Wolfhound Centuryby Peter Higgins
Investigator Vissarion Lom has been summoned to the capital in order to catch a terrorist - and ordered to report directly to the head of the secret police.
A totalitarian state, worn down by an endless war, must be seen to crush home-grown insurgents with an iron fist. But Lom discovers Mirgorod to be more corrupted than he imagined: a murky world of… See more details below
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Investigator Vissarion Lom has been summoned to the capital in order to catch a terrorist - and ordered to report directly to the head of the secret police.
A totalitarian state, worn down by an endless war, must be seen to crush home-grown insurgents with an iron fist. But Lom discovers Mirgorod to be more corrupted than he imagined: a murky world of secret police and revolutionaries, cabaret clubs and doomed artists.
Lom has been chosen because he is an outsider, not involved in the struggle for power within the party. And because of the sliver of angel stone implanted in his head.
Sentient water, censored artists, mechanical constructs, old-fashioned detective work, and the secret police are all woven together in this rich and fascinating tapestry."Publishers Weekly"
I absolutely loved WOLFHOUND CENTURY. Higgins's world is a truly original creation, Russian cosmism and Slavic mythology filtered through steampunk and le Carre. What really captured me was his beautiful style and language: his metaphors and associations flow smoothly like the waters of the Mir, and, like Lom without his angel stone, make you see the world in a new way."
Like vintage Mieville or Vandermeer, but with all the violent narrative thriller drive of Fleming at his edgiest. I fell into Wolfhound Century and devoured it in three days flat.Peter Higgins is a great discovery, a gifted writer with a route map to some fascinating new dark corners of the imagination, and a fine addition to the contemporary fantasy canon."
A dark new Soviet alternate history with angels... an alternate history that will grab you by the lapels and snap you to attention."i09.com"
A brilliant exploitation of the power of fantasy: the tender green soul of Russian history set free for uncanny battle with its grey, gunmetal carapace."Francis Spufford
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By Peter Higgins
OrbitCopyright © 2013 Peter Higgins
All rights reserved.
Investigator Vissarion Lom sat in a window booth in the Café Rikhel. Pulses of rain swept up Ansky Prospect, but inside the café, in the afternoon crush, the air was thick with the smell of coffee, cinnamon bread and damp overcoats.
'Why don't you go home?' said Ziller. 'No one's going to come. I can call you if anything happens. You can be back here in half an hour.'
'Someone will come,' said Lom. 'He's not sitting out there for no reason.'
Across the street, a thin young man waited on a bench under a dripping zinc canopy. He had been there, in front of the Timberworkers' Library and Meeting Hall, for three hours already.
'Maybe he spotted us,' said Ziller. 'Maybe the contact is aborted.'
'He could have lost us straight off the boat,' said Lom. 'He didn't even look round. He's not bothered about us. He thinks he's clean.'
They had picked him up off the morning river-boat from Yislovsk. Briefcase – that was the cryptonym they gave him, they didn't know his name – had hung around the wharves for a while, bought himself an apricot juice at a kiosk, walked slowly up Durnovo-Burliuk Street, and sat down on a bench. That was all he had done. He carried no luggage, apart from the small leather case they'd named him for. After an hour he'd taken some bread out of the case and eaten it. Except for that, he just sat there.
Ziller picked up his glass of tea, looked into it critically, set it down untouched.
'He's an arse-wipe. That's what he is.'
'Maybe,' said Lom. 'But he's waiting for something.'
The truth was, Lom rather liked Briefcase. There was something about him – the way he walked, the way his hair was cut. Briefcase was young. He looked ... vulnerable. Something – hatred, idealism, love – had driven him, alone and obviously frightened, all the way across the continent to Podchornok, his ears sticking out pinkly in the rain, to make this crude attempt at contact. The call from Magadlovosk had said only that he was a student, a member of some amateurish breakaway faction of the Lezarye separatists. The Young Opposition. The Self-Liberation Will of All Peoples. He was coming to meet someone. To collect something. Magadlovosk had sounded excited, unusually so, but also vague: The contact, Lom, that's what matters, that's the target. The contact, and whatever it is he's bringing with him.
