An historical and theoretical analysis of the way gender and race become objects of academic inquiry.
Table of Contents
Preface; 1. Introduction: 'Familiar Strangeness': women intellectuals, modernism, and difference; 2. A courtesan's confession: Freda Kahlo and surrealist entrepreneurship; 3. Leonora Carrington's self-revisions; 4. Hurston among the Boasians; 5. Dreaming history: Hurston, Deloria, and insider-outsider dialogue; 6. 'Lyrical Interrogation': H. D.'s training-analysis; Conclusion; Broken form.
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