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Retells the following Greek myths: "The Gorgon's Head," "The Golden Touch," "The Paradise of Children," "The Three Golden Apples," "The Miraculous Pitcher," and "The Chimaera." Includes essays on Nathaniel Hawthorne and Walter Crane.
The Gorgon’s Head
INTRODUCTORY TO “THE GORGON’S HEAD”
Beneath the porch of the country-seat called Tangle-wood, one fine autumnal morning, was assembled a merry party of little folks, with a tall youth in the midst of them. They had planned a nutting expedition, and were impatiently waiting for the mists to roll up the hill-slopes, and for the sun to pour the warmth of the Indian summer over the fields and pastures, and into the nooks of the many-colored woods. There was a prospect of as fine a day as ever gladdened the aspect of this beautiful and comfortable world. As yet, however, the morning mist filled up the whole length and breadth of the valley, above which, on a gently sloping eminence, the mansion stood.
This body of white vapor extended to within less than a hundred yards of the house. It completely hid everything beyond that distance, except a few ruddy or yellow treetops, which here and there emerged, and were glorified by the early sunshine, as was likewise the broad surface of the mist. Four or five miles off to the southward rose the summit of Monument Mountain, and seemed to be floating on a cloud. Some fifteen miles farther away, in the same direction, appeared the loftier Dome of Taconic, looking blue and indistinct, and hardly so substantial as the vapory sea that almost rolled over it. The nearer hills, which bordered the valley, were half submerged, and were specked with little cloud-wreaths all the way to their tops. On the whole, there was so much cloud, and so little solid earth, that it had the effect of a vision.
The children above-mentioned, being as full oflife as they could hold, kept overflowing from the porch of Tangle-wood, and scampering along the gravel-walk, or rushing across the dewy herbage of the lawn. I can hardly tell how many of these small people there were; not less than nine or ten, however, nor more than a dozen, of all sorts, sizes, and ages, whether girls or boys. They were brothers, sisters, and cousins, together with a few of their young acquaintances, who had been invited by Mr. and Mrs. Pringle to spend some of this delightful weather with their own children, at Tanglewood. I am afraid to tell you their names, or even to give them any names which other children have ever been called by; because, to my certain knowledge, authors sometimes get themselves into great trouble by accidentally giving the names of real persons to the characters in their books. For this reason, I mean to call them Primrose, Periwinkle, Sweet Fern, Dandelion, Blue Eye, Clover, Huckleberry, Cowslip, Squash-Blossom, Milkweed, Plantain, and Buttercup; although, to be sure, such titles might better suit a group of fairies than a company of earthly children.
It is not to be supposed that these little folks were to be permitted by their careful fathers and mothers, uncles, aunts, or grandparents, to stray abroad into the woods and fields, without the guardianship of some particularly grave and elderly person. Oh no, indeed! In the first sentence of my book, you will recollect that I spoke of a tall youth, standing in the midst of the children. His name—(and I shall let you know his real name, because he considers it a great honor to have told the stories that are here to be printed)—his name was Eustace Bright. He was a student at Williams College, and had reached, I think, at this period, the venerable age of eighteen years; so that he felt quite like a grandfather towards Periwinkle, Dandelion, Huckleberry, Squash-Blossom, Milkweed, and the rest, who were only half or a third as venerable as he. A trouble in his eyesight (such as many students think it necessary to have, nowadays, in order to prove their diligence at their books) had kept him from college a week or two after the beginning of the term. But, for my part, I have seldom met with a pair of eyes that looked as if they could see farther or better than those of Eustace Bright.
This learned student was slender, and rather pale, as all Yankee students are; but yet of a healthy aspect, and as light and active as if he had wings to his shoes. By the by, being much addicted to wading through streamlets and across meadows, he had put on cowhide boots for the expedition. He wore a linen blouse, a cloth cap, and a pair of green spectacles, which he had assumed, probably, less for the preservation of his eyes than for the dignity that they imparted to his countenance. In either case, however, he might as well have let them alone; for Huckleberry, a mischievous little elf, crept behind Eustace as he sat on the steps of the porch, snatched the spectacles from his nose, and clapped them on her own; and as the student forgot to take them back, they fell off into the grass, and lay there till the next spring.
Now, Eustace Bright, you must know, had won great fame among the children, as a narrator of wonderful stories; and though he sometimes pretended to be annoyed, when they teased him for more, and more, and always for more, yet I really doubt whether he liked anything quite so well as to tell them. You might have seen his eyes twinkle, therefore, when Clover, Sweet Fern, Cowslip, Buttercup, and most of their playmates, besought him to relate one of his stories, while they were waiting for the mist to clear up.
“Yes, Cousin Eustace,” said Primrose, who was a bright girl of twelve, with laughing eyes, and a nose that turned up a little, “the morning is certainly the best time for the stories with which you so often tire out our patience. We shall be in less danger of hurting your feelings, by falling asleep at the most interesting points,—as little Cowslip and I did last night!”