'You really should go home,' said Ziller. 'What time did you finish last night?'
'I'm fine,' said Lom.
'Fine? You're over thirty, you do twice the hours the others do, you get no promotions, you're on crappy pay, and you need a shave. When did you last eat something decent? '
Lom thought of his empty apartment. The yellow furniture. The unwashed plates and empty bottles. Home.
'Why don't you come round?' Ziller was saying. 'Come tonight. Lena's got a friend. Her husband was killed when the Volkova went down. She's got a kid but ... well, we could invite her—'
'Look,' said Lom. 'I had some paperwork last night, that's all.'
Ziller shrugged. He lit a cigarette and let the smokestream drift out of his nose.
'I just thought ...' he said. 'Maybe you could use a friend, Vissarion. After the Laurits business you've got few enough.'
'Yeah. Well. Thanks.'
They sat in silence, awkwardly, staring out of the window. Watching Briefcase staring at nothing.
'Shit,' said Ziller, half-rising in his seat and craning to see down the road. 'Shit.'
A line of giants, each leading a four-horse dray team and a double wagon loaded high with resin tanks, was lumbering up the hill from the direction of the river quay. They were almost in front of the Rikhel already – the rumbling of the wagons' iron wheels set the café floor vibrating faintly – and when they reached it, Briefcase would be out of sight. The teams were in no hurry: they would take at least ten minutes to pass.
'You'll have to go outside,' said Lom. 'Keep an eye from the alley till they're gone.'
Ziller sighed and heaved himself reluctantly to his feet, trying to shove the loose end of his shirt back under his belt and button his uniform tunic. He took a long, mournful, consolatory pull on the cigarette and ground the stub into the heaped ashtray, squeezed himself out of the booth and went out into the rain with a show of heavy slowness. Theatrics.
Lom watched the giants through the misted window. They walked patiently under the rain: earth-coloured shirts, leather jerkins, heavy wooden clogs. The rain was heavier now, clattering against the window in fat fistfuls. Only one person was standing out in the street. A soldier, bare-headed and beltless, grey uniform soaked almost to black, left sleeve empty, pinned to his side. He had tipped his face back to look up into the rain and his mouth was wide open. As if he was trying to swallow it down. He had no boots. He was standing in a puddle in torn socks, shifting from foot to foot in a slow, swaying dance.
Two kinds of rain fell on Podchornok. There was steppe rain from the west, sharp and cold, blown a thousand versts across the continental plain in ragged shreds. And the other kind was forest rain. Forest rain came from the east in slow, weighty banks of nimbostratus that settled over the town for days at a time and shed their cargo in warm fat sheets. It fell and fell with dumb insistence, overbrimming the gutters and outflows and swelling the waters of the Yannis until it flowed fat and yellow and heavy with mud. In spring the forest rain was thick with yellow pollen that stuck in your hair and on your face and lips and had a strange taste. In autumn it smelled of resin and earth. This, today, this was forest rain.
Ziller was taking his time. The giants and their drays had gone, and Briefcase was still on his bench. The soldier wandered across to him and started waving his one arm. He seemed to be shouting. He had something in his hand and he was trying to show it to Briefcase. Trying to give it to him. Briefcase looked confused.
Shit. This was it. This was the contact!
Lom crashed out into the rain and across the road.
'Hey! You! Don't move! Police!'
Where the hell was Ziller?
Briefcase saw Lom coming. His eyes widened in shock and fear. He should have waited. Showed his papers. Said he had no idea who this soldier was, he'd just been sitting there eating his bread and watching the rain. Instead, he ran. He got about ten paces across the road, when Ziller came out of the alleyway by Krishkin's and took him crashing down into the mud.
