by the faeries.
But she hasn't given up the search. It will lead her across London and into the hidden palace that gives refuge to...