Women and Men

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Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New York—from experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing ...
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Covers have shelf wear. Corners bent and creased. Edges rubbed. Clean text. A percentage of the proceeds of this sale benefits a nonprofit organization. Please feel free to ... inquire for more details. Read more Show Less

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1993 Softcover First Edition Good Condition Good+ 1993 1st ed Dalkey Archive trade format paperback with lovely cover photo. Small tear to base of spine and crease to lower ... front corner, a few page corners previously creased else near VG and tight, unmarked. Sent Airmail at no extra cost; Worldwide Shipping IMMEDIATE 1ST CLASS/AIRMAIL DISPATCH Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Fiction; ISBN: 1564780236. ISBN/EAN: 9781564780232. Inventory No: 054025. *****PLEASE NOTE: This item is shipping from an authorized seller in Europe. In the event that a return is necessary, you will be able to return your item within the US. To learn more about our European sellers and policies see the BookQuest FAQ section***** Read more Show Less

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Overview

Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New York—from experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life.
McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs—believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate.
A mirror of manners, the book is also a meditation on the languages—rich, ludicrous, exact, and also American—in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

"Once in a great while there is published a book that judges us, a book so rich in knowledge, imagination, and feeling—in art—that the reader is ravished and humbled, changed, made thankful. Joseph McElroy's mammoth Women and Men is that kind of book, the most important novel to appear in American since Thomas Pynchon's Gravity's Rainbow. (Tom LeClair, Washington Post Book World 3-22-87)

"McElroy's astonishing epic . . . stretch[es] our minds, breaking through old narrative constraints as he charts uncannily new and exciting territory. . . . No serious reader will want to miss Women and Men. . . . By such dreams the world might be saved." (Alicia Metcalf Miller, Cleveland Plain Dealer 4-5-87)

"Like other postmodern big books—The Recognitions, Giles Goat-Boy, Gravity's Rainbow—Women and Men embodies the American notion of manifest destiny, a continent-sized ambition to speak largely in a large land. . . . Brilliant and rigorously human, Women and Men offers a risky, brakeless drive at the far edge of what's possible in the novel." (Albert Mobilio, Voice Literary Supplement 5-5-87)

"Women and Men manages to achieve in its very relentless scope, in the convolutions of its long engulfing sentences and the hypnotic repetition of its thematic elements, a kind of poetry born of contemporary obsession and paranoia. It provides us with a satirical, omnibus overview of present-day life not seen since Gravity's Rainbow, with a like intertwining of jazzy speech and elaborate prose, myth and current history, folklore and technology, pop culture and metaphysics." (Laurence Donovan, Miami Herald 4-12-87)

"McElroy's ambition is heroic . . . his canvas densely peopled, the animating talent is unmistakable." (Publishers Weekly 1-9-87)

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
The daunting 1190 pages length of this novel is the least of the impediments the author imposes between its sheer mass and the most willing reader. Even more challenging is a narrative manner by design elusive, at times opaque, interspersed with digressions, eccentricities, parentheses and asides. The plot focuses on the lives of James Mayn, a journalist come to New York from a town in New Jersey, and Grace Kimball, a feminist/therapist who conducts what she calls a Body-Self workshop for women who have been through the mill. She is Mayn's neighbor, though the two never meet. Gradually, fragment by fragment, aspects of their lives are examined, along with the lives of their families, friends, associates, in an effort to encompass a wide range of American experience and some sources of contemporary anxiety and anguish: marriage and divorce, parents and children, sexual deviation, U.S. intervention in Latin American politics, environmental pollution and destruction, nuclear devastation. Across the affective spectrum from estrangment to connectedness, the narrative voices return always to the themes of feeling. ``It's what's between us,'' a voice says, ``or we share.'' McElroy's ambition is heroic the novel represents a decade's work, his canvas densely peopled, the animating talent unmistakable; but his narrative method is so diffuse and fragmentary, so willfully withholding of information, that the reader's admiration can soon give way to fatigue. February 27
Library Journal
This work belongs to that neglected genre of the Sixties, the mega-novel. It is a sprawling narrative full of weird characters, confusing subplots, multiple time frames, and huge chunks of esoteric information. The story focuses on a meteorologist, James Mayn, and a feminist, Grace Kimball, who live in the same apartment building in New York, though ``focus'' may be the wrong word: a basic structural device is to touch briefly on a wide range of subjects, then circle back and add more detail. Thus, there are digressions on the weather, lesbianism, space exploration, the CIA's role in Chile, and the many uses of jojoba beans; only after a few hundred pages can the reader begin to discern any pattern. McElroy's critical reputation has always been impeccable, his audience negligible. His most recent novel was Lookout Cartridge, LJ 2/1/75. This book probably won't change that. It is not sexy or suspenseful, but it is endlessly fascinatingand it is McElroy's most ambitious, most successful work to date. Edward B. St. John, Loyola Marymount Univ. Lib., Los Angeles
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Product Details

  • ISBN-13: 9781564780232
  • Publisher: Dalkey Archive Press
  • Publication date: 4/28/1993
  • Edition number: 1
  • Pages: 1191
  • Product dimensions: 6.07 (w) x 8.99 (h) x 1.90 (d)

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