“Naughty Primrose,” cried Cowslip, a child of six years old; “I did not fall asleep, and I only shut my eyes, so as to see a picture of what Cousin Eustace was telling about. His stories are good to hear at night, because we can dream about them asleep; and good in the morning, too, because then we can dream about them awake. So I hope he will tell us one this very minute.”
“Thank you, my little Cowslip,” said Eustace; “certainly you shall have the best story I can think of, if it were only for defending me so well from that naughty Primrose. But, children, I have already told you so many fairy tales, that I doubt whether there is a single one which you have not heard at least twice over. I am afraid you will fall asleep in reality, if I repeat any of them again.”
“No, no, no!” cried Blue Eye, Periwinkle, Plantain, and half a dozen others. “We like a story all the better for having heard it two or three times before.”
And it is a truth, as regards children, that a story seems often to deepen its mark in their interest, not merely by two or three, but by numberless repetitions. But Eustace Bright, in the exuberance of his resources, scorned to avail himself of an advantage which an older story-teller would have been glad to grasp at.
“It would be a great pity,” said he, “if a man of my learning (to say nothing of original fancy) could not find a new story every day, year in and year out, for children such as you. I will tell you one of the nursery tales that were made for the amusement of our great old grandmother, the Earth, when she was a child in frock and pinafore. There are a hundred such; and it is a wonder to me that they have not long ago been put into picture-books for little girls and boys. But, instead of that, old gray-bearded grandsires pore over them in musty volumes of Greek, and puzzle themselves with trying to find out when, and how, and for what they were made.”
“Well, well, well, well, Cousin Eustace!” cried all the children at once; “talk no more about your stories, but begin.”
“Sit down, then, every soul of you,” said Eustace Bright, “and be all as still as so many mice. At the slightest interruption, whether from great, naughty Primrose, little Dandelion, or any other, I shall bite the story short off between my teeth, and swallow the untold part. But, in the first place, do any of you know what a Gorgon is?”
“I do,” said Primrose.
“Then hold your tongue!” rejoined Eustace, who had rather she would have known nothing about the matter. “Hold all your tongues, and I shall tell you a sweet pretty story of a Gorgon’s head.”
And so he did, as you may begin to read on the next page. Working up his sophomorical erudition with a good deal of tact, and incurring great obligations to Professor Anthon, he, nevertheless, disregarded all classical authorities, whenever the vagrant audacity of his imagination impelled him to do so.
All new material copyright © 1998 by Tom Doherty Associates, Inc.
|The Gorgon's Head|
|Tanglewood Porch--Introductory to The Gorgon's Head||15|
|The Gorgon's Head||21|
|Tanglewood Porch--After the Story||57|
|The Golden Touch|
|Shadow Brook--Introductory to The Golden Touch||60|
|The Golden Touch||64|
|Shadow Brook--After the Story||90|
|The Paradise of Children|
|Tanglewood Play-Room--Introductory to The Paradise of Children||94|
|The Paradise of Children||99|
|Tanglewood Play-Room--After the Story||124|
|The Three Golden Apples|
|Tanglewood Fireside--Introductory to The Three Golden Apples||126|
|The Three Golden Apples||133|
|Tanglewood Fireside--After the Story||163|
|The Miraculous Pitcher|
|The Hill-Side--Introductory to the Miraculous Pitcher||167|
|The Miraculous Pitcher||171|
|The Hill-Side--After the Story||200|
|Bald-Summit--Introductory to The Chimaera||202|
|Bald-Summit--After the Story||238|
|List of Designs|
|Frontispiece--Bellerophon on Pegasus||2|
|List of Designs||12|
|The Gorgon's Head--Headpiece||21|
|Perseus and the Graiae||37|
|Perseus armed by the Nymphs||42|
|Perseus and the Gorgons||49|
|Perseus showing the Gorgon's Head||54|
|Headpiece--Tanglewood Porch, After the Story||57|
|The Golden Touch--Headpiece||64|
|The Stranger appearing to Midas||69|
|Midas' Daughter turned to Gold||82|
|Midas with the Pitcher||87|
|Headpiece--Shadow Brook, After the Story||90|
|The Paradise of Children--Headpiece||99|
|Pandora wonders at the Box||102|
|Pandora desires to open the Box||109|
|Pandora opens the Box||116|
|Headpiece--Tanglewood Play-Room, After the Story||124|
|The Three Golden Apples--Headpiece||133|
|Hercules and the Nymphs||137|
|Hercules and the Old Man of the Sea||146|
|Hercules and Atlas||153|
|Headpiece--Tanglewood Fireside, After the Story||163|
|The Miraculous Pitcher--Headpiece||171|
|Philemon and Baucis||172|
|The Strangers in the Village||177|
|The Strangers entertained||188|
|Headpiece--The Hill-Side, After the Story||200|
|Bellerophon at the Fountain||211|
|Bellerophon slays the Chimaera||232|
|Headpiece--Bald Summit, After the Story||238|
Posted July 7, 2012
This is a wonderful book of classic stories, beautifully written. However, this version does not come with a hyperlinked table of contents like the more expensive nook version, and is very difficult to navigate. See the free samples first, and spend the extra two dollars for the indexed version.
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Posted May 12, 2012