Women of the Way: Discovering 2,500 Years of Buddhist Wisdom

Overview

In this groundbreaking work, Sallie Tisdale traces women Buddhist masters and teachers across continents and centuries, drawing upon historical, cultural, and Buddhist records to bring to life these narratives of ancestral Buddhist women.

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Overview

In this groundbreaking work, Sallie Tisdale traces women Buddhist masters and teachers across continents and centuries, drawing upon historical, cultural, and Buddhist records to bring to life these narratives of ancestral Buddhist women.

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Editorial Reviews

Buddhadharma
“A well-written, deeply moving collection of stories…. Fanciful and eminently readable.”
East West Woman
“With her frank and thoughtful writing style, Tisdale takes the reader on a philosophical adventure….”
Booklist
“[A] beautifully crafted volume. The universal wisdom and enlightened thinking preserved in this collection transcend gender.”
Kansas City Star
“A much-needed account of feminine teachers and leaders in Buddhism.”
Jane Hirshfield
“An enlivening and indispensable volume.”
Kansas City Star
“A much-needed account of feminine teachers and leaders in Buddhism.”
Buddhadharma
“A well-written, deeply moving collection of stories…. Fanciful and eminently readable.”
Booklist
“[A] beautifully crafted volume. The universal wisdom and enlightened thinking preserved in this collection transcend gender.”
East West Woman
“With her frank and thoughtful writing style, Tisdale takes the reader on a philosophical adventure….”
Publishers Weekly
Known for her books and essays but less well-known as a lay Buddhist teacher and consulting editor to the magazine Tricycle, Tisdale unites her spiritual and feminist concerns by breathing life into historical women of Buddhism. The book constructs a female lineage (line of teachers) for Zen Buddhism, including ancestors known through mythic tales and through Indian, Chinese and Japanese traditional writings. So much of women's history is unwritten that Tisdale "reimagines" the past in a series of stories about individual women who taught and practiced Buddhism. Some sketches are as beautifully done as brush paintings, apparently simple yet the result of skillful rendering of details selected to summon up an unknown and far removed life. Tisdale's descriptive writing is especially imaginative ("Their waters are endlessly broken by canoes and rough sailing boats, and endlessly renewed"). Occasionally, the book is confusing; the Western eye only slowly negotiates the Japanese names that can pile up in any given story of a woman and her family, teachers and temples. Although not a book for beginning students of Buddhism, this compilation of gracefully written stories helps American Buddhism put its egalitarian stamp on the evolving wisdom tradition that originated with the Indian prince Siddhartha 2,500 years ago. (Mar.) Copyright 2005 Reed Business Information.
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Product Details

  • ISBN-13: 9780061146596
  • Publisher: HarperCollins Publishers
  • Publication date: 3/13/2007
  • Edition description: Reprint
  • Pages: 320
  • Sales rank: 433,067
  • Product dimensions: 5.31 (w) x 8.00 (h) x 0.72 (d)

Meet the Author

Sallie Tisdale is the author of several books, including The Best Thing I Ever Tasted and Talk Dirty to Me. She is a consulting editor at Tricycle. Her work has appeared in numerous publications, including Harper's, the New Yorker, New Republic, Allure, Outside, Vogue, Tin House, Antioch Review, and Creative Nonfiction. Tisdale is currently training as a priest at Dharma Rain Zen Center in Portland, Oregon.

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Read an Excerpt

Women of the Way

Discovering 2,500 Years of Buddhist Wisdom
By Sallie Tisdale

HarperCollins Publishers, Inc.

Copyright ©2006 Sallie Tisdale
All right reserved.

ISBN: 0060598166

Chapter One

Mythical Ancestors

The Buddhist canon in its entirety fills hundreds of volumes. Much of this is taken up by sutras, which traditionally means the words of a buddha, a fully enlightened being. Many of the sutras are short, simple stories or lectures, often called discourses, told by the historical buddha to his followers. They arose from an oral tradition and were used to expound and explain the teaching. Sutras are intended to invoke awe and faith as well as understanding, to comfort and instruct, to affirm and inspire. Buddhist belief includes the existence of uncountable buddhas in uncountable buddha realms, both before and after this particular world and its buddha, and some of the great sutras take place in this universe. An extraordinary ease with unbounded space and time marks many of these sutras, which may be the most blissful and miraculous of all religious literature.

Sutras are marked by particular qualities, though within those qualities they vary a great deal. The language of the sutras is formal. Some are funny, and most are filled with deliberate (and sometimes mind-boggling) repetition. The central concern is always the nature of enlightenment itself.Most include lessons or lists, some are oral histories of debates and events, and some use archetypal and mythical imagery, including the kind of everyday miracles common to religious myth. Certain characters appear again and again, fulfilling particular roles. Sariputra is often presented as a dull fellow who needs to be instructed repeatedly in order to understand the teaching. Mañjusri represents wisdom. Ananda sometimes speaks for the Buddha, in his role as living memory.

