Women Poets of China: Orchid Boat

Women Poets of China: Orchid Boat

by Kenneth Rexroth, Ling Chung
     
 

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“The poetry proves again that stereotypes mislead. Chinese verse is supposedly cool and distant, detached and dispassionate. The opposite seems true; poets are exalted or downcast, drunk with wine or, in the case of women, frankly sensuous....Nothing stands still in this poetry: the wind blows the trees, the lake water ripples and the ever-present road

Overview

“The poetry proves again that stereotypes mislead. Chinese verse is supposedly cool and distant, detached and dispassionate. The opposite seems true; poets are exalted or downcast, drunk with wine or, in the case of women, frankly sensuous....Nothing stands still in this poetry: the wind blows the trees, the lake water ripples and the ever-present road runs in and out of the hills.” —America
This book (originally published in 1972 by The Seabury Press as The Orchid Boat) is the first representative collection of the poetry of Chinese women to appear in English. Unlike Japan with its long tradition of women writers, poetry by women did not become fashionable in China until the Ch'ing dynasty (1644-1911), although poems from earlier centuries that do in fact survive will quickly dispel any stereotyped views. Included here are samplings from the legendary earliest poetry of courtesans, palace women, and Tao priestesses to works by contemporary Chinese women living in both the East and West. Appendixes include notes on the poems, an introductory essay on Chinese women and literature, a table of historical periods, and a bibliography.

Product Details

ISBN-13:
9780811208215
Publisher:
New Directions Publishing Corporation
Publication date:
02/28/1982
Series:
New Directions Paperbook
Edition description:
Reissue
Pages:
150
Sales rank:
1,340,280
Product dimensions:
5.20(w) x 8.00(h) x 0.50(d)
Lexile:
1040L (what's this?)

Related Subjects

Meet the Author

Poet-essayistKenneth Rexroth(1905-1982) was a high-school dropout, disillusioned ex-Communist, pacifist, anarchist, rock-climber, critic and translator, mentor, Catholic-Buddhist spiritualist and a prominent figure of San Francisco's Beat scene. He is regarded as a central figure of the San Francisco Renaissance and is among the first American poets to explore traditional Japanese forms such as the haiku.

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