Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.

Women and Men

Women and Men

1.0 1
by Joseph McElroy, Joseoh McElroy

See All Formats & Editions

Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New York—from experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into


Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New York—from experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life.
McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs—believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate.
A mirror of manners, the book is also a meditation on the languages—rich, ludicrous, exact, and also American—in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

"Once in a great while there is published a book that judges us, a book so rich in knowledge, imagination, and feeling—in art—that the reader is ravished and humbled, changed, made thankful. Joseph McElroy's mammoth Women and Men is that kind of book, the most important novel to appear in American since Thomas Pynchon's Gravity's Rainbow. (Tom LeClair, Washington Post Book World 3-22-87)

"McElroy's astonishing epic . . . stretch[es] our minds, breaking through old narrative constraints as he charts uncannily new and exciting territory. . . . No serious reader will want to miss Women and Men. . . . By such dreams the world might be saved." (Alicia Metcalf Miller, Cleveland Plain Dealer 4-5-87)

"Like other postmodern big books—The Recognitions, Giles Goat-Boy, Gravity's Rainbow—Women and Men embodies the American notion of manifest destiny, a continent-sized ambition to speak largely in a large land. . . . Brilliant and rigorously human, Women and Men offers a risky, brakeless drive at the far edge of what's possible in the novel." (Albert Mobilio, Voice Literary Supplement 5-5-87)

"Women and Men manages to achieve in its very relentless scope, in the convolutions of its long engulfing sentences and the hypnotic repetition of its thematic elements, a kind of poetry born of contemporary obsession and paranoia. It provides us with a satirical, omnibus overview of present-day life not seen since Gravity's Rainbow, with a like intertwining of jazzy speech and elaborate prose, myth and current history, folklore and technology, pop culture and metaphysics." (Laurence Donovan, Miami Herald 4-12-87)

"McElroy's ambition is heroic . . . his canvas densely peopled, the animating talent is unmistakable." (Publishers Weekly 1-9-87)

Editorial Reviews

Publishers Weekly - Publisher's Weekly
The daunting (1190 pages) length of this novel is the least of the impediments the author imposes between its sheer mass and the most willing reader. Even more challenging is a narrative manner by design elusive, at times opaque, interspersed with digressions, eccentricities, parentheses and asides. The plot focuses on the lives of James Mayn, a journalist come to New York from a town in New Jersey, and Grace Kimball, a feminist/therapist who conducts what she calls a Body-Self workshop for women who have been through the mill. (She is Mayn's neighbor, though the two never meet.) Gradually, fragment by fragment, aspects of their lives are examined, along with the lives of their families, friends, associates, in an effort to encompass a wide range of American experience and some sources of contemporary anxiety and anguish: marriage and divorce, parents and children, sexual deviation, U.S. intervention in Latin American politics, environmental pollution and destruction, nuclear devastation. Across the affective spectrum from estrangment to connectedness, the narrative voices return always to the themes of feeling. ``It's what's between us,'' a voice says, ``or we share.'' McElroy's ambition is heroic (the novel represents a decade's work), his canvas densely peopled, the animating talent unmistakable; but his narrative method is so diffuse and fragmentary, so willfully withholding of information, that the reader's admiration can soon give way to fatigue. (February 27)
Library Journal
This work belongs to that neglected genre of the Sixties, the mega-novel. It is a sprawling narrative full of weird characters, confusing subplots, multiple time frames, and huge chunks of esoteric information. The story focuses on a meteorologist, James Mayn, and a feminist, Grace Kimball, who live in the same apartment building in New York, though ``focus'' may be the wrong word: a basic structural device is to touch briefly on a wide range of subjects, then circle back and add more detail. Thus, there are digressions on the weather, lesbianism, space exploration, the CIA's role in Chile, and the many uses of jojoba beans; only after a few hundred pages can the reader begin to discern any pattern. McElroy's critical reputation has always been impeccable, his audience negligible. (His most recent novel was Lookout Cartridge, LJ 2/1/75.) This book probably won't change that. It is not sexy or suspenseful, but it is endlessly fascinatingand it is McElroy's most ambitious, most successful work to date. Edward B. St. John, Loyola Marymount Univ. Lib., Los Angeles

Product Details

Dalkey Archive Press
Publication date:
Edition description:
Dalkey Archive ed.
Product dimensions:
6.07(w) x 8.99(h) x 1.90(d)

Meet the Author

Joseph McElroy is the author of nine novels, including A Smuggler’s Bible (Harcourt), Hind’s Kidnap (Harper & Row), Ancient History: A Paraphase (Knopf), Lookout Cartridge (Knopf), Plus (Knopf), Women and Men (Knopf), The Letter Left to Me (Knopf), Actress in the House (Overlook), and Cannonball (Dzanc, 2013). His short novella about India, Taken From Him, has just been published as an Amazon Kindle Single. Another novella, Preparations for Search, appeared in 2010. Night Soul and Other Stories, a volume of short fiction, was published by Dalkey Archive Press in 2011. A volume of his essays, Exponential, has been published in Italy and in expanded form will be forthcoming from Dzanc.

His non-fiction book about water is close to completion. Three short plays are forthcoming, and a children's book. He received the Award in Literature from the American Academy of Arts and Letters and fellowships from the Guggenheim, Rockefeller, and D.H. Lawrence Foundations, twice from Ingram Merrill and twice from the National Endowment for the Arts. Among other universities he has taught at Columbia, Johns Hopkins, Northwestern, University of New Hampshire, Temple, NYU, the University of Paris, and the City University of New York. McElroy was born in Brooklyn, New York in 1930. He was educated at Williams College and Columbia University.

Customer Reviews

Average Review:

Post to your social network


Most Helpful Customer Reviews

See all customer reviews

Women and Men 1 out of 5 based on 0 ratings. 1 reviews.
Anonymous More than 1 year ago
This book is not women and men as advertised! Do not buy!