The blurred boundaries of concrete reality and the world of the formless fill and define the great Mahayana sutras, which describe a universe of flexible time and space. The Buddha easily appears in multiple worlds, in many places and times, sometimes in many worlds at once. He walks in the air, levitates his audience, builds temples in the sky, or transforms the environment in order to make a point. Flowers rain from the heavens; music fills the world. There is little or no barrier between the human world and the worlds occupied by other beings, such as dragons, demons, gods, and bodhisattvas. The characters in sutras move readily from form to form, life to life, world to world, appearing in each other's places and times effortlessly. Their names evoke great qualities -- Energetic Power, Lion's Foot, Diamond Matrix, Forest of Virtues. Prophecies are made, predictions fulfilled, and the merit of many lifetimes comes to fruit.

In such a malleable literature, Maya, whose story is told in several places, including the very long Avatamsaka Sutra, is able to die in the human world and later appear elsewhere, in the world of the gods. (The Avatamsaka Sutra is so long and repetitious that its main stories are collected in a separate appended chapter, the "Entry into the Realm of Reality," for ease of reading. It is from this section that I've taken the latter part of Maya's story, as well as that of Prabhuta, found elsewhere in the world of the gods.)

The dragon people, or Nagas, appear in many stories throughout the Buddhist canon. The Buddha preached a very brief sutra to them, in which he says that theirs is a rebirth of extraordinary beauty. The Naga princess, who has no name but whose story is famously told in the Lotus Sutra, demonstrates the ease with which a wise being can transform from shape to shape. Her story has been interpreted in more than one way over the years. My own interpretation is based in a careful reading not only of the short section in which she appears but of the Lotus Sutra itself, which is devoted to the universality of enlightenment.

Another woman of the Naga realms appears in the Sutra of Sagara, the Naga King, also called the Ocean Dragon King Sutra. (The sutras are deeply interrelated, and so are their characters. King Sagara is the father of the nameless princess.) Another dragon woman, known by the name Silk Brocade and other titles, meets the Buddha in this sutra when he travels to the dragon's kingdom beneath the sea.

Queen Shrimala is a figure we know little of these days, but whose lectures and miraculous meeting with the Buddha were well known in historical Buddhist China and Japan. Her story, the Srimaladevisim-hanadasutram, or the Lion's Roar of Queen Srimala, at last available in English (from Tibetan and Chinese translations), was widely read and lectured upon historically, but today it is little studied. I think this is unfortunate, and not only because in her short but challenging tale the Buddha insists that the story be kept alive. It begins, like many sutras, with Ananda's memory: "Thus have I heard," says Ananda. "The Buddha commanded that Kausika and I keep this story alive, telling it again and again, sharing it with all the gods and people of all forms."

The following stories are taken directly from the sutras but are cast in my own words. Those familiar with these sutras will notice that some of the repetition, especially the repetition of cosmic and miraculous images, is missing, as a concession to the storytelling and the modern reader. The context of time and place is added in some cases. There is no substitute for the original, of course.

Continues...


Excerpted from Women of the Way by Sallie Tisdale Copyright ©2006 by Sallie Tisdale. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

Introduction : bright grass 1
The mother : Maha Maya 33
Rediance : Ratnavati 37
The Buddha of universal light : Srimala 41
The supernatural one : Naga Deva 45
The generous woman : Prabhuta 49
The leader : Maha Pajapati 55
Wisdorn body : Khema 63
The slave : Punnika 68
Cloak walker : Patachara 72
Curlyhair : Bhadda 77
The widow : Dbammadianna 84
The dutiful one : Sumana 89
The seed : Kisagotami 91
Beautiful eyes : Subha 94
Old bones : Dhamma 98
Teacher of trees : Sukha 101
Shapeshifter : Uppalavanna 104
Flesh : Zongchi 111
The hat : Shiji 121
The footnote : Ling Xingpo 125
Bright sun : Lingzhao 129
The iron grinder : Liu Tiemo 136
The mountain : Moshan Liaoran 143
Wind : Miaoxin 145
Purple robes : Huiguang, Huiwen, Fedeng, and Wenzhao 149
The bathhouse attendant : Kongshi Daoren 153
No robes : Yu Daopo 163
The silence : Miaodao 166
The first : Zensbin 177
The empress : Komyo 187
The independent one : Seishi 197
The marrow : Ryonen, Shogaku, and Egi 204
The bucket : Mugai Nyodai 213
The knife : Kakuzan Shido 222
Family : Ekan Daishi, Myosho Enkan, Konto Ekyu, and Mokufu Sonin 226
The paper sword : Shotaku 234
The hidden flowers : Yodo 237
The irresistible one : Eshun 241
Skin : Daitsu Bunchi 244
Firewood : Ryonen Genso 252
The lonely one : Teijitsu 260
The worker : Obasbi 264
Afterword : the new ancestors
Tenmyo Jorin 271
Ruth Eryu Jokei Fuller Sasaki 273
Nagasawa Sozen 274
Kendo Kojima 275
Yoshida Eshun 276
Houn Jiyu Kennett 277
Maurine Myo-on Stuart 278
Gesshin Myoko Prabhasa Dharma Cheney 280
Chant and dedication 283
The womb : Prajnaparamita 287
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  • Posted June 3, 2011

    Entrancing And Enlightning

    Tisdale does a tremendous job in writing great living accounts of these women in short stories you truly do feel the pain and experiences of these spiritual-seekers. She really presents in clear detail how influential women have been at every stage yet ignored and shunned but never daunted to achieve enlightenment.

    Thank You,
    Sallie Tisdale

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  • Anonymous

    Posted June 24, 2011

    No text was provided for this review.

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