The soldier hadn't moved. He was staring at Lom's face. His eyes, expressionless, didn't blink. They were completely brown: all iris, no whites at all. He opened his mouth, as if he was going to speak, and Lom smelled the sour, earthy richness of his breath, but he made no sound. His one hand worked the small cloth bag he was holding as if he was crushing the life out of it. Lom snatched it out of his grip.
'Give me that!'
The man's fingers felt cold. Hard. Brittle.
Lom undid the cord and looked inside. There was nothing but a mess of broken twigs and crushed berries and clumps of some sticky, yellowish substance that might have been wax. It had a sweet, heavy, resinous perfume.
'What the fuck –?' said Lom. 'What the fuck is this?'
The soldier, gazing into him with fathomless brown eyes, said nothing.
Five time zones to the west of Podchornok, on the roof of the Grand Hotel Sviatopolk in Mirgorod, Josef Kantor waited. Despite the ragged fingernails of wind scraping at his face, he was immovable: a pillar of patient rock in a dark and fog-soaked coat. The fog had come and gone. Drifting in off the river before dawn, it had enfolded him in blankness and sifted away at the cold rising of the sun, leaving him beaded with dull grey droplets. He had not moved. He was waiting.
Kantor teased the cavity in his tooth with the fatness of his tongue. The hurting was useful. It kept him rooted in the true present, the only now, the now that he was making come to be. He only had to wait in the cold and it would happen. He only had to not be deflected. Not be moved. And it would happen.
Far below him, Levrovskaya Square, transected by tramlines, was monochrome with yesterday's snow under the blank white dawn. Twelve floors beneath his feet the lobby roof projected, taking a small trapezium bite out of the squareness. Pavement tables were set in two neat rows, penned in by a rectangle of potted hedge. Empty. Sellers were setting up next to the tram stop: a woman putting out a stall of old clothes, linen and dressing gowns; another, wearing a sheepskin coat, lighting a stove for potatoes; an old man arranging his trestle with trays of pancakes, bowls of thin purée, cans for kvass. For the first time, Kantor consulted his watch. Exactly nine a.m.. It was time.
The iron car rattled around the corner and into the square, drawn by a pair of horses, stepping carefully, leaning into the weight, heading for the Bank of Foreign Commerce. His people would begin to move now. He looked for the women first, and there they were, Lidia and Stefania, the edges of their skirts wet with melting snow, crossing to the gendarme in his kiosk on the corner. The women were laughing, and soon the young gendarme was laughing too. He would be smelling their heavy, promising scent. Kantor used the women to ferry explosives, and they soused themselves with perfume to cover the clinging smell of dynamite strapped against their sweating bodies.
Lidia drew the revolver from her skirts and shot the young gendarme twice. His legs gave way and he crumpled into a sitting position, hunched over his burst belly: blood in the slush; crimson in pale grey. He was still alive, moving his body from side to side, pawing weakly at his face. Lidia stepped in close and shot him in the side of his head.
In Levrovskaya Square, no one noticed.
No, that wasn't correct. An old man in the uniform of the postal services was staring across from the opposite pavement. He took his bag from his shoulder and laid it on the ground, gazing at the dead boy. That didn't matter. The strong-car had reached the middle of the square. But where was Vitt? He should have come out of the Teagarden by now.
And there he was, but he was running, his grenade already in his hand. He dropped it hastily into the path of the horses. It didn't explode. It simply lay there in the snow, inert, like a round black fruit. Like the turd of a giant rabbit. Yelling, the driver hauled on the reins. Kantor watched Vitt stand, uselessly, eyes blank and mouth slightly open, gazing in abstraction at his hopeless failure of a bomb.
Vitt turned and ran out of sight down the alley between the Tea-garden and Rosenfeld's. The driver was still screaming at the horses. They stood confused, alarmed, doing nothing. The back of the car opened and soldiers climbed out, looking around for something to fire at. Kantor saw Akaki Serov saunter towards them, smiling, saying something jaunty. When he was close enough he lobbed a bomb with casual grace, going for the horses, and another that rolled under the car. The double flash came, and sudden blooms of smoke and flying stuff, and then the sound of the concussions. The force of the double explosion disembowelled the horses and tore legs and arms and heads off the men. Akaki Serov, who was too close, was burst apart also.
