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| Family tree | 3 | |
| Saman | 5 | |
| Weeping willow | 7 | |
| Maple, oak, or elm | 9 | |
| Arborvitae | 11 | |
| Locust | 13 | |
| Last trees | 15 | |
| Intimations of mortality from a recollection in early childhood | 19 | |
| Anger & art | 21 | |
| El fotografo | 23 | |
| The red pickup | 25 | |
| Spic | 27 | |
| All-American girl | 29 | |
| Bellevue | 31 | |
| Abbot Academy | 33 | |
| By accident | 35 | |
| Vain doubts | 37 | |
| First muse | 39 | |
| Lunch hour, 1971 | 41 | |
| Heartland | 43 | |
| Bad-weather friends | 45 | |
| Sisterhoods | 47 | |
| Reunion | 49 | |
| My bottom line | 51 | |
| Love portions | 53 | |
| Fights | 55 | |
| Tone | 57 | |
| Hairbands | 59 | |
| Manholes | 61 | |
| Canons | 63 | |
| My kind of woman | 65 | |
| Museo del Hombre | 67 | |
| Ars politica | 69 | |
| Naming the animals | 71 | |
| The animals review pictures of a vanished race | 73 | |
| Why don't we ever see Jesus laughing? | 75 | |
| Addison's vision | 77 | |
| Winter storm | 79 | |
| The therapist | 81 | |
| Disappearing | 83 | |
| Gaining my self back | 85 | |
| That moment | 87 | |
| Signs | 89 | |
| Deathdays | 91 | |
| All's clear | 93 | |
| Now, when I look at women | 95 | |
| At the GYN | 97 | |
| Grand baby | 99 | |
| Life lines | 101 | |
| Spring, at last! | 103 | |
| Regreso | 105 | |
| In Spanish | 107 | |
| You | 109 | |
| Leaving English | 111 | |
| Meditation | 113 | |
| Aficionados | 115 | |
| Touching bottom | 117 | |
| Cleaning ladies | 119 | |
| Tom | 121 | |
| I dream of Allen Ginsberg | 123 | |
| Famous poet, years afterward | 125 | |
| Why I teach | 127 | |
| Undercover poet | 129 | |
| Small portions | 131 | |
| "Poetry makes nothing happen"? | 133 | |
| Reading for pleasure | 135 | |
| Direct address | 137 | |
| Passing on | 139 | |
| El sereno | 143 | |
| Looking up | 145 | |
| What we ask for | 147 | |
| What was it that I wanted? | 149 | |
| Keeping watch | 151 | |
| Why I write | 153 | |
| Did I redeem myself? | 155 |
Anonymous
Posted October 25, 2008
No text was provided for this review.
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