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In this book, noted scholar of Hinduism and mythology Wendy Doniger offers a cross-cultural exploration of the theme of self-impersonation, whose widespread occurrence argues for both its literary power and its human value. The stories she considers range from ancient Indian literature through medieval European courtly literature and Shakespeare to Hollywood and Bollywood. They illuminate a basic human way of negotiating reality, illusion, identity, and authenticity, not to mention memory, amnesia, and the process of aging. Many of them involve marriage and adultery, for tales of sexual betrayal cut to the heart of the crisis of identity.
These stories are extreme examples of what we common folk do, unconsciously, every day. Few of us actually put on masks that replicate our faces, but it is not uncommon for us to become travesties of ourselves, particularly as we age and change. We often slip carelessly across the permeable boundary between the un-self-conscious self-indulgence of our most idiosyncratic mannerisms and the conscious attempt to give the people who know us, personally or publicly, the version of ourselves that they expect. Myths of self-imitation open up for us the possibility of multiple selves and the infinite regress of self-discovery.
Drawing on a dizzying array of tales-some fact, some fiction-The Woman Who Pretended to Be Who She Was is a fascinating and learned trip through centuries of culture, guided by a scholar of incomparable wit and erudition.
|Introduction : the self-impersonation of mythology||3|
|Ch. 1||The mythology of self-impersonation||10|
|Ch. 2||The man who mistook his wife for his wife||28|
|Ch. 3||The double amnesia of Siegfried and Brunnhilde||40|
|Ch. 4||Resurrection and the comedy of remarriage||64|
|Ch. 5||Amnesia and the tragedy of remarriage||90|
|Ch. 8||Mind lifts||163|
|Ch. 9||Passing : race and gender||183|
|Conclusion : the zen diagram of the self||203|