Wolf's Law

Editorial Reviews

All Music Guide - James Christopher Monger
A play on German anatomist/surgeon Julius Wolff's theory that a human or animal's bones will adapt to the stresses imposed upon them, Wolf's Law, the second studio album from the Joy Formidable, finds the Welsh trio building upon its already gargantuan sound with remarkable aplomb. On 2011's appropriately titled The Big Roar, the band successfully channeled the rich sonic breadth of alt-rock giants like My Bloody Valentine and Lush into the increasingly shallow waters of 21st century indie rock, carving out its own unique tributary with past generations' tools. With arena-sized scope and meticulous attention to detail, the band works with a larger arsenal on ...
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Editorial Reviews

All Music Guide - James Christopher Monger
A play on German anatomist/surgeon Julius Wolff's theory that a human or animal's bones will adapt to the stresses imposed upon them, Wolf's Law, the second studio album from the Joy Formidable, finds the Welsh trio building upon its already gargantuan sound with remarkable aplomb. On 2011's appropriately titled The Big Roar, the band successfully channeled the rich sonic breadth of alt-rock giants like My Bloody Valentine and Lush into the increasingly shallow waters of 21st century indie rock, carving out its own unique tributary with past generations' tools. With arena-sized scope and meticulous attention to detail, the band works with a larger arsenal on Wolf's Law, which pairs all three members' well-honed weapons of choice with a full-on string section, most effective on stunning opening cut "This Ladder Is Ours" and epic closer "The Turnaround," the latter of which lit up the Internet months before the album's release with an evocative, Terrence Malick-inspired video for the song's propulsive three-and-a-half-minute coda. Like The Big Roar, Wolf's Law hits hard and fast once the cage is unlocked, pummeling the listener with inventive yet occasionally exhausting Trompe le Monde-era Pixies and Black Holes and Revelations-inspired Muse-isms, but it's broken up midway through by the lovely unadorned acoustic post-breakup ballad "Silent Treatment," which does a nice job putting the previous cacophony in perspective. The second half of the album, which includes the propulsive, shape-shifting "Maw Maw Song," the expansive and elegiac "Leopard and the Lung," and the aforementioned Sigur Rós-esque "The Turnaround," adheres more closely to the alternately pastoral and explosive nature of the group, sounding for all the world like a storm making its way to land, pausing occasionally to pick up steam amidst the ruin.
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Product Details

  • Release Date: 1/22/2013
  • Label: Atlantic
  • UPC: 075678732515
  • Catalog Number: 534374
  • Sales rank: 46,566

Tracks

Disc 1
  1. 1 This Ladder Is Ours (5:12)
  2. 2 Cholla (3:23)
  3. 3 Tendons (4:19)
  4. 4 Little Blimp (2:52)
  5. 5 Bats (3:48)
  6. 6 Silent Treatment (3:39)
  7. 7 Maw Maw Song (6:47)
  8. 8 Forest Serenade (4:22)
  9. 9 The Leopard and the Lung (6:00)
  10. 10 The Hurdle (3:59)
  11. 11 The Turnaround (9:34)
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Album Credits

Performance Credits
The Joy Formidable Primary Artist
Emma Alter Viola
Joy Smith Harp
Ritzy Bryan Group Member
Matt Thomas Group Member
Rhydian Dafydd Group Member
Jorge Jimenez Violin
Tercia Realidad Strings
James O'Toole Violin
Henrik Persson Cello
Technical Credits
Bob Ludwig Mastering
Martin Wittfooth Paintings
The Joy Formidable Producer
Paul Suarez Pro-Tools
Xavier Stephenson Drum Engineering
Ritzy Bryan Arranger, Composer, String Arrangements
Rhydian Dafydd Arranger, Composer, String Arrangements
Jorge Jimenez Direction
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