Women, Myth, and the Feminine Principle [NOOK Book]

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Overview

The book begins by probing the "Divine Feminine" in Tibet's Gesar of Ling, one of the most fascinating myths of all time. Especially intriguing is the hero's seemingly continuous dependency on the feminine principle for guidance. The heroine in Kalidasa's Sanskrit drama, Sakuntala focuses on the obstacles set in Sakuntala's earthly trajectory, and how these were instrumental in her evolution from the stage of passive, unconscious, and withdrawn archetypal Maiden to that of the conscious, decisive, strong ...
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Women, Myth, and the Feminine Principle

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More About This Book

Overview

The book begins by probing the "Divine Feminine" in Tibet's Gesar of Ling, one of the most fascinating myths of all time. Especially intriguing is the hero's seemingly continuous dependency on the feminine principle for guidance. The heroine in Kalidasa's Sanskrit drama, Sakuntala focuses on the obstacles set in Sakuntala's earthly trajectory, and how these were instrumental in her evolution from the stage of passive, unconscious, and withdrawn archetypal Maiden to that of the conscious, decisive, strong spiritual Mother. To explore the highly complex personalities of Kriemhild and Brunhild in the High German Nibelungenlied is to enter the realm of sun and shadow, the lightened regions of consciousness and the deep interiors of primal darkness. Quiche Mayas's Popul Vuh introduces a primordial couple as active participants in the creation of humankind while Racine's Phaedra projects the dramatist's own gnawing religious conflicts onto his mythical heroine: questions of guilt, remorse, anguish, and fatality/predestination. Yeats's Irish/Celtic feminist and heroine, Deirdre, underscores her inner strength, fortitude, and courage in the face of death while I.B. Singer's "Yentl the Yeshivah Boy" depicts the struggle confronting a young girl from an orthodox Polish Jewish family as she attempts to break out of an ultrapatriarchal society.
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Editorial Reviews

Booknews
In a companion to her 1997 "Women in Myth", Knapp (romance languages, City U. of New York) focuses on the role played by women in specific religious texts, epic poems, theater pieces, and tales narrating sacred events in which deities and supernatural or extraordinary being move through their celestial and earthly trajectories. She examines the Tibetan "Gesar of Ling", the Mayan "Popol Vuh", and other works from European, Indian, and Jewish traditions. Annotation c. by Book News, Inc., Portland, Or.
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Product Details

  • ISBN-13: 9781438409382
  • Publisher: State University of New York Press
  • Publication date: 9/30/2009
  • Sold by: Barnes & Noble
  • Format: eBook
  • File size: 568 KB

Table of Contents

Acknowledgments
Introduction
1 The Divine Feminine in Tibet's Gesar of Ling 1
2 Kalidasa's Sanskrit Drama, Sakuntala: From Passivity to Adamantine Essence 47
3 The Nibelungenlied: Kriemhild and Brunhild - The Obsessive/Compulsive Stress Syndrome 79
4 The Quiche Mayan Popol Vuh: Mother Participates in the Creation 117
5 Racine's Phaedra: "The Horror of Remorse" 151
6 Yeats's Deirdre: An Irish/Celtic Feminist and Heroine 179
7 I.B. Singer's "Yentl the Yeshivah Boy": Gender Deconstruction and the Fashioning of the Modern Woman 209
Conclusion 239
Notes 245
Bibliography 251
Index 261
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