Into the silence before the screaming began, the rest of Kantor's people surged forward, the giant Vaso wading among them like an adult among small children. Lakoba Petrov, Petrov the Painter, hurried along beside him, taking three steps for his one. Petrov was bare-headed, his face flushed pink, firing his Rykov wildly at groin level. The pair ran towards the burst-open strong car, out-distancing the others. Petrov shot a soldier who was rising to his knees, while the giant wrenched at the doors of the car, tearing the metal hinges, and climbed inside. It seemed improbable that he could fit himself inside such a small space, but he ducked into it as if it was a cupboard to hide in.
The others spread out across the square, firing and lobbing grenades. Pieces of flesh, human and horse, spattered the cobbles. There were soft messes of blood and snow and fluid. The screams of the injured sounded as remote to Josef Kantor as the distant cries of the gulls in the bay.
The revolutionary is doomed, he whispered across the Square. The revolutionary has no personal interests. No emotions. No attachments. The revolutionary owns nothing and has no name. All laws, moralities, customs and conventions – the revolutionary is their merciless and implacable enemy. There is only the revolution. All other bonds are broken.
The potato seller lay on her face in the middle of the square, her leg somewhat apart from the rest of her, her arm stretched towards a thing she could not reach.
A kind of quiet began to settle on the square, until the tall bronze doors of the bank were thrown open and a mudjhik came lumbering out, twelve feet high, the colour of rust and dried blood. Whatever small animal had given its brain to be inserted inside the mudjhik's head-casket must have been an exultant predator in life. This one was barely under control. It was smacking about with heavy arms, bursting open the heads of anyone who did not run. Behind the mudjhik, more militia came out of the bank, firing.
Whether it was the shock of the mudjhik or some more private and inward surge of life-desire, one of the horses attached to the strong-car twitched and jerked and rose up, squealing. Still harnessed to the car, its comrade dead in the traces alongside and its own bowels spilling onto the pavement, the horse lowered its head and surged towards the empty mouth of East Prospect. With slow determination it widened the distance between itself and the noise and smell of battle, pulling behind it thirty million roubles and Vaso the giant, who was still inside.
Kantor breathed a lungful of cold, clean air. The chill hit his hollow, blackened tooth and jolted his jaw with a jab of pain. Time to come down from the roof.
When Lom got back from placating Magadlovosk on the phone, Ziller was already in the office, writing up his report. Ziller wrote carefully, word by meticulous word, holding his chewed pencil like a jeweller mending a watch.
'Where are they?' said Lom.
'Briefcase,' said Lom. 'The soldier.'
Ziller put down his pencil. 'Oh,' he said. 'Them. Lasker had them taken across to the Barracks. The militia are going to sweat them a bit and then send them to Vig.'
'What?' said Lom. 'I'd have got what I needed in an hour. They won't survive a week at Vig. You saw them—'
Ziller looked awkward.
'Lasker wanted them off the premises. He said they were an embarrassment.'
'It was a contact,' said Lom.
'Yeah,' said Ziller. 'Well. Lasker thinks you fucked up. Actually, he just doesn't like you. But forget it; it doesn't matter anyway. You're going on a trip. There's a wire on your desk. There was no envelope, so I read it. So did Lasker.'
Lom spread the crumpled telegram out on the table, trying to flatten the creases with the side of his palm. A flimsy sheet with blue printed strips pasted down on it.
INVESTIGATOR VISSARION LOM MUST MIRGOROD SOONEST STOP ATTEND OFFICE UNDER SECRETARY KROGH STOP 6PM 11 LAPKRIST STOP LODKA STOP MANDATED REPEAT MANDATED ENDS
Lom read it three times. It wasn't the kind of thing that happened. A provincial investigator summoned halfway across the continent to the capital. They never did that. Never.
