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| Rhye | Primary Artist |
| Tracy Wannomae | Clarinet, Flute, Saxophone |
| Rebekah Raff | Harp |
| Elizabeth Lea | Trombone |
| Tom Lea | Violin, Viola |
| Thomas Drayton | Bass |
| Todd Simon | Trumpet, Flugelhorn |
| August Rosenbaum | Piano |
| Andreas Halberg | Bass |
| Itai Shapiro | Guitar |
| Tom Coyne | Mastering |
| Tracy Wannomae | Horn Arrangements |
| Elizabeth Lea | Horn Arrangements |
| Tom Lea | String Arrangements |
| Todd Simon | Horn Arrangements |
| Stuart Hardie | Art Direction |
| Rhye | Arranger, Producer, Engineer, Horn Arrangements, String Arrangements, Instrumentation |
| Bjørn Gjessing | Piano Engineer |
Editorial Reviews
All Music Guide - Andy Kellman
In 2010, Mike Milosh flew to Denmark to work on a Quadron remix with that duo's Robin Hannibal. The collaboration grew into another duo, named Rhye, which released two singles on Innovative Leisure in 2012. Milosh and Hannibal weren't forthcoming about being behind the achingly romantic soul-pop elegance of "Open" and "The Fall." Once word got out, it seemed forehead-smacking obvious to anyone familiar with Milosh's solo albums and Hannibal's many involvements, Quadron included. Rhye's Woman, released on a major and front-loaded with the first two A-sides, is an ideal fusion of the two instrumentalists and producers, whose sound is enhanced -- never overstuffed -- with ...