'Maybe they want to give you a medal, Vissarion Yppolitovich,' Ziller said.
'Or shoot me in the throat and dump me in the Mir.'
'Don't need to go to Mirgorod for that. There's plenty here would do it, not only Lasker, after what you did to Laurits.'
'Laurits was a shit,' said Lom. 'I saw the room where she was found. I saw what he did.'
'Sure. Only she was a non-citizen and a tart, and Laurits was one of our shits. He had a wife and daughters. That makes people feel bad. You're not a popular guy any more.'
'It wasn't a career move.'
'Better if it was,' said Ziller. 'They'd understand that.'
'I did it because he was a murdering bastard. That's what policemen do.'
Excerpted from Wolfhound Century by Peter Higgins. Copyright © 2013 Peter Higgins. Excerpted by permission of Orbit.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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Meet the Author
Peter Higgins read English at Oxford and was Junior Research Fellow at Wolfson College before joining the Civil Service. He began writing fantasy and SF stories in 2006 and his work has appeared in Fantasy: Best of the Year 2007 and Best New Fantasy 2. He has been published by Asimov's Science Fiction, Fantasy Magazine and Zahir. His short story "Listening for Submarines" was translated and published by the St. Petersburg-based literary magazine Esli. He is married with three children and lives in South Wales.
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Original and thought provoking, it flows from totalitarian grime to the clarity of the marshland sky with ease. Very original debut novel- part 2 soon please
In Wolfhound Century, Peter Higgins has created a wonderful world blending alternate history and fantasy. Adding giants and fallen angels to a Soviet-style totalitarian society might seem like a strange mix, but in Higgins's capable hands, all of the disparate elements come together in a way which makes perfect sense. The primary plot had me frantically turning the pages, but the references to the back story, involving a war in Heaven, and an underlying theme involving the malleability of the future added a depth which makes me even more eager to read the next book in this projected trilogy: The past was one, but futures were many, an endlessly bifurcating flowering abundance of possibilities all trying to become, all struggling to grow out of the precarious restless racing-forwards of now. Devotees of realistic alternate history (is that an oxymoron?) ala Philip Roth's The Plot Against America should be prepared for something different, but if they can simply accept the fantastical elements, they should be as intrigued by Mirgorod and its environs as I was. I received a free copy of Wolfhound Century through NetGalley in exchange for an honest review.
A good book a kind of alt history russian fantasy, unlike anything i have read. It starts very slow but picks up by the end.
About a totalitarian alternate russia. For the die hard fan of this mishmosh did i add sci fi with implants? The grafic nivel might make a better format. These are realy old fashion pulp stories that authors cut their teeth on and learned their trade and how to meet a dead line fast. Page counter
In Wolfhound Century, author Peter Higgins imagines a fantastic, totalitarian state, inhabited by grim characters. In other words, Higgins has crafted his vision of 1940's Russia. The story mainly follows investigator Vissarion Lom, as he attempts to capture a terrorist. Intrigue is instantly put on display as Lom is ordered to report directly to the head of the Secret Police. Despite the image of power and order that the state projects, Lom discovers the state to be full of power struggles and battles between the state police and radical revolutionaries. Adding to all of this is a muddied attempt by the author to impart elements of fantasy and Russian folklore to this otherwise straight-forward crime thriller. When I first read of the crime leader dealing with a possession of the mind reminiscent of something out of an exorcism film, I immediately felt disconnected from the story. While I believe that Higgins does a commendable job at building his vision of Russia, there comes a point when too many details become cumbersome and distract from the story. I'm convinced that within the many names of places, people, and muddied descriptions of Russian myth, there is a good story. Despite never really getting into a strong flow, I couldn't help but continue reading to the next chapter (short chapters probably helped with this issue). The story itself is fairly convincing, and all of the plot lines come to a satisfying point. Unfortunately, the narrative just stops, which I'm assuming means a sequel to this novel is in the works. For my tastes, however, I just can't get over the style of Higgin's writing to justify reading a future installment.